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Punishing distortion is yours with the Shockwave.

From Jet City comes the Shockwave Distortion Guitar Effects Pedal, offering monstrous overdrive in a rugged pedal design. The true-bypass pedal sounds great with any amp. With the Overdrive control, your guitar tone goes from lower-gain "British" distortion to full-on hi-gain saturation. The tone knob controls the overall definition of the overdrive, and the volume controls the output level, but be warned, this baby's got a lot of power in it to offer you some bold, heavy overdrive.

Punishing distortion is yours with the Shockwave.

From Jet City comes the Shockwave Distortion Guitar Effects Pedal, offering monstrous overdrive in a rugged pedal design. The true-bypass pedal sounds great with any amp. With the Overdrive control, your guitar tone goes from lower-gain "British" distortion to full-on hi-gain saturation. The tone knob controls the overall definition of the overdrive, and the volume controls the output level, but be warned, this baby's got a lot of power in it to offer you some bold, heavy overdrive.

Overdrive your amp without sacrificing the low end.

From the 9 Series comes the BB9 Big Bottom Boost, perfect for pushing your amp into overdrive without losing the bottom end. The BB9 works wonders with bright tube amps like the Marshall JCM800.

While a super-responsive Tone control allows for a wide variety of sounds, true-bypass switching means your tone will not be compromised with the BB9 Big Bottom Boost in your chain.

Overdrive your amp without sacrificing the low end.

From the 9 Series comes the BB9 Big Bottom Boost, perfect for pushing your amp into overdrive without losing the bottom end. The BB9 works wonders with bright tube amps like the Marshall JCM800.

While a super-responsive Tone control allows for a wide variety of sounds, true-bypass switching means your tone will not be compromised with the BB9 Big Bottom Boost in your chain.

Small stomp with big metal sound.

The Hotone WHIP Metal Distortion Stomp box offers an aggressive and heavy tone that is sought after by all who wish to preach the attitude of Metal. This pedal may be small, but it will provide your guitar with a tone that is large, dirty and downright mean. Shredders will appreciate the EDGE button that provides an additional boost on the top end.

Heavy metal distortion with unique mid range tone shaping, Tthis pedal suits various metal styles and the EDGE button offers a more aggressive tone with a high frequency boost.

Small stomp with big metal sound.

The Hotone WHIP Metal Distortion Stomp box offers an aggressive and heavy tone that is sought after by all who wish to preach the attitude of Metal. This pedal may be small, but it will provide your guitar with a tone that is large, dirty and downright mean. Shredders will appreciate the EDGE button that provides an additional boost on the top end.

Heavy metal distortion with unique mid range tone shaping, Tthis pedal suits various metal styles and the EDGE button offers a more aggressive tone with a high frequency boost.

Versatile distortion.

The Hotone GRASS Overdrive Stomp box will give your guitar an artistic overdrive sound. Featuring great dynamic response, the Grass pedal will provide you with sounds ranging from a tasty light overdrive to a juicy medium low distortion. Grass is perfect for capturing a brilliant tone that players of all styles will wish to emulate. Based on the sound of the legendary DUMBLE amplifiers, here is an iconic retro overdrive tone, warm, smooth, and vital, with great sounding details and a wide range of dynamic response.

Versatile distortion.

The Hotone GRASS Overdrive Stomp box will give your guitar an artistic overdrive sound. Featuring great dynamic response, the Grass pedal will provide you with sounds ranging from a tasty light overdrive to a juicy medium low distortion. Grass is perfect for capturing a brilliant tone that players of all styles will wish to emulate. Based on the sound of the legendary DUMBLE amplifiers, here is an iconic retro overdrive tone, warm, smooth, and vital, with great sounding details and a wide range of dynamic response.

Dual trem with discrete ins and outs.

The Supa-Trem has been an extremely successful pedal over the last 15 years, partly due to the tone of the circuit, which has a very good sounding JFET amplifier at its heart. Another key ingredient has been the Fulltone Opto-1 . They have the optimal resistance range, as well as the correct rise and fall times for all speeds required for a great Tremolo design.

Fulltone has taken two completely separate Supa-Trem circuits and joined them together. Two identical circuits in true stereo with two ins and two outs! The obvious question then becomes "Can you get true stereo from mono in?"

And the answer is yes! And both amps are still live when the ST-2 is turned off with no tone loss due to its hi-quality JFET buffered outputs. The ST-2 is the IDEAL device to place at the end of your chain. Run cables as long as you want, use it as your amp splitter.

Dual trem with discrete ins and outs.

The Supa-Trem has been an extremely successful pedal over the last 15 years, partly due to the tone of the circuit, which has a very good sounding JFET amplifier at its heart. Another key ingredient has been the Fulltone Opto-1 . They have the optimal resistance range, as well as the correct rise and fall times for all speeds required for a great Tremolo design.

Fulltone has taken two completely separate Supa-Trem circuits and joined them together. Two identical circuits in true stereo with two ins and two outs! The obvious question then becomes "Can you get true stereo from mono in?"

And the answer is yes! And both amps are still live when the ST-2 is turned off with no tone loss due to its hi-quality JFET buffered outputs. The ST-2 is the IDEAL device to place at the end of your chain. Run cables as long as you want, use it as your amp splitter.

Modern take on TS808 Tubescreamer Circuit with Fat Boost switch and 3-way clipping toggle.

Bolt down your amp and strap your guitar on tight - the Hurricane Overdrive will unleash full category 5 hurricane fury with any guitar setup. Based on the legendary TS808 Tubescreamer Circuit, the Hurricane has everything the classic TS808 Circuit did right, and leaves out everything it did wrong (if you want it to).

The Hurricane combines classic tone with next-generation circuitry for a clearer sound with less noise, a technological advancement never before seen in a rendition of this classic pedal.

With the Tubescreamer's mid-range hump, the Hurricane will give you that classic overdrive that's recognizable on tons of famous recordings. Not a fan? No problem - flip the Fat Boost switch to recover the missing low end and you'll have a much more transparent overdrive that takes this pedal beyond recognition of its vintage roots. If the sound has too much bite, roll the Tone knob forward, which functions as a high-end roll off.

The clipping toggle offers three options: the first setting is the classic TS808 clipping; the opposite end is a lighter LED clipping with more power; and the middle setting is a huge boost that will release this storm's full fury, throwing any tube amp into a stormy disaster.

The Hurricane also has increased bass response that will sound just as good on bass as it will on guitar. It's also housed in a smaller enclosure, allowing for more room on your pedal board and a weight savings of up to 20% over larger enclosures.

Modern take on TS808 Tubescreamer Circuit with Fat Boost switch and 3-way clipping toggle.

Bolt down your amp and strap your guitar on tight - the Hurricane Overdrive will unleash full category 5 hurricane fury with any guitar setup. Based on the legendary TS808 Tubescreamer Circuit, the Hurricane has everything the classic TS808 Circuit did right, and leaves out everything it did wrong (if you want it to).

The Hurricane combines classic tone with next-generation circuitry for a clearer sound with less noise, a technological advancement never before seen in a rendition of this classic pedal.

With the Tubescreamer's mid-range hump, the Hurricane will give you that classic overdrive that's recognizable on tons of famous recordings. Not a fan? No problem - flip the Fat Boost switch to recover the missing low end and you'll have a much more transparent overdrive that takes this pedal beyond recognition of its vintage roots. If the sound has too much bite, roll the Tone knob forward, which functions as a high-end roll off.

The clipping toggle offers three options: the first setting is the classic TS808 clipping; the opposite end is a lighter LED clipping with more power; and the middle setting is a huge boost that will release this storm's full fury, throwing any tube amp into a stormy disaster.

The Hurricane also has increased bass response that will sound just as good on bass as it will on guitar. It's also housed in a smaller enclosure, allowing for more room on your pedal board and a weight savings of up to 20% over larger enclosures.

Eight awesome Keeley effects, tap tempo and dual overdrives jammed into one must-have amazing pedal.

The Mod Workstation gives you eight of Keeley’s incredible modulation effects. Swirling, twisting, watery, and spacey effects are often the perfect compliment to bold guitar sounds. Many of the sounds in the Mod Workstation have an increased range in order to work well with tap tempo. Several of the sounds are new, ones that we have perfected over the last year. Add the new Delay Workstation to the Mod Workstation and you have a very lean and powerful pedal board!

The Mod Workstation combines Keeley’s two most popular overdrives, the 1962/Katana and the Oxblood along with a set of eight modulation effects, including Harmonic Tremolo, Phase, Chorus, Flanger, Rotary Speaker and more. Do you need just a touch of sheen or shimmer? Set for ADT, Chorus, and Phaser. If you need something vintage and full of vibe, try the Standard or Harmonic Tremolo, the Oscillating Filter or Rotary Speaker settings. Want something wild? Try the Flanger or the Random Sample & Hold Filter settings. Typically these effects are best used after overdrives and distortions, so they match perfectly in the Mod Workstation.

Mod Workstation Modulation Effects:

Tremolo – Standard volume or amplitude modulation tremolo in which the Tone Control is the shape of the waveform. The oscillator goes from triangle to square wave.

Harmonic Tremolo – Legendary tone from Brown Face amplifiers in the 1960s. Your guitar’s tone is cut into two bands–bass and treble–and then modulated with a pair low frequency oscillators (LFOs) that are out of phase with each other. When these bass and treble bands are modulated by oscillators that are out of step with each other, the result is very intoxicating. The Tone Control simultaneously moves the the Low and High Pass filters, giving you the perfect vibe for your rig.

Oscillating and Random Filter – Tone Control adjusts LFO in oscillating envelope filter. It’s like blending a vibe and autowah! If you turn the Tone Control above noon it becomes a random sample & hold filter like the old Maestro units. Perfect for the Frank Zappa Ship Ahoy sound.

Phaser – Tone Control adjust the feedback and richness of the 4 stage phaser.

ADT – the Keeley true-chorus Automatic Double Tracker. Depth Control adjust the delay time from 0-60 milliseconds. The Rate Control adjusts the tuning 0-60 cents. The Tone Control is a blend control to add more of the doubled voice as needed.

Analog Chorus/Vibrato – The Tone Control is a blend control. Turn it CCW to give you Pitch Vibrato and CW to give you an analog BBD sounding chorus.

Flanger – The Tone Control adjusts the Feedback of the Flanger.

Leslie Rotary Speaker – Tone Control adjusts blend from Drum to Horn, perfect for fine tuning the timbre.

Eight awesome Keeley effects, tap tempo and dual overdrives jammed into one must-have amazing pedal.

The Mod Workstation gives you eight of Keeley’s incredible modulation effects. Swirling, twisting, watery, and spacey effects are often the perfect compliment to bold guitar sounds. Many of the sounds in the Mod Workstation have an increased range in order to work well with tap tempo. Several of the sounds are new, ones that we have perfected over the last year. Add the new Delay Workstation to the Mod Workstation and you have a very lean and powerful pedal board!

The Mod Workstation combines Keeley’s two most popular overdrives, the 1962/Katana and the Oxblood along with a set of eight modulation effects, including Harmonic Tremolo, Phase, Chorus, Flanger, Rotary Speaker and more. Do you need just a touch of sheen or shimmer? Set for ADT, Chorus, and Phaser. If you need something vintage and full of vibe, try the Standard or Harmonic Tremolo, the Oscillating Filter or Rotary Speaker settings. Want something wild? Try the Flanger or the Random Sample & Hold Filter settings. Typically these effects are best used after overdrives and distortions, so they match perfectly in the Mod Workstation.

Mod Workstation Modulation Effects:

Tremolo – Standard volume or amplitude modulation tremolo in which the Tone Control is the shape of the waveform. The oscillator goes from triangle to square wave.

Harmonic Tremolo – Legendary tone from Brown Face amplifiers in the 1960s. Your guitar’s tone is cut into two bands–bass and treble–and then modulated with a pair low frequency oscillators (LFOs) that are out of phase with each other. When these bass and treble bands are modulated by oscillators that are out of step with each other, the result is very intoxicating. The Tone Control simultaneously moves the the Low and High Pass filters, giving you the perfect vibe for your rig.

Oscillating and Random Filter – Tone Control adjusts LFO in oscillating envelope filter. It’s like blending a vibe and autowah! If you turn the Tone Control above noon it becomes a random sample & hold filter like the old Maestro units. Perfect for the Frank Zappa Ship Ahoy sound.

Phaser – Tone Control adjust the feedback and richness of the 4 stage phaser.

ADT – the Keeley true-chorus Automatic Double Tracker. Depth Control adjust the delay time from 0-60 milliseconds. The Rate Control adjusts the tuning 0-60 cents. The Tone Control is a blend control to add more of the doubled voice as needed.

Analog Chorus/Vibrato – The Tone Control is a blend control. Turn it CCW to give you Pitch Vibrato and CW to give you an analog BBD sounding chorus.

Flanger – The Tone Control adjusts the Feedback of the Flanger.

Leslie Rotary Speaker – Tone Control adjusts blend from Drum to Horn, perfect for fine tuning the timbre.

Analog delay with extra features.

Two Timer is a classic analog Bucket Brigade Delay with that warm, haunting reverb and tape-like echoes. Pure analog awesomeness is just half the picture, as Two Timer doubles your pleasure with two independent delay times selectable via the Time1/Time2 mode footswitch. This makes it possible to have one delay set up for a short slapback rhythm sound while another is set longer for solos.

That gradual degradation of sound quality that occurs with each subsequent repeat is a charming sound that is ingrained deeply into vintage rock, and the Two Timer is a faithful recreation of that sound.

Two Timer delivers the consistency and ruggedness that are the hallmark of BBE pedals, designed for guitarists whose gigs are as demanding as their ears. It features a beefy mil-spec circuit board with big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, all backed up by a robust, true hardwire bypass.
When you want the finest vintage analog delay experience without the headaches, Two Timer is a great choice.

Analog delay with extra features.

Two Timer is a classic analog Bucket Brigade Delay with that warm, haunting reverb and tape-like echoes. Pure analog awesomeness is just half the picture, as Two Timer doubles your pleasure with two independent delay times selectable via the Time1/Time2 mode footswitch. This makes it possible to have one delay set up for a short slapback rhythm sound while another is set longer for solos.

That gradual degradation of sound quality that occurs with each subsequent repeat is a charming sound that is ingrained deeply into vintage rock, and the Two Timer is a faithful recreation of that sound.

Two Timer delivers the consistency and ruggedness that are the hallmark of BBE pedals, designed for guitarists whose gigs are as demanding as their ears. It features a beefy mil-spec circuit board with big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, all backed up by a robust, true hardwire bypass.
When you want the finest vintage analog delay experience without the headaches, Two Timer is a great choice.

An expression pedal that takes up less pedal board space without sacrificing its power.

AMT forever changed the concept of the "crowded" pedal board by earlier introducing their smaller sized WH-1 Wah and LLM Volume pedals; which have been a huge success. Guitarists worldwide had such great things to say about the functionality, quality, sound, and size of these pedals; that they got bombarded with requests to design and manufacture a smaller-sized expression pedal. Thus, the EX-50 is born.

Designed with dual outputs (TS and TRS) and two switchable modes for normal or inverted operation; the EX-50 is capable of controlling a wide range of brands and manufacturers of expression-ready effect pedals.

The small footprint allows players to easily mount several EX-50's on their board, difficult in the past due to the large territorial size of conventional expression pedals.

An expression pedal that takes up less pedal board space without sacrificing its power.

AMT forever changed the concept of the "crowded" pedal board by earlier introducing their smaller sized WH-1 Wah and LLM Volume pedals; which have been a huge success. Guitarists worldwide had such great things to say about the functionality, quality, sound, and size of these pedals; that they got bombarded with requests to design and manufacture a smaller-sized expression pedal. Thus, the EX-50 is born.

Designed with dual outputs (TS and TRS) and two switchable modes for normal or inverted operation; the EX-50 is capable of controlling a wide range of brands and manufacturers of expression-ready effect pedals.

The small footprint allows players to easily mount several EX-50's on their board, difficult in the past due to the large territorial size of conventional expression pedals.

Colorful and rich.

There is a delicacy and finesse associated with good blues guitar that requires a fine sense of how much is too much. The Blues Flame is a blues-voiced processor that features a smooth, singing overdrive with plenty of adjustable gain on tap, high-mid-low tone controls and a master volume. It cleans up well from the guitar, is extremely touch sensitive and designed for maximum sustain and note bloom. The circuit design features a low noise discrete FET front end and an output stage designed like a miniature power amplifier to provide amp-like feel and reaction to most subtle of picking and volume changes.

All Plush pedals feature: Cast aluminum housings, industrial powder coat finish, heat cured silk screen labeling, true bypass, Cliff switch, Neutrik connectors, metal shaft controls, premium boutique quality passive components selected for tone, mil spec fiberglass two sided circuit board construction for consistent long term performance, 5-year warranty. Made in the USA.

Colorful and rich.

There is a delicacy and finesse associated with good blues guitar that requires a fine sense of how much is too much. The Blues Flame is a blues-voiced processor that features a smooth, singing overdrive with plenty of adjustable gain on tap, high-mid-low tone controls and a master volume. It cleans up well from the guitar, is extremely touch sensitive and designed for maximum sustain and note bloom. The circuit design features a low noise discrete FET front end and an output stage designed like a miniature power amplifier to provide amp-like feel and reaction to most subtle of picking and volume changes.

All Plush pedals feature: Cast aluminum housings, industrial powder coat finish, heat cured silk screen labeling, true bypass, Cliff switch, Neutrik connectors, metal shaft controls, premium boutique quality passive components selected for tone, mil spec fiberglass two sided circuit board construction for consistent long term performance, 5-year warranty. Made in the USA.

Triple your impact.

The T-Rex Octavius is a tri-tone generator with a perfect set of controls and a brilliant BOOST function. Octavius gives you everything you could want in octave generation-plus incredible T-Rex tone.

Octavius lets you get that classic octave-down effect you'll recognise from Hendrix' "Machine Gun" and other recordings. But it also lets you add in a high octave so you can hit your audiences with a sonic wall of 3-octave lead lines.

You can mix the octaves however you want to create your own signature sound. And the pedal features a controllable boost button to help you lift your solos up above the mix.

An octave divider or any other pedal is only as good as it sounds, and you can count on Octavius to deliver all the warm, vintage-sounding tone you'd expect from T-Rex.

Controls

Octavius tri-tone generator has 4 controls: LO OCT, HIGH OCT, MASTER MIX and BOOST.

The LO OCT knob lets you set the volume of the lower octave signal produced by the pedal.

The HIGH OCT knob controls the volume of the higher octave signal produced by the pedal.

The balance between the levels of these 2 knobs is what creates your particular octave-divided sound.

The MASTER MIX knob lets you set the overall volume of your low and high octaves compared to your direct signal.

Use the BOOST knob to control the output of your octave-divided sound. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.

Triple your impact.

The T-Rex Octavius is a tri-tone generator with a perfect set of controls and a brilliant BOOST function. Octavius gives you everything you could want in octave generation-plus incredible T-Rex tone.

Octavius lets you get that classic octave-down effect you'll recognise from Hendrix' "Machine Gun" and other recordings. But it also lets you add in a high octave so you can hit your audiences with a sonic wall of 3-octave lead lines.

You can mix the octaves however you want to create your own signature sound. And the pedal features a controllable boost button to help you lift your solos up above the mix.

An octave divider or any other pedal is only as good as it sounds, and you can count on Octavius to deliver all the warm, vintage-sounding tone you'd expect from T-Rex.

Controls

Octavius tri-tone generator has 4 controls: LO OCT, HIGH OCT, MASTER MIX and BOOST.

The LO OCT knob lets you set the volume of the lower octave signal produced by the pedal.

The HIGH OCT knob controls the volume of the higher octave signal produced by the pedal.

The balance between the levels of these 2 knobs is what creates your particular octave-divided sound.

The MASTER MIX knob lets you set the overall volume of your low and high octaves compared to your direct signal.

Use the BOOST knob to control the output of your octave-divided sound. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.

This rugged metal contraption will boost your metal sound to daunting new heights.

The Emma Electronic PisdiYAUwot metal distortion pedal is a must have if you are into metal or at least into heavy riffing rock.

By the way, the name "PisdiYAUwot." What does it mean Angus Podgorny? It sort of means a contraption-with the difference that the PisdiYAUwot pedal is a contraption that actually does work!

One thing Emma Effects thinks that no one has really nailed yet, is a great pedal for metal. Most of them seem to be either too muddy or too slow for the really fast riffs. Emma's goal was to build a pedal with low-end punch that resembles beating sheet metal with a big hammer, the ability to scoop mids the Dimebag way, and to push up the mids the NuMetal way-full mids with body, that is.

This rugged metal contraption will boost your metal sound to daunting new heights.

The Emma Electronic PisdiYAUwot metal distortion pedal is a must have if you are into metal or at least into heavy riffing rock.

By the way, the name "PisdiYAUwot." What does it mean Angus Podgorny? It sort of means a contraption-with the difference that the PisdiYAUwot pedal is a contraption that actually does work!

One thing Emma Effects thinks that no one has really nailed yet, is a great pedal for metal. Most of them seem to be either too muddy or too slow for the really fast riffs. Emma's goal was to build a pedal with low-end punch that resembles beating sheet metal with a big hammer, the ability to scoop mids the Dimebag way, and to push up the mids the NuMetal way-full mids with body, that is.

A compact yet powerful stompbox that restores a studio-miked sound to your undersaddle or soundhole pickup.

Easy to set up and use, Fishman's Aura Sixteen Programmable Imaging guitar effects pedal eliminates intrusive stage noise and expensive microphone setups, allowing you to reveal the true, unique voice of your guitar on stage or in the studio.

The Aura Sixteen guitar pedal comes with the Aura Image Gallery software that provides access to an ever-expanding list of recorded instruments using world-class studio mics and techniques. Simply connect to your PC or Mac using the included USB cable and download Images for your instrument(s) from Fishman's extensive Image library.

A compact yet powerful stompbox that restores a studio-miked sound to your undersaddle or soundhole pickup.

Easy to set up and use, Fishman's Aura Sixteen Programmable Imaging guitar effects pedal eliminates intrusive stage noise and expensive microphone setups, allowing you to reveal the true, unique voice of your guitar on stage or in the studio.

The Aura Sixteen guitar pedal comes with the Aura Image Gallery software that provides access to an ever-expanding list of recorded instruments using world-class studio mics and techniques. Simply connect to your PC or Mac using the included USB cable and download Images for your instrument(s) from Fishman's extensive Image library.