the t.bone SC 140

$47.00 Price Tier: Budget

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Page last updated Jul 01, 2026

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We compare 600+ stores and found this item at 1 store. Prices updated June 19, 2026.

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4.4 (193)

$48.00 $47.00 $1.00 · All time low

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Average Price: $48

Budget/Beginner

$100

$401+

Price Tier

In the Condenser Microphones category, the t.bone SC 140 is priced in the Budget/Beginner range. This is great gear to get started with or for creators on a budget.

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Price History

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Description

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Elevate your studio recordings with the versatile t.bone SC 140 condenser microphone. Designed for musicians and audio professionals alike, this microphone stands out with its 18 mm capsule, offering a precise cardioid polar pattern that captures sound from the front while minimizing ambient noise from the sides and rear. Whether you're capturing the intricate tones of an acoustic guitar, the shimmering cymbals of a drum kit, or the dynamic range of a piano, the SC 140 delivers clarity and detail across a wide frequency response of 20-20000 Hz.

For those intricate recording sessions, the SC 140 comes equipped with switchable low cut filters and a pad switch, allowing you to tailor the microphone's response to your specific needs, whether it’s reducing unwanted low-end noise or handling louder sound sources without distortion. Its sensitivity of -38 dB and a maximum sound pressure level (SPL) of 130 dB make it a reliable choice for a variety of studio applications.

The SC 140 requires 48V phantom power and is packaged with a windscreen and shock mount, all housed neatly within a durable aluminum case, ensuring both protection and portability. Whether you're a seasoned pro or an aspiring sound engineer, the t.bone SC 140 is a robust addition to any recording setup.

Key Features:

18 mm capsule with cardioid pattern
Frequency response: 20-20000 Hz
Requires 48V Phantom power
Features low cut (-3 dB @ 75 Hz or 150 Hz) and pad switch (-10 dB or -20 dB)
Sensitivity: -38 dB (12.6mV / Pa)
Max. SPL: 130dB
Includes windscreen and shock mount
Comes in a sturdy aluminum case

Product specs

Available since	October 2006
Battery Powered	No
Directional Microphone	No
Stereo Pair	No
switchable lowcut	Yes
switchable pad	Yes
characteristic	cardoid

FAQs

What is the primary application for the t.bone SC 140 microphone?: The t.bone SC 140 is ideal for recording drum overheads, hi-hats, acoustic guitars, and pianos, making it a versatile choice for studio and live sound reinforcement.
Does the t.bone SC 140 have any built-in filters or pads?: Yes, the t.bone SC 140 features a switchable low-cut filter at 75 Hz or 150 Hz and a switchable attenuation pad of 10 or 20 dB, providing flexibility in various recording environments.
What is the polar pattern of the t.bone SC 140 microphone?: The t.bone SC 140 has a cardioid polar pattern, which is excellent for reducing background noise and focusing on the sound source directly in front of the microphone.
Is the t.bone SC 140 suitable for live performances?: Yes, the t.bone SC 140 can be used for live sound reinforcement, especially for instruments like drum overheads and acoustic guitars, due to its cardioid pattern and built-in filters.
Does the t.bone SC 140 require phantom power?: Yes, as a condenser microphone, the t.bone SC 140 requires phantom power to operate, which is typically supplied by most audio interfaces and mixers.

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Reviews

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PROS

Delivers impressive sound quality for its price range
Warm sound profile when positioned optimally
Compact size allows for experimental sound capturing
Versatile for various instruments and vocals
Equipped with PAD and HP filter switches for sound customization
Excels in studio settings and small live gigs
Offers flat and balanced audio capture
Highly competitive against more expensive microphones

CONS

Sound quality diminishes with increased distance
Lacks durability for extended use outside the studio
Elastic suspension may not appeal to everyone

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about the t.bone SC 140.

Build quality

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SC140's reportedly fail in high humidity, common in the UK environment, affecting reliability for some users.
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Comparisons

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The sE Electronics SE7 offers a flat response with -16 dB noise, outperforming both the Lewitt LCT 040 and t.bone SC140 in sound quality.
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Some users suggest alternative options like the Rode VideoMic NTG or Oktava MK-012 for better long-term value, despite the SC140's budget appeal.
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The Deity shotgun mic offers a good price-to-quality ratio, making it a competitive alternative to more expensive options for filmmaking.
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Use cases and applications

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Superlux S502 praised for its ORTF setup, ideal for music, jazz, classical, and field recording, offering superior imaging.
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The SC140 is chosen for foley and dialogue recording in untreated rooms, with emphasis on mic placement and DIY acoustic treatment.
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The t.bone SC 140 is recommended for recording both musical instruments and foley, making it versatile for various indoor applications.
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The Sennheiser 416, despite its technical limitations, is robust and widely used for a range of recording tasks, including foley, voiceover, and ADR.
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Other

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Some reports of poor quality control on Superlux S502, contrasting with positive feedback on Clippy EM272's low noise levels.
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Features and functionality

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The t.bone SC140 Matched Pair Kit includes a stereo bar, ideal for stereo recording setups, especially in budget-conscious environments.
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The Zoom H6 is favored for its interchangeable mic capsules and stereo X/Y configuration, making it versatile for recording ambiences.
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