Grohl is seen with the tascam at 34:09 of the foo fighters movie “Studio 666”

In this article it says Justin Vernon (Bon Iver) used a Tascam MSR-16 while recording his last album 22, A Million

"Whether they're working separately or together, getting ideas down is generally a result of recording extended jams to tape on anything from a Tascam MSR-16 reel-to-reel to an old Revox recorder to a Grundig machine to an ordinary cassette. Remix, 2005"

In the "Old School" section of this interview, Jenkinson explains his experiences with recording mediums throughout the years. According to Tom Jenkinson himself, "[...] As for recording, I used tape recorders exclusively until 2001. I first had a Fostex M80 quarter-inch eight-track, and in the late '90s I obtained a half-inch Tascam MSR16. I still use that, though it's being repaired at the moment. I have to say that I'm not obsessive about it. Recording to tape, or to a computer-based multitrack, is a means to an end. I mix and match now. I've used Sonic Foundry's Vegas, and more recently Nuendo, but I don't endorse or recommend them. There's no love in it for me, they really are just tools."

Duster replied to a comment on instagram, stating what tape recorders they used

Janothan Rado on what was used in the studio to record "Do Hollywood":

“Dream Star is a tape recorder studio. I have a Tascam MSR-16 16-track, an old Tascam 288 eight-track, and I recently got a Tascam 24-track. The Lemon Twigs record was done on the 16-track, which is a half-inch machine. I also have a 32-channel Yamaha desk, and a 16-channel Tascam M2516 mixer that we used for monitoring. I love Tascam as a brand, because their stuff is so geared towards home studio recording. It’s meant for the average person to buy and be able to use straight away. It is very simple. I didn’t go to recording school or anything, and have never worked in studios, so I taught myself everything, and they are very easy machines to learn on.”

With these words Youth heaves himself to his feet and suggests that he takes me for a quick tour of the building before he gets back to work. First he shows me the DDA studio in the basement, which sports a Tascam analogue 24-track, Lexicons 480L and PCM70, an Akai/Linn MPC60, and Genelec and NS10 monitors. A visiting M1 is subjected to his derision, much to the amusement of the programmer. Upstairs he shows me the 16-track studio, home to a Tascam MSR16 and a Soundtracs PC series desk, and the small editing suite with its Macintosh and Soundtools digital editing. Finally there's the demo room, with a Tascam M312B desk, Atari, S1000, Midiverb II, SPX50D, NS10s', and, surprisingly, a DX7II. The latter instrument is being played by Jaz Coleman, who's making a gothic-sounding godawful racket together with Geordie Walker on electric guitar.

In an interview featured in the December 1992 issue of Canadian Musician, conducted by Tim Arsenault, Terry Pulliam, alongside members of the rock band Sloan, discussed the recording processes of their projects "Smeared" and "Peppermint." Within this dialogue, it was confirmed that Pulliam utilized the Tascam MSR-16, a piece of studio recording gear from the analog multitrack recorders category, to facilitate these recordings. This information provides direct evidence of Pulliam's usage of the Tascam MSR-16 in his professional work.