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Discover the charm of yesteryears with the Kay K1962, a gem from the early '60s that brings back the nostalgia of rock 'n' roll's golden era. Not just another guitar, the K1962 stands out with its distinctive long chrome pickguard that adorns the treble side, a signature look that's as unique as the sounds it creates. Whether you're a collector or a musician seeking that vintage vibe, the Kay K1962 is a testament to the craftsmanship and style of a bygone era. Its semi-hollow body design not only contributes to its classic aesthetics but also to the warm, resonant tones it produces, making it a versatile instrument for various music styles.

Key Features:

• Distinctive long chrome pickguard on the treble side, adding to its unique vintage appeal.
• Semi-hollow body design for warm, resonant tones suitable for various music genres.
• Available with one, two, or three pickups, offering versatility in sound customization.
• Single cutaway body style for easier access to the higher frets, enhancing playability.

Discover the charm of yesteryears with the Kay K1962, a gem from the early '60s that brings back the nostalgia of rock 'n' roll's golden era. Not just another guitar, the K1962 stands out with its distinctive long chrome pickguard that adorns the treble side, a signature look that's as unique as the sounds it creates. Whether you're a collector or a musician seeking that vintage vibe, the Kay K1962 is a testament to the craftsmanship and style of a bygone era. Its semi-hollow body design not only contributes to its classic aesthetics but also to the warm, resonant tones it produces, making it a versatile instrument for various music styles.

Key Features:

• Distinctive long chrome pickguard on the treble side, adding to its unique vintage appeal.
• Semi-hollow body design for warm, resonant tones suitable for various music genres.
• Available with one, two, or three pickups, offering versatility in sound customization.
• Single cutaway body style for easier access to the higher frets, enhancing playability.

Inspired by a legendary pedalboard staple, the Warm Audio ODD Box Hard-clipping Overdrive Pedal is an artist-favorite for its ability to emulate the iconic "cranked amp" tone. The hard-clipping, op-amp-based circuit delivers the sounds of a saturated boutique tube amp, attracting renowned players like Billy Gibbons and Eric Johnson. The ODD Box's tonal versatility is perfect for boosting, adding breakup or injecting high gain to clean tones, making it a valuable addition to any musician's gear.

The ODD Box offers a unique U.K./U.S. switch that enables you to quickly change the pedal’s personality. The U.K. setting increases distortion, boosts the upper mids, and raises the volume, giving this setting a distinct "British" amplifier tone. The U.S. setting, on the other hand, reduces color in the gain staging, allowing the ODD to act more like a boost and aligns better with traditional "American" amplifier tones.

Constructed through-hole using premium components like the TLO82CP op-amp, 2N7000 transistors, and hand-selected capacitors and resistors, the ODD Box is designed to deliver an authentic replication of the original V1 model's tone. It maintains the classic controls of the original: Volume, Gain, and Tone, ensuring familiarity for overdrive fanatics.

Key Features:

• Inspired by the original V1 model of a popular overdrive pedal
• U.K./U.S. switch for tonal versatility
• TLO82CP op-amp, 2N7000 transistors, and hand-selected capacitors and resistors for premium sound
• Classic controls: Volume, Gain, Tone
• True bypass
• Durable powder-coated, custom-folded steel enclosure
• 9-Volt battery or external 9-18V regulated DC adapter (center-negative) power supply
• Input and output: 6.3 mm jack plug
• Heavy-duty folded steel enclosure with a tough powder coated finish

Inspired by a legendary pedalboard staple, the Warm Audio ODD Box Hard-clipping Overdrive Pedal is an artist-favorite for its ability to emulate the iconic "cranked amp" tone. The hard-clipping, op-amp-based circuit delivers the sounds of a saturated boutique tube amp, attracting renowned players like Billy Gibbons and Eric Johnson. The ODD Box's tonal versatility is perfect for boosting, adding breakup or injecting high gain to clean tones, making it a valuable addition to any musician's gear.

The ODD Box offers a unique U.K./U.S. switch that enables you to quickly change the pedal’s personality. The U.K. setting increases distortion, boosts the upper mids, and raises the volume, giving this setting a distinct "British" amplifier tone. The U.S. setting, on the other hand, reduces color in the gain staging, allowing the ODD to act more like a boost and aligns better with traditional "American" amplifier tones.

Constructed through-hole using premium components like the TLO82CP op-amp, 2N7000 transistors, and hand-selected capacitors and resistors, the ODD Box is designed to deliver an authentic replication of the original V1 model's tone. It maintains the classic controls of the original: Volume, Gain, and Tone, ensuring familiarity for overdrive fanatics.

Key Features:

• Inspired by the original V1 model of a popular overdrive pedal
• U.K./U.S. switch for tonal versatility
• TLO82CP op-amp, 2N7000 transistors, and hand-selected capacitors and resistors for premium sound
• Classic controls: Volume, Gain, Tone
• True bypass
• Durable powder-coated, custom-folded steel enclosure
• 9-Volt battery or external 9-18V regulated DC adapter (center-negative) power supply
• Input and output: 6.3 mm jack plug
• Heavy-duty folded steel enclosure with a tough powder coated finish

Introducing the Warm Audio Mutation Phasor II Phaser Pedal, a gear that makes you feel like you've stepped back to the 70s. This isn't just a phaser pedal, it's a homage to an era of musical experimentation, delivering swirling, psychedelic sounds. Its faithful reproduction of the original 70s circuit using high-quality components guarantees full sonority and accurate recreation of the classic phase-shifting modulation.

Whether you're after some depth, a bit of wobble, or instant funk, the Mutation Phasor II has got you covered. With controls for Rate, Depth, and Feedback, you can dial in the perfect amount of phase-shifting effect to suit your sound.

The Mutation Phasor II doesn't just sound good, it's built to last with an ultra-tough, vintage-vibe steel case. It's meticulously hand-tested and inspected by trained technicians in Austin, TX USA, ensuring you receive a pedal that's ready to rock right out of the box.

Key Features:

• Electro-optical phase-shifting pedal
• Faithful reproduction of the original 70s circuit
• High-quality components for full sonority and psychedelic sounds
• Controls: Rate, Depth, Feedback
• 6.3 mm jack input and output
• Power supply connection: Barrel connector 5.5 x 2.1 mm, centre negative
• Power consumption: 150 mA
• Powered by a 9 V battery or a 9 V DC mains adapter (not included)
• Switchable true or buffered bypass
• Meticulously hand-tested and inspected by trained technicians in Austin, TX USA

Introducing the Warm Audio Mutation Phasor II Phaser Pedal, a gear that makes you feel like you've stepped back to the 70s. This isn't just a phaser pedal, it's a homage to an era of musical experimentation, delivering swirling, psychedelic sounds. Its faithful reproduction of the original 70s circuit using high-quality components guarantees full sonority and accurate recreation of the classic phase-shifting modulation.

Whether you're after some depth, a bit of wobble, or instant funk, the Mutation Phasor II has got you covered. With controls for Rate, Depth, and Feedback, you can dial in the perfect amount of phase-shifting effect to suit your sound.

The Mutation Phasor II doesn't just sound good, it's built to last with an ultra-tough, vintage-vibe steel case. It's meticulously hand-tested and inspected by trained technicians in Austin, TX USA, ensuring you receive a pedal that's ready to rock right out of the box.

Key Features:

• Electro-optical phase-shifting pedal
• Faithful reproduction of the original 70s circuit
• High-quality components for full sonority and psychedelic sounds
• Controls: Rate, Depth, Feedback
• 6.3 mm jack input and output
• Power supply connection: Barrel connector 5.5 x 2.1 mm, centre negative
• Power consumption: 150 mA
• Powered by a 9 V battery or a 9 V DC mains adapter (not included)
• Switchable true or buffered bypass
• Meticulously hand-tested and inspected by trained technicians in Austin, TX USA

Introducing the Fulltone CS-MDV mkII Custom Shop Mini DejáVibe mkII, a compact and pedalboard-friendly Univibe & Rotary Effects Pedal that doesn't skimp on vintage authenticity. This powerhouse pedal is a clone of the legendary '60s Univibe, boasting an all-analog signal path for that classic modulation and authentic Hendrix warble. The mkII is 32% smaller than its predecessor, yet doesn't compromise on features or signal integrity.

Featuring thirteen discrete transistors, four custom glass photocells, an analog oscillator, and a period-correct incandescent bulb, this pedal offers an impressive range of speeds, outperforming other 'Vibe clones. The inclusion of Fulltone's custom-made photocell resistors allows for speeds much slower and faster than other clones.

With the Mini Deja'Vibe mkII, you have an extraordinary level of control over your sound. Volume, Intensity, and Speed controls let you fine-tune your tone, while the Modern/Vintage and Vibrato/Chorus modes offer a range of cool tones.

This pedal is 100% handbuilt in Southern California, guaranteeing the finest quality and durability. Its custom-made brass-shaft pots are mounted to the interior PCB, reducing pot-related failure and keeping your signal as pure as possible.

Key Features:

• 100% vintage-correct 'Vibe clone
• 32% smaller than the Mini DejaVibe MDV-1
• Volume, Intensity, and Speed controls
• Modern/Vintage and Vibrato/Chorus modes
• Custom photocell resistors for a wide range of speeds
• True-bypass switching preserves your signal when not in use
• Expression pedal input provides hands-free rate control
• Speed indicator for monitoring the intensity of your effect
• Includes a noise-free universal 18V power supply
• 100% handbuilt in California

Introducing the Fulltone CS-MDV mkII Custom Shop Mini DejáVibe mkII, a compact and pedalboard-friendly Univibe & Rotary Effects Pedal that doesn't skimp on vintage authenticity. This powerhouse pedal is a clone of the legendary '60s Univibe, boasting an all-analog signal path for that classic modulation and authentic Hendrix warble. The mkII is 32% smaller than its predecessor, yet doesn't compromise on features or signal integrity.

Featuring thirteen discrete transistors, four custom glass photocells, an analog oscillator, and a period-correct incandescent bulb, this pedal offers an impressive range of speeds, outperforming other 'Vibe clones. The inclusion of Fulltone's custom-made photocell resistors allows for speeds much slower and faster than other clones.

With the Mini Deja'Vibe mkII, you have an extraordinary level of control over your sound. Volume, Intensity, and Speed controls let you fine-tune your tone, while the Modern/Vintage and Vibrato/Chorus modes offer a range of cool tones.

This pedal is 100% handbuilt in Southern California, guaranteeing the finest quality and durability. Its custom-made brass-shaft pots are mounted to the interior PCB, reducing pot-related failure and keeping your signal as pure as possible.

Key Features:

• 100% vintage-correct 'Vibe clone
• 32% smaller than the Mini DejaVibe MDV-1
• Volume, Intensity, and Speed controls
• Modern/Vintage and Vibrato/Chorus modes
• Custom photocell resistors for a wide range of speeds
• True-bypass switching preserves your signal when not in use
• Expression pedal input provides hands-free rate control
• Speed indicator for monitoring the intensity of your effect
• Includes a noise-free universal 18V power supply
• 100% handbuilt in California

Introducing the Electro-Harmonix Spruce Goose Overdrive, the effect pedal that defies the ordinary. This pedal is not just another overdrive; it's an elevated take on a Bluesbreaker-style OD with rich, smooth breakup that maintains clarity and dynamics. The Spruce Goose promises to take your guitar sound on a soaring flight of tonal exploration.

Based on a BB blues-style overdrive, the Spruce Goose delivers a rich, smooth overdrive while maintaining impeccable clarity and dynamic response. The LIFT switch is a standout feature, offering three input gain settings, additional output, and an extended EQ range. This switch effectively works as an input boost, hitting the front end of the drive circuit harder and producing a more compressed, saturated tone while still retaining its dynamic feel and transparent tone.

The Spruce Goose also features mechanical relay true bypass switching with latching and momentary action. Tap the footswitch for a normal latching toggle or press and hold the footswitch for a momentary blast of gain and boost! Perfect for stepping out in front of the mix for pulling quick lick or a moment of sonic chaos.

Key Features:

• Function: Overdrive
• Based on a BB blues-style overdrive
• LIFT switch with 3 input gain settings, additional output, and extended EQ
• Controls: Gain, Volume, Bass, Treble
• Switch: Lift
• Status LED: Effect On
• Footswitch: Effect bypass
• Input and output: 6.3 mm jack
• Current Draw: 20 mA
• Power supply: 9 V DC mains adapter (2.1 x 5.5 mm barrel connector, centre negative) (Not included)
• Note: Battery operation is not supported
• Mechanical relay true bypass switching with latching and momentary action

Let the Electro-Harmonix Spruce Goose Overdrive pedal carry you into uncharted sonic territories. From meaty boost to smooth singing leads, the Spruce Goose steers your tone into a variety of inspiring and musical directions.

Introducing the Electro-Harmonix Spruce Goose Overdrive, the effect pedal that defies the ordinary. This pedal is not just another overdrive; it's an elevated take on a Bluesbreaker-style OD with rich, smooth breakup that maintains clarity and dynamics. The Spruce Goose promises to take your guitar sound on a soaring flight of tonal exploration.

Based on a BB blues-style overdrive, the Spruce Goose delivers a rich, smooth overdrive while maintaining impeccable clarity and dynamic response. The LIFT switch is a standout feature, offering three input gain settings, additional output, and an extended EQ range. This switch effectively works as an input boost, hitting the front end of the drive circuit harder and producing a more compressed, saturated tone while still retaining its dynamic feel and transparent tone.

The Spruce Goose also features mechanical relay true bypass switching with latching and momentary action. Tap the footswitch for a normal latching toggle or press and hold the footswitch for a momentary blast of gain and boost! Perfect for stepping out in front of the mix for pulling quick lick or a moment of sonic chaos.

Key Features:

• Function: Overdrive
• Based on a BB blues-style overdrive
• LIFT switch with 3 input gain settings, additional output, and extended EQ
• Controls: Gain, Volume, Bass, Treble
• Switch: Lift
• Status LED: Effect On
• Footswitch: Effect bypass
• Input and output: 6.3 mm jack
• Current Draw: 20 mA
• Power supply: 9 V DC mains adapter (2.1 x 5.5 mm barrel connector, centre negative) (Not included)
• Note: Battery operation is not supported
• Mechanical relay true bypass switching with latching and momentary action

Let the Electro-Harmonix Spruce Goose Overdrive pedal carry you into uncharted sonic territories. From meaty boost to smooth singing leads, the Spruce Goose steers your tone into a variety of inspiring and musical directions.

The original Attack Decay Tape Reverse Simulator is known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes, and bowed instrument effects. In 2019 the digital Attack Decay reissue was released, and now the Pico Attack Decay gives us volume envelope effects in a simplified, compact package.

The Pico Attack Decay allows you to dial in volume swells and decays, both in Mono mode—one volume envelope for all notes you play—and the revolutionary Poly mode where each note to has its own volume envelope creating cascading swell effects and leads with agile attack smoothing. With intuitive functionality and simple controls, the Pico Attack Decay opens up creative avenues for any player interested in pushing the (volume) envelope.

The Pico Attack Decay is both powerful and simple with four knobs and a mode button that let you create a wide variety of effects. The ATTACK knob sets the swell or fade-in speed of the volume envelope while the DECAY knob sets the fade-out speed of the volume envelope. Set the ATTACK higher for languid volume swells. Set the DECAY higher for artificially staccato notes for synth-like punches. SENS adjusts the threshold for triggering the envelope. VOL controls the overall output volume. A hidden BLEND control allows you to blend wet and dry signals for even more flexibility in tone.

• Compact Pico chassis
• Volume envelope effects of the EHX Attack Decay Reissue
• Mono Mode: single volume envelope for all notes you play each time envelope is trigged
• Poly Mode: Individual envelopes for each note played
• VOL adjusts overall output volume
• SENS sets threshold volume to trigger envelope
• ATTACK sets fade-in time of volume envelope
• DECAY sets fade-out time of volume envelope
• Hidden BLEND control adjusts from 100% wet signal to 100% dry signal
• Power adapter included

Meeting between the original Freeze and Superego pedals is the Pico Deep Freeze Sound Retainer. With the ability to freeze a moment in sound, the Deep Freeze can act as a sustain pedal for holding chords and notes as backing for your playing or as a platform to manipulate your tone into new sounds impossible with a normal guitar. In addition to the original Freeze’s abilities, the Deep Freeze features layering, adjustable attack/decay speeds, glissando, dedicated volume controls, and 3 modes: Latch, Moment, and Auto, making it powerful pedal punching well above its weight.

The Deep Freeze allows for instant sound freezing in three modes of operation. Latch freezes sound each time the footswitch is pressed until the effect is bypassed, while Moment mode freezes sound only while the footswitch is held down. Auto mode captured sound automatically each time it senses signal above its threshold for virtually foot-free freezes. These three modes make it easy to operate the Deep Freeze in a way that fits any playing style.

Controls on the Deep Freeze let you further tailor the operation of the effect. Separate DRY and EFFECT volume controls let you blend signals from subtle backing to 100% effect experimentation. GLISS adjusts the morph time between freeze sounds creating otherworldly soundscapes. The SPEED/LAYER knob adjusts either the attack/decay time of the effect in Moment and Auto modes, or the amount of layering possible in Latch mode which makes playing impossible chords possible!

• Compact Pico chassis
• Instantly capture and freeze input sound
• Three modes of operation: Latch, Moment, and Auto
• DRY and EFFECT control volume of each signal separately
• SPEED adjusts Attack or Decay time in Moment and Auto modes
• LAYER sets previous layer volume attenuation
• GLISS sets morph time between frozen sounds
• Tap Tempo with 3 tap division modes
• Selectable bypass topologies for flexibility in functionality
• Power adapter included

Tape delay is loved for its warmth and charming imperfections compared to pristine digital delays. Their preamps could be pushed to saturation and, over time, the tape in vintage delay units would degrade causing a signature warble loved by many. These signature elements are captured and packed into Electro-Harmonix’s Pico Rerun tape delay. Based off the tape delay algorithm found in the Canyon Delay & Looper, the Rerun gives vintage vibes with modern features.

The Rerun features a simple control set and tap tempo for ease of use in any situation. BLEND sets the wet/dry blend. DELAY adjusts the delay time from 8ms to 3s. SAT adds tape saturation and distortion for added crunch to only the wet signal, keeping your dry signal unaffected by the added distortion. FDBK sets the level of repeats from 1 to infinite for runaway oscillation. You can also press and hold the footswitch to engage infinite repeats in an instant. The FLUTTER mode switch toggles between low, medium, and heavy modulation effects ranging from slight chorusing to seasick thickness.

Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. Additionally, the Rerun also features selectable Tails bypass allowing echoes to continue after putting the pedal into bypass.

• Compact Pico chassis
• Tape delay algorithm from Canyon Delay and Looper
• BLEND controls the wet/dry mix
• DELAY adjusts delay time from 8ms to 3s
• SAT sets the level of tape saturation and distortion
• FDBK adjusts from 1 repeat to infinite
• FLUTTER toggles between 3 levels of warbly degraded tape modulation
• Tap Tempo to keep your delays perfectly in time
• Selectable Tails bypass allows for echoes to continue after pedal is bypassed
• Power adapter included

The Electro-Harmonix Triboro Bridge Tri-mode Drive Pedal is a marvel of versatility, packing a powerful punch in a compact package. This pedal is your sonic bridge to the realms of overdrive, distortion, and fuzz. Equipped with three operating modes, it can effectively cater to a wide range of tonal needs and preferences.

The Overdrive mode delivers a low-to-mid gain spectrum, perfect for an 'always-on' effect or as a boost for those soaring solos. The Distortion mode takes things up a notch, offering extra gain stages for those crunchy and saturated tones. But the pedal truly comes alive in Fuzz mode, delivering "over-the-top gain" with a unique gate control and lowpass filter.

Each mode is paired with a 2-band Bax-style EQ for quick and immediate tone sculpting. The pedal also features an Input Contouring EQ, offering a more modern sound. As an added bonus, the pedal comes with a buffered bypass, ensuring your signal remains healthy and intact.

Key Features:

• Ultra-flexible dirt pedal suitable for various musical styles
• Overdrive mode offers low-to-mid gain, perfect for boosted solos or always-on grit
• Distortion mode provides extra gain stages for crunchy and saturated tones
• Fuzz mode offers maximum gain with a gate control and a lowpass filter
• Input Contouring EQ offers selectable input tone shaping for a modern feel
• Buffered bypass ensures a healthy signal chain
• Compact chassis saves space on your pedal board
• Controls include Volume, Gain, Bass/Gate, and Treble/Tone
• Power supply via 9 V DC power supply unit (not included)
• Battery operation not supported
• LED Effect On indicator
• 6.3mm jack for input and output connections.

The Electro-Harmonix Triboro Bridge Tri-mode Drive Pedal is a marvel of versatility, packing a powerful punch in a compact package. This pedal is your sonic bridge to the realms of overdrive, distortion, and fuzz. Equipped with three operating modes, it can effectively cater to a wide range of tonal needs and preferences.

The Overdrive mode delivers a low-to-mid gain spectrum, perfect for an 'always-on' effect or as a boost for those soaring solos. The Distortion mode takes things up a notch, offering extra gain stages for those crunchy and saturated tones. But the pedal truly comes alive in Fuzz mode, delivering "over-the-top gain" with a unique gate control and lowpass filter.

Each mode is paired with a 2-band Bax-style EQ for quick and immediate tone sculpting. The pedal also features an Input Contouring EQ, offering a more modern sound. As an added bonus, the pedal comes with a buffered bypass, ensuring your signal remains healthy and intact.

Key Features:

• Ultra-flexible dirt pedal suitable for various musical styles
• Overdrive mode offers low-to-mid gain, perfect for boosted solos or always-on grit
• Distortion mode provides extra gain stages for crunchy and saturated tones
• Fuzz mode offers maximum gain with a gate control and a lowpass filter
• Input Contouring EQ offers selectable input tone shaping for a modern feel
• Buffered bypass ensures a healthy signal chain
• Compact chassis saves space on your pedal board
• Controls include Volume, Gain, Bass/Gate, and Treble/Tone
• Power supply via 9 V DC power supply unit (not included)
• Battery operation not supported
• LED Effect On indicator
• 6.3mm jack for input and output connections.

The EHX Pico Canyon Echo takes the digital delay from the award-winning Canyon Delay and Looper and plates it up as a single serving echo unit. Starting with a crystal clean delay, the Canyon Echo is a sweetly simple delay with 3 seconds of delay time. Don’t let the size fool you, this canyon is deep! Add filtering, tap tempo, and a feedback knob capable of infinite repeats and this little echo is up to most time bending tasks.

The Canyon Echo features a BLEND knob to get the perfect wet/dry mix. The DELAY knob sets the delay time from 8ms to 3s. FEEDBACK is adjustable from 1 repeat to infinite repeats for endless delay washes and pads. Turn the FILTER knob past noon and it’s a High Pass Filter while below noon it is a Low Pass Filter.

Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. The tempo can then be subdivided from a quarter note to a dotted eight note to an eighth note with the TAP DIV button. Additionally, the Canyon Echo also features selectable Tails bypass so echoes continue after putting the pedal into bypass.

The Canyon Echo also features a new style of Infinite Repeats where a single delay is repeated and the input is taken out of the delay path. This makes the pedal function like a micro tape looper that can be played over without new delays being created. The micro loop can also be manipulated into warped sound effects by adjusting the DELAY knob.

• Compact Pico chassis
• Digital delay from Canyon Delay and Looper
• BLEND controls the wet/dry mix
• DELAY adjusts delay time from 8ms to 3s
• FEEDBACK adjusts from 1 repeat to infinite
• Filter attenuated low-end or high-end frequencies of delayed signal
• Tap Tempo with 3 tap division modes
• Selectable Tails bypass allows for echoes to continue after pedal is bypassed
• Infinite Repeats feature loops a single delay repeat that can be manipulated by the DELAY knob
• Power adapter included

The EHX Pico Oceans 3-Verb is an ultra-compact reverb pedal packed with the essentials of ambience with plenty of flexibility and control. This Pico-sized reverberator adds the huge sounds of Spring, Plate, and Hall reverb to any pedalboard while using minimal space. Adjustable decay time, pre-delay / spring length, and tone make the Oceans 3-verb able to create a plethora of spacious sounds.

SPRING – pays homage to the classic Fender® 6G15 tube spring reverb PLATE – the lush, warm reverb that got its name as it was originally created by a large metal plate HALL – the rich reverberant sound of a grand concert hall

A comprehensive control set allows for tailored sound to any setup. BLEND adjusts from 100% dry to 100% wet. TIME controls the decay time of the reverb. DELAY/SPRING sets the pre-delay time in PLATE and HALL mode or selects between 3 springs lengths in SPRING mode. The TONE control adjusts the overall brightness of the reverb from bright and airy to warm and smoky.

Additionally, TAILS bypass can be selected so the reverb continues to decay after the pedal is switched to bypass. This allows for a more natural sounding decay when turn the reverb off. Infinite Reverb can be achieved by maxing out the TIME control in both PLATE or HALL mode or by pressing and holding the footswitch. This creates a building ambient soundscape until you release the footswitch.

• Compact Pico chassis
• 3 different reverb types: SPRING, PLATE, & HALL
• Adjustable Decay, Pre-delay and Tone for flexibility
• SPRING mode features 3 selectable spring lengths
• Infinite Reverb function for creating ambient soundscapes
• Tails Bypass function allows reverb to decay after pedal is bypassed
• Power supply included

The EHX Pico Oceans 3-Verb is an ultra-compact reverb pedal packed with the essentials of ambience with plenty of flexibility and control. This Pico-sized reverberator adds the huge sounds of Spring, Plate, and Hall reverb to any pedalboard while using minimal space. Adjustable decay time, pre-delay / spring length, and tone make the Oceans 3-verb able to create a plethora of spacious sounds.

SPRING – pays homage to the classic Fender® 6G15 tube spring reverb

PLATE – the lush, warm reverb that got its name as it was originally created by a large metal plate

HALL – the rich reverberant sound of a grand concert hall

A comprehensive control set allows for tailored sound to any setup. BLEND adjusts from 100% dry to 100% wet. TIME controls the decay time of the reverb. DELAY/SPRING sets the pre-delay time in PLATE and HALL mode or selects between 3 springs lengths in SPRING mode. The TONE control adjusts the overall brightness of the reverb from bright and airy to warm and smoky.

Additionally, TAILS bypass can be selected so the reverb continues to decay after the pedal is switched to bypass. This allows for a more natural sounding decay when turn the reverb off. Infinite Reverb can be achieved by maxing out the TIME control in both PLATE or HALL mode or by pressing and holding the footswitch. This creates a building ambient soundscape until you release the footswitch.

• Compact Pico chassis
• 3 different reverb types: SPRING, PLATE, & HALL
• Adjustable Decay, Pre-delay and Tone for flexibility
• SPRING mode features 3 selectable spring lengths
• Infinite Reverb function for creating ambient soundscapes
• Tails Bypass function allows reverb to decay after pedal is bypassed
• Power supply included

Unleash your creativity with the Line 6 DL4 Delay Modeler, a must-have masterpiece for every dedicated guitarist. This exceptional stompbox offers 16 distinct delay modes and an integrated looper, gifting musicians with a myriad of sonic possibilities. It's like having an entire universe of effects at your feet, ready to color your sound in every shade of awesome. Compact yet robust, this pedal is designed to endure the rigors of on-stage use while delivering the high-quality effects Line 6 is renowned for.

Key Features:

• 16 unique and versatile delay modes
• Built-in looper for creating layers of sound
• Sturdy construction for long-lasting durability
• High-quality sound modeling from Line 6
• User-friendly interface for easy tweaking of effects
• Compact design for easy integration into any pedalboard.

Unleash your creativity with the Line 6 DL4 Delay Modeler, a must-have masterpiece for every dedicated guitarist. This exceptional stompbox offers 16 distinct delay modes and an integrated looper, gifting musicians with a myriad of sonic possibilities. It's like having an entire universe of effects at your feet, ready to color your sound in every shade of awesome. Compact yet robust, this pedal is designed to endure the rigors of on-stage use while delivering the high-quality effects Line 6 is renowned for.

Key Features:

• 16 unique and versatile delay modes
• Built-in looper for creating layers of sound
• Sturdy construction for long-lasting durability
• High-quality sound modeling from Line 6
• User-friendly interface for easy tweaking of effects
• Compact design for easy integration into any pedalboard.

The EHX Pico Oceans 3-Verb is an ultra-compact reverb pedal packed with the essentials of ambience with plenty of flexibility and control. This Pico-sized reverberator adds the huge sounds of Spring, Plate, and Hall reverb to any pedalboard while using minimal space. Adjustable decay time, pre-delay / spring length, and tone make the Oceans 3-verb able to create a plethora of spacious sounds.

SPRING – pays homage to the classic Fender® 6G15 tube spring reverb PLATE – the lush, warm reverb that got its name as it was originally created by a large metal plate HALL – the rich reverberant sound of a grand concert hall

A comprehensive control set allows for tailored sound to any setup. BLEND adjusts from 100% dry to 100% wet. TIME controls the decay time of the reverb. DELAY/SPRING sets the pre-delay time in PLATE and HALL mode or selects between 3 springs lengths in SPRING mode. The TONE control adjusts the overall brightness of the reverb from bright and airy to warm and smoky.

Additionally, TAILS bypass can be selected so the reverb continues to decay after the pedal is switched to bypass. This allows for a more natural sounding decay when turn the reverb off. Infinite Reverb can be achieved by maxing out the TIME control in both PLATE or HALL mode or by pressing and holding the footswitch. This creates a building ambient soundscape until you release the footswitch.

• Compact Pico chassis
• 3 different reverb types: SPRING, PLATE, & HALL
• Adjustable Decay, Pre-delay and Tone for flexibility
• SPRING mode features 3 selectable spring lengths
• Infinite Reverb function for creating ambient soundscapes
• Tails Bypass function allows reverb to decay after pedal is bypassed
• Power supply included