we need to do something about this:
http://equipboard.com/items/fender-deluxe-amp
there are 7 versions of the non-reverb deluxe through out its history (5 tweeds, the brownface w/bias vary trem and the short lived blackface deluxe w/LDR trem but no 'verb)
we should differentiate them by cosmetics and the official Fender circuit designations... for instance, the tweed pictured for the generic item I referenced is a 'wide panel' deluxe, either a 5C3 or 5D3 circuit (they look essentially the same but fender made a change from octal base 6SC7 preamps for gain and as a driver/phase inverter to noval based tubes, 12AY7 for gain and a 12ax7 as the driver/phase inverter for a decrease in gain at the inputs and an increase in gain from the driver - in ALL tweed deluxe versions the phase inverter style provides unity gain only and will sound pretty similar with any triode) whereas the most popular tweed deluxe is a 'narrow panel' with the 5E3 circuit and actually is a notably different amp with a different sound. Same tubes as the 5D3 but there were a lot of circuit revisions (like the use of negative feedback for tighter power amp response) in addition to the change of cabinet cosmetics.
The 6G3 brownface deluxe changed the cosmetics drastically as well as a HUGE change to the circuit including a switch to fixed bias, more negative feedback, a change from cathodyne phase inverter to long-tailed pair, trading the global tone knob to one for each channel, addition of bias-vary trem, etc... this period also saw a change from Jensen P series alnico speakers to oxford or Utah speakers in ceramic or alnico
The AA763Deluxe changed the gain structure to be the same as all the other new blackface models as well as changing cosmetics to the new blackface look we all love, this also entailed added bass and treble controls to channel 1 as well as a full treble/mid/bass tone section on the trem channel. The trem was changed to the new LDR trem circuit used on the bigger blackface amps. The palte voltages were increased to pump a whopping 25 clean watts from the 2 6V6 power tubes which also entailed an upgrade to the massive GZ34 rectifier to supply the higher voltages. Previously deluxes could pump 12 to 15 watts if you were lucky and were set-up with tiny 5Y3 rectifiers. The speaker was upgraded to an even larger ceramic Utah, oxford or Jensen model in order to take the increased wattage and augment the bigger, punchier power section with a punchier speaker.
I could go on. There's also an AB763 circuit revision, but I've never seen a non-reverb deluxe with that circuit (which is hardly different from the AA designated schematic)... though I rarely see the non-reverb blackface deluxes in-person anyway, they were made in limited quantity and were discontinued by the time of the CBS buyout as far as I know. Oddly, the non-reverb Princeton (the deluxe's 1 channel little brother since the brownface era) carried on into silverface and beyond, right up until Paul Rivera revamped the Fender amp line around 1981. I guess the non-reverb Princeton kept selling, while the non-reverb deluxes sat in stores collecting dust because people either spent less on a princeton reverb or sprung for the fancy deluxe reverb....
Point being, fender reused model names for very different designs and almost every version sounds different than the versions preceeding and following it, some DRASTICALLY different (5E3 to 6G3 to AA763 circuits, total mindfuck of redesign... these 3 versions cannot be set to mimic eachother, they are completely unique amps)
Can we start differentiating deluxes? better yet ANY same-name fenders with completely differing circuits in general? I used the deluxe because I ran into a confusing sighting recently that was technically correct but misleading and also because I am a huge fan of all the deluxes from the TV front tweeds to the reverb model, have played them and studied their electronic idiosyncraxies as part of my personl tone quest.
Its just confusing the way things are organized currently... and we are spreading misinformation when people glance at an equipboard to see what their heroes played through and see a picture of a generic deluxe from the wrong era.... people could buy the wrong vintage amp for a small fortune and come out of it very let down. They are all great, but you aren't using a blackface deluxe to cover "Cinnamon Girl" without a pedal, nor are you going to get your 5C3 wide panel tweed to throw down some spanky, mid-scooped, clean chickin' pickin' at anything approaching band volumes.