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This traditional shaker is crafted by skilled Balinese artisans using authentic pangi seeds. The shell comes from the fruit pod of the Pangi tree (Pangium edule) in tropical Southeast Asia and produces a natural sound that ranges from soft leaf-like textures to rain and water effects. It works as both a subtle rhythmic layer and a distinctive atmospheric accent in performance or recording.

Suitable for folk, world music, reggae, acoustic settings, classrooms, music therapy, meditation, and sound-based wellness practices.

Pangi seeds are also known as Buah Keluak or Kepayang.

Gómez Tellez era una tienda que había cerca de la plaza del Obispo, en Málaga. Vendían desde banderas, hasta insignias militares. También vendían guitarras, bandurrias, cajones flamencos. Nunca fue una tienda especializada en instrumentos. Tras cerrar, abrieron otra llamada Fernandes y Frias, en Molina Lario (muy cerca de la tienda original)

[Oskar] Vierling developed a large electronic organ; the ‘Grosstonorgel’ (together with Karl Willy Wagner and the American engineer Winston E. Kock both at the Heinrich-Hertz-Institute. [...] Since vacuum tubes were very expensive, he designed an instrument that relied instead on the smaller and cheaper neon tubes for the oscillators."

The Großtonorgel gained prominence at the 1936 Olympic Games.

[Oskar] Vierling developed a large electronic organ; the ‘Grosstonorgel’ (together with Karl Willy Wagner and the American engineer Winston E. Kock both at the Heinrich-Hertz-Institute. [...] Since vacuum tubes were very expensive, he designed an instrument that relied instead on the smaller and cheaper neon tubes for the oscillators."

[Oskar] Vierling [...] developed [...] another large electronic organ; the ‘Grosstonorgel’ (together with Karl Willy Wagner and the American engineer Winston E. Kock both at the Heinrich-Hertz-Institute. [...] Since vacuum tubes were very expensive, he designed an instrument that relied instead on the smaller and cheaper neon tubes for the oscillators."

[Oskar] Vierling developed a large electronic organ; the ‘Grosstonorgel’ (together with Karl Willy Wagner and the American engineer Winston E. Kock both at the Heinrich-Hertz-Institute. [...] Since vacuum tubes were very expensive, he designed an instrument that relied instead on the smaller and cheaper neon tubes for the oscillators."

Vierling [...] developed [...] another large electronic organ; the ‘Grosstonorgel’ (together with Karl Willy Wagner and the American engineer Winston E. Kock both at the Heinrich-Hertz-Institute. [...] Since vacuum tubes were very expensive, he designed an instrument that relied instead on the smaller and cheaper neon tubes for the oscillators."

[Oskar] Vierling [...] developed [...] another large electronic organ; the ‘Grosstonorgel’ (together with Karl Willy Wagner and the American engineer Winston E. Kock both at the Heinrich-Hertz-Institute. [...] Since vacuum tubes were very expensive, he designed an instrument that relied instead on the smaller and cheaper neon tubes for the oscillators."

Vierling [...] developed [...] another large electronic organ; the ‘Grosstonorgel’ (together with Karl Willy Wagner and the American engineer Winston E. Kock both at the Heinrich-Hertz-Institute. [...] Since vacuum tubes were very expensive, he designed an instrument that relied instead on the smaller and cheaper neon tubes for the oscillators."

A steel-string acoustic guitar built from a variety of artifacts collected by Taylor representing diverse cultures, communities, characters and events from every province and territory of Canada.

The Resurrection Mini-Humbucker Pickup Adaptor rings: designed for 1960s-era Matsumoku マツモク工業 hollowbody guitars, namely the 1202T, 1203T, and 1302T, often going by the nickname "Coily". Manufactured in Japan in response to Beatlemania, these instruments were sold in the West under such brand names as Arai, Aria Diamond, Conrad, Domino, Encore, Harmony, Lyle, Orpheus, Toledo, and Univox, and they all sported non-standard trapezoid pickups, complemented by peculiarly-dimensioned cavities and rings, all of which would render any upgrade a tricky proposition, with the cavities being too long and narrow to allow for P90s or humbuckers. The factory's objective was to produce affordable versions of Gibson models, and the cost-saving was largely found in the nut, tuning machines, tailpiece, cabling, and—alas—the pickups that were used. However, the instruments have since acquired a status as collectors' items and novelty pieces, with many players themselves also developing a nostalgic fondness for the pickups' quirky tonal properties.

Still, being that these were made at cost over half a century ago, many units' pickups now require repairs, or at the very least need to be rewound. For those looking to replace the pickups, or who perhaps desire to hear the guitar through higher-end transducers without sacrificing the ability to revert to stock specifications, the Resurrection adaptors allow for a reversible upgrade to modern mini-humbucker pickups without the need to drill new holes into the body nor to expand the cavities. The model utilized for the design of these adaptors was a Conrad 1202T, which on some sites has been listed under model number 1276. Two adaptors were made, one for the neck pickup and another for the bridge. The mini-humbuckers used for fitting were Artec MLC97s. The fit itself was left as snug, meaning that small amounts can be shaved off if necessary or preferred. If you own one of these most special guitars, don't miss out on this opportunity to bring it into the modern era.

NECK: https://www.shapeways.com/product/KZQK2BB6L/matsumoku-mini-humbucker-adaptor-neck-1202t

BRIDGE: https://www.shapeways.com/product/7PF73886B/matsumoku-mini-humbucker-adaptor-bridge-1202t

The Revival Mini-Humbucker Pickup Adaptor rings: designed for 1960s-era Matsumoku マツモク工業 hollowbody guitars, namely the 1202T, 1203T, and 1302T, often going by the nickname "Coily". Manufactured in Japan in response to Beatlemania, these instruments were sold in the West under such brand names as Arai, Aria Diamond, Conrad, Domino, Encore, Harmony, Lyle, Orpheus, Toledo, and Univox, and they all sported non-standard trapezoid pickups, complemented by peculiarly-dimensioned cavities and rings, all of which would render any upgrade a tricky proposition, with the cavities being too long and narrow to allow for P90s or humbuckers. The factory's objective was to produce affordable versions of Gibson models, and the cost-saving was largely found in the nut, tuning machines, tailpiece, cabling, and—alas—the pickups that were used. However, the instruments have since acquired a status as collectors' items and novelty pieces, with many players themselves also developing a nostalgic fondness for the pickups' quirky tonal properties.

Still, being that these were made at cost over half a century ago, many units' pickups now require repairs, or at the very least need to be rewound. For those looking to replace the pickups, or who perhaps desire to hear the guitar through higher-end transducers without sacrificing the ability to revert to stock specifications, the Resurrection adaptors allow for a reversible upgrade to modern mini-humbucker pickups without the need to drill new holes into the body nor to expand the cavities. The model utilized for the design of these adaptors was a Conrad 1202T, which on some sites has been listed under model number 1276. Two adaptors were made, one for the neck pickup and another for the bridge. The mini-humbuckers used for fitting were Artec MLC97s. The fit itself was left as snug, meaning that small amounts can be shaved off if necessary or preferred. If you own one of these most special guitars, don't miss out on this opportunity to bring it into the modern era.

NECK: https://www.shapeways.com/product/KZQK2BB6L/matsumoku-mini-humbucker-adaptor-neck-1202t

BRIDGE: https://www.shapeways.com/product/7PF73886B/matsumoku-mini-humbucker-adaptor-bridge-1202t

The Resurrection Mini-Humbucker Pickup Adaptor rings: designed for 1960s-era Matsumoku マツモク工業 hollowbody guitars, namely the 1202T, 1203T, and 1302T, often going by the nickname "Coily". Manufactured in Japan in response to Beatlemania, these instruments were sold in the West under such brand names as Arai, Aria Diamond, Conrad, Domino, Encore, Harmony, Lyle, Orpheus, Toledo, and Univox, and they all sported non-standard trapezoid pickups, complemented by peculiarly-dimensioned cavities and rings, all of which would render any upgrade a tricky proposition, with the cavities being too long and narrow to allow for P90s or humbuckers. The factory's objective was to produce affordable versions of Gibson models, and the cost-saving was largely found in the nut, tuning machines, tailpiece, cabling, and—alas—the pickups that were used. However, the instruments have since acquired a status as collectors' items and novelty pieces, with many players themselves also developing a nostalgic fondness for the pickups' quirky tonal properties.

Still, being that these were made at cost over half a century ago, many units' pickups now require repairs, or at the very least need to be rewound. For those looking to replace the pickups, or who perhaps desire to hear the guitar through higher-end transducers without sacrificing the ability to revert to stock specifications, the Resurrection adaptors allow for a reversible upgrade to modern mini-humbucker pickups without the need to drill new holes into the body nor to expand the cavities. The model utilized for the design of these adaptors was a Conrad 1202T, which on some sites has been listed under model number 1276. Two adaptors were made, one for the neck pickup and another for the bridge. The mini-humbuckers used for fitting were Artec MLC97s. The fit itself was left as snug, meaning that small amounts can be shaved off if necessary or preferred. If you own one of these most special guitars, don't miss out on this opportunity to bring it into the modern era.

NECK: https://www.shapeways.com/product/KZQK2BB6L/matsumoku-mini-humbucker-adaptor-neck-1202t BRIDGE: https://www.shapeways.com/product/7PF73886B/matsumoku-mini-humbucker-adaptor-bridge-1202t

The Resurrection Mini-Humbucker Pickup Adaptor rings: designed for 1960s-era Matsumoku マツモク工業 hollowbody guitars, namely the 1202T, 1203T, and 1302T, often going by the nickname "Coily". Manufactured in Japan in response to Beatlemania, these instruments were sold in the West under such brand names as Arai, Aria Diamond, Conrad, Domino, Encore, Harmony, Lyle, Orpheus, Toledo, and Univox, and they all sported non-standard trapezoid pickups, complemented by peculiarly-dimensioned cavities and rings, all of which would render any upgrade a tricky proposition, with the cavities being too long and narrow to allow for P90s or humbuckers. The factory's objective was to produce affordable versions of Gibson models, and the cost-saving was largely found in the nut, tuning machines, tailpiece, cabling, and—alas—the pickups that were used. However, the instruments have since acquired a status as collectors' items and novelty pieces, with many players themselves also developing a nostalgic fondness for the pickups' quirky tonal properties.

Still, being that these were made at cost over half a century ago, many units' pickups now require repairs, or at the very least need to be rewound. For those looking to replace the pickups, or who perhaps desire to hear the guitar through higher-end transducers without sacrificing the ability to revert to stock specifications, the Resurrection adaptors allow for a reversible upgrade to modern mini-humbucker pickups without the need to drill new holes into the body nor to expand the cavities. The model utilized for the design of these adaptors was a Conrad 1202T, which on some sites has been listed under model number 1276. Two adaptors were made, one for the neck pickup and another for the bridge. The mini-humbuckers used for fitting were Artec MLC97s. The fit itself was left as snug, meaning that small amounts can be shaved off if necessary or preferred. If you own one of these most special guitars, don't miss out on this opportunity to bring it into the modern era.

NECK: https://www.shapeways.com/product/KZQK2BB6L/matsumoku-mini-humbucker-adaptor-neck-1202t

BRIDGE: https://www.shapeways.com/product/7PF73886B/matsumoku-mini-humbucker-adaptor-bridge-1202t

The Resurrection Mini-Humbucker Pickup Adaptor rings: designed for 1960s-era Matsumoku マツモク工業 hollowbody guitars, namely the 1202T, 1203T, and 1302T, often going by the nickname "Coily". Manufactured in Japan in response to Beatlemania, these instruments were sold in the West under such brand names as Arai, Aria Diamond, Conrad, Domino, Encore, Harmony, Lyle, Orpheus, Toledo, and Univox, and they all sported non-standard trapezoid pickups, complemented by peculiarly-dimensioned cavities and rings, all of which would render any upgrade a tricky proposition, with the cavities being too long and narrow to allow for P90s or humbuckers. The factory's objective was to produce affordable versions of Gibson models, and the cost-saving was largely found in the nut, tuning machines, tailpiece, cabling, and—alas—the pickups that were used. However, the instruments have since acquired a status as collectors' items and novelty pieces, with many players themselves also developing a nostalgic fondness for the pickups' quirky tonal properties.

Still, being that these were made at cost over half a century ago, many units' pickups now require repairs, or at the very least need to be rewound. For those looking to replace the pickups, or who perhaps desire to hear the guitar through higher-end transducers without sacrificing the ability to revert to stock specifications, the Resurrection adaptors allow for a reversible upgrade to modern mini-humbucker pickups without the need to drill new holes into the body nor to expand the cavities. The model utilized for the design of these adaptors was a Conrad 1202T, which on some sites has been listed under model number 1276. Two adaptors were made, one for the neck pickup and another for the bridge. The mini-humbuckers used for fitting were Artec MLC97s. The fit itself was left as snug, meaning that small amounts can be shaved off if necessary or preferred. If you own one of these most special guitars, don't miss out on this opportunity to bring it into the modern era.

The Resurrection Mini-Humbucker Pickup Adaptor rings: designed for 1960s-era Matsumoku マツモク工業 hollowbody guitars, namely the 1202T, 1203T, and 1302T, often going by the nickname "Coily". Manufactured in Japan in response to Beatlemania, these instruments were sold in the West under such brand names as Arai, Aria Diamond, Conrad, Domino, Encore, Harmony, Lyle, Orpheus, Toledo, and Univox, and they all sported non-standard trapezoid pickups, complemented by peculiarly-dimensioned cavities and rings, all of which would render any upgrade a tricky proposition, with the cavities being too long and narrow to allow for P90s or humbuckers. The factory's objective was to produce affordable versions of Gibson models, and the cost-saving was largely found in the nut, tuning machines, tailpiece, cabling, and—alas—the pickups that were used. However, the instruments have since acquired a status as collectors' items and novelty pieces, with many players themselves also developing a nostalgic fondness for the pickups' quirky tonal properties.

Still, being that these were made at cost over half a century ago, many units' pickups now require repairs, or at the very least need to be rewound. For those looking to replace the pickups, or who perhaps desire to hear the guitar through higher-end transducers without sacrificing the ability to revert to stock specifications, the Resurrection adaptors allow for a reversible upgrade to modern mini-humbucker pickups without the need to drill new holes into the body nor to expand the cavities. The model utilized for the design of these adaptors was a Conrad 1202T, which on some sites has been listed under model number 1276. Two adaptors were made, one for the neck pickup and another for the bridge. The mini-humbuckers used for fitting were Artec MLC97s. The fit itself was left as snug, meaning that small amounts can be shaved off if necessary or preferred. If you own one of these most special guitars, don't miss out on this opportunity to bring it into the modern era.

NECK: https://www.shapeways.com/product/KZQK2BB6L/matsumoku-mini-humbucker-adaptor-neck-1202t BRIDGE: https://www.shapeways.com/product/7PF73886B/matsumoku-mini-humbucker-adaptor-bridge-1202t

The Resurrection Mini-Humbucker Pickup Adaptor rings: designed for 1960s-era Matsumoku マツモク工業 hollowbody guitars, namely the 1202T, 1203T, and 1302T, often going by the nickname "Coily". Manufactured in Japan in response to Beatlemania, these instruments were sold in the West under such brand names as Arai, Aria Diamond, Conrad, Domino, Encore, Harmony, Lyle, Orpheus, Toledo, and Univox, and they all sported non-standard trapezoid pickups, complemented by peculiarly-dimensioned cavities and rings, all of which would render any upgrade a tricky proposition, with the cavities being too long and narrow to allow for P90s or humbuckers. The factory's objective was to produce affordable versions of Gibson models, and the cost-saving was largely found in the nut, tuning machines, tailpiece, cabling, and—alas—the pickups that were used. However, the instruments have since acquired a status as collectors' items and novelty pieces, with many players themselves also developing a nostalgic fondness for the pickups' quirky tonal properties.

Still, being that these were made at cost over half a century ago, many units' pickups now require repairs, or at the very least need to be rewound. For those looking to replace the pickups, or who perhaps desire to hear the guitar through higher-end transducers without sacrificing the ability to revert to stock specifications, the Resurrection adaptors allow for a reversible upgrade to modern mini-humbucker pickups without the need to drill new holes into the body nor to expand the cavities. The model utilized for the design of these adaptors was a Conrad 1202T, which on some sites has been listed under model number 1276. Two adaptors were made, one for the neck pickup and another for the bridge. The mini-humbuckers used for fitting were Artec MLC97s. The fit itself was left as snug, meaning that small amounts can be shaved off if necessary or preferred. If you own one of these most special guitars, don't miss out on this opportunity to bring it into the modern era.

AKA "Coily", also sold under names such as Aria, Arai, Domino, Lyle and Univox. Acoustical Slimline. Hollow body. Adjustable pick-ups with individual magnetic pole-pieces. Dual tone controls. Dual volume controls. Adjustable compensating bridge. Toggle switch. Chrome plated vibrato tailpiece. Hardwoods. Three-ply adjustable tension neck. Rosewood fingerboard inlaid with pearl position markers and nickel silver frets. Chrome plated brass patent heads. Hand rubbed and polished finish. Overall length: 41¼". Lower Bout: 15½. Made in Japan (Matsumoku).

AKA "Coily" 1276, also sold under names such as Aria, Arai, Domino, Lyle and Univox. Acoustical Slimline. Hollow body. Adjustable pick-ups with individual magnetic pole-pieces. Dual tone controls. Dual volume controls. Adjustable compensating bridge. Toggle switch. Chrome plated vibrato tailpiece. Hardwoods. Three-ply adjustable tension neck. Rosewood fingerboard inlaid with pearl position markers and nickel silver frets. Chrome plated brass patent heads. Hand rubbed and polished finish. Overall length: 41¼". Lower Bout: 15½. Made in Japan (Matsumoku).

AKA "Coily" 1202T also sold under names such as Aria, Arai, Domino, Lyle and Univox. Acoustical Slimline. Hollow body. Adjustable pick-ups with individual magnetic pole-pieces. Dual tone controls. Dual volume controls. Adjustable compensating bridge. Toggle switch. Chrome plated vibrato tailpiece. Hardwoods. Three-ply adjustable tension neck. Rosewood fingerboard inlaid with pearl position markers and nickel silver frets. Chrome plated brass patent heads. Hand rubbed and polished finish. Overall length: 41¼". Lower Bout: 15½. Made in Japan (Matsumoku).

AKA "Coily", also sold under names such as Aria, Arai, Domino, Lyle and Univox. Acoustical Slimline. Hollow body. Adjustable pick-ups with individual magnetic pole-pieces. Dual tone controls. Dual volume controls. Adjustable compensating bridge. Toggle switch. Chrome plated vibrato tailpiece. Hardwoods. Three-ply adjustable tension neck. Rosewood fingerboard inlaid with pearl position markers and nickel silver frets. Chrome plated brass patent heads. Hand rubbed and polished finish. Overall length: 41¼". Lower Bout: 15½. Made in Japan (Matsumoku).

The BIG Jazz Guitar Harness! Fits ES-175 and big Jazz Guitars with an Upper Bout toggle switch.

Includes nuts and washers for the pots, screws and black tip for the switch! This has a removeable toggle switch that plugs into the back on the neck volume control. The toggle will locate in the upper bout and the four knobs on the lower bout.

PRE-SOLDERED and a complete PLUG-In when using ANY of our Kwikplug Equipped humbucker pickups.

This uses the classic USA style Toggle switch, 500K Audio volume pots and 500K Linear pots for tone control of both pickups. The tone caps are .022uf. An included crimp connector allows for simple SOLDERLESS installation of the ground wire that typically is connected to the bridge or stop tailpiece stud.. Plugs DIRECTLY into all Kwikplug Humbucker pickups!

Acoustical Slimline. Hollow body. Adjustable pick-ups with individual magnetic pole-pieces. Dual tone controls. Dual volume controls. Adjustable compensating bridge. Toggle switch. Chrome plated vibrato tailpiece. Hardwoods. Three-ply adjustable tension neck. Rosewood fingerboard inlaid with pearl position markers and nickel silver frets. Chrome plated brass patent heads. Hand rubbed and polished finish. Overall length: 41¼". Lower Bout: 15½. Made in Japan (Matsumoku).

AKA "Coily" 1202T also sold under names such as Aria, Arai, Domino, Lyle and Univox. Acoustical Slimline. Hollow body. Adjustable pick-ups with individual magnetic pole-pieces. Dual tone controls. Dual volume controls. Adjustable compensating bridge. Toggle switch. Chrome plated vibrato tailpiece. Hardwoods. Three-ply adjustable tension neck. Rosewood fingerboard inlaid with pearl position markers and nickel silver frets. Chrome plated brass patent heads. Hand rubbed and polished finish. Overall length: 41¼". Lower Bout: 15½. Made in Japan (Matsumoku).