Chris Stapleton – Traveller

Mentioned in this February 12, 2015 article from the Vintage King website.

2015 was a remarkable year for Vintage King clients involved in the music industry, as we had over 30 artists, producers and engineers we work with nominated for Grammy awards. While we all know how secretive sonic creators can be about their work process, we asked a few of our favorite studio workhorses to divulge the secrets of their Grammy-nominated vocal chains.

While Chris Stapleton may be a new face for many music fans, producer Dave Cobb (Sturgill Simpson/Jason Isbell) and engineer Vance Powell (Jack White / JEFF the Brotherhood) are no strangers to creating amazing records. When deciding what gear to use during the recording of Stapleton's Grammy-nominated album, Traveller, Cobb asked Powell to select what would be used in the vocal chain.

The end results saw Vance opting to use a vintage U47 and running them through vintage Neve 1073 and an Esoteric Audio Research 660 for compression/limiting. The vocals were all cut live with the rest of the band playing in the same room at RCA Victor Studios. The only exceptions were two albums tracks that were recorded outside the front of The Castle studio, thus the sound of passing cars and crickets.

Mentioned in this February 12, 2015 article from the Vintage King website.

2015 was a remarkable year for Vintage King clients involved in the music industry, as we had over 30 artists, producers and engineers we work with nominated for Grammy awards. While we all know how secretive sonic creators can be about their work process, we asked a few of our favorite studio workhorses to divulge the secrets of their Grammy-nominated vocal chains.

While Chris Stapleton may be a new face for many music fans, producer Dave Cobb (Sturgill Simpson/Jason Isbell) and engineer Vance Powell (Jack White / JEFF the Brotherhood) are no strangers to creating amazing records. When deciding what gear to use during the recording of Stapleton's Grammy-nominated album, Traveller, Cobb asked Powell to select what would be used in the vocal chain.

The end results saw Vance opting to use a vintage U47 and running them through vintage Neve 1073 and an Esoteric Audio Research 660 for compression/limiting. The vocals were all cut live with the rest of the band playing in the same room at RCA Victor Studios. The only exceptions were two albums tracks that were recorded outside the front of The Castle studio, thus the sound of passing cars and crickets.

Mentioned in this February 12, 2015 article from the Vintage King website.

2015 was a remarkable year for Vintage King clients involved in the music industry, as we had over 30 artists, producers and engineers we work with nominated for Grammy awards. While we all know how secretive sonic creators can be about their work process, we asked a few of our favorite studio workhorses to divulge the secrets of their Grammy-nominated vocal chains.

While Chris Stapleton may be a new face for many music fans, producer Dave Cobb (Sturgill Simpson/Jason Isbell) and engineer Vance Powell (Jack White / JEFF the Brotherhood) are no strangers to creating amazing records. When deciding what gear to use during the recording of Stapleton's Grammy-nominated album, Traveller, Cobb asked Powell to select what would be used in the vocal chain.

The end results saw Vance opting to use a vintage U47 and running them through vintage Neve 1073 and an Esoteric Audio Research 660 for compression/limiting. The vocals were all cut live with the rest of the band playing in the same room at RCA Victor Studios. The only exceptions were two albums tracks that were recorded outside the front of The Castle studio, thus the sound of passing cars and crickets.