"This is probably one of the greatest polyphonic synthesizers ever made, a roughed design classic with a magic sound. The sound is dreamy..so dreamy you might think it has got effects build in (but it doesn't). I think this is the most 'esoteric' in the Jupiter series (The Jupiter 4 is just plain rawness...a beast, the 6 is more clean plasticy and aggresive in the mid range). You just hold your arm on the keyboard and it sounds like Kitaro (I am not sure if this is a good thing). Its pretty straightforward in the synthesis architecture, the usual more advanced 'bi-trimbal' 2 oscie substractive synth, but the sound, created by very well designed Japanese circuits, and slider controls make this a very sought after expensive synthesizer. It is mostly used for soundtrack work and on you can hear it on the smackos Age of Candy Candy & [Waiting for the Red Bear](http://www.xs4all.nl/~awolfe/strangeliferedbear.htm) albums You can also hear it on the [Duneman](http://www.cbs.nu/robots/smackos-franz-falckenhaus-reports/general/2008/01/19/dune-man-soundtrack) soundtrack" via [Legowelt's Official Website](http://awolfe.home.xs4all.nl/studiojupiter8.htm)more
"Part of what makes analog synths sound distinct is their imprecision; not all eight voices sound identical on this, which gives it a nice character in the context of a recording." -RJD2, [Thump.Vice Interview](https://thump.vice.com/en_ca/article/rjd2-gave-us-a-guided-tour-of-his-columbus-ohio-home-studio)more
official website of his projekt Quaeschning-Schnauss: ULRICH SCHNAUSS:Software: Steinberg Cubase all tracks bar PRISM and AMONG MANATEES** (Logic)*Peripheral equipment: Manikin Schrittmacher sequencer.*Hardware synths:Roland JD XA synthesizerRoland Jupiter-8 synthesizerRoland JD-800 synthesizerOberheim OB-8 synthesizerRoland System 1 synthesizerRoland MKS-70 synthesizer moduleRhodes Chroma synthesizerWaldorf Q synthesizerMicrowave XT synthesizer module*Software synths & effects: Various modules from Sonic Core’s SCOPE system.*Hardware effects: Ensoniq DP4more
Although he uses software synths, Laurent Garnier favours the hardware variety, particularly where lots of knobs and sliders are available. Vintage keyboards in his The Kub studio include Roland Juno 106 and Jupiter 8 and Korg MS20 analogues, plus the under-rated Yamaha DX100 FM synth (bottom right), while Garnier also uses the Kurzweil K2000 workstation (top right).more
"A [Mac](https://equipboard.com/items/apple-mac-pro), a lot of plugins, a keyboard, and some speakers. That’s the bare essence that I use 99%. I really like the UAD and Waves plugs, and I can’t resist using them the way every soundbook forbids. I’d be really ashamed to show the master strip I sometimes use, but hey, it sounds fat! I do have a lot of toys to play around with. To satisfy my vintage gear needs, I do have some nice analog synths like the Jupiter 8, [Korg PS-3100](https://equipboard.com/items/korg-ps-3100), (with a voice board for every one of the 48 keys!), the [Moog Voyager](https://equipboard.com/items/moog-minimoog-voyager) with a signature of Moog himself, [TB303](https://equipboard.com/items/roland-tb-303), [TR505](https://equipboard.com/items/roland-tr-505-rhythm-composer), [TR808](https://equipboard.com/items/roland-tr-808-rhythm-composer), [TR909](https://equipboard.com/items/roland-tr-909-rhythm-composer), [DX21](https://equipboard.com/items/yamaha-dx21) [DX7](https://equipboard.com/items/yamaha-dx7-synthesizer), TX81, and a great [Doepfer modular](https://equipboard.com/items/doepfer-a-100-analog-modular-system) system." - [Benno de Goeij](https://news.beatport.com/behind-the-scenes-producer-benno-de-goeij-on-working-with-armin-van-buuren-and-other-trance-superstars/).more
When asked about his favorite synth/keyboard in the studio, Alex Metric replies: "Jupiter 8 is my favorite keyboard i have. 30 years old and i use it on everything. Infact i sent [madeon](https://equipboard.com/pros/madeon) a demo of my remix and he loved a synthline in it and had no idea how i made it. it was the jupiter 8! its old but sounds AMAZING" (original source [here](http://www.reddit.com/r/listentothis/comments/2ihchg/hi_im_alex_metric_ask_me_anything/cl27ke7)).more
There is written following in the book "Behind the Boards: The Making of Rock 'n' Roll's Greatest Records Revealed" by Jake Brown > "Jourgensen recalled that “we had the Fairlight, but that was very limited in sense that it had a 1.6 second sampling time, so we used some Fairlight, but on a lot of those early Ministry albums, I used a Roland Juno 60 and Roland Jupiter 8, and I also had a Prophet 5 I used for some strings, but it was mainly Roland with a little bit of Fairlight thrown in"more
"'Jimmy Jimmy' was an 8-track tape I used to listen to while I would ride around in my car. And I liked listening to it in the car I always thought, 'God, I'm just going to keep it just like this. And that was one track done." "Jimmy Jimmy" started life as a bass line played on a Korg and the tick-took of the LinnDrum machine. Ocasek says he tried adding drums to the song later, discovering instead that the monotonous click of the Linn highlighted the sparseness of the arrangement and forced more attention to the lyrics Over the Korg and Linn he next laid his vocal, followed by synth strings swelling up from his Roland Jupiter 8 synthesizer.more
In an article that discusses how Editors recorded their album *In This Light and on This Evening*, bass and keyboard player Russell Leetch talks about some of the synths they used in the studio, such as the Arp Odyssey and "various Junos." He makes a reference to Tom Smith’s Jupiter 8, which he says is like "eight Juno 106s joined together." Original article source [here](http://www.bluefat.com/1002/Editors.htm).more
Visconti states in this interview with Roland: "I first bought a Jupiter-8 in the ‘70s: I still have it and it still works fantastically well. My oldest son, Morgan, started playing on that thing when he was about ten. It’s been in the family for years and it still gets used on recordings. Since then, I’ve had most of the Roland keyboards and modules like the XP-80, Fantom, JV-1080, XV-5080 and even the M-GS64. Back in the ’80s, I was programming with the MC-4 for The Moody Blues and others."more
"Their layered style of recording also made it easier to work from Stanley's home studio, which the band had recently upgraded using advance money from the second album. Stanley's newly expanded home studio included a 32-channel Soundcraft console, a 24-track analog tape machine and room for the band's keyboard and synthesizer collection, which included such classic designs as Sequential Circuits Prophet 5, Fairlight CMI, Roland Jupiter 8, Yamaha DX7 synthesizer and PPG Wave. They also had a LinnDrum LM-2, another recent acquisition."more
“’Bigger than America’ was our last attempt at having a big international hit album with proper financial support. I’m very proud of that album, by the way. I think it stands the test of time. I remember thinking at the time that we wanted to make an album that was our last chance to use all the original synths. We used a lot of Jupiter 8 and Jupiter 4—all the original synths and the original Linn Drums as well. That’s why the album sounded so great."more
During the Meso-America tour in 1982, Kate switched from using her Farfisa organ and her separate synth bass to using the Jupiter-8 to reproduce the bass and organ parts simultaneously, as well as the more advanced sounds from the Mesopotamia EP, on one sophisticated keyboard. During the Whammy! tour from 1983-1985, she shared this instrument with fellow band member Keith Strickland, who on some songs would come down from the drum kit to play guitars and bass and synth parts on this instrument while drum machines from the Whammy! songs played, allowing Kate to focus on vocals and simple choreography. In a comment on her page showcasing her Farfisa organ, Kate mentioned that Keith now has the instrument. Keith mentioned on a comment on his Facebook post that he has had it retrofitted with MIDI and uses it as a sound source for his compositions.more
….So stellte ich mir meine eigene Sammlung zusammen, die wirklich auf meinen Sound und meine Arbeitsweise abgestimmt ist. Meine Favoriten sind sicherlich der Moog Voyager, Jupiter, Solina, MS20 und mein Eurorack-Modular- System. Vieles ist Phasenbestimmt, was in meinem Fall sehr für den Prophet, JD800, Z1 etc… gilt. In diesem Moment finde ich z.B. die Mutable Instruments Module unfassbar gut.more
"We also use quite a lot of old stuff, because I've still got things like a PPG 2.2, and we've used a Prophet 5, Juno 106 and Jupiter 8 because there's a lot of arpeggiated stuff. A big problem with a lot of modern sequencers is that you have to write arpeggiation in yourself- there isn't actually a machine which arpeggiates, which is a shame because it's nice when it's more random. We use S1000s, S900s, and an FZ1. I tend to use the FZ1 as my main sampler just because that happened to be the one that I bought."more
Over the years, Ron Mael has played numerous synths, keyboards and computer-based instruments — Moog's Polymoog, Roland's JP-4 and JP-8, the Wurlitzer electric piano and the Fairlight CMI, to name a few — but his workhorse favorites have been the Yamaha CS-80 (produced in the late '70s) and the sleeker S80 (introduced in 1999).more
Best poly synth ever made. versitile. pretty metalic bells, searing leads, warm lush pads and strings, creamy soft sounds, hard phazing sounds, industrial ambient, techno, you name it, it can do it, but in a very pleasent way that no other synth can. I can even get damn good bass out of this thing.. its like a juno 106 on massive steroids.. i will never part with this synth, it is simply amazing.. i'm so happy to finally have one after all these years of lusting for one.. The filters, wow, the resonance, wow, the high pitched pretty sounds, wow. i am in love, and yes, this is now my favorite synth of all time..more
In the studio I remember it was all recorded using a Jupiter 8 for the bells and strings and a korg ms10 thru a clone theory for the bass synth. At that time I could not get a Jupiter 8 to take on the road. The two SH101's in the picture ran sequences and the TR606 drum machine was just for the intro to "wishing"...Mike Scoremore
Per his interview with Attack Magazine: > "Yeah, it’s kind of the big pieces and I never tire of them. I always come back to the core of the 808, the Jupiter-6 and the Pro-One. The Jupiter-8, actually, although it’s a lovely piece and I think it’s the best looking synth, it’s a bit limited. It’s lovely and rich and does all those very 80s synth-pop sounds and can sound quite Radiophonic Workshop, but it can’t self-oscillate. It’s almost like it can’t get over the point you want it to."more
My absolute favourite is the Jupiter 8. I just love making sounds on it and playing, can do it for days. It can sound ridiculously lush, but also can do weird or wrong in a pretty interesting way, and even a pretty thin sounding patch turns into a monster in unison mode. And the arpeggiator’s really cool of course.more
In the picture you can see, that Tobi Neumann owns a Roland Jupiter-8 Synthesizer beside many other synthesizers. In the article "Going Through the Stages with Tobi Neumann" he says:"I definitely love the synthesisers, the Jupiter 8, and the Prophet 8, the Prophet 5 – but sometimes…”more
> Der [Sequential Circuits] Prophet 5 war mein erster Synthesizer, dann hat mich Froese gefragt, ob ich den Moog kaufen will. Dann hatte ich noch den [Roland] Jupiter 8 und dann kam irgendwann die FM- Modulation, ich war ja der Erste, der hier im Osten einen Yamaha DX7 gehabt hat, was ich allerdings auch in erster Linie Edgar Froese zu verdanken hatte. Ich habe das erste Mal auf einem Minimoog gespielt von der Gruppe Omega aus Ungarn, das war so um 1973 oder 1974, da habe ich gestaunt, was man damit alles machen kann! Den großen Moog habe ich so um 1981/82 gekauft. Den Moog finanzierte Lakomy mit einem Kredit der GEMA.more
Legendary synthesizer that excels at design/interface/performance capability and is simply pretty great in all other aspects. The very pinnacle of bread & butter polys. I think many synths sound better but no other vintage synth is such a solid, complete product.
I have had 4 of them over the years all different to each other, all varying conditions and with various minor ailments, but one thing they all had in common was MOJO, it is an organic, fat sounding vibe with a hifi top end, super fast envelopes and a snappy,zingy, creamy filter, super cross modulation and a fearsome unison button. I used it on many of my Automatic Records releases in the early 2000's.
Lush pads, mean, bass. I got mind for $600 in 1996. It had some sort of memory expansion mod which would not allow it to store patch memory but that has all been removed now and it saves patches just fine. It also had a JL Cooper sequencer attached to it but this also has been removed and it is back to stock condition. The cross modulation is nice.
perhaps my favorite polyanalog of them all. majestic tone. phenomenal user interface. while flexible it has insane sweet spot. its impossible to make it sound bad.
I bough this new for $6500 in 1983 and had a Roland tech install MIDI in it. I have had it serviced and replaced all of the sliders and pots so everything works like new!