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The PSA series is the recommended power supply for products including all new BOSS Compact and Twin pedals, Multi-effects and more.

• 500 mA of current to easily power multiple pedals, even digital ones • Power cable length is increased to almost 10 feet • LED indicator for quick visual verification of on/off status • New design which does not cover adjacent power outlets

Danelectro’s most famous guitar, now with NOS+ pickups! A new pickup which retains the character of the original NOS pickups but with better highs, punchier mids, and solid lows. A must have for any player serious about tone.

The SE Custom 24 brings the original PRS design platform to the high-quality, more affordable SE line up of instruments. Played by internationally touring artists, gigging musicians, and aspiring players, the SE Custom 24 features a maple top, mahogany back, wide thin maple neck, rosewood fretboard with bird inlays, and the PRS patented molded tremolo bridge. Its versatile sounds come from the 85/15 “S” pickups paired with a volume, push/pull tone control, and 3-way blade pickup selector. The SE Custom 24 is a modern classic with roadworthy durability, addictive playability, and wide array of tones, making it a perfect workhorse guitar.

The PRS SE Custom 22 adds a more vintage tone and feel to the traditional Custom platform. This guitar has a pronounced mid-range and clarity that provides a sweet, full tonal base, allowing it to easily sit in the mix of your band or recording. Like its 24-fret brother, the SE Custom 22 sports a maple top with mahogany back and 25” scale length. Additional appointments include dual humbuckers with a volume, tone, and 3-way blade switch and PRS-designed tremolo bridge. For players who grew up on 22 frets, the SE Custom 22 is a solid choice that will take anything you throw at it.

PRS’s vintage-inspired 57/08 pickups are now available for purchase for the first time through the PRS accessories store and authorized PRS dealers.

Inspired by 1957 humbuckers and introduced in 2008 (hence the name), these proprietary pickups were designed by Paul Reed Smith and are made with vintage-style wire and wound in-house in PRS’s Electronics department. They were designed to capture the iconic tones of 1950’s era guitars and have become modern classics in their own right with their warm, even, responsive tone. If you are looking to refine the voice of your guitar, check out these pickups today.

“When we first came out with 57/08’s, we had just gotten exclusive rights to the wire made by the same machine that made all the wire in 1950’s pickups. Learning from that exclusive wire, we were able to make really great recreations of those early pickups with what we felt were some improvements in consistency, clarity, and tone,” says Paul Reed Smith. “57/08’s were embraced by our artists and our customers right away, and we have always been so appreciative of that. Until now, you have only been able to get 57/08’s in a guitar. We wanted to share these special pickups with a broader audience, so we’re now making them available for individual sale.”

PRS’s vintage-inspired 57/08 pickups are now available for purchase for the first time through the PRS accessories store and authorized PRS dealers.

Inspired by 1957 humbuckers and introduced in 2008 (hence the name), these proprietary pickups were designed by Paul Reed Smith and are made with vintage-style wire and wound in-house in PRS’s Electronics department. They were designed to capture the iconic tones of 1950’s era guitars and have become modern classics in their own right with their warm, even, responsive tone. If you are looking to refine the voice of your guitar, check out these pickups today.

“When we first came out with 57/08’s, we had just gotten exclusive rights to the wire made by the same machine that made all the wire in 1950’s pickups. Learning from that exclusive wire, we were able to make really great recreations of those early pickups with what we felt were some improvements in consistency, clarity, and tone,” says Paul Reed Smith. “57/08’s were embraced by our artists and our customers right away, and we have always been so appreciative of that. Until now, you have only been able to get 57/08’s in a guitar. We wanted to share these special pickups with a broader audience, so we’re now making them available for individual sale.”

The D-8 FAB Delay guitar effects pedal boasts up to 600ms of delay at a price that can be beat. Simple but effective Delay, Time and Repeat controls make it easy to find the sound you seek.

Coveted overdrive sounds in a fab little pedal.

Danelectro puts the D-2 FAB Overdrive Guitar Effects Pedal in your hands without wiping out your financial portfolio. History was made in 1975 when a mom-and-pop store in California commissioned the production of just 200 of what is perhaps the best guitar overdrive effect ever. Unlike any other effects unit, that pedal authentically simulated the breakup that occurs when a tube amp is run at full volume.

FEATURES - Realistic tube overdrive - Responsive - Versatile

All the warmth of tape echo.

Capable of up to a full second of delay. An extra switch lets you choose long or short delay, so you can have 2 different delay settings in performance.

All the warmth of tape echo.

Capable of up to a full second of delay. An extra switch lets you choose long or short delay, so you can have 2 different delay settings in performance.

So rich in tone you can almost taste it.

Finicky about tone? Then look no further because Danelectro has got you covered. The Danelectro CTO-2 Transparent Overdrive effects pedal from the Cool Cat series shines with all the classy crunch that you've come to expect from an authority on cool sound and stylish tone.

The Transparent Overdrive lets more of your guitar's voice shine through, even at high overdrive settings. It's a very useful effect pedal for everything from modern Country to American and British Rock.

The gain sets the amount of overdrive applied to the signal, counterclockwise is minimum overdrive, turn clockwise to increase overdrive. As overdrive increases, low frequencies will "bloom" slightly.

The treble and bass controls on this Danelectro Cool Cat Pedal adjust the tone of the overdrive sound. The two controls are stacked; the inner control is for Treble, the outer for Bass. The volume control adjusts overall volume when the Transparent Overdrive is turned on. Usually, the Volume control is set to be a little louder than the bypassed signal, or loud enough to serve as a solo setting. There is lots of volume boost available, so you can get even low gain settings loud enough. With high gain settings, the Volume control adds another dimension of gain that will generate even more overdrive. Be careful-this guitar pedal goes way beyond eleven! The true bypass footswitch engages and disengages the pedal.

So rich in tone you can almost taste it.

Finicky about tone? Then look no further because Danelectro has got you covered. The Danelectro CTO-2 Transparent Overdrive effects pedal from the Cool Cat series shines with all the classy crunch that you've come to expect from an authority on cool sound and stylish tone.

The Transparent Overdrive lets more of your guitar's voice shine through, even at high overdrive settings. It's a very useful effect pedal for everything from modern Country to American and British Rock.

The gain sets the amount of overdrive applied to the signal, counterclockwise is minimum overdrive, turn clockwise to increase overdrive. As overdrive increases, low frequencies will "bloom" slightly.

The treble and bass controls on this Danelectro Cool Cat Pedal adjust the tone of the overdrive sound. The two controls are stacked; the inner control is for Treble, the outer for Bass. The volume control adjusts overall volume when the Transparent Overdrive is turned on. Usually, the Volume control is set to be a little louder than the bypassed signal, or loud enough to serve as a solo setting. There is lots of volume boost available, so you can get even low gain settings loud enough. With high gain settings, the Volume control adds another dimension of gain that will generate even more overdrive. Be careful-this guitar pedal goes way beyond eleven! The true bypass footswitch engages and disengages the pedal.

Based on one of the most iconic American Overdrive Preamp pedals from the late 1970s, the Double Dodo offers twice the distortion goodness by combining two such pedals in one enclosure. The two distortion stages can be used separately with different settings, or stacked, or one can be used to boost the other. Although sometimes referred to as an "overdrive", these are actually hard clipping distortion circuits built around LM741 opamps, but with an extremely wide range of distortion intensity. The Double Dodo extends the sound range of the pedal that inspired it by offering both symmetrical silicon and asymmetrical silicon/germanium diode clipping. As a result, it can be used as a clean boost, for subtle to heavy crunch, full-on distortion and, which both circuits engaged, even as a fuzz. Works with a 9V DC power supply or a 9V battery.

A two-way signal switcher that will save space on any crowded pedal board.

The Mooer Micro ABY MK2 can be used as an A/B or Y switch. The signal can flow from A or B to Y, or the signal can flow from Y to A or B. The pedal can work without power supply but the LED will not light.

A two-way signal switcher that will save space on any crowded pedal board.

The Mooer Micro ABY MK2 can be used as an A/B or Y switch. The signal can flow from A or B to Y, or the signal can flow from Y to A or B. The pedal can work without power supply but the LED will not light.

The Vorp FX Beardface is a modified recreation of a rare Japanese pedal from 1977. It is an opamp-based hard clipping distortion circuit with a very pronounced character that is particularly rich in overtones. Unlike the pedal that inspired it, the Beardface offers both symmetrical silicon diode clipping and asymmetrical germanium/silicon diode clipping for two distinct distortion flavours (symmetrical clipping is the standard sound, asymmetrical clipping has different overtones and some extra fuzziness). This pedal excels when it comes to abrasive 1970s-style distortion, and it also works remarkably well with bowed instruments like electric violin or electric cello. Requires a 9V DC power supply.