Black Peaks – All That Divides album cover

Black Peaks – All That Divides

Album 2018

The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2018 album All That Divides.

Music from All That Divides

Artists on All That Divides

Gear Used On All That Divides

Explore the instruments, equipment, software, and production tools used in the making of Black Peaks – All That Divides (2018). Click more on each item to see exactly how it was used.

Amplifiers used by Joe Gosney on All That Divides

Guitar Amplifier Heads

Diezel VH4 100W Tube Guitar Head Amp

Avg price: $3,931.01

Assuming its the selected amp but not quoted as to the exact version:

"Aside from firing up a cornucopia of living-the-dream amp heads, including a Marshall Plexi, Diezel VH4 and Orange Thunderverb, Joe’s other great discovery on All That Divides was a quick-fire alternate tuning. While he usually opts for D standard, with the odd drop-C sledgehammer thrown in, he explains that one small tweak was behind a number of the album’s highlights and his now-trademark chord drones."

Guitar Amplifier Heads

Orange Thunderverb 200W

Avg price: $1,324.54

Assuming its the selected amp but not quoted as to the exact version:

"Aside from firing up a cornucopia of living-the-dream amp heads, including a Marshall Plexi, Diezel VH4 and Orange Thunderverb, Joe’s other great discovery on All That Divides was a quick-fire alternate tuning. While he usually opts for D standard, with the odd drop-C sledgehammer thrown in, he explains that one small tweak was behind a number of the album’s highlights and his now-trademark chord drones."

Guitar Amplifier Heads

Marshall JMP50 Plexi Amp Head

Avg price: $799.00

Assuming its the selected amp but not quoted as to the exact version:

"Aside from firing up a cornucopia of living-the-dream amp heads, including a Marshall Plexi, Diezel VH4 and Orange Thunderverb, Joe’s other great discovery on All That Divides was a quick-fire alternate tuning. While he usually opts for D standard, with the odd drop-C sledgehammer thrown in, he explains that one small tweak was behind a number of the album’s highlights and his now-trademark chord drones."