hashimoto's activity

edited the t.bone IEM 100 - 863 Mhz

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The T.Bone IEM 100 - 863 Mhz
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the t.bone IEM 100 - 863 Mhz
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the t.bone

Jun 21, 2025

edited the t.bone MS-180 Mounting Popkiller

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Jun 21, 2025

edited the t.bone SC 140

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The t.bone SC 140
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the t.bone SC 140
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Jun 21, 2025

edited the t.bone SC 440 USB

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Jun 21, 2025

edited the t.bone MS 200

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Jun 21, 2025

edited the t.bone HD 990D

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Set Fit Style to Circumaural (Around the Ear)
Set Open/Closed to Closed
Set Connectivity to Wired
Set Foldable to No

Jun 21, 2025

edited the t.bone MB 45 II

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Jun 21, 2025

edited the t.bone HD 515

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Jun 21, 2025

edited the t.bone Headphone Adapter

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Jun 21, 2025

edited the t.bone Micscreen XL

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Jun 21, 2025

edited the t.bone GigA Pro Body Set wireless guitar system

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Jun 21, 2025

edited the t.bone SSM 2

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Jun 21, 2025

edited the t.bone DC 1200

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Jun 21, 2025

edited the t.bone EM 9600 Bundle

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Jun 21, 2025

edited the t.bone Micscreen

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The t.bone Micscreen
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the t.bone Micscreen
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the t.bone

Jun 21, 2025

edited the t.bone Retro Tube II

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The Retro Tube II by the t.bone is a Professional Large Diaphragm Tube Microphone.

Retro bottle design housing and modern elastic suspension

35 mm Dual diaphragm

Tube preamp

Nine selectable polar patterns incl.: Omnidirectional, cardioid and figure-8

Switchable high-pass filter

Switchable 10 dB pad

Frequency response: 20 Hz - 20,000 Hz

Sensitivity: 3.6 mV / Pa @ 1000 Hz (cardioid)

Impedance: 75 Ohm

Equivalent noise level: 16.3 dB (A-weighted)

SPL: 150dB

Incl. power supply and 7-pin XLR connector cable (10 m), case, wooden microphone box , shock mount and cable

Jun 21, 2025

edited Sequential Trigon-6 6-voice Polyphonic Analog Synthesizer

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Before:
The Trigon-6 Desktop by Sequential is a 6-voice Polyphonic Analog Synthesizer.

The Sequential Trigon-6 Desktop Module delivers the same massive sound and hands-on sonic control as the Trigon-6 Keyboard. It features the same pure analog signal path with discrete oscillators and filters, and the same high-quality digital effects. It also has the same intuitive layout with full-sized knobs and switches that make it quick and easy to shape new sounds.

At the heart of the Trigon-6 sound are three newly designed voltage-controlled oscillators (with triangle, saw, and pulse waves) and an enhanced version of the ladder filter that Sequential created for its Pro 3 mono synth. The switchable 2/4 pole resonant filter design has dedicated drive and feedback controls that make it effortless to go from silky and smooth to bold and crunchy with a simple knob turn.

Naturally, the Trigon-6 has the full complement of Sequential’s ”must-have” sound-sculpting features including super snappy envelopes, a syncable LFO with multiple waveforms and destinations, a polyphonic step sequencer, and an arpeggiator. Best of all, the knob-per-function front panel of the Trigon-6 puts these controls at your fingertips. And the ready-made palette of 500 factory and 500 user presets provides classic basses, leads, and pads to jump start any project.

Also present is Sequential’s classic Poly Mod, with enhancements for creative sound design. Modulation sources are filter envelope and oscillator 3 (both with bi-polar control). Destinations include oscillator 1, 2, and 3 frequency, oscillator 1, 2, and 3 pulse width, filter cutoff, and feedback. Unison mode is here as well, featuring configurable voice count (1-6 voices for up to 18 simultaneous oscillators) and key modes. Dual Effects

The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flanger, phaser, and ring modulator. The independent stereo distortion effect adds on-demand aggression and is 100% analog.

Specs and Features:

MPE compatibility

3 Discrete VCOs per voice

Simultaneously selectable waveforms: Triangle, sawtooth, inverted sawtooth and pulse with variable width

Pulse width per oscillator

Hard Sync: Oscillator 1 syncs with Oscillator 2

LFO mode (Oscillator 3)

Keyboard tracking on/off (Oscillator 3)

Oscillator feedback and drive control for increased signal saturation

Source for white noise

Keyboard pitch tracking on/off

Switchable two/four-pole, discrete, resonant low-pass ladder filter per voice

Filter can be set to self-oscillation with resonance control

Bi-polar filter envelope value

Speed modulation of the envelope curve

Keyboard tracking: off, half, full

4-Stage (ADSR) envelope generator

Envelope speed modulation

LFO with 5 waveforms: Sine, Sawtooth, Inverted Sawtooth, Square and Random (sample and hold)

LFO sync

Poly Mod

Vintage knob recreates vintage synth characteristics by adding variations in component behaviour from voice to voice

Aftertouch

Clock

Arpeggiator

Polyphonic step sequencer with up to 64 steps and pauses

Effects: Analogue stereo distortion, two 24-bit / 48 kHz digital effects, including: Reverb (room, hall, plate and spring reverb), delay (full bandwidth digital delay and emulated bucket brigade delay), chorus, flanger, phaser and ring modulator

Illuminated pitch and modulation wheels

Transpose controls for an 8-octave range

Unison mode (monophonic) with configurable number of voices, from one to all six voices, chord memory and key modes

500 User and 500 factory presets in 10 banks of 100 programs each

Built-in power supply 100 - 240 volts at 50 to 60 Hz

Maple wood side panels

2 Line outputs: 6.3 mm jack

Stereo headphone output: 6.3 mm jack

MIDI In/Out/Thru

USB MIDI

Filter cutoff input for expression pedal: 6.3 mm jack

Input for expression pedal for volume control: 6.3 mm jack

Sustain pedal input: 6.3 mm jack

Input for sequencer start/stop footswitch

Dimensions (W x H x D) : approx. 559 x 215 x 115 mm

Weight: 4.95 kg

After:
The Trigon-6 Desktop by Sequential is a 6-voice Polyphonic Analog Synthesizer.

The Sequential Trigon-6 Desktop Module delivers the same sound and hands-on sonic control as the Trigon-6 Keyboard. And the same analog signal path with discrete oscillators and filters and digital effects. It also has the same intuitive layout with full-sized knobs and switches.

At the heart of the Trigon-6 sound are three newly designed voltage-controlled oscillators (with triangle, saw, and pulse waves) and an enhanced version of the ladder filter that Sequential created for its Pro 3 mono synth. The switchable 2/4 pole resonant filter design has dedicated drive and feedback controls that make it effortless to go from silky and smooth to bold and crunchy with a simple knob turn.

Naturally, the Trigon-6 has the full complement of Sequential’s sound-sculpting features including super snappy envelopes, a syncable LFO with multiple waveforms and destinations, a polyphonic step sequencer, and an arpeggiator. The knob-per-function front panel of the Trigon-6 puts these controls at your fingertips. And the ready-made palette of 500 factory and 500 user presets provides classic basses, leads, and pads.

Also present is Sequential’s classic Poly Mod. Modulation sources are filter envelope and oscillator 3 (both with bi-polar control). Destinations include oscillator 1, 2, and 3 frequency, oscillator 1, 2, and 3 pulse width, filter cutoff, and feedback. Unison mode is here as well, featuring configurable voice count (1-6 voices for up to 18 simultaneous oscillators) and key modes.

The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flanger, phaser, and ring modulator. The independent stereo distortion effect adds on-demand aggression and is 100% analog.

Specs and Features:

MPE compatibility

3 Discrete VCOs per voice

Simultaneously selectable waveforms: Triangle, sawtooth, inverted sawtooth and pulse with variable width

Pulse width per oscillator

Hard Sync: Oscillator 1 syncs with Oscillator 2

LFO mode (Oscillator 3)

Keyboard tracking on/off (Oscillator 3)

Oscillator feedback and drive control for increased signal saturation

Source for white noise

Keyboard pitch tracking on/off

Switchable two/four-pole, discrete, resonant low-pass ladder filter per voice

Filter can be set to self-oscillation with resonance control

Bi-polar filter envelope value

Speed modulation of the envelope curve

Keyboard tracking: off, half, full

4-Stage (ADSR) envelope generator

Envelope speed modulation

LFO with 5 waveforms: Sine, Sawtooth, Inverted Sawtooth, Square and Random (sample and hold)

LFO sync

Poly Mod

Vintage knob recreates vintage synth characteristics by adding variations in component behaviour from voice to voice

Aftertouch

Clock

Arpeggiator

Polyphonic step sequencer with up to 64 steps and pauses

Effects: Analogue stereo distortion, two 24-bit / 48 kHz digital effects, including: Reverb (room, hall, plate and spring reverb), delay (full bandwidth digital delay and emulated bucket brigade delay), chorus, flanger, phaser and ring modulator

Illuminated pitch and modulation wheels

Transpose controls for an 8-octave range

Unison mode (monophonic) with configurable number of voices, from one to all six voices, chord memory and key modes

500 User and 500 factory presets in 10 banks of 100 programs each

Built-in power supply 100 - 240 volts at 50 to 60 Hz

Maple wood side panels

2 Line outputs: 6.3 mm jack

Stereo headphone output: 6.3 mm jack

MIDI In/Out/Thru

USB MIDI

Filter cutoff input for expression pedal: 6.3 mm jack

Input for expression pedal for volume control: 6.3 mm jack

Sustain pedal input: 6.3 mm jack

Input for sequencer start/stop footswitch

Dimensions (W x H x D) : approx. 559 x 215 x 115 mm

Weight: 4.95 kg

Jun 20, 2025

edited Sequential Trigon-6 6-voice Polyphonic Analog Synthesizer

Added Manual

Revised item description. Show revisions
Before:
The Trigon-6 Desktop by Sequential is a 6-voice Polyphonic Analog Synthesizer.

Specs and Features:

MPE compatibility

3 Discrete VCOs per voice

Simultaneously selectable waveforms: Triangle, sawtooth, inverted sawtooth and pulse with variable width

Pulse width per oscillator

Hard Sync: Oscillator 1 syncs with Oscillator 2

LFO mode (Oscillator 3)

Keyboard tracking on/off (Oscillator 3)

Oscillator feedback and drive control for increased signal saturation

Source for white noise

Keyboard pitch tracking on/off

Switchable two/four-pole, discrete, resonant low-pass ladder filter per voice

Filter can be set to self-oscillation with resonance control

Bi-polar filter envelope value

Speed modulation of the envelope curve

Keyboard tracking: off, half, full

4-Stage (ADSR) envelope generator

Envelope speed modulation

LFO with 5 waveforms: Sine, Sawtooth, Inverted Sawtooth, Square and Random (sample and hold)

LFO sync

Poly Mod

Vintage knob recreates vintage synth characteristics by adding variations in component behaviour from voice to voice

Aftertouch

Clock

Arpeggiator

Polyphonic step sequencer with up to 64 steps and pauses

Effects: Analogue stereo distortion, two 24-bit / 48 kHz digital effects, including: Reverb (room, hall, plate and spring reverb), delay (full bandwidth digital delay and emulated bucket brigade delay), chorus, flanger, phaser and ring modulator

Illuminated pitch and modulation wheels

Transpose controls for an 8-octave range

Unison mode (monophonic) with configurable number of voices, from one to all six voices, chord memory and key modes

500 User and 500 factory presets in 10 banks of 100 programs each

Built-in power supply 100 - 240 volts at 50 to 60 Hz

Maple wood side panels

2 Line outputs: 6.3 mm jack

Stereo headphone output: 6.3 mm jack

MIDI In/Out/Thru

USB MIDI

Filter cutoff input for expression pedal: 6.3 mm jack

Input for expression pedal for volume control: 6.3 mm jack

Sustain pedal input: 6.3 mm jack

Input for sequencer start/stop footswitch

Dimensions (W x H x D) : approx. 559 x 215 x 115 mm

Weight: 4.95 kg

After:
The Trigon-6 Desktop by Sequential is a 6-voice Polyphonic Analog Synthesizer.

The Sequential Trigon-6 Desktop Module delivers the same massive sound and hands-on sonic control as the Trigon-6 Keyboard. It features the same pure analog signal path with discrete oscillators and filters, and the same high-quality digital effects. It also has the same intuitive layout with full-sized knobs and switches that make it quick and easy to shape new sounds.

At the heart of the Trigon-6 sound are three newly designed voltage-controlled oscillators (with triangle, saw, and pulse waves) and an enhanced version of the ladder filter that Sequential created for its Pro 3 mono synth. The switchable 2/4 pole resonant filter design has dedicated drive and feedback controls that make it effortless to go from silky and smooth to bold and crunchy with a simple knob turn.

Naturally, the Trigon-6 has the full complement of Sequential’s ”must-have” sound-sculpting features including super snappy envelopes, a syncable LFO with multiple waveforms and destinations, a polyphonic step sequencer, and an arpeggiator. Best of all, the knob-per-function front panel of the Trigon-6 puts these controls at your fingertips. And the ready-made palette of 500 factory and 500 user presets provides classic basses, leads, and pads to jump start any project.

Also present is Sequential’s classic Poly Mod, with enhancements for creative sound design. Modulation sources are filter envelope and oscillator 3 (both with bi-polar control). Destinations include oscillator 1, 2, and 3 frequency, oscillator 1, 2, and 3 pulse width, filter cutoff, and feedback. Unison mode is here as well, featuring configurable voice count (1-6 voices for up to 18 simultaneous oscillators) and key modes. Dual Effects

The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flanger, phaser, and ring modulator. The independent stereo distortion effect adds on-demand aggression and is 100% analog.

Specs and Features:

MPE compatibility

3 Discrete VCOs per voice

Simultaneously selectable waveforms: Triangle, sawtooth, inverted sawtooth and pulse with variable width

Pulse width per oscillator

Hard Sync: Oscillator 1 syncs with Oscillator 2

LFO mode (Oscillator 3)

Keyboard tracking on/off (Oscillator 3)

Oscillator feedback and drive control for increased signal saturation

Source for white noise

Keyboard pitch tracking on/off

Switchable two/four-pole, discrete, resonant low-pass ladder filter per voice

Filter can be set to self-oscillation with resonance control

Bi-polar filter envelope value

Speed modulation of the envelope curve

Keyboard tracking: off, half, full

4-Stage (ADSR) envelope generator

Envelope speed modulation

LFO with 5 waveforms: Sine, Sawtooth, Inverted Sawtooth, Square and Random (sample and hold)

LFO sync

Poly Mod

Vintage knob recreates vintage synth characteristics by adding variations in component behaviour from voice to voice

Aftertouch

Clock

Arpeggiator

Polyphonic step sequencer with up to 64 steps and pauses

Effects: Analogue stereo distortion, two 24-bit / 48 kHz digital effects, including: Reverb (room, hall, plate and spring reverb), delay (full bandwidth digital delay and emulated bucket brigade delay), chorus, flanger, phaser and ring modulator

Illuminated pitch and modulation wheels

Transpose controls for an 8-octave range

Unison mode (monophonic) with configurable number of voices, from one to all six voices, chord memory and key modes

500 User and 500 factory presets in 10 banks of 100 programs each

Built-in power supply 100 - 240 volts at 50 to 60 Hz

Maple wood side panels

2 Line outputs: 6.3 mm jack

Stereo headphone output: 6.3 mm jack

MIDI In/Out/Thru

USB MIDI

Filter cutoff input for expression pedal: 6.3 mm jack

Input for expression pedal for volume control: 6.3 mm jack

Sustain pedal input: 6.3 mm jack

Input for sequencer start/stop footswitch

Dimensions (W x H x D) : approx. 559 x 215 x 115 mm

Weight: 4.95 kg

Jun 20, 2025

edited Sequential Trigon-6 6-voice Polyphonic Analog Synthesizer

Added brand. Added item description. Improved item image. Improved item category.

Revised item description. Show revisions
Before:
After:
The Trigon-6 Desktop by Sequential is a 6-voice Polyphonic Analog Synthesizer.

Specs and Features:

MPE compatibility

3 Discrete VCOs per voice

Simultaneously selectable waveforms: Triangle, sawtooth, inverted sawtooth and pulse with variable width

Pulse width per oscillator

Hard Sync: Oscillator 1 syncs with Oscillator 2

LFO mode (Oscillator 3)

Keyboard tracking on/off (Oscillator 3)

Oscillator feedback and drive control for increased signal saturation

Source for white noise

Keyboard pitch tracking on/off

Switchable two/four-pole, discrete, resonant low-pass ladder filter per voice

Filter can be set to self-oscillation with resonance control

Bi-polar filter envelope value

Speed modulation of the envelope curve

Keyboard tracking: off, half, full

4-Stage (ADSR) envelope generator

Envelope speed modulation

LFO with 5 waveforms: Sine, Sawtooth, Inverted Sawtooth, Square and Random (sample and hold)

LFO sync

Poly Mod

Vintage knob recreates vintage synth characteristics by adding variations in component behaviour from voice to voice

Aftertouch

Clock

Arpeggiator

Polyphonic step sequencer with up to 64 steps and pauses

Effects: Analogue stereo distortion, two 24-bit / 48 kHz digital effects, including: Reverb (room, hall, plate and spring reverb), delay (full bandwidth digital delay and emulated bucket brigade delay), chorus, flanger, phaser and ring modulator

Illuminated pitch and modulation wheels

Transpose controls for an 8-octave range

Unison mode (monophonic) with configurable number of voices, from one to all six voices, chord memory and key modes

500 User and 500 factory presets in 10 banks of 100 programs each

Built-in power supply 100 - 240 volts at 50 to 60 Hz

Maple wood side panels

2 Line outputs: 6.3 mm jack

Stereo headphone output: 6.3 mm jack

MIDI In/Out/Thru

USB MIDI

Filter cutoff input for expression pedal: 6.3 mm jack

Input for expression pedal for volume control: 6.3 mm jack

Sustain pedal input: 6.3 mm jack

Input for sequencer start/stop footswitch

Dimensions (W x H x D) : approx. 559 x 215 x 115 mm

Weight: 4.95 kg

Jun 20, 2025

edited Career Guitars Tamás Schrottner Signature SG

Improved item description.

Revised item description. Show revisions
Before:
The Tamás Schrottner Signature SG by Career.

Color: Olive

Inlays

Fredboard: Roswood

Pick Ups: HH

After:
The Tamás Schrottner Signature SG by Career.

Color: Olive Green

Inlays

Fredboard: Roswood

Pick Ups: HH

Jun 20, 2025

edited Career Guitars Tamás Schrottner Signature SG

Added brand. Marked as Vintage or Discontinued. Improved item category. Improved item image. Improved item name.

Revised item description. Show revisions
Before:
After:
The Tamás Schrottner Signature SG by Career.

Color: Olive

Inlays

Fredboard: Roswood

Pick Ups: HH
Marked item as Vintage or Discontinued

Jun 20, 2025

edited Career Guitars Custom Les Paul

Improved item name. Added brand.

Revised item name. Show revisions
Before:
Career custom LP
After:
Career Guitars Custom Les Paul
Revised item Brand. Show revisions
Before:
After:
Career Guitars

Jun 20, 2025

edited Santo Angelo GS312 Cab Sim

Improved item category.

Set Power to 9V

Jun 18, 2025

edited Santo Angelo GS312 Cab Sim

Improved item description.

Revised item description. Show revisions
Before:
The GS312 by Santo Angelo is a Cabinet Simulator and DI Box in a Pedal Format.

It simulates 1×12", 2×12" and 4×12" cabinets.

The simulations were based on well-known amplifiers on the market, such as Fender, Marshall and VOX.

In addition to the 3 simulations, the GS312 has an auxiliary input and a balanced output that allows the musician to connect their instrument directly to the soundboard or an active speaker.

With a headphone output and independent volume control for the instrument and auxiliary channel, it is possible to play while mixing a live playback or even rehearse at home.

INSTRUMENT IN – High impedance input (unbalanced) compatible with any audio source;

PARALLEL – High impedance parallel output (unbalanced), may be connected to other equipment for monitoring or a second instrument;

Aux St In - Auxiliary input compatible with any audio source TRS or P10 Standard stereo;

Phone - Output for headset connection, TRS standard (always use P10 stereo);

Bal. Oct - Low impedance output (balanced), with signal stabilized to be connected to the speaker;

Food - External Source 9V Negative Center (Minimum Advised 250m);

Volume - Free gain control of noise and interference for the channel INSTRUMENT IN;

Tone - Tone Control for the Instrument in channel;

Vol. AUX - noise and interference free gain control for the channel auxiliary;

Indicative LED Speaker Simulator - Indicates on the front panel if the Instrument in channel is using the cabinet;

ON/OFF SPEAKER SIMULATOR SWITCH – Allows you to turn the simulation effect on or off;

SPEAKER SWITCH – Allows you to choose between three types of simulation, 1x12, 2x12 and 4x12;

GROUND/LIFT – Switch used to separate the ground references between input and output, eliminating noise from the system;

ON/OFF LED – High-brightness LED indicating whether or not the equipment is energized. The GS312 does not have an on/off button. When connecting the P10 to the Instrument input jack (we close the circuit to power the components), as soon as the P10 is disconnected, the GS312 turns off automatically.

Specifications:

Minimum impedance for headphones: 8 Ohms

Maximum power: 1W

Dimensions: 114X85X55mm

Weight: 422g

The GS312 is suitable for several applications, and can be associated with pedals and pedal boards, and also with its analog simulator, with 3 cabinet options, 1x12, 2x12 and 4x12.

It has a standard TRS auxiliary input with independent volume control, allowing the musician to mix the instrument with a metronome or backing track.

It can also be used when the musician needs to connect his/her instrument directly to the soundboard or active speaker through a balanced XLR output, minimizing possible noise and making the sound cleaner.
After:
The GS312 by Santo Angelo is a Cabinet Simulator and DI Box in a Pedal Format.

It simulates 1×12", 2×12" and 4×12" cabinets.

The simulations were based on well-known amplifiers on the market, such as Fender, Marshall and VOX.

In addition to the 3 simulations, the GS312 has an auxiliary input and a balanced output that allows the musician to connect their instrument directly to the soundboard or an active speaker.

With a headphone output and independent volume control for the instrument and auxiliary channel, it is possible to play while mixing a live playback or even rehearse at home.

INSTRUMENT IN – High impedance input (unbalanced) compatible with any audio source;

PARALLEL – High impedance parallel output (unbalanced), may be connected to other equipment for monitoring or a second instrument;

Aux St In - Auxiliary input compatible with any audio source TRS or P10 Standard stereo;

Phone - Output for headset connection, TRS standard (always use P10 stereo);

Bal. Oct - Low impedance output (balanced), with signal stabilized to be connected to the speaker;

Food - External Source 9V Negative Center (Minimum Advised 250m);

Volume - Free gain control of noise and interference for the channel INSTRUMENT IN;

Tone - Tone Control for the Instrument in channel;

Vol. AUX - noise and interference free gain control for the channel auxiliary;

Indicative LED Speaker Simulator - Indicates on the front panel if the Instrument in channel is using the cabinet;

ON/OFF SPEAKER SIMULATOR SWITCH – Allows you to turn the simulation effect on or off;

SPEAKER SWITCH – Allows you to choose between three types of simulation, 1x12, 2x12 and 4x12;

GROUND/LIFT – Switch used to separate the ground references between input and output, eliminating noise from the system;

ON/OFF LED – High-brightness LED indicating whether or not the equipment is energized. The GS312 does not have an on/off button. When connecting the P10 to the Instrument input jack (we close the circuit to power the components), as soon as the P10 is disconnected, the GS312 turns off automatically.

Specifications:

Minimum impedance for headphones: 8 Ohms

Maximum power: 1W

Dimensions: 114X85X55mm

Weight: 422g

The GS312 is suitable for several applications, and can be associated with pedals and pedal boards, and also with its analog simulator, with 3 cabinet options, 1x12, 2x12 and 4x12.

It has a standard TRS auxiliary input with independent volume control, allowing the musician to mix the instrument with a metronome or backing track.

It can also be used when the musician needs to connect his/her instrument directly to the soundboard or active speaker through a balanced XLR output, minimizing possible noise and making the sound cleaner.

*The User Manual is in Spanish, but I did add the translation on the 3rd Page.

Jun 18, 2025

edited Santo Angelo GS312 Cab Sim

Added brand. Added item description. Improved item image. Improved item category. Marked as Vintage or Discontinued.

Revised item description. Show revisions
Before:
After:
The GS312 by Santo Angelo is a Cabinet Simulator and DI Box in a Pedal Format.

It simulates 1×12", 2×12" and 4×12" cabinets.

The simulations were based on well-known amplifiers on the market, such as Fender, Marshall and VOX.

In addition to the 3 simulations, the GS312 has an auxiliary input and a balanced output that allows the musician to connect their instrument directly to the soundboard or an active speaker.

With a headphone output and independent volume control for the instrument and auxiliary channel, it is possible to play while mixing a live playback or even rehearse at home.

INSTRUMENT IN – High impedance input (unbalanced) compatible with any audio source;

PARALLEL – High impedance parallel output (unbalanced), may be connected to other equipment for monitoring or a second instrument;

Aux St In - Auxiliary input compatible with any audio source TRS or P10 Standard stereo;

Phone - Output for headset connection, TRS standard (always use P10 stereo);

Bal. Oct - Low impedance output (balanced), with signal stabilized to be connected to the speaker;

Food - External Source 9V Negative Center (Minimum Advised 250m);

Volume - Free gain control of noise and interference for the channel INSTRUMENT IN;

Tone - Tone Control for the Instrument in channel;

Vol. AUX - noise and interference free gain control for the channel auxiliary;

Indicative LED Speaker Simulator - Indicates on the front panel if the Instrument in channel is using the cabinet;

ON/OFF SPEAKER SIMULATOR SWITCH – Allows you to turn the simulation effect on or off;

SPEAKER SWITCH – Allows you to choose between three types of simulation, 1x12, 2x12 and 4x12;

GROUND/LIFT – Switch used to separate the ground references between input and output, eliminating noise from the system;

ON/OFF LED – High-brightness LED indicating whether or not the equipment is energized. The GS312 does not have an on/off button. When connecting the P10 to the Instrument input jack (we close the circuit to power the components), as soon as the P10 is disconnected, the GS312 turns off automatically.

Specifications:

Minimum impedance for headphones: 8 Ohms

Maximum power: 1W

Dimensions: 114X85X55mm

Weight: 422g

The GS312 is suitable for several applications, and can be associated with pedals and pedal boards, and also with its analog simulator, with 3 cabinet options, 1x12, 2x12 and 4x12.

It has a standard TRS auxiliary input with independent volume control, allowing the musician to mix the instrument with a metronome or backing track.

It can also be used when the musician needs to connect his/her instrument directly to the soundboard or active speaker through a balanced XLR output, minimizing possible noise and making the sound cleaner.
Set Bypass to buffered bypass
Set Analog/Digital to hybrid
Set Mono/Stereo to mono, stereo

Jun 18, 2025

edited LyxPro AGL-40 Guitar Combo Amp

Improved item name.

Revised item name. Show revisions
Before:
LyxPro AGL-40 Combo Guitar Amp
After:
LyxPro AGL-40 Guitar Combo Amp

Jun 18, 2025

edited LyxPro AGL-40 Guitar Combo Amp

Improved item name. Added brand. Added item description. Improved item image. Improved item category.

Revised item description. Show revisions
Before:
After:
The AGL-40 , is with 15 lbs. (6.8 kg) a very light portable 40W Solid State Guitar Combo Amp build by LyxPro. Comes in a lot of Colors: Black , White , Red , Green , Pink , Blue , Mahogany , Natural, Sunburst

Delivers crisp, clear sound with 40 watts of power

Made with durable, rubber corners to reduce wear and tear

Perfect for beginner and expert musicians

Get your ideal sound with multiple output options and easy-to-use controls

Compact, lightweight design for travel convenience

Delay on Board

General:

Product type: Amplifier

Amplifier type: Solid State

Dimensions: 17.5” x 9” x 13.5” (44.5 x 22.9 x 34.3 cm)

Weight: 15 lbs. (6.8 kg)

Color: Sunburst

Edge Cover Material: Rubber

Edge Shape: Rounded

Warranty Length: 1 Year

Electronics:

Power: 40 W

Speaker diameter: 8”

Output Impedance: 4 ohm

Power Source: AC power

Number of Inputs: 3

Types of Inputs: ¼ Cable, Aux Cable

Number of Outputs: 2

Types of Output: Headphone/MP3, Line IN

Number of EQ Controls: 9

Types of EQ Controls: Treble, Middle, Bass, Gain, Time, Repeat, Boost, Master Volume, Mic Volume
Set Amp Type to solid state

Jun 18, 2025

edited LyxPro HAS-10

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Jun 18, 2025

edited LyxPro VRI-30

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Jun 18, 2025

edited LyxPro Stereo Pair Of Pencil Condenser Stick Microphones

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Jun 18, 2025

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