evensteven2120's Activity

Here is a 100% custom nylon string electric/acoustic that Kirk Sand built for Jess Carson. Kirk who passed away in 2024, was the premier builder of this style guitar -among others, his guitars were played by Chet Atkins, Jerry Reed, and Lenny Breau. He built barely over a dozen guitars a year. Jess and Kirk designed this one at Kirk's studio in California and it took 3 years to make. It is truly exceptional in every way and totally one-of-a-kind. Comes with certificate of authenticity.

Billie’s iconic “blue” made to suit a much more affordable budget!

Specifications: -House 95 Pickguard -House 95 BJ “Blue” Sticker Pack (This can be applied by me or just supplied, for you to do the fitting yourself) -Stock neck and middle pickups. -House 95 JB Clone (Black)

A double cutaway precision style bass guitar in teal finish, matching headstock with a Hipshot D-tuner, 21 fret ebony fretboard with eight mother of pearl inlaid "penis" motifs, three EMG pickups, single ply pickguard, single volume. The front of the headstock is numbered "Steve Morell / Custom 001", the back of the headstock printed in black "Custom built for Cliff Williams". The back of the body is applied with two taped labels reading "Front P/U Disconnected" and "New Batt 22 May". In Fender hardshell case. Together with a bass guitar music book "play Bass with...The Best of AC/DC", Wise Publications, London, showing an image of Cliff Williams playing this guitar on the front cover. Also included is a framed photograph of Williams playing the guitar c. mid 1980s.

https://bid.juliensauctions.com/lot-details/index/catalog/491/lot/232351/AC-DC-Cliff-Williams-Owned-And-Stage-Played-Penis-Bass-Guitar-With-Book-And-Photograph

A double cutaway precision style bass guitar in teal finish, matching headstock with a Hipshot D-tuner, 21 fret ebony fretboard with eight mother of pearl inlaid "penis" motifs, three EMG pickups, single ply pickguard, single volume. The front of the headstock is numbered "Steve Morell / Custom 001", the back of the headstock printed in black "Custom built for Cliff Williams". The back of the body is applied with two taped labels reading "Front P/U Disconnected" and "New Batt 22 May". In Fender hardshell case. Together with a bass guitar music book "play Bass with...The Best of AC/DC", Wise Publications, London, showing an image of Cliff Williams playing this guitar on the front cover. Also included is a framed photograph of Williams playing the guitar c. mid 1980s.

https://bid.juliensauctions.com/lot-details/index/catalog/491/lot/232351/AC-DC-Cliff-Williams-Owned-And-Stage-Played-Penis-Bass-Guitar-With-Book-And-Photograph

This guitar is neither a signature model for Jeff Beck nor Beck Hansen, instead commemorating the Beck manga series written and illustrated by Harold Sakuishi. The series (and its anime adaptation Beck: Mongolian Chop Squad) follows Yukio "Koyuki" Tanaka and his rock band's struggle to fame, and Koyuki plays a Tele just like this one in the series. Emulating the smooth cartoon look of the manga/anime, this Tele boasts a satin Aged Matte Blonde finish.

Tonewoods include a sen ash body, maple neck, and rosewood fretboard, and this guitar weighs 7lbs 10oz. The Fender USA-made single coil pickups feature alnico magnets, delivering a bevy of classic Tele tonalities with chewy twangy and sparkle at the bridge position and a throaty cut and bell-like roundness at the neck.

Inspired by Tony Iommi’s modified Dallas Arbiter Rangemaster effect unit used throughout the classic Black Sabbath recordings of the 1970’s, this pedal is designed to overdrive the front end of a slightly saturated tube amplifier into thick harmonic distortion while accentuating response and gain across a selected range of frequencies.

Each Fuzzlord Riff Master is loaded with a hand selected, exceptionally rare, NOS Phillips/Mullard “Red Dot” OC44 Germanium transistor as used in the original amp-top units from the 60’s. A four-position Depth control sets the pass-band of boost, which can be adjusted from the stock treble boost setting through to a smooth, harmonically rich, full range boost.

The circuit provides gain of up to 24db across the boosted frequency range, which proves highly responsive to both pick attack and guitar volume setting.

The Martin Road Series Retro models blend classic Martin aesthetics and dependable craftsmanship into an attainable and optimized acoustic-electric package, delivering a guitar primed for various acoustic stylings and playing techniques. Featuring Martin's legendary dreadnought silhouette and a solid-wood construction with a spruce top and a unique back and sides combination of black walnut, the Road Series D-13E Retro Walnut promises balanced, full-bodied tonal response bolstered by dark resonance and a momentous sounding X-style bracing pattern. The Road Series D-13E Retro Walnut also offers agile command thanks to a smooth 16-inch-radius ebony fingerboard, a historic 14-fret-to-body design, and a sleek PA neck profile joined to the body via a mortise and tenon neck joint. Even in the finer details, this guitar excels, with a saddle and nut combo of TUSQ and Corian to help further purify the instrument’s string response. Finished with open-gear tuners, an Aging Toner stain, and a host of other 28-style Martin appointments like double white binding and a Style 28 rosette and fingerboard inlay pattern, the Road Series D-13E Retro Walnut welcomes new players while marvelously maintaining its historic Martin charm.

Treble boosters - simultaneously boosting gain and the high end of the tonal spectrum, whilst attenuating lower frequencies - have always been an integral part of Brian May's signal path, from Queen's earliest recordings to his current stadium-sized setup, fly-in and recording rigs, and are an essential tool for any guitarist wishing to achieve a focused, cutting, overdriven sound, with clear note definition and string clarity.

The Treble Booster Classic (TBC) is an elegant and compact, multi-mode foot pedal designed by British electronics guru Nigel Knight of Knight Audio Technologies, that combines three separate, uniquely voiced circuits that faithfully replicate the maestro's most recognisable tones from the 70's, 80's and 90's, providing modern guitarists with the opportunity to dial in the distinctive sound of their favourite May-era, or to explore their own new musical horizons.