Hans Zimmer – Dune (Original Motion Picture Soundtrack)
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2021 album Dune (Original Motion Picture Soundtrack).
Music from Dune (Original Motion Picture Soundtrack)
Artists on Dune (Original Motion Picture Soundtrack)
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Hans Zimmer & Klaus Badelt Hans Zimmer & Lisa Gerrard Hans Zimmer, Lisa Gerrard & Klaus Badelt Hans Zimmer and Harry Gregson-Williams Hans Zimmer & James Newton Howard Hans Zimmer and Warren Cann Hans Zimmer & Djivan Gasparyan Stanley Myers and Hans Zimmer Krisma Hans Zimmer and Graham Preskett HeldenProducer -
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Gear Used On Dune (Original Motion Picture Soundtrack)
Explore the instruments, equipment, software, and production tools used in the making of Hans Zimmer – Dune (Original Motion Picture Soundtrack) (2021). Click more on each item to see exactly how it was used.
Software Plugins and VSTs used by Hans Zimmer on Dune (Original Motion Picture Soundtrack)
Avg price: $148.20
This article in FACT magazine details how Hans Zimmer and Benjamin Wallfisch created the Bladerunner 2049 soundtrack:
"The CS-80 was part of a coterie of synths. They also used the u-he “wireless” modular plugin Zebra, as well as the company’s Diva softsynth, which was designed by Urs Heckmann based on Zimmer’s favorite Minimoog; Wallfisch was able to bring out a DSI Prophet-12 he hadn’t yet had the opportunity to use; a SoundToys Crystallizer granular synth altered compositions and then pieces were put through tape delays and covered in reverb before being processed again with the Crystallizer. “One of the things we talked about was the idea of ‘more human than human,’” Wallfisch says. “When you’re creating, you play a chord, and then all these machines take care of this extraordinary, strange, replicant-style advancement of something acoustic.”"
u-he Diva Software Synthesizer Plugin
Avg price: $173.83
This article in FACT magazine details how Hans Zimmer and Benjamin Wallfisch created the Bladerunner 2049 soundtrack:
"The CS-80 was part of a coterie of synths. They also used the u-he “wireless” modular plugin Zebra, as well as the company’s Diva softsynth, which was designed by Urs Heckmann based on Zimmer’s favorite Minimoog; Wallfisch was able to bring out a DSI Prophet-12 he hadn’t yet had the opportunity to use; a SoundToys Crystallizer granular synth altered compositions and then pieces were put through tape delays and covered in reverb before being processed again with the Crystallizer. “One of the things we talked about was the idea of ‘more human than human,’” Wallfisch says. “When you’re creating, you play a chord, and then all these machines take care of this extraordinary, strange, replicant-style advancement of something acoustic.”"
