Cid Rim – Songs of Vienna

In this article (https://www.self-titledmag.com/cid-rim-feature-songs-of-vienna-album/), CID RIM mentions using the SH-101 on his "Songs of Vienna" album "This is the first track for a reason; I think it’s one of the album’s defining moments. It started in my mate Paul’s studio (hence the name) with a borrowed SH-101 from the room next door. I made a little beat — half recorded, half programmed material — and then with my left hand on the filter of the SH-101 and the right hand on its keys I just started playing these melodies."

In this article (https://www.self-titledmag.com/cid-rim-feature-songs-of-vienna-album/) CID RIM says "I made the sound almost entirely with this really bad early 2000s Neptunes aera Roland synth JD-Xi."

In this article on the making of his album "Songs of Vienna", CID RIM says "Listening to it now, I think I hear the Arturia Microbrute synth"

In this article (https://www.self-titledmag.com/cid-rim-feature-songs-of-vienna-album/), CID RIM says "Wow, I barely remember how that one came together. Very fluidly and quickly, I guess. Listening to it now, I think I hear the Arturia Microbrute synth and I definitely hear the Moog Grandmother."

In talking about his song "Too Long" (in this article: https://www.self-titledmag.com/cid-rim-feature-songs-of-vienna-album/) he says "At the end of the mixing session for Denai, the studio manager came in with this massive monster of a new Roland synth called JD-XA. Just knobs and blinking stuff everywhere, and it took me a while to just strip everything back to one good square wave and a filter. Then I recorded this bass pattern that’s always the same note in different octaves and layered it with a couple of bass sounds and synth lines in the upper registers."

In this Self-titled mag article, CID RIM mentions "That day I worked from Dorian Concept’s studio in Vienna, he had this gorgeous old Jupiter with a lot of character. I came up with the main big part of the track there and recorded loads of different octaves and takes of similar sounds and lines. I spread it all out in the stereo image and layerd it again and again untill it sounded almost too big, annoyingly screamy. Then I distorted every track."

The exact version fo Roland Space Echo is not known but CID RIM says in the Self-titled mag interview "I think it was a ton of “Massive X” layers mainly — and running them through old analogue equipment like the Roland Space Echo or tape emulations"