Used for vocals and acoustic guitar on Continuum, as stated by recording engineer Chad Franscoviak in this October 1, 2006 Mix Online interview.

For Mayer's vocal chain, Franscoviak says that most of the songs were recorded with a Neumann U47. For a couple of songs, he sang into a Neumann M269c, and on “I'm Gonna Find Another You,” which was recorded at Royal Studios in Memphis, he sang into Al Green's RCA 77 ribbon mic. From there, the chain included a Neve sidecar stocked with 1073 mic pre's and then a UREI silver-face 1176. “On a couple of songs, we did experiment with splitting his vocals into two channels — one of them would be kind of a clean and one of them would be kind of a gritty — and we would take the second channel and put it through a Fairchild 670 and really crush it,” Franscoviak explains. “Then we would either blend it together or choose one or the other for the mix." (...) Mayer's acoustic guitar chain was an AKG C24 microphone into 1073s.

Used to record the album 'Lazaretto' : "[Acoustic guitars] would go into the 1073, usually with a bit of 1176 compression."

used in the making of Currents (x2)

Neve 1073 mic pres were used for recording electric guitars, acoustic, steel guitar, and vocalists Todd Edwards and Paul Williamson.

Billie uses a U47 FET through a Neve 1073 along with distressor.

Mix engineer Tommaso Colliva on recording Drones : "Matt always tracks the vocals by himself. I set things up for him, and the mic pre we use is always a Neve 1073, usually with an 1176 compressor. I dial in some settings and he may nudge things up or down, depending on the kind of vocals he’s tracking. We also very occasionally used a Mercury M76 tube mic pre, and on a few songs Matt wanted to hold the mic in his hand, but we didn’t like the sound of a dynamic mic too much, so we ended up using a FET47 which I took out of the mic mount and wrapped in foam. "

Used for Albarn's vocals on Gorillaz's "Clint Eastwood", as mentioned by producer Tom Girling in the September 2001 Sound on Sound article "Recording 'Clint Eastwood'".

''We used the Neumann TLM170 for Damon's vocal, and we hired some gear when we went to Jamaica, so I think he probably went through an 1176 as well, or perhaps a Distressor," explains Tom. "We used a Neve 1073, which is an EQ with a mic amp on as well, so the mic was plugged straight into that, and then after that I think it was the 1176 and straight into Logic."

In this article it says Justin Vernon (Bon Iver) has a Neve 1073 Preamp in his April Base studio in Wisconsin

In This Sound on Sound INSIDE THE TRACK "Bad Guy" By Billie Eilish Mixed by Rob Kinelski we can see that the Neve 1073 is being processed on Billies Vocals.

Engineer Derek Ali on recording To Pimp a Buterfly : "I mostly use our Stephen Paul-modified Telefunken U47 to record Kendrick, going through a Neve 1073 mic pre and then a Tube-Tech CL1B compressor, which gives a great, fat, warm vocal sound, especially in conjunction with the U47."

Bob Dylan's vocals ran through a Neve 1073, according to this article.

Used for Blake's piano on Beyoncé's "Forward", as stated by producer Stuart White in this this September 24, 2016 AudioTechnology interview.

In the case of James Blake, White recorded him at Conway Studios. White: “He came in, heard the track (Forward), walked up to Bey’s Elam 251 with the same vocal chain (Avalon 737 into Tube Tech CL1B) and sang his vocal pretty much right off the bat. Then he tried some chords on the piano and I recorded him soon after using two older Schoeps W-221 small diaphragm microphones going into Neve 1073 mic pres."