Gang of Four – Content

In this article about the making of Gang of Four's "Content," it's explained that "Gill played through transistor amps, as he did on 1979’s Entertainment and 1981’s Solid Gold (in this case, either a Peavey Classic 50 Combo or Blackstar Artisan 30)."

In this article on the making of Gang of Four's album "Content," it is explained that "Gill played through transistor amps, as he did on 1979’s Entertainment and 1981’s Solid Gold (in this case, either a Peavey Classic 50 Combo or Blackstar Artisan 30)."

In this article on the making of Gang of Four's "Content" album, it is explained that "Gill’s dry, rhythmic, and cutting sound... doesn’t rely on compression or many pedals, though he will use the Boss SL-20 Slicer. His only 'vice,' as he describes it, is tremolo, especially the effect on the Boss pedal. He can lock to the track via MIDI and program different rhythms within the tremolo."

In this article, Andy's approach to recording vocals is explained. "The album was rounded out with King’s vocals, captured on a Shure 57 or Neumann 67 and given a touch of delay and reverb with the PCM 70 or 80 and Logic reverb, 'to help the vocals sit in the track.'"

This article talks about Andy Gill's vocal recording techniques. "The album was rounded out with King’s vocals, captured on a Shure 57 or Neumann 67 and given a touch of delay and reverb with the PCM 70 or 80 and Logic reverb, 'to help the vocals sit in the track.'"

In this article on the making of Gang of Four's "Content" album, it states, "Gill routes his Fender Strat with Lace Sensor pickups (which result in less buzz when gain is added) through a DI, sending one signal straight to Logic and the other through the amp, blending the amp mic tracks with a track modified with plug-ins, including the Logic amp simulator or Pedalboard."