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Attractively priced larger baritone ukulele. Carefully constructed from quality basswood with an attractive light mahogany finish. This baritone uke has real frets, a wood fingerboard and geared tuning machines. Also available with poplar fingerboard as model 2655-HILO-P

Discover the legendary tone of Fender with the Fender Champion 20. This compact and ultra-affordable combo guitar amplifier dishes out a hearty 20W, all set to be shaped by you through its 8" Fender Special Design speaker. The amplifier's single channel presents a range of selectable voicings, from the iconic sparkle of Blackface to the punchy grit of British and Metal tones, making it ideal for practice and performance across diverse genres.

Besides its tonal versatility, the Champion 20 is also equipped with a wide array of classic built-in effects like reverb, delay, chorus, and more, allowing you to add depth and character to your sound. Despite its comprehensive features, the Champion 20 is extremely user-friendly with straightforward controls, making it a perfect choice for beginners and seasoned players alike.

Housed in a durable enclosure and weighing just 12lbs, this amp is as portable as it is powerful, ready to accompany you from jam sessions at home to gigs on the road. Experience the modern versatility and timeless tone of Fender with the Champion 20.

Key Features:

• 20W combo guitar amplifier with 8" Fender Special Design speaker
• Single-channel with selectable amp voicings (Blackface, British, Metal, Jazz, Tweed)
• Comprehensive built-in effects including reverb, delay, chorus, and more
• Lightweight (12lbs) and durable, ideal for transport and high-volume playing
• Straightforward controls for easy sound shaping
• Classic Fender Blackface cosmetics for a stylish look

Discover the legendary tone of Fender with the Fender Champion 20. This compact and ultra-affordable combo guitar amplifier dishes out a hearty 20W, all set to be shaped by you through its 8" Fender Special Design speaker. The amplifier's single channel presents a range of selectable voicings, from the iconic sparkle of Blackface to the punchy grit of British and Metal tones, making it ideal for practice and performance across diverse genres.

Besides its tonal versatility, the Champion 20 is also equipped with a wide array of classic built-in effects like reverb, delay, chorus, and more, allowing you to add depth and character to your sound. Despite its comprehensive features, the Champion 20 is extremely user-friendly with straightforward controls, making it a perfect choice for beginners and seasoned players alike.

Housed in a durable enclosure and weighing just 12lbs, this amp is as portable as it is powerful, ready to accompany you from jam sessions at home to gigs on the road. Experience the modern versatility and timeless tone of Fender with the Champion 20.

Key Features:

• 20W combo guitar amplifier with 8" Fender Special Design speaker
• Single-channel with selectable amp voicings (Blackface, British, Metal, Jazz, Tweed)
• Comprehensive built-in effects including reverb, delay, chorus, and more
• Lightweight (12lbs) and durable, ideal for transport and high-volume playing
• Straightforward controls for easy sound shaping
• Classic Fender Blackface cosmetics for a stylish look

Introducing the Benson Amps Delay Effects Pedal, a marvel in the world of music gear that is the result of the combined efforts of several industry geniuses. This pedal is not just about creating echoes; it's about crafting entirely new dimensions of sound that can transport your music to a different realm.

At the heart of this pedal lies the PT2399 chip, treated with the utmost care and precision to deliver an expansive and impressive sounding delay range. This chip, paired with a blend of compander chip and analog filtering, allows for meticulous gain staging, creating an immersive, nuanced sound experience. The delay time ranges from a quick 30ms to a broad 1250ms, allowing for a vast scope of sound manipulation from chorus to vibrato, and even to haunted soundscapes.

What sets this pedal apart is the incorporation of a Low Frequency Oscillator (LFO) with a large range of speed and depth, offering a variety of waveforms from sine, square to random. This unique feature offers a wide array of sound warbles, sea-sick flutters, and much more.

This is not a mere gadget; it's an instrument of sound transformation that can redefine your musical journey. It’s intuitively designed with multifunctional footswitches, making it a breeze to change the waveform and tap tempo divisions.

Key Features:

• Center Negative 9VDC power supply, 100ma current draw
• Bucket-Brigade delay with PT2399 Chip
• Multifunctional footswitches for waveform & tap tempo divisions
• Delay time ranges from 30ms - 1250ms
• Low Frequency Oscillator with a vast range of speed and depth
• Highly accurate tap tempo applied to the PT2399
• Smooth delay tones without digital jaggedness.

Introducing the Benson Amps Delay Effects Pedal, a marvel in the world of music gear that is the result of the combined efforts of several industry geniuses. This pedal is not just about creating echoes; it's about crafting entirely new dimensions of sound that can transport your music to a different realm.

At the heart of this pedal lies the PT2399 chip, treated with the utmost care and precision to deliver an expansive and impressive sounding delay range. This chip, paired with a blend of compander chip and analog filtering, allows for meticulous gain staging, creating an immersive, nuanced sound experience. The delay time ranges from a quick 30ms to a broad 1250ms, allowing for a vast scope of sound manipulation from chorus to vibrato, and even to haunted soundscapes.

What sets this pedal apart is the incorporation of a Low Frequency Oscillator (LFO) with a large range of speed and depth, offering a variety of waveforms from sine, square to random. This unique feature offers a wide array of sound warbles, sea-sick flutters, and much more.

This is not a mere gadget; it's an instrument of sound transformation that can redefine your musical journey. It’s intuitively designed with multifunctional footswitches, making it a breeze to change the waveform and tap tempo divisions.

Key Features:

• Center Negative 9VDC power supply, 100ma current draw
• Bucket-Brigade delay with PT2399 Chip
• Multifunctional footswitches for waveform & tap tempo divisions
• Delay time ranges from 30ms - 1250ms
• Low Frequency Oscillator with a vast range of speed and depth
• Highly accurate tap tempo applied to the PT2399
• Smooth delay tones without digital jaggedness.

THE BASICS

The Stonk Box is our second Automatic Thermally Bias fuzz pedal, so after plugging it into power (9vdc only), it will take 2-3 minutes on average to sound correct. The color of the LED indicator light might change. Don’t turn the internal trimmer. THAT’S IT. Read on if you would like to...there’s some good stuff.

SUMMARY

Like the Germanium Fuzz before it, the Stonk Box attempts to take a classic 1960’s fuzz design, and bring the sound into the modern world without bringing any along the flaws and inconsistencies of the original. In this case, we set our eyes on the MK1 fuzz (which is itself a modified version of the very first fuzz ever). We kept the original controls (FILTER and VOLUME), and added a TONE control and a TRIM control to expand the palette of sounds available. Buffer and pedal order friendly (but with no pickup simulation, we had to tweak the output circuit this time). The original circuit is considered one of the hardest of the classic fuzzes to get right because of the difficulty in transistor selection...with our patented technology we can do it easily and consistently...for the first time ever!

AUTOMATIC THERMAL BIAS TECHNOLOGY

The bias of the transistors in this pedal is automatically regulated by a circuit that GENTLY warms the Germanium transistors (2N404 OR 2N527) to a preset operating point using analog components, and ensures a consistent sound, no matter the external temperature. When the LED is amber, the transistors are warming up to increase their hFE (transistor gain) and to shift the bias point to the correct voltage. When the LED turns green, the warmer is off because the correct bias and hFE have been set. Expect the LED to toggle back and forth every so often while the pedal is on...that is how you know its working. The heaters will warm the transistors enough to still be effective on a summer stage, but far cooler than anything that would harm the transistors. This pedal is designed to operate between freezing and 100F but might still sound fine outside this range....up to about 120F where we’ve found germanium straight up ceases to function...which can happen if it’s left in the sun.

CONTROLS

TRIM is a gain control right before the two amplifying germanium transistors...turned all the way up is how the stock design is all the time. FILTER manipulates both the gain and the bias point of the first gain stage. When turned down it will take away gain, bass frequency response, and will bring in to a gentle dynamic expander type effect (where quiet notes will be quieter than normal, the opposite of a compressor) TRIM and FILTER are interactive and there are many different flavors of fuzz and distortion to dial in. This pedal will not clean all the way up, even at low trim volumes there will be some distortion (in a nice way). This control will crackle a bit when turned, since there is some DC across it.

TONE is a low pass filter at the end of the circuit, carefully designed to act almost like a tilt EQ to balance the bright attack and full body of the sound, made possible by the original circuit being WAY brighter than the bypassed guitar signal...we think we’ve struck a good balance here.

VOLUME is the output level...which we’ve increased many orders of magnitude from the original. We took the training wheels off so you can push the front end of your amp into sonic madness (if you want). NOTE: this user-beware approch can also lead to settings with a high noise floor. Please remember, this is a crazy and primitive fuzz at its heart...not a piece of pristine recording equipment. Let’s just say there were good reasons for the next four historic revisions of this particular product. If you are concerning people with a high level of hiss and noise, that’s a feature not a bug. It’s fuzz.

INTERNAL TRIMMER

Please don’t turn the internal trimmer. It is precisely set at our factory. Turning the trimmer voids the warranty. The correct trimmer position is marked in case you get one used where a tone lord hath already turnt it.

POWER SUPPLY

This pedal is for use only with a 9vdc Boss syle center negative power supply...There is no battery. Please do not subject this pedal to more than 9vdc or the pedal or power supply could be destroyed. This pedal draws less than 100ma when the heater is engaged, and far less than that when it is off. It will pull those 100ma instantaneously, which most power supplies have no issue with. With substandard or non standard power supplies it is possible the pedal will start oscillat- ing madly at the heater threshhold, where the LED changes, in which case may we suggest using a current doubler cable, or switching to a higher rated power output.

WARRANTY INFORMATION:

2 years excluding modification, trim pot manipulation, or damage.

The Seymour Duncan Vapor Trail Analog Delay is a musician's delight, designed with bucket brigade circuitry that offers a unique spin on the traditional delay pedal. This pedal boasts a plethora of controls for Mix, Repeats, and Delay. It further elevates its utility with Rate and Depth knobs, enabling you to add modulation with ease. The Vapor Trail also features a blinking LED in the Delay knob, which syncs with the rate of the delay, offering a visual cue to your audio output. Additionally, the TRS wet insert allows you to direct the wet signal to other effects, separate the wet and dry signals, or even plug in an expression pedal for hands-free control. Renowned artists like Peter Frampton, Jeff Tweedy, and Troy VanLeeuwen have trusted this pedal to deliver their signature sounds.

Key Features:

• Classic bucket brigade circuitry
• Traditional controls for Mix, Repeats, and Delay
• Additional Rate and Depth knobs for modulation
• Blinking LED in the Delay knob
• TRS wet insert for flexible routing and control
• Trusted by renowned artists worldwide

The Seymour Duncan Vapor Trail Analog Delay is a musician's delight, designed with bucket brigade circuitry that offers a unique spin on the traditional delay pedal. This pedal boasts a plethora of controls for Mix, Repeats, and Delay. It further elevates its utility with Rate and Depth knobs, enabling you to add modulation with ease. The Vapor Trail also features a blinking LED in the Delay knob, which syncs with the rate of the delay, offering a visual cue to your audio output. Additionally, the TRS wet insert allows you to direct the wet signal to other effects, separate the wet and dry signals, or even plug in an expression pedal for hands-free control. Renowned artists like Peter Frampton, Jeff Tweedy, and Troy VanLeeuwen have trusted this pedal to deliver their signature sounds.

Key Features:

• Classic bucket brigade circuitry
• Traditional controls for Mix, Repeats, and Delay
• Additional Rate and Depth knobs for modulation
• Blinking LED in the Delay knob
• TRS wet insert for flexible routing and control
• Trusted by renowned artists worldwide

Immerse your audience in a world of rich, organic tones with the MXR M169 Carbon Copy Analog Delay Effects Pedal. Harnessing the power of old-world bucket brigade technology, this pedal delivers a warm and nuanced delay, bringing an added depth to your music that digital pedals simply can't replicate.

Whether you're looking for a crisp slapback echo or an ambient wash of sound, the Carbon Copy has you covered. Its intuitive controls, including Delay, Mix, and Regen knobs, let you adjust the time between repeats, balance between direct and delayed tone, and control the number of repeats. This makes it easy to dial in and adjust your sound on the fly.

Not only does this pedal offer a wide range of tonal possibilities, but it's also built to last. Its durable, compact, and lightweight aluminum housing is designed to withstand the rigors of the road, making it a reliable addition to your pedalboard. And with bright blue LEDs, you can easily see your settings under any lighting conditions.

Key Features:

• Fully analog audio path
• Utilizes bucket brigade technology
• Offers up to 600ms of delay time
• Top-mounted modulation switch for additional tonal options
• Simple 3-knob layout: Delay, Mix, and Regen
• Durable, compact design for easy transportation
• Bright blue LEDs for clear visibility of settings
• Operates on a standard 9-volt adapter
• True bypass switching to maintain your tone when pedal is disengaged

The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation.

This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

THE LONG STORY

Go from crisp "bathroom" slap echoes to epic, Gilmouresque delays with the MXR Carbon Copy Analog Delay. Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. All done by a completely analog audio path for authentic rich, warm analog delay—made possible only by old-school analog bucket brigade technology. True bypass.

The Axis For A Bold New Tone

With the Keeley Monterey Workstation you take one step back in time and two steps forward. The Monterey is a surrealistic envelope of neo-vintage effects. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists.

The Keeley Monterey Rotary Fuzz Vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds.

There are two channels on the Monterey Rotary Fuzz Vibe, and these can be configured to give you five different sounds.

The right stomp switch activates the fuzz channel. The fuzz channel has been designed to give you a rich, full, classic two-transistor fuzz sound that is accurate yet has a touch of smoothness added. It is very responsive and dynamic. It plays well in any position on a Strat or Les Paul style guitar. At the heart of the fuzz are vintage Fairchild Semiconductor transistors. These moderate gain transistors offer the perfect fuzz tone and do not have the temperamental temperature related problems that germanium devices exhibit, while still giving you incredible tone.

The modulation channel is where the fun really starts. The Monterey Rotary Fuzz Vibe offers an Octave effect with both the Vibe and Wah sounds. With those two sounds you can either have Octave Up, Octave Down, or No Octave.

In the Center Position of the Octave Control you have NO octave up or down. If you turn the Octave Control up (or clockwise), you have an increasing octave up sound. As you turn the Octave Control down, you have an increasing amount of octave down sound added. Again, if you do not want an octave effect added, simply set the Octave Control to the center position.

The Monterey Rotary Fuzz Vibe features a very rich and deep vibe sound. The “Kool Vibe” setting is perfect for getting complex phaser-like sounds. It combines phasing and tremolo at key frequencies to give you incredible depth and rhythm. Not only does it match the frequency response of a vibe, it simulates the unique pulsing of a photo-cell based effect. You can add the Octave to the “Kool Vibe” for an amazing doubling effect or for an incredibly deep synth bass type sound.

The “Les Rotary” sound in the Monterey Fuzz Vibe is both very accurate and surprisingly new sounding. Like the original cabinet, this simulation joins both the lower drum and the upper horn into a rich, dimensional effect that generates an unmistakable chorus and tremolo soundscape. Not only is the cabinet itself simulated with very short reverberated reflections that offer a doubling effect, the Doppler Effect provides a soothing chorused sound that is clean and ethereal. The Octave Control in the Rotary cabinet simulation controls the volume of the horn or tweeter sounds. It does not produce an octave effect here. This allows you to get a very chorus-like effect with ample high-end detail when simulating a “Les Rotary” style cabinet. Set the Rate OFF for no rotation, turn the Fuzz on, and the Depth and Octave controls give you a wonderful speaker cabinet simulation. It’s fuzz with tonal control like you’ve never had before! Perfect for matching any size of power amp with the pedal’s fuzz to give you anything from dark overdrive to hard, edgy, squared fuzz!

The “Harmonic Wah” section combines several more new sounds from Keeley in the Monterey Rotary Fuzz Vibe. It is a fixed or cocked wah sound, an auto wah, a harmonic/tremolo wah, and even a regular foot-controlled wah when you add an expression pedal. With the Depth Control turned all of the way down/off you are in the Wah Mode. The Wah Mode gives you control over the frequency you boost by adjusting the Rate Control. If you have an expression pedal connected, it becomes a regular Wah Pedal. Turn the Depth control up a slight amount and the Monterey becomes an Auto Wah. In the Auto Wah mode, your pick attack and strength creates an envelope filter sound. After the noon/center position on the Depth Control, you have the new Harmonic Wah. It is like the harmonic tremolo on a brown face amp, but the frequencies are centered around a wah pedal instead. It’s ideal for players who like the rhythmic back-and-forth rocking sound of a wah pedal.

Add any expression pedal controller to the EXP input on the back and you have control over the Rate of the “Les Rotary” and “Kool Vibe” settings. In the “Harmonic Wah” setting, it controls the frequencies.

Want more sounds? Well OK, turn the unit over and take the bottom off. There is a tiny DIP Switch that allows you to change the order of the Fuzz and Modulation effects! Yes, you can get some crazy noise by putting fuzz after modulation effects, but it works! And works well at giving you insane tones that are thick and full. Let your ears gaze at the strangeness. Alien amplitudes of gain and fuzz. Endlessly creative.

The Monterey does not come with an expression pedal, as many players already have one they can use. We do offer the M-Audio expression pedal. It works well and is very reasonable. The Monterey is not battery powered. You will need a standard 9V 100mA supply, negative tip.

The Monterey Rotary Fuzz Vibe comes in 12 different graphic designs. Just like music which can be surprisingly rewarding, you’ll be surprised with a design. We will not be able to select a specific pattern that you may want. It is wonderfully random. They are hand made with the intention of becoming your new favorite instrument.

The Axis For A Bold New Tone

With the Keeley Monterey Workstation you take one step back in time and two steps forward. The Monterey is a surrealistic envelope of neo-vintage effects. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists.

The Keeley Monterey Rotary Fuzz Vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds.

There are two channels on the Monterey Rotary Fuzz Vibe, and these can be configured to give you five different sounds.

The right stomp switch activates the fuzz channel. The fuzz channel has been designed to give you a rich, full, classic two-transistor fuzz sound that is accurate yet has a touch of smoothness added. It is very responsive and dynamic. It plays well in any position on a Strat or Les Paul style guitar. At the heart of the fuzz are vintage Fairchild Semiconductor transistors. These moderate gain transistors offer the perfect fuzz tone and do not have the temperamental temperature related problems that germanium devices exhibit, while still giving you incredible tone.

The modulation channel is where the fun really starts. The Monterey Rotary Fuzz Vibe offers an Octave effect with both the Vibe and Wah sounds. With those two sounds you can either have Octave Up, Octave Down, or No Octave.

In the Center Position of the Octave Control you have NO octave up or down. If you turn the Octave Control up (or clockwise), you have an increasing octave up sound. As you turn the Octave Control down, you have an increasing amount of octave down sound added. Again, if you do not want an octave effect added, simply set the Octave Control to the center position.

The Monterey Rotary Fuzz Vibe features a very rich and deep vibe sound. The “Kool Vibe” setting is perfect for getting complex phaser-like sounds. It combines phasing and tremolo at key frequencies to give you incredible depth and rhythm. Not only does it match the frequency response of a vibe, it simulates the unique pulsing of a photo-cell based effect. You can add the Octave to the “Kool Vibe” for an amazing doubling effect or for an incredibly deep synth bass type sound.

The “Les Rotary” sound in the Monterey Fuzz Vibe is both very accurate and surprisingly new sounding. Like the original cabinet, this simulation joins both the lower drum and the upper horn into a rich, dimensional effect that generates an unmistakable chorus and tremolo soundscape. Not only is the cabinet itself simulated with very short reverberated reflections that offer a doubling effect, the Doppler Effect provides a soothing chorused sound that is clean and ethereal. The Octave Control in the Rotary cabinet simulation controls the volume of the horn or tweeter sounds. It does not produce an octave effect here. This allows you to get a very chorus-like effect with ample high-end detail when simulating a “Les Rotary” style cabinet. Set the Rate OFF for no rotation, turn the Fuzz on, and the Depth and Octave controls give you a wonderful speaker cabinet simulation. It’s fuzz with tonal control like you’ve never had before! Perfect for matching any size of power amp with the pedal’s fuzz to give you anything from dark overdrive to hard, edgy, squared fuzz!

The “Harmonic Wah” section combines several more new sounds from Keeley in the Monterey Rotary Fuzz Vibe. It is a fixed or cocked wah sound, an auto wah, a harmonic/tremolo wah, and even a regular foot-controlled wah when you add an expression pedal. With the Depth Control turned all of the way down/off you are in the Wah Mode. The Wah Mode gives you control over the frequency you boost by adjusting the Rate Control. If you have an expression pedal connected, it becomes a regular Wah Pedal. Turn the Depth control up a slight amount and the Monterey becomes an Auto Wah. In the Auto Wah mode, your pick attack and strength creates an envelope filter sound. After the noon/center position on the Depth Control, you have the new Harmonic Wah. It is like the harmonic tremolo on a brown face amp, but the frequencies are centered around a wah pedal instead. It’s ideal for players who like the rhythmic back-and-forth rocking sound of a wah pedal.

Add any expression pedal controller to the EXP input on the back and you have control over the Rate of the “Les Rotary” and “Kool Vibe” settings. In the “Harmonic Wah” setting, it controls the frequencies.

Want more sounds? Well OK, turn the unit over and take the bottom off. There is a tiny DIP Switch that allows you to change the order of the Fuzz and Modulation effects! Yes, you can get some crazy noise by putting fuzz after modulation effects, but it works! And works well at giving you insane tones that are thick and full. Let your ears gaze at the strangeness. Alien amplitudes of gain and fuzz. Endlessly creative.

The Monterey does not come with an expression pedal, as many players already have one they can use. We do offer the M-Audio expression pedal. It works well and is very reasonable. The Monterey is not battery powered. You will need a standard 9V 100mA supply, negative tip.

The Monterey Rotary Fuzz Vibe comes in 12 different graphic designs. Just like music which can be surprisingly rewarding, you’ll be surprised with a design. We will not be able to select a specific pattern that you may want. It is wonderfully random. They are hand made with the intention of becoming your new favorite instrument.

Experience the magic of yesteryears with a modern twist with the Keeley Monterey Rotary Fuzz Vibe. This multi-effects pedal allows guitarists to travel back in time and forward into the future of music, all at once. This surrealistic envelope of neo-vintage effects combines classic sounds with new interpretations, creating a dynamic audio spectrum that is rich and full.

The Monterey Rotary Fuzz Vibe boasts a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, along with an octave up or down. The addition of an expression control lets you craft an array of new and innovative sounds. The fuzz channel, powered by vintage Fairchild Semiconductor transistors, delivers a rich, full, classic two-transistor fuzz sound that is incredibly responsive and dynamic.

The modulation channel is where the fun begins, offering an Octave effect with both the Vibe and Wah sounds. You can have Octave Up, Octave Down, or No Octave, providing a multitude of options for sound manipulation. The Monterey's "Kool Vibe" setting combines phasing and tremolo at key frequencies for incredible depth and rhythm. It even simulates the unique pulsing of a photo-cell based effect. The "Les Rotary" sound offers a chorus-like effect with ample high-end detail when simulating a "Les Rotary" style cabinet.

The Monterey Rotary Fuzz Vibe doesn't stop there. It includes a "Harmonic Wah" section that combines several sounds, including a fixed or cocked wah sound, an auto wah, a harmonic/tremolo wah, and even a foot-controlled wah when you add an expression pedal. This pedal is endlessly creative, letting your ears gaze at the strangeness, and alien amplitudes of gain and fuzz.

Key Features:

• Vintage fuzz, rotary speaker, vibe, harmonic and auto wah, and an octave up or down
• Expression control for creating a rich array of new and innovative sounds
• Two channels that can be configured to give you five different sounds
• Fuzz channel powered by vintage Fairchild Semiconductor transistors
• Modulation channel with Octave effect for both Vibe and Wah sounds
• "Kool Vibe" setting for complex phaser-like sounds
• "Les Rotary" sound for chorus-like effect with high-end detail
• "Harmonic Wah" section for a variety of wah sounds
• Ability to add an expression pedal for foot-controlled wah
• Comes in 12 different graphic designs, hand made with the intention of becoming your new favourite instrument.

The Axis For A Bold New Tone

With the Keeley Monterey Workstation you take one step back in time and two steps forward. The Monterey is a surrealistic envelope of neo-vintage effects. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists.

The Keeley Monterey Rotary Fuzz Vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds.

There are two channels on the Monterey Rotary Fuzz Vibe, and these can be configured to give you five different sounds.

The right stomp switch activates the fuzz channel. The fuzz channel has been designed to give you a rich, full, classic two-transistor fuzz sound that is accurate yet has a touch of smoothness added. It is very responsive and dynamic. It plays well in any position on a Strat or Les Paul style guitar. At the heart of the fuzz are vintage Fairchild Semiconductor transistors. These moderate gain transistors offer the perfect fuzz tone and do not have the temperamental temperature related problems that germanium devices exhibit, while still giving you incredible tone.

The modulation channel is where the fun really starts. The Monterey Rotary Fuzz Vibe offers an Octave effect with both the Vibe and Wah sounds. With those two sounds you can either have Octave Up, Octave Down, or No Octave.

In the Center Position of the Octave Control you have NO octave up or down. If you turn the Octave Control up (or clockwise), you have an increasing octave up sound. As you turn the Octave Control down, you have an increasing amount of octave down sound added. Again, if you do not want an octave effect added, simply set the Octave Control to the center position.

The Monterey Rotary Fuzz Vibe features a very rich and deep vibe sound. The “Kool Vibe” setting is perfect for getting complex phaser-like sounds. It combines phasing and tremolo at key frequencies to give you incredible depth and rhythm. Not only does it match the frequency response of a vibe, it simulates the unique pulsing of a photo-cell based effect. You can add the Octave to the “Kool Vibe” for an amazing doubling effect or for an incredibly deep synth bass type sound.

The “Les Rotary” sound in the Monterey Fuzz Vibe is both very accurate and surprisingly new sounding. Like the original cabinet, this simulation joins both the lower drum and the upper horn into a rich, dimensional effect that generates an unmistakable chorus and tremolo soundscape. Not only is the cabinet itself simulated with very short reverberated reflections that offer a doubling effect, the Doppler Effect provides a soothing chorused sound that is clean and ethereal. The Octave Control in the Rotary cabinet simulation controls the volume of the horn or tweeter sounds. It does not produce an octave effect here. This allows you to get a very chorus-like effect with ample high-end detail when simulating a “Les Rotary” style cabinet. Set the Rate OFF for no rotation, turn the Fuzz on, and the Depth and Octave controls give you a wonderful speaker cabinet simulation. It’s fuzz with tonal control like you’ve never had before! Perfect for matching any size of power amp with the pedal’s fuzz to give you anything from dark overdrive to hard, edgy, squared fuzz!

The “Harmonic Wah” section combines several more new sounds from Keeley in the Monterey Rotary Fuzz Vibe. It is a fixed or cocked wah sound, an auto wah, a harmonic/tremolo wah, and even a regular foot-controlled wah when you add an expression pedal. With the Depth Control turned all of the way down/off you are in the Wah Mode. The Wah Mode gives you control over the frequency you boost by adjusting the Rate Control. If you have an expression pedal connected, it becomes a regular Wah Pedal. Turn the Depth control up a slight amount and the Monterey becomes an Auto Wah. In the Auto Wah mode, your pick attack and strength creates an envelope filter sound. After the noon/center position on the Depth Control, you have the new Harmonic Wah. It is like the harmonic tremolo on a brown face amp, but the frequencies are centered around a wah pedal instead. It’s ideal for players who like the rhythmic back-and-forth rocking sound of a wah pedal.

Add any expression pedal controller to the EXP input on the back and you have control over the Rate of the “Les Rotary” and “Kool Vibe” settings. In the “Harmonic Wah” setting, it controls the frequencies.

Want more sounds? Well OK, turn the unit over and take the bottom off. There is a tiny DIP Switch that allows you to change the order of the Fuzz and Modulation effects! Yes, you can get some crazy noise by putting fuzz after modulation effects, but it works! And works well at giving you insane tones that are thick and full. Let your ears gaze at the strangeness. Alien amplitudes of gain and fuzz. Endlessly creative.

The Monterey does not come with an expression pedal, as many players already have one they can use. We do offer the M-Audio expression pedal. It works well and is very reasonable. The Monterey is not battery powered. You will need a standard 9V 100mA supply, negative tip.

The Monterey Rotary Fuzz Vibe comes in 12 different graphic designs. Just like music which can be surprisingly rewarding, you’ll be surprised with a design. We will not be able to select a specific pattern that you may want. It is wonderfully random. They are hand made with the intention of becoming your new favorite instrument.

Introducing the DSM Humboldt Electronics Simplifier mk2 Zero-watt Stereo Amplifier, a significant leap forward in the realm of analog amp simulation. This state-of-the-art pedal for electric guitar excels in delivering authentic tones and enhanced realism. Its fully analog construction ensures superior touch sensitivity and dynamic response, keeping your sound grounded and honest.

The Simplifier mk2 comes with a comprehensive set of controls to fine-tune your sound. These include a stereo speaker color control, a pre-amp voicing switch, and a spread on/off switch. The power amp clip and LED on indicator add to its user-friendly design.

The Simplifier mk2 is more than just an upgrade—it's a revolution in sound. With its redesigned preamps, it offers wider gain options and more accurate historic behavior. The AC Brit preamp mimics the iconic VOX AC-30 '64 Top Boost channel, while the American preamp is based on the revered Bassman '59. The MS Brit offers a high level of gain, akin to a hot-rodded Marshall Plexi.

Key Features:

• Fully analogue preamp, power amp, and cabinet simulator
• New improved MK-II version
• Controls for volume, presence, resonance, treble, mid, bass, power drive, preamp gain, reverb, and headphones level
• Switches for pre-amp voicing (AC Brit/American/MS Brit), stereo cab voicing, spread on/off, and ground lift
• Input: 6.3mm jack, outputs: 2 x XLR and 2 x 6.3mm jack, FX Send: 6.3mm jack, FX Return: 2 x 6.3mm jack
• Aux input: 3.5mm stereo jack, headphone output: 3.5mm stereo jack
• Power consumption: 150 mA
• Power supply with a 9-12 V DC mains adapter (not included)
• No battery operation possible
• Made in Chile

Introducing the DSM Humboldt Electronics Simplifier mk2 Zero-watt Stereo Amplifier, a significant leap forward in the realm of analog amp simulation. This state-of-the-art pedal for electric guitar excels in delivering authentic tones and enhanced realism. Its fully analog construction ensures superior touch sensitivity and dynamic response, keeping your sound grounded and honest.

The Simplifier mk2 comes with a comprehensive set of controls to fine-tune your sound. These include a stereo speaker color control, a pre-amp voicing switch, and a spread on/off switch. The power amp clip and LED on indicator add to its user-friendly design.

The Simplifier mk2 is more than just an upgrade—it's a revolution in sound. With its redesigned preamps, it offers wider gain options and more accurate historic behavior. The AC Brit preamp mimics the iconic VOX AC-30 '64 Top Boost channel, while the American preamp is based on the revered Bassman '59. The MS Brit offers a high level of gain, akin to a hot-rodded Marshall Plexi.

Key Features:

• Fully analogue preamp, power amp, and cabinet simulator
• New improved MK-II version
• Controls for volume, presence, resonance, treble, mid, bass, power drive, preamp gain, reverb, and headphones level
• Switches for pre-amp voicing (AC Brit/American/MS Brit), stereo cab voicing, spread on/off, and ground lift
• Input: 6.3mm jack, outputs: 2 x XLR and 2 x 6.3mm jack, FX Send: 6.3mm jack, FX Return: 2 x 6.3mm jack
• Aux input: 3.5mm stereo jack, headphone output: 3.5mm stereo jack
• Power consumption: 150 mA
• Power supply with a 9-12 V DC mains adapter (not included)
• No battery operation possible
• Made in Chile

Dive into the sonic depths with the Moen Hot Box Pedals HB-VB5 Jimi Zero, a masterpiece that captures the essence of the legendary univibe effect. Perfect for guitarists aiming to add a layer of depth and dimension to their sound, this pedal oscillates between lush chorus and pulsating vibrato with ease. The addition of the "Hue" control takes your tone from classic to cosmic, offering an expansive palette of sounds. Whether you're channeling the spirit of Jimi or carving out your own path, the HB-VB5 is your ticket to aural nirvana.

Key Features:

• True bypass for uncolored signal when the pedal is disengaged
• "Hue" control for enhanced depth and rotary-like effects
• Two-way switch between chorus and vibrato modes
• Analog circuitry for warm, organic tones
• Compact and roadworthy design, perfect for pedalboards

This unique instrument has a slide and is played like a trombone. Play any song or use to create a variety of unusual sound effects!

Sold: Individually, Master of 24

Packaged: Blister card, assorted colors

Ages: 3 Years and older

Please note: This musical instrument is intended for use with adult supervision.

WARNING: Choking Hazard – Small Parts. Not Intended for Children Under 3 Years of Age.

This unique instrument has a slide and is played like a trombone. Play any song or use to create a variety of unusual sound effects!

Sold: Individually, Master of 24

Packaged: Blister card, assorted colors

Ages: 3 Years and older

Please note: This musical instrument is intended for use with adult supervision.

WARNING: Choking Hazard – Small Parts. Not Intended for Children Under 3 Years of Age.

Unleash the power of vintage tremolo and reverb with the Strymon Flint V2. This multi-effects pedal offers a carefully curated collection of classic tremolo and reverb effects, from the mesmerizing '61 harmonic tremolo to the ethereal '80s hall rack reverb. The pedal features three distinctive tremolo options and three unique reverb modes, each meticulously modeled on iconic gear from the 60s, 70s, and 80s.

The Flint V2 is not just about recreating the past. With its advanced 520MHz ARM Superscalar processor, it's a modern powerhouse that gives you extensive control over your sound. You can tweak nine parameters to shape your tone, from the intensity and speed of the tremolo to the decay and color of the reverb.

Whether you're looking for a splashy, pulsing twang, a throbbing, swampy blues tone, or ambient, trembling pads, the Flint V2 delivers. And thanks to its premium-quality analog front end and output section, you can trust it to perform reliably on stage and in the studio.

Key Features:

• Versatile multi-effects pedal with three reverb variations: 60's, 70's, and 80's reverb
• Three different tremolo variations: Photo Tremolo (65'Style), Tube Tremolo, Harmonic Tremolo
• Reverb and Tremolo can be individually activated, adjusted, and the order changed
• Advanced 520MHz ARM Superscalar processor for high-performance audio processing
• 24-bit 96kHz A/D D/A converter for studio-quality sound
• Controls for Intensity, Speed, Mix, Decay, Color for precise tonal shaping
• True bypass for pure, uncolored sound when the pedal is not in use
• Full MIDI integration via TRS-MIDI or USB-C MIDI
• Up to 300 presets can be stored via MIDI
• Premium JFET Analog Frontend for high-quality input signal handling
• Made in USA
• Note: Battery operation is not supported

Unleash the power of vintage tremolo and reverb with the Strymon Flint V2. This multi-effects pedal offers a carefully curated collection of classic tremolo and reverb effects, from the mesmerizing '61 harmonic tremolo to the ethereal '80s hall rack reverb. The pedal features three distinctive tremolo options and three unique reverb modes, each meticulously modeled on iconic gear from the 60s, 70s, and 80s.

The Flint V2 is not just about recreating the past. With its advanced 520MHz ARM Superscalar processor, it's a modern powerhouse that gives you extensive control over your sound. You can tweak nine parameters to shape your tone, from the intensity and speed of the tremolo to the decay and color of the reverb.

Whether you're looking for a splashy, pulsing twang, a throbbing, swampy blues tone, or ambient, trembling pads, the Flint V2 delivers. And thanks to its premium-quality analog front end and output section, you can trust it to perform reliably on stage and in the studio.

Key Features:

• Versatile multi-effects pedal with three reverb variations: 60's, 70's, and 80's reverb
• Three different tremolo variations: Photo Tremolo (65'Style), Tube Tremolo, Harmonic Tremolo
• Reverb and Tremolo can be individually activated, adjusted, and the order changed
• Advanced 520MHz ARM Superscalar processor for high-performance audio processing
• 24-bit 96kHz A/D D/A converter for studio-quality sound
• Controls for Intensity, Speed, Mix, Decay, Color for precise tonal shaping
• True bypass for pure, uncolored sound when the pedal is not in use
• Full MIDI integration via TRS-MIDI or USB-C MIDI
• Up to 300 presets can be stored via MIDI
• Premium JFET Analog Frontend for high-quality input signal handling
• Made in USA
• Note: Battery operation is not supported

The Artifakt Lo-fi Elements is the first pedal of its kind, a comprehensive collection of all the hazy, scratchy, wobbly, and broken tones that epitomize the term 'lo-fi'." Like a mega-delay or mega-reverb, Artifakt is a “one-stop shop” for all the most sought-after lo-fi effects including old vinyl replications, tape modulation and saturation, bit crushing, sample rate reduction, dark reverb and echo, filtering, compression, glitch, and more.