Bootsy Collins & Bill Laswell & William Earl Collins & Robert Musso – Active Resonance
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2007 album Active Resonance.
Music from Active Resonance
Artists on Active Resonance
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Groups:
Funkadelic Praxis Deee-Lite Parliament Fred Wesley and The J.B.'s Deadline Bootsy Phelps And Gary The J.B.’s World-Wide-Funkdrive Houseguests George Clinton and the P-Funk All Stars The House Guests Flo George Clinton and Family The P-Funk Mob Bonzo Goes to Washington Bootsy Collins And The Funk Unity Band Bootsy, Phelps & The Complete Strangers Malcolm McLaren and the Bootzilla Orchestra The GrooveGrass Boyz Bootsy's New Rubber Band Science Faxtion Material Bootsy's Rubber Band Parliament-Funkadelic Claude VonStroke & Bootsy Collins George Clinton & Bootsy Collins Bootsy Collins & Bootsy's New Rubber Band -
Roles:
Groups:
Praxis Activities of Dust Painkiller Possession Deadline New York Gong The Golden Palominos Transmutation The Big Guns Flying Mijinko Band Timezone Equations of Eternity Blind Light Astral Night Rollers Charged Cymatic Scan Phantom City Divination Method of Defiance Autonomous Zone Third Rail Mandingo Griot Society Two Against One Blixt Axiom Funk Curlew The Blood of Heroes Toy Killers Radioaxiom The Phillip Wilson Project Surds Psychonavigation Bladerunner Automaton Sacred System Arcana Material Massacre Shango Dubadelic Cobra Strike Shin.e Mandingo Buck Jam Tonic IZA Sypher Tokyo Rotation K2 Soup The Ginger Baker Band Tabla Beat Science Somma Purple Trap Last Exit Bill Laswell India Project Outland Niels and the New York Street Percussionists Second Nature Blue Buddha Kai Bass Invaders Henry Threadgill & Make a Move -
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Roles:
Gear Used On Active Resonance
Explore the instruments, equipment, software, and production tools used in the making of Bootsy Collins & Bill Laswell & William Earl Collins & Robert Musso – Active Resonance (2007). Click more on each item to see exactly how it was used.
Studio Equipment used by Bootsy Collins on Active Resonance
Avg price: $833.55
Discussed in this 2014 TASCAM article.
You've been a TASCAM user since the beginning.
Yeah, for me and I would think a lot of us musicians, the TASCAM Portastudio [Model 144 - 1979] was our first introduction to having 4 good analog tracks to record your ideas too. It even got to the point that sometimes when you recorded on this machine it actually wound up on the 2 inch recording of the real record, simply because the performance you did on the 4 track was more authentic and felt better than when you had a chance to practice it and get good. But then you loose the passion and drive that you had in that moment with the 4 track. I loved this machine. Then the 8 track came out sometime in either the late 80's or early 90's, I recorded the whole album of "The Zillatron" and "Bucketheadland" on my then new 688 MidiStudio [1989] with MIDI and sync code. It was truly awesome. Then the DA-88's came out [1993], I made sure I had 24 tracks because I felt like this is going to be my core of recording at my home studio. Being replayed by its big brother the 24-bit DA-78HR. It’s what I have now as back ups for my TASCAM X-48, which works flawlessly with Pro Tools, and any of my other gear. I also have the TASCAM DM-4800 digital board. When TASCAM made their first DAT machines, you'd better believe that I had one and then the next newest one. Now I got the DV-RA1000 DVD Recorder which is amazing. I carry my new DP-008, which is the digital 8 track portable recorder. I have the new DR-05 stereo mic recorder for recording rehearsals and things on the fly.
As you can see, TASCAM gear has been a key for me. Just so you know, all of my old TASCAM gear I still got and it all sits at the ready when and if I need them. That should tell you something about my gear and how it was built to last, they all still work. The people at TASCAM customer support was always there for me and I stayed up on keeping my equipment ready to rock-funk & roll because you never know when that creative bug jumps on you. When you hear the horn blow, you'd better be ready to go your nearest TASCAM dealer and say, Bootsy said y'all can help funk me up!
Avg price: $217.47
Discussed in this 2014 TASCAM article.
You've been a TASCAM user since the beginning.
Yeah, for me and I would think a lot of us musicians, the TASCAM Portastudio [Model 144 - 1979] was our first introduction to having 4 good analog tracks to record your ideas too. It even got to the point that sometimes when you recorded on this machine it actually wound up on the 2 inch recording of the real record, simply because the performance you did on the 4 track was more authentic and felt better than when you had a chance to practice it and get good. But then you loose the passion and drive that you had in that moment with the 4 track. I loved this machine. Then the 8 track came out sometime in either the late 80's or early 90's, I recorded the whole album of "The Zillatron" and "Bucketheadland" on my then new 688 MidiStudio [1989] with MIDI and sync code. It was truly awesome. Then the DA-88's came out [1993], I made sure I had 24 tracks because I felt like this is going to be my core of recording at my home studio. Being replayed by its big brother the 24-bit DA-78HR. It’s what I have now as back ups for my TASCAM X-48, which works flawlessly with Pro Tools, and any of my other gear. I also have the TASCAM DM-4800 digital board. When TASCAM made their first DAT machines, you'd better believe that I had one and then the next newest one. Now I got the DV-RA1000 DVD Recorder which is amazing. I carry my new DP-008, which is the digital 8 track portable recorder. I have the new DR-05 stereo mic recorder for recording rehearsals and things on the fly.
As you can see, TASCAM gear has been a key for me. Just so you know, all of my old TASCAM gear I still got and it all sits at the ready when and if I need them. That should tell you something about my gear and how it was built to last, they all still work. The people at TASCAM customer support was always there for me and I stayed up on keeping my equipment ready to rock-funk & roll because you never know when that creative bug jumps on you. When you hear the horn blow, you'd better be ready to go your nearest TASCAM dealer and say, Bootsy said y'all can help funk me up!
Discussed in this 2014 TASCAM article.
You've been a TASCAM user since the beginning.
Yeah, for me and I would think a lot of us musicians, the TASCAM Portastudio [Model 144 - 1979] was our first introduction to having 4 good analog tracks to record your ideas too. It even got to the point that sometimes when you recorded on this machine it actually wound up on the 2 inch recording of the real record, simply because the performance you did on the 4 track was more authentic and felt better than when you had a chance to practice it and get good. But then you loose the passion and drive that you had in that moment with the 4 track. I loved this machine. Then the 8 track came out sometime in either the late 80's or early 90's, I recorded the whole album of "The Zillatron" and "Bucketheadland" on my then new 688 MidiStudio [1989] with MIDI and sync code. It was truly awesome. Then the DA-88's came out [1993], I made sure I had 24 tracks because I felt like this is going to be my core of recording at my home studio. Being replayed by its big brother the 24-bit DA-78HR. It’s what I have now as back ups for my TASCAM X-48, which works flawlessly with Pro Tools, and any of my other gear. I also have the TASCAM DM-4800 digital board. When TASCAM made their first DAT machines, you'd better believe that I had one and then the next newest one. Now I got the DV-RA1000 DVD Recorder which is amazing. I carry my new DP-008, which is the digital 8 track portable recorder. I have the new DR-05 stereo mic recorder for recording rehearsals and things on the fly.
As you can see, TASCAM gear has been a key for me. Just so you know, all of my old TASCAM gear I still got and it all sits at the ready when and if I need them. That should tell you something about my gear and how it was built to last, they all still work. The people at TASCAM customer support was always there for me and I stayed up on keeping my equipment ready to rock-funk & roll because you never know when that creative bug jumps on you. When you hear the horn blow, you'd better be ready to go your nearest TASCAM dealer and say, Bootsy said y'all can help funk me up!
Discussed in this 2014 TASCAM article.
You've been a TASCAM user since the beginning.
Yeah, for me and I would think a lot of us musicians, the TASCAM Portastudio [Model 144 - 1979] was our first introduction to having 4 good analog tracks to record your ideas too. It even got to the point that sometimes when you recorded on this machine it actually wound up on the 2 inch recording of the real record, simply because the performance you did on the 4 track was more authentic and felt better than when you had a chance to practice it and get good. But then you loose the passion and drive that you had in that moment with the 4 track. I loved this machine. Then the 8 track came out sometime in either the late 80's or early 90's, I recorded the whole album of "The Zillatron" and "Bucketheadland" on my then new 688 MidiStudio [1989] with MIDI and sync code. It was truly awesome. Then the DA-88's came out [1993], I made sure I had 24 tracks because I felt like this is going to be my core of recording at my home studio. Being replayed by its big brother the 24-bit DA-78HR. It’s what I have now as back ups for my TASCAM X-48, which works flawlessly with Pro Tools, and any of my other gear. I also have the TASCAM DM-4800 digital board. When TASCAM made their first DAT machines, you'd better believe that I had one and then the next newest one. Now I got the DV-RA1000 DVD Recorder which is amazing. I carry my new DP-008, which is the digital 8 track portable recorder. I have the new DR-05 stereo mic recorder for recording rehearsals and things on the fly.
As you can see, TASCAM gear has been a key for me. Just so you know, all of my old TASCAM gear I still got and it all sits at the ready when and if I need them. That should tell you something about my gear and how it was built to last, they all still work. The people at TASCAM customer support was always there for me and I stayed up on keeping my equipment ready to rock-funk & roll because you never know when that creative bug jumps on you. When you hear the horn blow, you'd better be ready to go your nearest TASCAM dealer and say, Bootsy said y'all can help funk me up!
Avg price: $169.01
Discussed in this 2014 TASCAM article.
You've been a TASCAM user since the beginning.
Yeah, for me and I would think a lot of us musicians, the TASCAM Portastudio [Model 144 - 1979] was our first introduction to having 4 good analog tracks to record your ideas too. It even got to the point that sometimes when you recorded on this machine it actually wound up on the 2 inch recording of the real record, simply because the performance you did on the 4 track was more authentic and felt better than when you had a chance to practice it and get good. But then you loose the passion and drive that you had in that moment with the 4 track. I loved this machine. Then the 8 track came out sometime in either the late 80's or early 90's, I recorded the whole album of "The Zillatron" and "Bucketheadland" on my then new 688 MidiStudio [1989] with MIDI and sync code. It was truly awesome. Then the DA-88's came out [1993], I made sure I had 24 tracks because I felt like this is going to be my core of recording at my home studio. Being replayed by its big brother the 24-bit DA-78HR. It’s what I have now as back ups for my TASCAM X-48, which works flawlessly with Pro Tools, and any of my other gear. I also have the TASCAM DM-4800 digital board. When TASCAM made their first DAT machines, you'd better believe that I had one and then the next newest one. Now I got the DV-RA1000 DVD Recorder which is amazing. I carry my new DP-008, which is the digital 8 track portable recorder. I have the new DR-05 stereo mic recorder for recording rehearsals and things on the fly.
As you can see, TASCAM gear has been a key for me. Just so you know, all of my old TASCAM gear I still got and it all sits at the ready when and if I need them. That should tell you something about my gear and how it was built to last, they all still work. The people at TASCAM customer support was always there for me and I stayed up on keeping my equipment ready to rock-funk & roll because you never know when that creative bug jumps on you. When you hear the horn blow, you'd better be ready to go your nearest TASCAM dealer and say, Bootsy said y'all can help funk me up!
Discussed in this 2014 TASCAM article.
You've been a TASCAM user since the beginning.
Yeah, for me and I would think a lot of us musicians, the TASCAM Portastudio [Model 144 - 1979] was our first introduction to having 4 good analog tracks to record your ideas too. It even got to the point that sometimes when you recorded on this machine it actually wound up on the 2 inch recording of the real record, simply because the performance you did on the 4 track was more authentic and felt better than when you had a chance to practice it and get good. But then you loose the passion and drive that you had in that moment with the 4 track. I loved this machine. Then the 8 track came out sometime in either the late 80's or early 90's, I recorded the whole album of "The Zillatron" and "Bucketheadland" on my then new 688 MidiStudio [1989] with MIDI and sync code. It was truly awesome. Then the DA-88's came out [1993], I made sure I had 24 tracks because I felt like this is going to be my core of recording at my home studio. Being replayed by its big brother the 24-bit DA-78HR. It’s what I have now as back ups for my TASCAM X-48, which works flawlessly with Pro Tools, and any of my other gear. I also have the TASCAM DM-4800 digital board. When TASCAM made their first DAT machines, you'd better believe that I had one and then the next newest one. Now I got the DV-RA1000 DVD Recorder which is amazing. I carry my new DP-008, which is the digital 8 track portable recorder. I have the new DR-05 stereo mic recorder for recording rehearsals and things on the fly.
As you can see, TASCAM gear has been a key for me. Just so you know, all of my old TASCAM gear I still got and it all sits at the ready when and if I need them. That should tell you something about my gear and how it was built to last, they all still work. The people at TASCAM customer support was always there for me and I stayed up on keeping my equipment ready to rock-funk & roll because you never know when that creative bug jumps on you. When you hear the horn blow, you'd better be ready to go your nearest TASCAM dealer and say, Bootsy said y'all can help funk me up!