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The Gnarly Bee is a boutique clone of the Mosrite Fuzzrite by Bulinski Effect Pedals. You’ve heard the Fuzzrite in many classic tunes from the 60’s and 70’s. With the Gnarly Bee, you can put the same buzzing fuzz tone into your own music. This is our updated 2023 version. This pedal now features a high pass filter that can be turned on and off with a toggle switch. For more information, see the Gnarley Bee Retro Fuzz Effect Pedal Manual.

This pedal can be powered by 2.1 mm 9V DC negative center power cord only (not included). Other features include true bypass circuitry and an LED indicator light.

Assembled in Orlando, Florida, U.S.A.

SÚPER rite´67 is a handmade Silicon Fuzz based on the original 1967 fuzz spec. The SÚPER rite '67 has been handcrafted by recreating the original fuzz pedals. 
You will have in your hands a unique piece that exudes all the sound of the mythical silicon circuit of the 1967 Mosrite Fuzz. 
Ed Sanner would be proud of this pedal.

The Fredric Effects Foxrite is a modernised version of the late 60s Silicon Mosrite Fuzzrite. It is an exact reconstruction of the original circuit, improved with the addition of a boost stage to bring the volume up to modern expectations. The Foxrite is a uniquely abrasive effect - offering sounds from garagey distortion to full-on octavey, velcro-ripping fuzz.

The Foxrite MkII features a central slider switch, labelled 'Rite' and 'Rong'. This adds greatly to the versatility of the effect. The 'Rite' setting is the vintage correct Fuzzrite circuit, whereas the 'Rong' mode is another popular variation on the Fuzzrite. In this mode, the two gain stages of the circuit are kept in series, and the 'Depth' control acts more like a conventional tone control - from doomy bass to raspy, spitting treble.

The Fuzzpaghetti is Manlay Sound’s clone of the 1968 Silicon Mosrite FuzzRite, a surf classic. Its name also pays homage to those guitar sounds which allegedly used this pedal in Spaghetti Western films in the '60s and '70s. The Fuzzpaghetti is a really versatile fuzz. It has that high pitched, sharp voice characteristic in these units. Hand wired, and silk printed in Barcelona, it sports a custom made stainless steel enclosure which also pays tribute to the original unit, but in a pedalboard-friendly size.

Characteristics: - High quality components - 2N3904 and 2N2222 silicon transistors - Alpha pots - Amphenol closed jacks - PCB circuit - Negative pole DC 9V jack - True bypass switch - Custom brushed steel enclosure - Dimensions: 5.59" x 3.15" x 1.97"

Discovering the secrets behind the iconic sound of "Spirit in the Sky" has been an exciting journey for me. After speaking with Norman Greenbaum, I learned that he had a Boss Tone circuit built into his Telecaster, paired with a cranked-up Twin Reverb amplifier.

Through experimentation, I realized that a drained 9-volt battery could alter the circuit's tone to sound like the original song. By testing lower voltages, I finally achieved a sound that closely resembles the classic track, and I couldn't be happier with the results!

Introducing our latest innovation, the Dallas Fuzz, the newest addition to our plug-in series. This Fuzz is a silicon version of the classic Fuzz Face circuit featuring true bypass switching and an LED indicator. We've ingeniously housed a full-size FF circuit complete with half-watt resistors and a Q1 trim pot, allowing for precise adjustments to achieve endless sustain. Perfectly designed for professional musicians and enthusiasts alike, the Dallas Fuzz delivers unparalleled tone and reliability. Enhance your sound with the premium quality and meticulous craftsmanship that Jordan is known for.

Unleash the potential of your guitar's sound with Acid Tone, the ultimate fuzz pedal based on the iconic Mosrite fuzzite pedal from the 1960s.

We’ve integrated a switch that toggles a 22K filter resistor to give you unparalleled control over your tone.

With the resistor engaged, you get the classic stock setting; flip the switch to remove the 22K resistor and experience the louder, more dynamic Acid Tone modded position.

This simple yet powerful modification really opens the pedal up and lets it sing in ways you’ve never heard before.

Elevate your sound with Jordan Fuzz’s Acid Tone and Experiment with the lower attack settings for some incredible fuzz sounds!

Unleash the potential of your guitar's sound with the Buzz Tone Plugin from Jordan Fuzz.

This is our improved version of the vintage Bosstone we call the Buzztone.

All of the component values are exactly what you would find in a vintage Bosstone, but we've upgraded key components to provide the best tone and low noise operation.

Our version sports these key upgrades:

• The base plate is now rust free stainless steel.

• 1/2 watt film resistors in the correct value for low noise.

• Metal film capacitors for smooth sound and low noise.

• Silver Mica capacitor for ultra smooth sustain.

• Correct transistors that replace in Motorola in house numbers MSPS3363 MSPS3364.

• High Quality wire and Jacks.

• Improved Switch and Pots.

Bring your guitar to life with unparalleled sound quality and modern reliability.

This auto-wah is named in tribute to the song Sugar Blues, which became popular through Clyde McCoy's iconic wah-wah mute sound. The Sugar Blues auto-wah offers rich expression with its Attack and Decay controls, as well as its wide range of Tone settings. The unique Linger control adds tremolo-like sustain to the wah sound. Its excellent picking response makes this pedal versatile, suitable for a variety of music styles, from sweet jazz to rock, or even pop band groove.

Controls:

ATK/DCY: Adjust the Attack response and Decay speed. Effect indicator. Hold to switch filter direction between close-to-open or open-to-close. TONE: Filter width and filter position settings. LINGER: Linger amplitude and linger speed control. MIX: Dry/Wet setting. Features

Unique Linger function to add repetitive wah effects, tremolo-like sustain. True bypass. Three user-defined memory settings (Attack, Decay, Linger [amplitude and speed], Tone [filter width and position], Mix, and Filter Direction). Low-cut control. Offers Q adjustability with a higher wet setting for more exciting wah effect.

The Axentrix II offers a unique Clean mode, and three drive settings, Crunch, Distortion, and Forbidden (Fuzz), all housed in an exquisitely crafted enclosure. From a high-headroom clean tone to a transparent crunch sound, and glitchy distortion, the Axentrix II is capable of creating a variety of sound characteristics while accommodating a wide range of picking nuance.

Controls

GAIN: Gain control. Hold to select drive modes (Clean, Crunch, Distortion, and Forbidden). Clean: No distortion; create your own neutral clean sound. Use as a booster or keep it always on like a preamp. Crunch: A satisfying transparent sound that you might always keep on. Distortion: Rich and glitchy distortion sound with great picking response. Forbidden: We don't recommend playing in this drive setting... you know what we mean! TONE: Tone control. Hold for 3-band EQ settings. NUANCE: Adjust the picking nuance from a creamy, sustained sound to an edgy sound. LEVEL: Level control. Hold during effect-off to switch between true bypass and buffered. Features

3-band EQ settings. Three user-defined memory settings (Drive, Gain, Tone, Nuance, Level, EQ, Mode). True bypass or buffered with 3-band EQ adjustability. Modern and Classic modes. Classic mode offers a low-cut sound with mid-boost, replicating its origin, the EXP-2000.

The Forbidden Fuzz Bass takes the sonic formula from the original FF pedal and injects a ton of low end. Unlike other Bass Fuzzes that lose the low end, or simulate the lower frequencies by reintroducing dry signal back into the mix, the Forbidden Fuzz Bass has gobs of natural booming Fuzzalicious low end. Of course you can dial this out if you want to. But its there is spades if you want to feel the thunder!

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The same control configuration is here. Fuzz... and Voltz, which controls the glitchiness of the Fuzz. A bypassable Tone stack with an additional gain stage. And the venerable Fat switch to strengthen the punch to the gut! We use NOS BC108 transistors for a huge and warm fuzz tone. Custom voiced components are employed to create a Fuzz made specifically for Bass players.

This is a super responsive and articulate Fuzz with lots of tone sculpting options, and heaps of gloriously natural low end. Shake the earth!

When we started seeing customers buying a second Expandora to strictly keep on the Fuzz mode, we decided to make a new Fuzz pedal to scratch that itch. But once we got through the alchemy of mixing up a new Fuzz circuit, we wound up with so much more! A monster Fuzz machine with amazing tone sculpting capabilities!

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With both toggle switches to the left, you start off with the Fuzz tone of the Expandora Vintage Reissue. Dime the Fuzz and Voltz knobs and you get the same glorious glitchy Expandora Fuzz. Turn down the Voltz knob, and you get a variable sweep of stability injected into the Fuzz. Turn the Voltz all the way to the left, and you get a singing, sustaining fuzz that is to die for!

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Slap that Tone switch to the right to engage the Level and Tone knobs. This activates the Tone stack, and kicks in an additional Gain stage. The Level and Fuzz knob are now working together to provide complete control over the amount and type of Fuzz. The Tone control is so interactive that there are incredible and useful tones throughout the entire range of the knob.

The FAT switch adds a meaty punch to the gut under any of the above settings. And unlike many other Fuzz pedals, this one is super responsive to riding the volume control on your guitar. Roll back the juice for some tasty articulate rhythm work. Then roll on the meat for soaring Fuzzerific solos!