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When Vox debuted the AC30, who would have imagined that guitarists would carry its raw power around in their pockets decades later? You don’t have to imagine because the amPlug Series 3 AC30 is here at Sweetwater! This minuscule headphone amp improves upon the previous version with added features, dialing you right into the classic top boost sound of the AC30. This pint-sized amp leverages analog solid-state circuitry, offers two unique channels, and comes with stereo effects for big sound. Guitarists can also take advantage of built-in rhythms for woodshedding, and a TRRS connection lets you connect to your smartphone for video recording. Practicing guitar through headphones never sounded so good!

When it was introduced in 1987, the Soldano Super Lead Overdrive SLO-100 Head changed the entire high-gain amp market, and nearly 30 years later, the original design remains unchanged and unparalleled. Built on a dual channel design with independent preamps, a custom-designed transformer, and a three-band EQ with a presence control for total tone-sculpting mastery, this head is an absolute crown jewel in the collection of any enthusiast. Found in the rigs of everyone from Eddie Van Halen to Lou Reed, this contemporary amp icon will stand front and center in rigs of any genre.

Created in collaboration with session musician and online guitar personality Peter “Danish Pete” Honoré, Victory Amplifiers DP40 The Duchess is a 40-watt tube amp with a versatile tone. On one hand, it admirably channels the laid-back spirit and sound of classic American combo amps; yet it is also capable of producing the aggressive crunch of vintage British tube heads — all from a single channel! How is this possible? With the DP40’s unique voice switch. On top of that, you get full command over shaping the sound of the amp, with three tone controls and a Mid Kick feature. There’s also a hard-bypassable effects loop on tap for integrating your favorite time-based and modulation effects. Throw in a smooth and modern digital reverb spec’d by Pete for bright, shimmering sound, and you have an amp bursting with vintage character and modern features. Plus, it comes decked out in Pete’s signature royal purple for a regal look onstage!

For two decades, Tone King amps out of Baltimore have earned a reputation as absolute go-to amps for players craving vintage style and sound with modern reliability and innovation. The Imperial 1x12 combo was the first Tone King amp, and has become a benchmark in the boutique amp world. From spunky Tweed to lush Blackface tones, all manner of timeless American style amp voices can be dialed-in with the Imperial, and the MKII version takes things even further.

New for the MKII release of the Imperial is the use of Tone King's preferred "handwired board" wiring technique that combines the advantages of handwiring with the layout flexibility and reliability of of PC boards. It's a best-of-both worlds system. Also added is the Ironman II attenuator that allows you to achieve full-on tube tone bliss at any volume level.

The King of the Flat Tops meets the King of Rock ‘n’ Roll! This guitar’s decked-out ebony look is based on a model that Elvis Presley commonly used live in the mid-1960s, gifted to him in the legendary RCA Studio B in Nashville. Apart from the stark black finish that perfectly complements a white rhinestone jumpsuit (not included), the Gibson Acoustic-electric Elvis SJ-200 features a blinged-out bridge with mother-of-pearl hourglass and teardrop inlays, gold Grover keystone tuners, and a truss rod cover emblazoned with the King’s name. Once you get past the royal adornments, this guitar is a jumbo powerhouse, boasting the classic SJ-200 combo of a Sitka spruce top and maple back and sides — ideal for strumming out huge, punchy chords. Plus, if you’re looking to bust out some classic Elvis tunes at your next gig, the inclusion of an LR Baggs VTC pickup means that this guitar is stage ready right out of the box!

The Precision Bass’ long history dates back to 1951, and the Fender American Standard Precision Bass has become the flagship of Fender’s P-Bass line and a staple in popular music. The newer models sport the classic Precision Bass body with some upgrades, like a more modernized neck with a C-shaped profile and a Fender Custom Shop ‘60s split single-coil pickup.

The Les Paul Custom Lite is a thin body version of the Les Paul Custom, originally released in the late '80s. The 2014 - 2016 models feature a standard 4-knob control layout, rosewood fretboard, 490R/498T humbuckers, Custom Diamond headstock inlay, and a '50s neck profile. The 2013 model features Gibson's 3-knob/coil switch control layout, and is frequently confused with the Les Paul Classic Custom Lite which was produced around the same time.

The Gibson Les Paul Standard T continues the legacy of one of the most storied electric guitars ever produced with precision craftsmanship and components worthy of being on a Paul. Even before it's plugged in, the Standard T turns heads with a AAA-grade flamed maple top available in 10 finishes like Fire and Desert Burst layered on top of weight-relieved but nevertheless resonant mahogany body and asymmetrical slim taper neck. Not just a pretty face, this standard bearer arms you with a pair of Pro Burstbuckers, Traditional Grover tuners, and a Classic Les Paul neck heel for timeless feel and tone whether you're at practice, on stage, or in studio.

The 2019 Les Paul Classic features a mahogany body and neck with a maple top, a bound rosewood fretboard, slim-taper neck profile, and Burstbucker '61R/'61T Humbuckers. Minor spec changes occurred with the introduction of Gibson's Modern Collection, including a new nut and new finish.

Elitist Les Paul models made for export featured "tombstone" headstocks, while their Japanese domestic counterparts were made with Gibson-style "open book" headstocks. Aside from that difference, their specifications remained largely the same.

Epiphone's LPC-80 and LPC-90 are strikingly similar instruments. Manufactured at the same time (1998 - 2002), with a mahogany body and carved top, set neck, block inlays, Gibson-style "open-book" headstock, gold hardware, and identical binding patterns, the only truly meaningful difference between them is their fretboard material. The LPC-80 was made with a rosewood fretboard, while the LPC-90 has an ebony fretboard.

One of the most important amps Mesa Boogie's history, the Mark III launched in 1985 and brought a third "crunch" channel the party, offering even more versatility to an already-winning formula of paint-peeling volume and a wider range of tones than any of the mass-produced amps of the time. Slightly revised each year from 1985 - 1989, most of these amps will come with Reverb and Presence controls on the rear panel and, though it was optional, the 5-band graphic equalizer made it onto a majority of Mark IIIs.

The Mark III was delivered in a variety of configurations -- 60- and 100-watt heads and 1x12" combos, as well as with the "Simul-Class" power section from the Mark IIB which runs the outer pair of power tubes (either EL34 or 6L6 as triodes) in Class-A while the inner pair of 6L6s runs Class-AB, making the amp switchable from 75- to -15-watt operation. The "Green Stripe" revision from 1989 and onward was only offered in Simul-Class, and ran the outer pair of power tubes as pentodes rather than triodes to gain an extra 10 watts of power in both modes, making it switchable between 85 and 25 watts.

Body : Basswood Neck : Maple Fingerboard : Maple Neck Shape : Oval Radius : 184R scale : 432 mm Frets : 20F Vintage Nut Width : 42 mm Pickup : PB (Japan) (Ceramics) Controls : 1V, 1T Tuners : MHB-GB1 Ni Bridge : Vintage Type (Non- Spiral String Saddles) Finish : Polyurethane Colors : T, BLK, OCR, VWH

Models on this page represent the 1982 - 2015 era of Fender Japan production, and typically feature the old style Fender Japan serial number at the base of the neck, as opposed to the contemporary "JD-" serial number format found on the back of the headstock. The original model codes (and frequently the value suffix) can usually be found in the neck pocket of the body, and at the base of the neck where the mounting holes are.

This was a small Factory Special Run Fender did, with a batch of just around 250 made. This is a hot rodded version of the classic Jazz bass, with nitro olympic white finish and matching headstock but with factory modern upgrades such as Leo Quan Badass II bridge, and a set of Fender Samarium Fender Cobalt Noiseless Jazz Bass pickups (Came standard in Fender's American Deluxe Jazz Basses.) with a volume knob with a 2-position push/push S-1 switch for series/parallel sounds.

Boasting decade-specific style and sound, the Fender Vintera II '60s Stratocaster evokes the company's golden era but with a modern-day twist. This solidbody electric guitar is brimming with decade-specific appointments, including a '60s "C"-shaped neck, a vintage-radius rosewood fingerboard, and vintage-style '60s single-coil Strat pickups — it's the next best thing to discovering a carefully preserved classic. You'll revel in the Vintera II '60s Strat's vintage-style tuning machines and vintage-style synchronized tremolo. You also get parchment plastic knobs and a 3-ply mint green pickguard for original-era aesthetics. A vintage-tinted neck and a vintage-inspired color round out the impressive Vintera II '60s Stratocaster.

This Made in Japan marvel sports the iconic single-cutaway body and the maple neck and fingerboard provide that quintessential Tele snap, with an articulate response that blues and country players crave, yet versatile enough to push into rock and jazz territories. It's equipped with two biting single-coil pickups that deliver the twang and clarity Telecasters are famous for, all while offering a warm midrange that complements any genre.

The Epiphone ES-335 is a tribute to Gibson’s storied semi-hollowbody electric guitar, and with it by your side, you’ll take absolute command of the stage. This warm, resonant semi features a layered maple top, back, and sides, along with a solid maple center block, ensuring that every note you play is infused with amazing sustain and tone. You'll experience a wide range of vintage-inspired tones thanks to the ES-335’s Alnico Classic PRO humbuckers, while enjoying effortless playability courtesy of a laurel-capped, rounded “C”-shaped neck. Epiphone’s ES-335 will stand out instantly with its eye-grabbing body and fingerboard binding, plus a head-turning Epiphone Crown headstock inlay and tasteful dot fingerboard inlays. A high-quality Graph Tech NuBone nut and rock-solid Epiphone Deluxe tuners round out this classy ES-335.

Introducing the Electro-Harmonix Nano Small Stone - a compact, yet powerful, phase shifter pedal that brings the classic Small Stone sound to your pedalboard in a modern, die-cast package. This versatile pedal produces a rich, full-bodied, three-dimensional phasing effect that can enhance any musical style, from blues and country to metal and industrial.

Whether you're looking for a rapidly rotating speaker effect, a seasoning for your chicken' pickin', or an intense jet plane woosh, the Nano Small Stone Phase Shifter has got you covered. Its unique rate control feature allows you to adjust the speed of the phasing sweep, providing a wide range of sound possibilities.

But the magic doesn't stop there. The proprietary color switch feature offers even more sound customization. Flip the switch up for a pronounced shifting effect that carves into the frequency spectrum, hollowing out your sound. Flip it down to restore the fullness. This innovative feature allows you to achieve the perfect sound for your style, whether you're looking for a subtle effect or a dramatic shift.

Key Features:

• Compact, die-cast package for easy portability and durability
• Full-bodied, three-dimensional phasing effect
• Adjustable rate control for customizing the speed of the phasing sweep
• Unique color switch feature for modifying the frequency spectrum
• Versatility to suit any musical style from blues and country to metal and industrial

Introducing the Electro-Harmonix Nano Small Stone - a compact, yet powerful, phase shifter pedal that brings the classic Small Stone sound to your pedalboard in a modern, die-cast package. This versatile pedal produces a rich, full-bodied, three-dimensional phasing effect that can enhance any musical style, from blues and country to metal and industrial.

Whether you're looking for a rapidly rotating speaker effect, a seasoning for your chicken' pickin', or an intense jet plane woosh, the Nano Small Stone Phase Shifter has got you covered. Its unique rate control feature allows you to adjust the speed of the phasing sweep, providing a wide range of sound possibilities.

But the magic doesn't stop there. The proprietary color switch feature offers even more sound customization. Flip the switch up for a pronounced shifting effect that carves into the frequency spectrum, hollowing out your sound. Flip it down to restore the fullness. This innovative feature allows you to achieve the perfect sound for your style, whether you're looking for a subtle effect or a dramatic shift.

Key Features:

• Compact, die-cast package for easy portability and durability
• Full-bodied, three-dimensional phasing effect
• Adjustable rate control for customizing the speed of the phasing sweep
• Unique color switch feature for modifying the frequency spectrum
• Versatility to suit any musical style from blues and country to metal and industrial

The Mesa Boogie Mark V combo amp is the living history of Mesa Boogie amps in one powerful package. With three distinct channels (from low gain to transition gain to classic high-gain) and three modes per channel, there's more tone-sculpting power onboard this combo than most digital modelers provide. A five-band EQ on the face of the amp helps you dial it in even further. Other amps let you pare down the spectrum with a cleaver. The Mark V lets you get in there with a scalpel. Ideal for any player looking to have an extreme range of gain available and the ability to tame it with incredible precision.

The first era of Fender Japan began in 1982, when domestic market Japanese Fenders started rolling out of factories. While Fender Japan is popularly known for some of their more extravagant aesthetics, the bulk of domestic Japanese production was focused on reissues of historic American Fender models. These reissue models were labeled by a two letter/two number model code for the model and reissue year, followed by a suffix that indicated the price in Yen, and any unique specifications the model had. While a given model might come in a variety of price points during a given model year, from entry level to the near Custom Shop quality of Fender Japan's ExTrad series, all the models would broadly follow the aesthetic and technical specifications of the original American models. Reissue models would follow this naming convention until 2015, when Fender Japan revamped their product line to more closely mirror the organizational structure of the Mexican and American made Fender lines. Models on this page represent the 1982 - 2015 era of Fender Japan production, and typically feature the old style Fender Japan serial number at the base of the neck, as opposed to the contemporary "JD-" serial number format found on the back of the headstock. The original model codes (and frequently the value suffix) can usually be found in the neck pocket of the body, and at the base of the neck where the mounting holes are.

If it’s tonal excitations you’re after, you’ve come to the right place. In celebration of “The Beach Boys” documentary on Disney+, JHS has hatched the Good Vibrations chorus/vibrato, a pedal channeling late-1960s sounds with a vintage bulb-driven circuit oozing with analog warmth and warble that would feel right at home onstage or in the studio with The Beach Boys. This landmark circuit opened up new sonic dimensions that challenged the early ’60s tone monopolies of tube bias tremolo and spring reverb. A retro rocker switch lets you toggle between two types of Good Vibrations. Chorus mode’s satisfying thickness helps you channel The Beach Boys’ legendary studio sessions and the age of audio psychedelia and sound-on-sound experiments that Brian Wilson helped usher in. Meanwhile, Vibrato mode is a faster, bolder warbling effect that bends pitch at the edges for a wave of funky flavor. In either mode, you control the rate/ speed, the depth/intensity, and the pedal’s overall output. The Volume control lets you add more muscle or adapt Good Vibrations to different instruments and rigs — it’s also a convenient way to offset perceived volume loss that deeper modulation settings sometimes introduce. Lastly, the Good Vibrations pedal features a silent soft-touch footswitch and a buffered bypass to guarantee stellar analog fidelity tones that put a smile on the faces of musicians and audiences alike. This JHS creation is available in extremely limited quantities while supplies last — be sure to grab your own commemorative ‘60s-inspired chorus pedal before it’s too late!

the FTR 37 is the flagship of D/13 boasting its Channel One American voicing with an optional boost switch, Channel Two British voicing with an eq selector knob, real tank spring reverb, half power and full power modes, all packaged in a 37 Watt ravenous beast of a head. This thing can do everything from beautiful sparkly clean tones to full on ravenous classic rock gain. Seriously, it has way more gain on tap than you would ever expect. Plus, you can jump the channels together to blend them and get the best of both worlds for American and British tones.

First introduced in 1958, the Epiphone Coronet is one of Epiphone’s first and most successful original solid body electric guitar designs, and now it has come home to the USA! The latest Coronet is once again made in the USA and features the same symmetrical double cutaway mahogany body shape, three-on-a-side headstock shape, “Bikini” headstock badge, and pickguard shape as the earliest versions from 1958-1959, and includes a few modern improvements, including a slightly wider (1.695”) nut width and a comfortable SlimTaper™ neck profile, a slightly slimmer (1.375") body depth for better balance and lighter weight, a Graph Tech® nut, and a single P-90 Soapbar pickup. Original USA-made Coronets have been played by everyone from Jimi Hendrix and Steve Marriott to Johnny Marr and Marshall Crenshaw.

Product Name: JHS Muffuletta

Category: Musical Instruments > Guitar Pedals & Effects > Fuzz Effects Pedals

The JHS Muffuletta is more than just a fuzz pedal; it's a tribute to the legendary Big Muff pedal, a circuit that has shaped the sounds of countless bands and musical movements since its creation in 1969. The Muffuletta takes the best of the Big Muff, recreating five classic Big Muff circuits, and adds a unique and original JHS version. This means you're getting six variations of the Big Muff in one pedal, all executed without any digital signal processing or digital emulation. Each model uses real components and values found in the original units for an authentic analog tone.

The Muffuletta features four controls: Volume, Tone, Sustain, and Mode. The Volume control adjusts the overall output, while the Tone control allows you to brighten or darken your tone. The Sustain control, essentially a gain or distortion control, adds more distortion to the circuit. The Mode control lets you choose from the six different versions of the Big Muff, each represented by an icon on the lower half of the knob.

Key Features:

• Replicates five classic Big Muff circuits and includes a unique JHS version
• All models executed without digital signal processing or emulation for authentic analog tone
• Four controls: Volume, Tone, Sustain, and Mode
• Mode control allows easy switching between the six different versions of the Big Muff
• Each version uses real components and values found in the original units
• Small, easy-to-use format replicates rare, expensive, and sought-after versions of the Big Muff circuit

Product Name: JHS Muffuletta

Category: Musical Instruments > Guitar Pedals & Effects > Fuzz Effects Pedals

The JHS Muffuletta is more than just a fuzz pedal; it's a tribute to the legendary Big Muff pedal, a circuit that has shaped the sounds of countless bands and musical movements since its creation in 1969. The Muffuletta takes the best of the Big Muff, recreating five classic Big Muff circuits, and adds a unique and original JHS version. This means you're getting six variations of the Big Muff in one pedal, all executed without any digital signal processing or digital emulation. Each model uses real components and values found in the original units for an authentic analog tone.

The Muffuletta features four controls: Volume, Tone, Sustain, and Mode. The Volume control adjusts the overall output, while the Tone control allows you to brighten or darken your tone. The Sustain control, essentially a gain or distortion control, adds more distortion to the circuit. The Mode control lets you choose from the six different versions of the Big Muff, each represented by an icon on the lower half of the knob.

Key Features:

• Replicates five classic Big Muff circuits and includes a unique JHS version
• All models executed without digital signal processing or emulation for authentic analog tone
• Four controls: Volume, Tone, Sustain, and Mode
• Mode control allows easy switching between the six different versions of the Big Muff
• Each version uses real components and values found in the original units
• Small, easy-to-use format replicates rare, expensive, and sought-after versions of the Big Muff circuit