The Lemon Twigs – Do Hollywood
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2016 album Do Hollywood.
Music from Do Hollywood
Artists on Do Hollywood
Gear Used On Do Hollywood
Explore the instruments, equipment, software, and production tools used in the making of The Lemon Twigs – Do Hollywood (2016). Click more on each item to see exactly how it was used.
Guitars used by Brian D'Addario on Do Hollywood
Gibson Melody Maker D (1964-1966)
Avg price: $1,966.00
Brian D'Addario used this guitar model (with his band "The Lemon Twigs") during a live studio performance on 89.3 The Current.
Keyboards and Synthesizers used by Brian D'Addario on Do Hollywood
Avg price: $2,100.00
In the "these words" music video, Brian can be seen playing the classic Rhodes Got confirmation from this photo of the twigs performing at austin city limits: https://www.baeblemusic.com/photos/10-9-2017/austin-city-limits/the-lemon-twigs.html#lg=1&slide=2
Studio Equipment used by Brian D'Addario on Do Hollywood
Avg price: $650.00
Janothan Rado on what was used in the studio to record "Do Hollywood":
“Dream Star is a tape recorder studio. I have a Tascam MSR-16 16-track, an old Tascam 288 eight-track, and I recently got a Tascam 24-track. The Lemon Twigs record was done on the 16-track, which is a half-inch machine. I also have a 32-channel Yamaha desk, and a 16-channel Tascam M2516 mixer that we used for monitoring. I love Tascam as a brand, because their stuff is so geared towards home studio recording. It’s meant for the average person to buy and be able to use straight away. It is very simple. I didn’t go to recording school or anything, and have never worked in studios, so I taught myself everything, and they are very easy machines to learn on.”
Allen & Heath ZED-10FX 10-Channel Mixer
Avg price: $435.08
Jonathan Rado on recording "Do Hollywood" with the Lemon twigs: "Do Hollywood sounds remarkably clean and transparent. Despite having two larger mixing consoles, some of the tracks were pre-mixed on a small Allen & Heath ZED mixer. “I recorded the drums on two tracks with the kick and the overhead on one track, and the snare on the other track,” said Rado. “My basic setup was a Shure SM58 on the kick and an Akai dictation mic that came with a reel to reel on the snare. It has this really mid-range response, and I EQ-ed the hell out of it."
