gchiaren's activity

edited RJM Mastermind GT/22 MIDI Foot Controller

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Guitar Pedals & Effects
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MIDI Foot Controllers

Mar 21, 2017

edited Washburn SS100

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washburn ss100
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Washburn SS100
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Guitars
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Solid Body Electric Guitars

Mar 15, 2017

edited Planet Waves Polypropylene Guitar Strap

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The Planet Waves polypropylene guitar strap is made from extra heavy-duty polypropylene webbing, designed to last much longer than ordinary polypropylene straps.

Adjustable from 35" to 59.5" long

Provides maximum comfort for standing situations

Strong and secure leather ends

Pattern also available in Planet Lock or Acoustic Quick Release end

Designed for players of all genres, Planet Waves Polypropylene straps offer designs that will please even the most discerning player. These durable straps are sure to accent any guitar, are a great value, and are adjustable from 35" to 59.5" long.
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Uncategorized
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Straps & Strap Locks

Mar 8, 2017

edited Big Joe Stomp Box Company W-601 Wah-Wah

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Select Classic, British or Big Joe resonance range. 3-position resonance switch and On/Off LED.
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Wah Pedals

Feb 26, 2017

edited Big Joe Stomp Box Company W-601 Wah-Wah

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Big joe W-601 wah
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Big Joe W-601 Wah-Wah
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Uncategorized
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Feb 26, 2017

edited Dwarfcraft Paraloop

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“I wish I could have two different sounds at the same time.” Wish granted.

“I Wish I could put a clean blend on this thing.” Wish granted.

“I wish I could kick a switch and send my guitar to two other amps.” Wish granted.

“I JUST NEED A LITTLE MORE VOLUME!” Wish granted, but seriously, there are cheaper clean boosts, my friend.

“I want to mix two instruments with 1/4” audio outputs together, BUT I DON’T WANT TO USE A MIXER!” Wish granted, I guess…

“I need a device about the size of a mobile phone but taller and heavier to hold down blue prints for my ‘companion robot’ when my oscillating fan passes my desk!” Yeah, ok, I don’t think we’re really on the same page here.

We have that thing and it’s called the PARALOOP! Your instrument goes in the right side, and comes out the left. There are two effects loops built into the pedal. Each of them is “normally closed” meaning a buffered clean signal comes through. Your “send level” knob allows you a boost into both loops, or if they are empty, just an overall volume boost (Or attenuation) when the pedal is engaged.

Add effects into one loop, and you are left with a clean signal next to your FX. Add FX into the remaining loop and you are parallel processing! Independent distortion flavors, side by side delay and reverb, flange and chorus, my goodness! Take a day off work, friend, because you’ve got some experimenting to do.

The Paraloop was designed to have maximum flexibility. In addition to the intended uses explained above, you can indeed split your signal to two amps. For example, Amp A is connected to the output of the Paraloop, and amp B is connected to the SEND 1 jack. When the pedal is engaged, your input signal will come out BOTH OF THOSE HOLES. You could even have an amp C connected to Send 2… then when the pedal was engaged sound would go to amps B and C, but not A.

After:
“I wish I could have two different sounds at the same time.” Wish granted.

“I Wish I could put a clean blend on this thing.” Wish granted.

“I wish I could kick a switch and send my guitar to two other amps.” Wish granted.

“I JUST NEED A LITTLE MORE VOLUME!” Wish granted, but seriously, there are cheaper clean boosts, my friend.

“I want to mix two instruments with 1/4” audio outputs together, BUT I DON’T WANT TO USE A MIXER!” Wish granted, I guess…

“I need a device about the size of a mobile phone but taller and heavier to hold down blue prints for my ‘companion robot’ when my oscillating fan passes my desk!” Yeah, ok, I don’t think we’re really on the same page here.

We have that thing and it’s called the PARALOOP! Your instrument goes in the right side, and comes out the left. There are two effects loops built into the pedal. Each of them is “normally closed” meaning a buffered clean signal comes through. Your “send level” knob allows you a boost into both loops, or if they are empty, just an overall volume boost (Or attenuation) when the pedal is engaged.

Add effects into one loop, and you are left with a clean signal next to your FX. Add FX into the remaining loop and you are parallel processing! Independent distortion flavors, side by side delay and reverb, flange and chorus, my goodness! Take a day off work, friend, because you’ve got some experimenting to do.

The Paraloop was designed to have maximum flexibility. In addition to the intended uses explained above, you can indeed split your signal to two amps. For example, Amp A is connected to the output of the Paraloop, and amp B is connected to the SEND 1 jack. When the pedal is engaged, your input signal will come out BOTH OF THOSE HOLES. You could even have an amp C connected to Send 2… then when the pedal was engaged sound would go to amps B and C, but not A.

Feb 23, 2017

edited Dwarfcraft Paraloop

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“I wish I could have two different sounds at the same time.” Wish granted.

“I Wish I could put a clean blend on this thing.” Wish granted.

“I wish I could kick a switch and send my guitar to two other amps.” Wish granted.

“I JUST NEED A LITTLE MORE VOLUME!” Wish granted, but seriously, there are cheaper clean boosts, my friend.

“I want to mix two instruments with 1/4” audio outputs together, BUT I DON’T WANT TO USE A MIXER!” Wish granted, I guess…

“I need a device about the size of a mobile phone but taller and heavier to hold down blue prints for my ‘companion robot’ when my oscillating fan passes my desk!” Yeah, ok, I don’t think we’re really on the same page here.

We have that thing and it’s called the PARALOOP! Your instrument goes in the right side, and comes out the left. There are two effects loops built into the pedal. Each of them is “normally closed” meaning a buffered clean signal comes through. Your “send level” knob allows you a boost into both loops, or if they are empty, just an overall volume boost (Or attenuation) when the pedal is engaged.

Add effects into one loop, and you are left with a clean signal next to your FX. Add FX into the remaining loop and you are parallel processing! Independent distortion flavors, side by side delay and reverb, flange and chorus, my goodness! Take a day off work, friend, because you’ve got some experimenting to do.

The Paraloop was designed to have maximum flexibility. In addition to the intended uses explained above, you can indeed split your signal to two amps. For example, Amp A is connected to the output of the Paraloop, and amp B is connected to the SEND 1 jack. When the pedal is engaged, your input signal will come out BOTH OF THOSE HOLES. You could even have an amp C connected to Send 2… then when the pedal was engaged sound would go to amps B and C, but not A.

Feb 23, 2017

edited a deleted item

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The Wizard began as a simple idea: Cut the Pitchgrinder down to a single pitch shifter, with a mix control. What it became is something much more exciting, with brand new capabilities.

The pedal’s resolution has been cranked up to 32 bits from the ‘Grinder’s 8, but the same lo-fi glitchy sound. There is a mix control. Then we have the “speed” control. When set to zero, the Wizard behaves like a standard pitch shifter, but as you turn up the speed your output will cross fade between the wet and dry signals, allowing for beautiful moving soundscapes, or stimulating modulation at higher rates.

The “Bender” toggle engages a doppler type effect, in which the pitch falls in conjunction with the input signal’s decay. Until the pedal reaches the end of it’s shifting range, where it starts again.

Engaging the “steps” toggle will further confuse the Wizard, snapping to pitches, rather than sliding, and creating almost random arpeggios. When the Bender mode is active, the speed knob will control the rate of the pitch changes, rather than a cross fade.

While the pedal is perfectly useful for traditional pitch shifting, it is much more at home creating new sounds for adventurous musicians.
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Multi Effects Pedals
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Harmonizer & Octave Effects Pedals

Feb 23, 2017

edited Dwarfcraft Devices SheFuzz

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She returns, with cool new tricks!

The new SheFuzz is built according to the original schematics, to provide the widest range of fuzz tones and noise, and deeper bass response. At tamer settings She delivers rough electronic fuzz, with a short to medium decay controlled by the “shape” knob. You can also add vintaged tinged upper octave effects with the “stab” toggle. The “smash” toggle will super-compress the fuzz, but it’s true power will be shown later…

But it doesn’t stop there, the starve controls have gotten a serious upgrade. The “spells” knob controls the degree of power-starvation, but it can be activated by momentary footswitch (“magic”) or left on via the “Hex on” toggle. BONUS!

In starved settings, the SheFuzz will self-oscillate in many cool and dirty ways. The Shape knob tends to change the pitch and flipping the “Smash” toggle will shift the oscillation into a higher register.

To top it all off, it’s in a little bitty box, leaving a minimal pedalboard footprint.

The earliest version of SheFuzz (also known as the Shiva) lives on the pedalboard of Wata, of Boris fame. SheFuzz was also the main distortion for Ben Chisolm’s bass on several Chelsea Wolfe tours.

We suggest you put everything through your SheFuzz, because destruction is one of the most fun parts of creation!

Feb 23, 2017

edited Dwarfcraft Devices Happiness

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Dwarfcraft Devices is ready to spread some Happiness, in the form of a multi-mode filter pedal, packed to the gills with features. Happiness opens a new world of synth inspired tones and textures with low pass, band pass, and high pass filtering. The filter is modulated with an internal triangle based LFO or external CV patched in, and a “scramble” feature, akin to a sample and hold.

Expression jacks for filter cutoff and LFO speed are along the top panel, and CV in and out are on the sides. Happiness internally converts the industry standard 9v power supply to +/-12V for seamless integration with Eurorack modular synth systems, and Dwarfcraft’s other CV capable devices. All these features are packed into the same tall enclosure used by the Twin Stags, to maximize controls while minimizing footprint.

As usual, this newest Dwarfcraft Device works very well with a bass guitar, but it’s equally at home wringing new sounds out of guitars, drum machines, synths, and electric mandolin. (protip: turn the low pass filter all the way down so no mandolin can come out.)

Feb 23, 2017

edited Dwarfcraft Devices Necromancer

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Boost Effects Pedals

Feb 23, 2017

edited Dwarfcraft Devices Necromancer

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The Necromancer started as the Super Fuzz style circuit from the Silver Rose v2. We added a middle band was added to the EQ. The Mids knob is tuned to the deepest frequency dip created by flipping the “Mids” toggle down, allowing players to get a little more picky with their scooped tones.

While rooted in the world of Old School Fuzz (and capable of many of those classic tones) there are also plenty of new and exciting textures in the Necromancer, thanks to it’s wide feature set, and slightly higher gain. Topping off the effect is some evil wizard art from Metalocalypse veteran SMO, a long time collaborator at Dwarfcraft.

While designed primarily for guitar, the Necromancer is happy to destroy anything you can stick in it’s jack, and does exemplary work with the electric bass. Just watch those knobs, Dwarfcraft is proud to provide “too much” bass and treble on the dial.
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Feb 23, 2017

edited Dwarfcraft Twin Stags

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Here is our first modulation pedal, the Twin Stags Double Tremolo. Two fully featured tremolo circuits are packed into the extra thick enclosure, offering trem speeds from “are you sure it’s going?” slow to “ring mod” fast. The triangle core LFOs can be skewed from ramp to saw, and all points between.

To compliment the series trem circuits there is control voltage in and out via 1/8” jacks for seamless integration with Eurorack synthesizer modules and systems. LFO 2 can also be used to modulate the speed of LFO 1.

The Twin Stags also features two expression pedal inputs, one to control the rate of each LFO.

All these features come together in a subtly designed enclosure to provide maximum sound quantity and quality in a compact package.

Feb 23, 2017

edited Dwarfcraft Devices Minivan Echo

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The Minivan is a dark echo, built off a digital chip so old it sounds analog. Yes pedal people, I’m talking about the pt2399. We have a couple tricks up our sleeves, though. Most echo pedals built of the 2399 give you a pretty short range of delays, using the “best” range of the circuit. But we’re Dwarfcraft. Sure, you can have those traditional sounds, but then you also have another half-turn or so to go into super slow and mangled territory. And what’s a delay pedal that doesn’t run away into self oscillation? A delay pedal you don’t need. Crank that feedback up and ride the waves, my friend.

The mix knob is a pretty standard affair, from 100% dry at 7 o’clock, and for echoes just a touch louder than the dry, twist it all the way up to 5 o’clock. We also added an insert FX loop so you can make your own fun.

Plug in an expression pedal to control the feedback amount, but it is a lot more fun to use a stereo 1/4” to dual mono 1/4” cable to insert effects into the delay line of the Minivan. For example, putting a pitch shifter in the loop will shift each repeated signal up as it passes through.

This is a great way to create otherworldly sounds, and also a great way to kill an afternoon testing EVERYTHING in the loop. Currently my favorites are pitch shifters and tremolo.
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Guitar Pedals & Effects
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Delay Effects Pedals

Feb 23, 2017

edited Dwarfcraft Devices Baby Thunder

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Yes, you read it right. Ever since it left, we’ve been getting messages asking for it again, so here it is. We packed in just about everything from its big brother, (the Eau Claire Thunder) giving you a boat load of fuzz tones in a very board-friendly package. The Trim knob is there to tame extra loud signals if you need it. The Timewarp toggle is there to change up clipping diodes. The Toneblast has been changed to a toggle control, but it still skips the tone stack, to give you a fuller frequency response, and a considerable volume boost. And of course, its got volume, tone, and gain controls.

This one isn’t just a guitar pedal; it will blast your bass just as well. The original Baby Thunder has made it’s way to the studio and stage with Juan Alderete (The Mars Volta, Deltron 3030) and Dylan Carlson of Earth. If you’re in need of a huge fuzz sound in a small package, this is the pedal for you! Check out the demos!
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Multi Effects Pedals
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Boost Effects Pedals

Feb 23, 2017

edited Dwarfcraft Devices The Great Destroyer Rhythmic Oscillation and Industrial Fuzz

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Is it a fuzz pedal? Is it an instrument? Is it a rogue angel bent on audio revenge? Rhythmic oscillation and industrial fuzz in a true bypass package.

Our flagship is still out there blasting away at the forces of evil (AKA boredom.) If you're looking to get freaky, look no further.

The Great Destroyer has found it’s way into the hands of Alan Sparhawk, Justin Meldal-Johnsen, Alessandro Cortini, Young the Giant, K O Y L, and Pussy Makes Three.
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Guitar Pedals & Effects
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Boost Effects Pedals

Feb 23, 2017

edited Dwarfcraft Devices Pitch Grinder

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Oh, oh, here she comes. She’s a man eater.

Actually, she’s a sequenced pitch shifter called Pitch Grinder. Our first foray into the digital realm, the PG smashes your signal down into 8 bits of mayhem, and then tosses them up and down in pitch, in intervals of your choosing.

The Pitchgrinder is ready for action! We have eight tunable stages, labeled in sequence on the face of the box, with a handy bunch of LEDs to inform you of which step you are on. The shift range is from -1 octave to +2 octaves. Don’t worry about hitting the “in between” notes, the PG will only hit what most consider “real” shifting intervals. Of course, if your input is slightly out of tune, your effected signal will be as well.

The engage switch makes the thing go. The tap switch does many things. Of course, it sets the tempo for the unit. When your Grinder is running, depress the tap switch to freeze the pattern where it is. When you release the tap switch, the Grinder will resume the pattern.

The “Length” knob controls the length of the pattern, from one to eight steps. When the length is set to 1, the Tap switch can be used to cycle to the next stage of shifting. We added the feature to push this pedal into outer space… Glide. Glide mode will be turned on and off via a toggle on the face of the unit. This mode is much like the glide function on a synthesizer, winding your pitch up or down to the next step in the pattern.

Yes, the pedal is designed to work with all instruments. We’ve tested it with single coil, and humbucker guitars, basses, microphones made out of telephone handsets, and synths. And the Pitch Grinder grinds them all.

This wonderful pedal was programmed by and engineered with the newest member of the Dwarfcraft Clan, Bob Lowy. Bob and I worked together for a year to take the Grinder from an idea I assumed was impossible to the pedal we unleash.
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Guitar Pedals & Effects
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Harmonizer & Octave Effects Pedals

Feb 23, 2017

edited Dwarfcraft Devices Silver Rose v2

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THE SILVER ROSE! Never has drama sounded so good.

Classic rock - YES. 90’s garage rock - YES. Turn up the Super Fuzz side with a medium gain setting, dial in the bias for maximum sustain and let the power chords ring out. Turn up the gain and twist the bias to squeeze that signal down to a compressed electronic wave for single string leads and score a spy movie. Flip the mids switch down and enter the realm of the Wizard of Doom.

Something a little warmer, maybe? How about the EC fuzz? A streamlined Eau Claire Thunder can be dialed back to overdrive range or cranked up to a raging wall of thunder. Wind it into an aggressive sustained lead machine. Blast the Tone control for the huge, blown out, "Am I going to break something?" juggernaut you've come to expect from the Thunder.

Wait, something a little off? Need more bottom? More top? Flip on that EQ. Boost the bass and treble up to 10db. Watch your levels, friends, you could blow speakers if you act a fool.

"But, old pals, I'm a strange person, and I want a clean signal mixed with my fuzz!" Hey that's cool, we're all strange in one way or another. We have a big silver knob for that! This clean knob will boost your clean up to an 11x voltage amplification! BIG ENOUGH FOR YOU?

"Oh, also old pals, I like to experiment in the studio with multiple signal paths, and sometimes I use two amps with separate effects lines live." That's why we put in that auxiliary clean output jack. There's always clean signal coming out! Handy for just those situations you mentioned.

"Wait, does it work on bass?" We put so many flavors of bass weaponization in here that you might lose a day or two tweaking knobs and feeling your pants flap as you create sound after sound.

Please note: Due to the nature of these two circuits, this pedal is not silent when engaged. Some people don't mind, some people will just turn the pedal off when not in use, some people will hate it. We also cannot make the overall pedal quieter.

Feb 23, 2017

edited Dwarfcraft ARF

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ARF stands for Attack, Release, Filter. This is pedal comes filled with good synthy goodness! The Attack/Release envelope's range is determined by the knobs on the face, while the activation of the envelop and the duration of the sustained peak are controlled by a foot switch or CV gate signal.

This means much greater control than typical "envelope follower" style filter pedals, which have a habit of triggering at the wrong times. The envelope boasts an absurd range, from "click-and-it's-over" to multi-measure swells and drops. It can also be sent out of the pedal for integration with other CV compatible gear.

The envelope is wired directly to the filter, an aggressive low pass type filter with enough "extra" on the resonance to get some self oscillation. The filter cutoff can also be controlled via CV input. The filter can be over-driven via the "drive" knob for a familiar stomp box sound. There are even a few settings that can create pitch shifting glitch effects!
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Multi Effects Pedals
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Wah Pedals

Feb 23, 2017

edited MjRotoDelay

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Delay featuring tempo sync, modulation, bandpass filtering and stereo image transformations. Here are some possibilities: delay, chorus, flanger, lofi, pitch shifting, arpeggio, stereo widening...

Feb 21, 2017

edited Focal Alpha 50

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Active 2-way near field professional monitoring loudspeaker.

The Focal Alpha 50 is a versatile studio monitor with quality components and design. It serves beautifully in a variety of capacities, performing just as well with instrumental music as with electronic music. This model comprises a 5" (13cm) woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port associated witha 35W amplifier and a 1" (25mm) aluminum inverted dome tweeter (20W amplifier). Alpha 50 has a frequency response of 45Hz to 22kHz (+/- 3dB).

The Polyglass cone makes for a rigid response that won't be overwhelmed by prominent bass signals such as those present in contemporary electronic dance music, and yet, it inhibits unwanted, messy artifacts sometimes associated with those types of signals. These speakers are very smooth and a joy to listenb to and mix on. Pleasanrness of sound can sometimes have as an adjunct a tendency to bury distortion and harsh, overly present signals, but that is not the case with the Focal Alpha 50. Despite the overall warmth and richness of the speakers, they provide all of the detail, for good or ill, that you need in critical listening.

They are excellent for cinema, podcast EQ and cleanup, and any other imaginable audio application as well as their most common use, instrumental or electronic music. If you are seeking a low-profile pair of high quality monitors, consider the Focal Alpha 50.

After:
Active 2-way near field professional monitoring loudspeaker.

The Focal Alpha 50 is a versatile studio monitor with quality components and design. It serves beautifully in a variety of capacities, performing just as well with instrumental music as with electronic music. This model comprises a 5" (13cm) woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port associated witha 35W amplifier and a 1" (25mm) aluminum inverted dome tweeter (20W amplifier). Alpha 50 has a frequency response of 45Hz to 22kHz (+/- 3dB).

The Polyglass cone makes for a rigid response that won't be overwhelmed by prominent bass signals such as those present in contemporary electronic dance music, and yet, it inhibits unwanted, messy artifacts sometimes associated with those types of signals. These speakers are very smooth and a joy to listenb to and mix on. Pleasanrness of sound can sometimes have as an adjunct a tendency to bury distortion and harsh, overly present signals, but that is not the case with the Focal Alpha 50. Despite the overall warmth and richness of the speakers, they provide all of the detail, for good or ill, that you need in critical listening.

They are excellent for cinema, podcast EQ and cleanup, and any other imaginable audio application as well as their most common use, instrumental or electronic music. If you are seeking a low-profile pair of high quality monitors, consider the Focal Alpha 50.

Feb 14, 2017

edited Budda Samsara Delay

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Delay Pedal with 20ms to 600ms Delay TIme Item

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For more than 15 years, Budda Amplification has led the low wattage boutique amplifier revolution. Now Budda proudly introduces the Samsara Delay pedal. The Samsara Delay provides 600 ms of delay time. Vintage sound and easy controls help you dial in just that right amount of delay, whether you are looking for a bit of slapback or full on U2 inspired ambiance. With the tone control you can mimic the low-fi sound of an old analog delay or crisp up the highs for a more modern tone.

Feb 14, 2017

edited Kramer Striker 211 Custom

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Recessed Floyd Rose-licensed tremolo bridge Alnico V humbucker with 2 single-coil pickups Volume "treble bleed" mod 1 volume, 1 tone 5-way selection switch Thorn inlays Chrome hardware Mahogany body Flamed maple top Hard maple neck, satin finish Maple fingerboard 12" radius Thorn fingerboard inlays 24 medium frets 1.65" nut width 25-1/2" scale Die-cast tuners
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Recessed Floyd Rose-licensed tremolo bridge

Alnico V humbucker with 2 single-coil pickups

Volume "treble bleed" mod

1 volume, 1 tone

5-way selection switch

Thorn inlays

Chrome hardware

Mahogany body

Flamed maple top

Hard maple neck, satin finish

Maple fingerboard

12" radius

Thorn fingerboard inlays

24 medium frets

1.65" nut width

25-1/2" scale

Die-cast tuners
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Guitars
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Solid Body Electric Guitars

Feb 10, 2017

edited FabFilter Pro-C 2

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EQ Plugins
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Compressor Plugins

Feb 6, 2017

edited D'Addario MIDI Cable

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Stage & Studio Cables
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MIDI Cables

Jan 25, 2017

edited Native Instruments Komplete Audio 6

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Native Instruments Komplete Audio 6 is a premium-quality 6-channel audio interface. It provides everything you need to record, play and perform music, with four analog ins/outs, digital in/out, MIDI and low-latency performance-all in a sleek, rugged metal casing. The two mic inputs are armed with high-end pre-amps while Cirrus Logic converters deliver pristine, transparent sound. Upgrade your setup with Komplete Audio 6-because Komplete sounds better. The Komplete Audio 6 package also includes Komplete Elements with over 1000 sounds and effects, plus software for recording, sequencing and DJing.

Komplete Audio 6 lets you experience every facet of your sound, whether you're playing virtual instruments or recording audio. After all, if you're using Maschine or Komplete instruments and effects, you're armed with an array of sounds in the highest-possible audio fidelity. Komplete Audio 6 gives you the hardware to match.

Pristine sound doesn't happen by accident-it's the result of knowledge, experience and close attention to detail. Komplete Audio 6 has been designed in-house by Native Instruments. From the custom, streamlined circuit design, through the hand-picked components to the analog volume knob on top of the unit-every part of the interface is designed to preserve signal clarity.

Komplete Audio 6 is designed to be flexible, with plenty of options for connecting mics, guitars, MIDI instruments or outboard gear. New chips, new audio drivers and new circuitry ensure that latency is low, and the direct monitoring option provides 100% latency-free monitoring for recording guitars, vocals, or other live sources.

Komplete Audio 6 includes a generous software package, so you can produce songs or mix tracks right out of the box:

Komplete Elements- over 3 GB of inspiring instruments and effects

Cubase LE 5-sequencer and recording software

Traktor LE 2-DJ software

$30 / 25 â?¬ e-voucher-for Komplete instruments or effects at the NI Online Shop*

*Please read the terms and conditions of the e-voucher.
After:
Native Instruments Komplete Audio 6 is a premium-quality 6-channel audio interface. It provides everything you need to record, play and perform music, with four analog ins/outs, digital in/out, MIDI and low-latency performance-all in a sleek, rugged metal casing. The two mic inputs are armed with high-end pre-amps while Cirrus Logic converters deliver pristine, transparent sound. Upgrade your setup with Komplete Audio 6-because Komplete sounds better. The Komplete Audio 6 package also includes Komplete Elements with over 1000 sounds and effects, plus software for recording, sequencing and DJing.

Komplete Audio 6 lets you experience every facet of your sound, whether you're playing virtual instruments or recording audio. After all, if you're using Maschine or Komplete instruments and effects, you're armed with an array of sounds in the highest-possible audio fidelity. Komplete Audio 6 gives you the hardware to match.

Pristine sound doesn't happen by accident-it's the result of knowledge, experience and close attention to detail. Komplete Audio 6 has been designed in-house by Native Instruments. From the custom, streamlined circuit design, through the hand-picked components to the analog volume knob on top of the unit-every part of the interface is designed to preserve signal clarity.

Komplete Audio 6 is designed to be flexible, with plenty of options for connecting mics, guitars, MIDI instruments or outboard gear. New chips, new audio drivers and new circuitry ensure that latency is low, and the direct monitoring option provides 100% latency-free monitoring for recording guitars, vocals, or other live sources.

Komplete Audio 6 includes a generous software package, so you can produce songs or mix tracks right out of the box:

Komplete Elements- over 3 GB of inspiring instruments and effects

Cubase LE 5-sequencer and recording software

Traktor LE 2-DJ software

Jan 17, 2017

edited Hohner String Melody II

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Uncategorized
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Synthesizers & Sound Modules

Jan 9, 2017

edited a deleted item

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Solid Body Electric Guitars
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Semi-Hollowbody Electric Guitars

Jan 9, 2017

edited PRS Private Stock Paul's Guitar

Improved item category.

Revised item category. Show revisions
Before:
Uncategorized
After:
Solid Body Electric Guitars

Jan 8, 2017

edited Kemper Profiler Power Head - 600-watt Profiling Head

Improved item category.

Revised item category. Show revisions
Before:
Amplifiers
After:
Guitar Amplifier Heads

Dec 29, 2016