Eddie Van Halen described his use of a Fender Bandmaster amplifier in a Guitar Aficionado article quoted in Warehouse Guitar Speakers article titled "Eddie Van Halen Secret Amp: the Fender Bandmaster!"

“I used that amp for years in two ways. I already had the Marshall, but I had not stumbled onto the Variac thing yet, so I would use the Bandmaster through the Marshall cabinet when we gigged at smaller clubs like Gazzarri’s.”

“The real beauty of that amp is how many songs I wrote with it. I wrote all of the early Van Halen songs for the first three albums with that amp, playing quietly in my room. It was really quiet, so my mom couldn’t hear me, but it sounded amazing. My dog Monty would sit down next to me, and he dug it. When I wrote the intro to ‘Women in Love,’ he was sitting there with his ears perked up, like the RCA Victor dog. That Bandmaster was more important than my Marshall head, because I wrote everything with it.”

Used with late Oasis and more recent, High Flying Birds.

"I eventually got into a band with a guy who had a stack made by Lafayette, which was an electronics shop, like Radio Shack, on the East Coast. I believe his was tube. And our bass player had a Heathkit amp, where you buy the parts and build it yourself. Eventually, I wound up with a Fender Bandmaster."

In December 1965, Dylan, his sunglasses resting atop a Fender Band Master amp, ran through some runs on a well-worn Fender bass guitar for a Don Hunstein photo-shoot at the Columbia Recording Studios.

In a photograph taken in 1990 by Marty Temme Les Paul, Kim Thayil is seen using a 45W Fender Bandmaster head. The layout of the knobs and the distinctive white line separating them are characteristic of the Bandmaster model. Additionally, Thayil appears to have used the same amp head in an earlier performance, as documented in the YouTube video titled "Soundgarden - 1987-02-14 Seattle, WA," uploaded by user pjvideoguy. (Link: https://www.youtube.com/watch?v=D49lgVfy6C4)

In this photo of Thomas Raggi in the studio, you can see him playing with a Fender Bandmaster. You can tell it's a Fender Bandmaster because the second channel has a 4 controls, as opposed of the three on a Fender Brownface Bassman. You can also semi-read vibrato under the two inputs rather than normal, like in a bassman

Hayes' Fender Bandmasters were present in two rig rundowns – in German guitar magazin in 2013, and in Music Radar in 2018.

In Music Radar rig rundown, Hayes said:

There’s nothing classy about how I use my amps but I really don’t know how people can get everything they need from just one. I like the mixture of cabinets with open-back combos with hollowbody guitars. The signal is split into three and comes out of four amps. The signal is split into three and comes out of four amps. The Bandmasters are amp one and two, working as left and right at the beginning I had three or four Fender Twins, but I soon discovered I preferred doing it this way. I throw in loops using the Akai Headrush for a lot of songs - chucking things in through certain amps for a chorus and playing over the top... most of the time I just let it fly!

In this instagram post, we can see a Fender Band Master Blackface amp head and a Fender Bassman speaker cabinet used by Alec O'Hanley. The photo was taken at Alvvays' concert at 888yonge in Toronto on January 6, 2024.

Matt: Orange OR 120, Fender Bandmaster, Fender Twin reverb, Mesa Boogie Dual rectifier, Red Bear(used for short, allegedly hated it), Orange Cab(speakers unknown, possibly vintage 30s)

According to Premier Guitar's article, Mason uses the 1963 Fender Bandmaster.

"D. Boon’s penchant for low-cost, ad-hoc gear applied to his amps as well. “He had an old blackface Fender Bandmaster head,” Spot says. “At that time, it was considered the low version of a Fender piggyback.” He also had a 2x12 cabinet with mismatched speakers, which were wired out of phase. “I recorded it in stereo. I had each speaker miked separately. When I was mixing the stuff down, I tried to see how everything sounded in mono and the guitar disappeared."

Clearly seen on this photo, this is his main and primary amp. He plays through this one, and a Fender Vibro King. 2021 Premier Guitar interview:

Keeping it all Fender, all the time, Arson plugs into both cherished time periods of Fullerton amp lore. Side A is a black-panel Bandmaster that hits a vintage Hiwatt cab outfitted with Celestion Heritage Greenback speakers. Side B is a silver-panel 1976 Fender Vibrolux. Notice Arson is plugging into the vibrato channels of both amps and each has its bright switch engaged.