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What's better than your favourite fuzz pedal? How about 3 of your favourite fuzz pedals... in one!

At Redbeard Effects we love all things fuzzy - vintage, modern, and everything in between. For our first dedicated fuzz pedal, we toyed with various modes of clipping to fine tune the sounds we love the most. We wanted to create a fuzz pedal that catered to a whole spectrum of sounds... so we jammed three of our favourites into one killer stompbox!

The 3-way toggle switch gives you the following options :

A : Silicone Mode (Think creamy, smoother vintage 'muff' sounds a la Gilmour) B : LED Mode (Massive modern headroom, loud & crazy sustain) C : Germanium Mode (Edgier, 'bender'-esque tone)

Check out the Hairy Squid and find all your favourite fuzz tones in one box! Three Fuzz Pedals in one Switchable Clipping modes - Silicone, Germanium and LED 100% Analogue Circuit True Bypass What's in the box : Our signature 'Coffee Bag' packaging | 2 x Redbeard Effects Stickers | Redbeard Effects PCB Keyring Like all our pedals, the Hairy Squid was dreamt up, designed, engineered, built, tested and packaged in the UK by hand.

The FGN Boundary Iliad BIL2M is a modern take on the iconic T-style electric guitar — blending traditional and familiar design characteristics with innovative, present-day features. Crafted in Japan by FujiGen Gakki (a well-known stringed instrument manufacturer with more than 60 years of experience building guitars for the likes of Ibanez, Greco, Yamaha and Fender), you can feel assured that this truly is a high-quality, performance-centric axe!

When it comes to value for money, you'll struggle to find an electric guitar better than the FGN Boundary Iliad BIL2M. Not only does it sport beautifully-machined Gotoh vintage-style tuners and vibrant-sounding proprietary pickups which really deliver that distinctive T-type "twang", but it also boasts a compound radius fingerboard, recessed neck heel, and FGN's ingenious 'Circle Fretting System' — features which really give the Boundary Iliad BIL2M a contemporary edge.

If you're seeking classic T-style tones combined with 21st Century playability, all at an affordable price-point to boot, then you'll absolutely love this unique "vintage-meets-modern" electric guitar!

Key Features Contoured Basswood Body — A light/medium-weight material that produces a balanced and full sound. It comes enhanced with a deep belly-cut for improved playing comfort. Maple "U"-Shaped Neck — Inspired by early '50s "Golden Era" guitars, the Iliad's neck is shaped to a "U" profile which makes it suitable for players after a supportive feel. Circle Fretting System (C.F.S.) — An FGN innovation that's intended to offer better pitch and articulation than conventional guitars and basses. All frets are installed in a slightly curved shape, to ensure that each string and fret intersect at right angles. This minimises the contact surface and makes the scale length of every string even; allowing you to obtain more accurate pitch, longer sustain, and true harmonics. 10-14" Compound Radius Fingerboard — This ergonomic fingerboard radius is slightly rounded at the lower end of the neck to make chords easier to fret, and flattens out the higher you go so that fast passages feel much easier to play. This forward-thinking design also helps to prevent string bends from fretting out! J-Standard Fret Edge Treatment — The 22 medium-sized frets have undergone FGN's 'J-Standard Fret Edge Treatment', which means that the fret edges have been gently rolled to provide a smooth "played-in" feel. FGN 6-Saddle Bridge — The proprietary bridge adheres to the classic T-style design, albeit featuring 6 individual string saddles that allow for precise action and intonation adjustments. Gotoh Vintage-Style Tuners — The FGN Boundary Iliad BIL2M has been equipped with a set of reliable, Japanese-made Gotoh machine heads that'll keep your tuning solid and stable. Included Gig Bag — Easily transport the FGN Boundary Iliad to your next show or jam session with the robust, included soft case!

Looks to be a custom made Oryx for Matt, in white with a multiscale fretboard.

The DA-20 is a 2-channel, all valve, 20w guitar amplifier built to our same level of quality, but available in a smaller package. From high-gain to crisp, sparkling cleans, the DA-20 can do it all.

The legendary British valve amplifiers from which it draws its’ heritage are apparent, all whilst still retaining its’ own unique voice in a convenient, compact amplifier that is sure to please even the most demanding tonal connoisseur.

Specifications DA-20 2 channel all valve 20 watt guitar amplifier metal caged head Switchable GAIN/MASTER controls Series valve loop, instrument level ready 1 button foot switch with LED External output valve bias controls and measuring 4-ECC83, 2-EL84

DA-50 is the result of an obsessive pursuit of tonal perfection. A wide variety of tones, from sparkling, shimmering clean tones to full-out High-gain tones can be had, with many stops in between.

No longer merely a throwback to the British tones of lore, the DA-50 gives a respectful nod to those that paved the way, whilst pushing the envelope even further.

Featuring top-of-the-line components, meticulously crafted construction, and a custom designed transformer voiced specifically for this amplifier, the DA-50 will make the hairs on the back of your next stand up every time you plug into it.

Meet the new classic, the DA-50. Relentless, obsessive, timeless: Dover Amplification.

Specifications DA-50 2 channel all valve 50 watt guitar amplifier head Switchable GAINs and MASTERs controls Switchable gain boost (3 or 4 valve stages) Series valve loop, instrument level ready 2 button footswitch with LEDs External output valve bias controls and measuring 4-ECC83, 2-EL34

Here's what Morley says about the 20/20 Wah Lock Pedal: The Wah Lock is our most versatile wah pedal. Do you want the ease of switchless activation, but also the ability to cock it? Say no more... the Wah Lock mode emulates a fixed position wah, giving you both. The third WHOA mode also shifts the envelope over to give you a deep vocal-like wah sound, which is great for high gain, horns and bass guitar.

Key Features Switchless, optical wah with three wah modes: Wah, WHOA and Wah Lock 20db boost is functional is all three wah modes. Wah is set for standard Morley wah tone, WHOA is exaggerated wah tone with gritty vocal-like overtones, and Wah Lock emulates a fixed position wah. Notch knob dials in the frequency. Wah Lock works with both Wah and WHOA modes. New 20/20 buffer circuit that prevents signal loss and maintains tone. Silent switching to prevent pops and noise. 6.85″ x 4.5″ x 2.5″ (L x W x H) Powered by one 9-volt battery or optional Morley 9V adapter. Compatible with most 9V adapters. MQ2 custom inductor, dual LED indication, cold-rolled steel housing, quick clip battery door, glow-in-the-dark treadle grip/toe-end logo.

This stunning limited edition model is based on the affordable Fender Player Series Jazzmaster crafted in Mexico, but has been upgraded with a set of US-wired Pure Vintage '65 pickups that give it a far more vibrant voice - capturing that coveted '60s character. Other highlights include a series/parallel 4-way selector switch for added versatility, a cool Ice Blue Metallic finish, and a cool 4-ply mint green pickguard!

The Ten Years is a pedal built for At Vincent by Jason Moser to replicate a Peavey Decade Extract from a Guitar Center interview "So, for the longest time, Queens of the Stone Age were very secretive about their guitar tone. It's a bitching guitar tone, right? But the secret was this Peavey Decade—the amp that you get as a kid, that probably comes in the box with your first guitar. It's this little, little amp that sounds so good, this hidden gem. They used to be $200. But then Josh Homme was on a Mark Ronson show, and finally was like, "Okay, I'll tell you. It's the Peavey Decade." Now they're like $3,000, instantly. Anyway, a guitar tech I work with, Jason Moser, builds pedals and synths. He built the Peavey Decade into its own little pedal."

The Ten Years is a pedal built for St Vincent by Jason Moser to replicate a Peavey Decade Extract from a Guitar Center interview "So, for the longest time, Queens of the Stone Age were very secretive about their guitar tone. It's a bitching guitar tone, right? But the secret was this Peavey Decade—the amp that you get as a kid, that probably comes in the box with your first guitar. It's this little, little amp that sounds so good, this hidden gem. They used to be $200. But then Josh Homme was on a Mark Ronson show, and finally was like, "Okay, I'll tell you. It's the Peavey Decade." Now they're like $3,000, instantly. Anyway, a guitar tech I work with, Jason Moser, builds pedals and synths. He built the Peavey Decade into its own little pedal."

The Ten Years is a pedal built for At Vincent by Jason Moser to replicate a Peavey Decade Extract from a Guitar Center interview "So, for the longest time, Queens of the Stone Age were very secretive about their guitar tone. It's a bitching guitar tone, right? But the secret was this Peavey Decade—the amp that you get as a kid, that probably comes in the box with your first guitar. It's this little, little amp that sounds so good, this hidden gem. They used to be $200. But then Josh Homme was on a Mark Ronson show, and finally was like, "Okay, I'll tell you. It's the Peavey Decade." Now they're like $3,000, instantly. Anyway, a guitar tech I work with, Jason Moser, builds pedals and synths. He built the Peavey Decade into its own little pedal."

The Iron Horse is our take on a classic distortion circuit that’s thick, punchy, riffy, and rowdy. With the help of the Si/LED (Silicon/LED) knob and wide range of the distortion knob, this true bypass, high-gain behemoth can be finely tuned for clear overdriven sounds or let the reigns loose for a full-on distorted onslaught.

Top mount jacks with soft switch bypassing and art by David Hüttner complete the package for a pedal board-ready distortion machine.

The Iron Horse V3 updates are as follows: Top-mounted jacks Soft relay true bypass on/off Fixed volume drop-off when the distortion knob is at minimum Re-imagined the hard clipping toggle as a blend style potentiometer, that allows you to blend between symmetrical silicon and diode clipping for a new variety of tones. Owners of the previous versions of the Iron Horse will be familiar with the three distortion modes operated by a toggle switch to change between different clipping modes. The switch has now been replaced with a blending knob opening up a wealth of ways to alter your tone.

When the knob is set to the left, the distorted signal will be using Silicon clipping diodes adding in a high amount of compression. Rotating the knob to the right will bring in LED clipping and a smaller amount of compression. Putting the knob at noon will blend between the two using different ratios of the Silicone and LED clipping diodes for more complex clipping sounds.

4 heads stereo vintage Italian Echo.

After the great success of the FOXGEAR Echosex Baby, we pushed our next project the FOXGEAR T7E Baby to the max, expanding on the features of our famous “Binson-inspired” circuit, plus with the complete palette of options that the original Binson Echorec T7E offered, with a full 4 Heads combination, STEREO ENGINE, Three working modes Echo, Repeat, Swell, and the ability to recall the Swell mode as a “preset” with a dedicated footswitch.

Despite inheriting the sleek and sophisticated beauty of the revolutionary SR bass, the SR Mezzo was designed to be fun to play. The SR Mezzo’s 32” medium scale allows for both easy playing and a rich low-end. Having the SR Mezzo’s full sonic palette at your command will make hitting the stage a blast. No matter the style of music, the SR Mezzo fits you perfectly.

The SR Mezzo’s compact, lightweight body and shorter scale offer effortless playability. The Mezzo features a Poplar body and a newly-designed pickguard, a smooth Maple neck and a Maple fretboard with medium frets allow for a clear tone and attack. Electronics consist of an Ibanez Custom Electronics 2-band EQ and an Ibanez DXP neck pickup and DXJ bridge pickup for extra punch. The B15 bridge allows for fully adjustable intonation and solid tuning stability.

A Full Sound That Fits! Ibanez introduces the latest chapter of the ongoing SR story, the SR “Mezzo!”

Specifications Finish: Sea Foam Pearl Green 5-Strings Poplar Body Maple Neck Maple Fretboard Ibanez Custom Electronics 2-band EQ Ibanez DXP Neck Pickup and DXJ Bridge Pickup B15 Bridge

Raygun FX Vintage Tremolo Guitar FX.

Based on the 1970’s Colorsound Tremolo, this beast has a great warm Tremolo and smooth decay.

2018 updates: New Artwork, Faster Fx Speed and a Volume control enabling you get the right output you need.

FEATURES:

Controls: Speed (rate) Depth and added Volume control Smooth Vintage Tremolo True Bypass 9v DC Powered only (100mA, center negative) UV Printed Enclosure Size: 60mm x 111mm x 34mm (1590B Enclosure) Hand wired in the UK

The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa's wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness.

The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible.