The Mosrite FuzzRite appeared on John's 2006 Stadium Arcadium tour pedalboard. Shown here as no.5 on his pedalboard.

Used on "Galaxy Of Tears", as specified in this July 20, 2012 breakdown of a A Fine Pink Mist gear list printed in the October 1996 issue of Young Guitar.

Fuzz sound of the riff comes from a mosrite fuzzrite 3:51

It is a known fact that Ronny used this fuzz on the first two Stooges albums.

According to an Interview on Premier Guitar, Jesse uses only 2 Pedals. One of them is the Fuzzrite.

Mentioned in this August 1990 Maximumrocknroll interview, as archived on this Open Computing Facility fan page.

MRR: And you use the Big Muff.

Steve: Yeah. Fuck! I just got a Mosrite Fuzz Rite which is what Davie Allan of Davie Allan and The Arrows used.

MRR: So are you going to do "Blues Theme" now?

Steve: We may as well do an entire '60s punk set now. It's the '60s punk sound.

The fuzz on “Trafalgar Square” is an old Mosrite Fuzzrite and the ’57 Les Paul Junior with the Tone all the way down.

Mosrite Fuzzrite at 2:24

The liner notes to the album Espers II (from 2005) state that a Fuzzrite was used on the album. The sound of the Fuzzrite is noticeable on several tracks on the album. As Greg Weeks is the only electric guitarist on the album, it is safe to say that the pedal was used by him. The Sanner and Catalinbread Fuzzrites were made later, so it must be the Mosrite Fuzzrite.

Mentioned in this February 22, 2016 Ultimate Guitar interview.

In 1966, you did the music for "The Wild Angels" film and the "Blues Theme" was written. Had you been thinking about creating a more distorted/fuzz-driven guitar sound?

I was definitely thinking along those lines because of it being a biker film.

Was it a conscious thing to get away from the clean, reverb-drenched surf guitar sound?

I wasn't a fan of the reverb and didn't think the word "surf" fit. But yes, I wanted to make a drastic change from my '63 to '65 sound.

Can you talk about those early days experimenting with fuzz sounds?

I was only using the Gibson Maestro but not doing much with distortion until the Mosrite Fuzzrite came along.

(...) Was your first film project "Skaterdater"? What was that like recording music for an entire film?

My first film for sure. It was a four-hour, no overdub session with a great bunch of musicians: Arrows drummer Larry Brown, Al Casey on rhythm, Jim Horn on sax and flute, and Larry Knechtel on piano. I'm not sure. It might've been Don Randi. Also, as it was with all the films, we never played to scenes in the movie.

For all these various projects, were you using the Jazzmaster and Concert amp?

That's true although many times I overdubbed my leads through the mixing board in the studio.

Had you given any thought at all to more distorted/fuzz guitar sounds at this point?

I only used the fuzz on the main "Skaterdater" theme plus my version of "Scratchy" and some non-leads on a couple of other tunes on the "Apache '65" album. The fuzz didn't take over my life until "The Wild Angels."

(...) Over the years as fuzz pedals have proliferated, have you experimented with other types of fuzzes? Distortion pedals? Delays?

I tried many different effects but for 20+ years I have used the Rat pedal on everything, although I sometimes bring out the Mosrite Fuzzrite for background and harmony parts.