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The SA-110 Dreadnought by Fender Squier.

A classy real wood finish in Natural Color , Boasting a Bright Sound , Rosewood Fretboard ...

The PMC-07 Pro ISP Mixer by Vestax.

Features:

Quadraphonic 4 channel output.

Q4 stick controls the dimension of each input source among 4 speakers.

Effect send jack and volume for each program

And .... All the features from the PMC-07 PRO.

The world's first quadraphonic (4 channel) output allows DJs to expand their performance to 3D level.

Effect send volume controls are provided to each program.

Effect return can be assigned to each program or the master enabling various flying effects.

Effect return is also equipped with a dedicated two band equaliser.

Master trim volume lets DJs "Crab Scratch" on master fader.

Crossfader and Input fader status (reverse or normal) is indicated in meter section.

Input jacks are provided specially only for "SESSION IN" and "PHONO IN" which is required by I.S.P.

A 3-band EQ is provided on each program.

The adjustment range (+6dB to -24dB) enables equalization and frequency elimination. Vestax invented the crossfader reverse switch and curve control and provided this feature for input faders as well.

All faders are "photo-coupler" to provide quicker response and longevity.

Master / Cue select switch is provided to enable monitoring of cue source or master output signal. Master output is equipped with balanced 1/4 inch connectors for accurate sound integrity and durability.

Thoroughly serviced and paired with one of our customised scratch-proof aluminium faceplates this is an absolutely incredible mixer and very sought after.

The 15w Guitar Combo Amplifier by Belcat.

The Belcat 15w Guitar Amp is a compact Amp at Home and for smaller venues and practise rooms too. With a deep, flavourful tone and a control panel creates incredibly versatile platform. Dials for volume, high, middle, low, as well as a gain/drive

Specs:

Product: Belcat 15w Guitar Amp

Product Code: BC15G

Power output: 15W RMS at 8Ω

Input: 1 x 1/4" Jack Input

Speaker: 1 x 6.5" 8Ω

Controls: Gain, Drive Switch, Volume, High, Middle , Low

Line out: 1 x 1/4" Jack Headphone output

Dimensions: W 305mm x H 315mm x D 185mm

The W-400 Accoustic Guitar with Cut-Away by Guitarland.

A Budget Western 41 inches.

Construction with Glued Neck and Truss Mechanism

Body Top Deck - Spruce

Back Deck and Sides - Agathis

Neck - Maple

Fretboard - Maple Plywood

Tailpiece - Maple

Tuners - Chromed with Covers , polishing

Different Colors - black , natural .....

The W-400 Accoustic Guitar with Cut-Away by Guitarland.

A Budget Western 41 inches.

Construction with Glued Neck and Truss Mechanism

Body Top Deck - Spruce

Back Deck and Sides - Agathis

Neck - Maple

Fretboard - Maple Plywood

Tailpiece - Maple

Tuners - Chromed with Covers , polishing

Different Colors - black , natural , sunburst .....

The W-400 Accoustic Guitar with Cut-Away by Guitarland.

A Budget Western 41 inches.

Construction with Glued Neck and Truss Mechanism

Body Top Deck - Spruce

Back Deck and Sides - Agathis

Neck - Maple

Fretboard - Maple Plywood

Tailpiece - Maple

Tuners - Chromed with Covers , polishing

Different Colors - black , natural .....

The Voice DC30 Custom Valve Guitar Amplifier by Nembrini Audio is a Plug-In and Stand-Alone Software of the vintage VOX AC30 Top Boost Reverb characterized by its "jangly" high-end sound that's become widely recognized by British musicians and others.

Voice DC30 Custom Valve is capable of both enchanting clean and raucous overdriven sounds, the signature chime of the Voice DC30 Custom valve pairs seamlessly with the intricacies of your playing style, resulting in a sound that is truly your own.

The Voice DC30 has a separate brilliant channel. This has been achieved by adding a gain stage and a "cathode follower" stage, thereby dropping the impedance and bringing up the current and adding Bass/Treble controls to this channel.

The Vib-Trem channel offers a choice between vibrato (wavering pitch) and tremolo (wavering amplitude). A rotary, three position Speed switch adjusts modulation rate.

The brilliant channel with optional top boost is placed after the volume control section and before the phase inverter. This means you can shape the sound after the distortion.

Filters:

Tight : reduces low frequency content tightening the low range

Rumbling: reduces the low-frequency content

Harsh: reduces the high-frequency content

Noise Gate:

Threshold: defines the level where the gate is activated

Range: selects the quantity of noise reduction

Gate : Adjust the gate speed

Cabinets: With Voice DC30 Custom Valve Guitar Amplifier is possible to choose between eight different guitar cabinets, four microphone emulations with on/off axis position switch, continuous position and distance knobs.

A complete Mixer section with Solos, Mutes, Pans and Faders allows you to blend together the two microphones with the ambience.

Impulses Response Loader: Impulse Loader lets you load up to three third-party impulse responses that you can even blend together using volume, pan, phase, solo and mute controls.

A useful browser window has been added so you can easily search through all your third-party IR files.

Free Impulses Response

Plugin Formats: A VST2, VST3, AAX or AudioUnits compatible host

System: An Intel compatible or Apple Silicon CPU 1GB RAM, Mac OS 10.13 or newer, Windows 7 or newer, 64-bit DAW

The MRH810 V2 Lead Series Guitar Amplifier by Nembrini Audio is a Plug-In and Stand-Alone Software of the vintage Marshall JCM800 2210.

This legendary head is one of the most acclaimed amplifiers that became an iconic images in Rock History.

Two channels driven by four 12AX7 and four EL34 virtual tubes:

Lead Channel for the famous British 800 guitar tone heard in every rock genre, from classic rock to screaming and shredding metal for over 40 years.

Clean Channel for crystal clean, creamy crunch tone and a great platform for pedal based sounds.

Cabinets: With MRH810 V2 Lead Series Guitar Amplifier is possible to choose between six different guitar cabinets, four microphone emulations with on/off axis position switch, continuous position and distance knobs.

A complete Mixer section with Solos, Mutes, Pans and Faders allows you to blend together the two microphones with the ambience.

Impulses Response Loader:

Impulse Loader lets you load up to three third-party impulse responses that you can even blend together using volume, pan, phase, solo and mute controls.

A useful browser window has been added so you can easily search through all your third-party IR files.

Cleaner/Noise Gate: Noise Gate section plus a Cleaner circuit to reduce rumbling and harshness is included

Free Impulses Resonse

Plugin Formats: A VST2, VST3, AAX or AudioUnits compatible host

System: An Intel compatible or Apple Silicon CPU 1GB RAM, Mac OS 10.13 or newer, Windows 7 or newer, 64-bit DAW

The Hivolt 103 Custom Guitar Amplifier by Nembrini Audio is a Plug-In and Stand-Alone Software of the vintage Hiwatt DR103 in the year 1970 with original Partridge transformer and military point-to-point wiring, made available by Rock 'n' Vintage musical instruments.

Hivolt 103 Custom Guitar Amplifier plugin is a 2 channels amplifier with shared EQ for both channels. It has 4 inputs, 2 for each channel (normal and brilliant). Hi inputs are DOWN and LO inputs are UP. Patching of channels works here, and you can blend for additional versatility.

Normal and Brilliant channels with independent High and Low inputs for each channel. Versatile and intuitive, perfect for bringing life out of dark pickups or taming shrill high end in bright pickups.

Link the two channels for extra punch and dynamic control of your EQ via the independent channel volumes.

Cabinets:

With Hivolt 103 Custom Guitar Amplifier is possible to choose between six different guitar cabinets, four microphone emulations with on/off axis position switch, continuous position and distance knobs.

A complete Mixer section with Solos, Mutes, Pans and Faders allows you to blend together the two microphones with the ambience.

Impulses Response Loader:

Impulse Loader lets you load up to three third-party impulse responses that you can even blend together using volume, pan, phase, solo and mute controls.

A useful browser window has been added so you can easily search through all your third-party IR files.

Cleaner/Noise Gate: Noise Gate section plus a Cleaner circuit to reduce rumbling and harshness is included

Free Impulses Response

Plugin Formats: A VST2, VST3, AAX or AudioUnits compatible host

System: An Intel compatible or Apple Silicon CPU 1GB RAM, Mac OS 10.13 or newer, Windows 7 or newer, 64-bit DAW

The Double Reverb Guitar Amplifier by Nembrini Audio is a Plug-In or Stand Alone Software of the vintage Fender Twin Reverb crafted in 1972.

Double Reverb features two channels - Normal and Vibrato. Each channel has its own volume control and tone stack (Bass, Middle, Treble).

The built-in spring reverb is one of the standout features of the Double Reverb. It's known for its lush, spacious sound, which can range from a subtle shimmer to a full, surf-style wash.

Double Reverb includes a vibrato (tremolo) effect, which modulates the amplitude of the signal to create a pulsating sound.

Filters:

Tight : reduces low frequency content tightening the low range

Rumbling: reduces the low-frequency content

Harsh: reduces the high-frequency content

Noise Gate:

Threshold: defines the level where the gate is activated

Range: selects the quantity of noise reduction

Gate : Adjust the gate speed

Cabinets: With Nembrini Audio Double Reverb Guitar Amplifier is possible to choose between six different guitar cabinets, four microphone emulations with on/off axis position switch, continuous position and distance knobs. A complete Mixer section with Solos, Mutes, Pans and Faders allows you to blend together the two microphones with the ambience.

Impulses Response Loader: Impulse Loader lets you load up to three third-party impulse responses that you can even blend together using volume, pan, phase, solo and mute controls.

Free Impulses Response

Plugin Formats: A VST2, VST3, AAX or AudioUnits compatible host

System: An Intel compatible or Apple Silicon CPU 1GB RAM, Mac OS 10.13 or newer, Windows 7 or newer, 64-bit DAW

The Overdrive Special Guitar Amplifier by Nembrini Audio is an Plug-In and Stand Alone Software of the Overdrive Special Guitar Amp By Dumble.

Nembrini Audio Overdrive Special s a two channel amplifier, which includes a clean channel and an “overdrive”channel.

The overdrive channel is described as “cascading” from the first channel into, at least, one additional gain stage in the overdrive channel. This means that the clean channel’s tone stack and gain stages will “cascade” into the gain stage of the overdrive channel, causing the clean channel to become “overdriven".

Nembrini Audio Overdrive Special features a 3-band equalizer and one volume control for both channels, but each channel has its own gain control.

The gain controls LEVEL and RATIO interact when the overdrive channel is engaged to allow a harmonic change in gain.

CABINETS: With Nembrini Audio Overdrive Special Guitar Amplifier is possible to choose between six different guitar cabinets, four microphone emulations with on/off axis position switch, continuous position and distance knobs.

A complete Mixer section with Solos, Mutes, Pans and Faders allows you to blend together the two microphones with the ambience.

IMPULSES RESPONSE LOADER: Impulse Loader lets you load up to three third-party impulse responses that you can even blend together using volume, pan, phase, solo and mute controls.

A useful browser window has been added so you can easily search through all your third-party IR files.

Cleaner/Noise Gate : Noise Gate section plus a Cleaner circuit to reduce rumbling and harshness is included

Free Impulses Response

Plugin Formats: A VST2, VST3, AAX or AudioUnits compatible host

Systems: An Intel compatible or Apple Silicon CPU 1GB RAM, Mac OS 10.13 or newer, Windows 7 or newer, 64-bit DAW

The MK8 is a legendary electro-mechanical Piano.

Optimising the iconic sound of the Rhodes piano, the MK8 offers considerable improvements in tone, touch, intonation and dynamics.

All critical components – including tines, pickups, dampers and pedal mechanism – have been redesigned from the ground up, using only the highest quality materials and the very best in contemporary manufacturing techniques.

Precision-manufactured by internationally renowned Kluge Klaviaturen GmbH (Steinway Group), the Rhodes MK8’s keyboard offers unparalleled expression and a nuanced piano-like feel.

ptimising the iconic sound of the Rhodes piano, the MK8 offers considerable improvements in tone, touch, intonation and dynamics. All critical components – including tines, pickups, dampers and pedal mechanism – have been redesigned from the ground up, using only the highest quality materials and the very best in contemporary manufacturing techniques.

Models : MK8 S or MK8 FX

Analogue Preamp:

True analogue signal path. Volume, drive, envelope controls.

Expression pedal control of volume, mid sweep (wah), pan speed, pan depth.

Rhodes custom analogue tri-band (low/mid/high) active equaliser (+/- 15db range). Voltage-controlled, resonant midrange filter.

Rhodes custom vari-pan with variable rate/depth.

4 wave shapes and audio-rate modulation.

Rhodes custom stereo effect processor: VCA compressor, phaser, Bucket brigade chorus, delay. Expression pedal control of phaser speed, chorus speed, delay time, delay mix.

USB MIDI In/Out. DIN MIDI Out. High-resolution key position monitoring. Channel and Polyphonic Aftertouch. Damper pedal sensor with multiple sustain modes. Isolated electronics for power and signal.

15-Volt, 4-pin locking XLR external supply with universal voltage.

73-note (E8-E80) Rhodes custom spruce keyboard by Kluge Klaviaturen GmbH, oak and beech key frame.

Rhodes custom precision​-wound alnico pickups with anti-slip adjustment for accurate voicing and flat-ended pickup heads for accurate volume adjustment.

Rhodes custom high-impact ABS hammers and combs, quad-zone hard-wearing tips, aerospace-grade damper combs, black natural wool damper felts.

Rhodes custom precision steel tines and tonebars, sustainably sourced Baltic birch tine and pickup rails.

2 x Balanced XLR outputs (L/R), 2 x 1/4” jack Outputs (L/R), 1 x 1/4” jack send (direct pickup output), 1 x 1/4” return.

1 x 1/4” headphone jack, independent volume control.

Standard: Scratch-resistant brushed-aluminium foil.

Legend: Black with silver legend or silver with black legend.

Rhodes custom twist-lock piano connector with flexi-cable. Chrome aluminium footplate. Rhodes folding protective non-slip mat.

Standard: Black/Silver anodised aluminium.

USB: Reserved for future firmware updates.

2 x assignable jack expression pedal inputs.

MIDI out DIN socket, reserved for future MIDI capability

Rhodes custom telescopic (L/R adjustment) powder coated black steel/ mirror-chrome steel.

Height adjustable front legs. Folds compactly for transport.

Black ABS, custom colours.

Lightweight ply case with tolex, aluminium base plate. Solid walnut option.

Weight: 75lbs/34kg

Dimensions: 1153 (w) x 563 (d) x 225 (h)

More Infos in the Manual

The MK8 is a legendary electro-mechanical Piano.

Optimising the iconic sound of the Rhodes piano, the MK8 offers considerable improvements in tone, touch, intonation and dynamics.

All critical components – including tines, pickups, dampers and pedal mechanism – have been redesigned from the ground up, using only the highest quality materials and the very best in contemporary manufacturing techniques.

Precision-manufactured by internationally renowned Kluge Klaviaturen GmbH (Steinway Group), the Rhodes MK8’s keyboard offers unparalleled expression and a nuanced piano-like feel.

ptimising the iconic sound of the Rhodes piano, the MK8 offers considerable improvements in tone, touch, intonation and dynamics. All critical components – including tines, pickups, dampers and pedal mechanism – have been redesigned from the ground up, using only the highest quality materials and the very best in contemporary manufacturing techniques.

Models : MK8 S or MK8 FX

Analogue Preamp:

True analogue signal path. Volume, drive, envelope controls.

Expression pedal control of volume, mid sweep (wah), pan speed, pan depth.

Rhodes custom analogue tri-band (low/mid/high) active equaliser (+/- 15db range). Voltage-controlled, resonant midrange filter.

Rhodes custom vari-pan with variable rate/depth.

4 wave shapes and audio-rate modulation.

Rhodes custom stereo effect processor: VCA compressor, phaser, Bucket brigade chorus, delay. Expression pedal control of phaser speed, chorus speed, delay time, delay mix.

USB MIDI In/Out. DIN MIDI Out. High-resolution key position monitoring. Channel and Polyphonic Aftertouch. Damper pedal sensor with multiple sustain modes. Isolated electronics for power and signal.

15-Volt, 4-pin locking XLR external supply with universal voltage.

73-note (E8-E80) Rhodes custom spruce keyboard by Kluge Klaviaturen GmbH, oak and beech key frame.

Rhodes custom precision​-wound alnico pickups with anti-slip adjustment for accurate voicing and flat-ended pickup heads for accurate volume adjustment.

Rhodes custom high-impact ABS hammers and combs, quad-zone hard-wearing tips, aerospace-grade damper combs, black natural wool damper felts.

Rhodes custom precision steel tines and tonebars, sustainably sourced Baltic birch tine and pickup rails.

2 x Balanced XLR outputs (L/R), 2 x 1/4” jack Outputs (L/R), 1 x 1/4” jack send (direct pickup output), 1 x 1/4” return.

1 x 1/4” headphone jack, independent volume control.

Standard: Scratch-resistant brushed-aluminium foil.

Legend: Black with silver legend or silver with black legend.

Rhodes custom twist-lock piano connector with flexi-cable.

Chrome aluminium footplate. Rhodes folding protective non-slip mat.

Standard: Black/Silver anodised aluminium.

USB: Reserved for future firmware updates.

2 x assignable jack expression pedal inputs.

MIDI out DIN socket, reserved for future MIDI capability

Rhodes custom telescopic (L/R adjustment) powder coated black steel/ mirror-chrome steel.

Height adjustable front legs. Folds compactly for transport.

Black ABS, custom colours.

Lightweight ply case with tolex, aluminium base plate. Solid walnut option.

Weight: 75lbs/34kg

Dimensions: 1153 (w) x 563 (d) x 225 (h)

More Infos in the Manual

The MK8 is a legendary electro-mechanical Piano.

Optimising the iconic sound of the Rhodes piano, the MK8 offers considerable improvements in tone, touch, intonation and dynamics.

All critical components – including tines, pickups, dampers and pedal mechanism – have been redesigned from the ground up, using only the highest quality materials and the very best in contemporary manufacturing techniques.

Precision-manufactured by internationally renowned Kluge Klaviaturen GmbH (Steinway Group), the Rhodes MK8’s keyboard offers unparalleled expression and a nuanced piano-like feel.

ptimising the iconic sound of the Rhodes piano, the MK8 offers considerable improvements in tone, touch, intonation and dynamics. All critical components – including tines, pickups, dampers and pedal mechanism – have been redesigned from the ground up, using only the highest quality materials and the very best in contemporary manufacturing techniques.

Models : MK8 S or MK8 FX

Analogue Preamp:

True analogue signal path. Volume, drive, envelope controls.

Expression pedal control of volume, mid sweep (wah), pan speed, pan depth.

Rhodes custom analogue tri-band (low/mid/high) active equaliser (+/- 15db range). Voltage-controlled, resonant midrange filter.

Rhodes custom vari-pan with variable rate/depth.

4 wave shapes and audio-rate modulation.

Rhodes custom stereo effect processor: VCA compressor, phaser, Bucket brigade chorus, delay. Expression pedal control of phaser speed, chorus speed, delay time, delay mix.

USB MIDI In/Out. DIN MIDI Out. High-resolution key position monitoring. Channel and Polyphonic Aftertouch. Damper pedal sensor with multiple sustain modes. Isolated electronics for power and signal.

15-Volt, 4-pin locking XLR external supply with universal voltage.

73-note (E8-E80) Rhodes custom spruce keyboard by Kluge Klaviaturen GmbH, oak and beech key frame.

Rhodes custom precision​-wound alnico pickups with anti-slip adjustment for accurate voicing and flat-ended pickup heads for accurate volume adjustment.

Rhodes custom high-impact ABS hammers and combs, quad-zone hard-wearing tips, aerospace-grade damper combs, black natural wool damper felts.

Rhodes custom precision steel tines and tonebars, sustainably sourced Baltic birch tine and pickup rails.

2 x Balanced XLR outputs (L/R), 2 x 1/4” jack Outputs (L/R), 1 x 1/4” jack send (direct pickup output), 1 x 1/4” return.

1 x 1/4” headphone jack, independent volume control.

Standard: Scratch-resistant brushed-aluminium foil.

Legend: Black with silver legend or silver with black legend.

Rhodes custom twist-lock piano connector with flexi-cable. Chrome aluminium footplate. Rhodes folding protective non-slip mat.

Standard: Black/Silver anodised aluminium.

USB: Reserved for future firmware updates.

2 x assignable jack expression pedal inputs.

MIDI out DIN socket, reserved for future MIDI capability

Rhodes custom telescopic (L/R adjustment) powder coated black steel/ mirror-chrome steel.

Height adjustable front legs. Folds compactly for transport.

Black ABS, custom colours.

Lightweight ply case with tolex, aluminium base plate. Solid walnut option.

Weight: 75lbs/34kg

Dimensions: 1153 (w) x 563 (d) x 225 (h)

More Infos in the Manual

The Mirror Mirror by Emmergy FX is a Delay into Delay Effects Pedal.

Meet Mirror Mirror – a deceptively simple yet mind-bending dual delay that splits your signal into two fully independent delay lines, each with its own controls for Time and Repeats, plus a shared Mix to balance everything just right. Think of it as a stripped-back sibling to the Later and Later – then doubled.

A toggle switch lets you choose how the delays interact: either parallel for wide, rhythmic interplay, or cascading for evolving, almost reverb-like ambience where one delay feeds into the other, spiralling into lush soundscapes.

But it doesn’t stop there – an expression out gives you hands-on control of the Time parameter for one delay line, letting you warp and bend in real time. Then there's the Force Pad – a momentary gateway to controlled chaos. Press it to push one side into unpredictable, modulated madness while the other stays steady, giving you a mix of order and disorder at the tap of a finger (or toe).

From subtle slapback and wobbly chorus textures to deep ambient drones and glitchy trails, Mirror Mirror offers beautiful unpredictability – but always in a way that’s playable, inspiring, and totally usable… unless you don’t want it to be.

The Mirror Mirror by Emmergy FX is a Delay into Delay Effects Pedal.

Meet Mirror Mirror – a deceptively simple yet mind-bending dual delay that splits your signal into two fully independent delay lines, each with its own controls for Time and Repeats, plus a shared Mix to balance everything just right. Think of it as a stripped-back sibling to the Later and Later – then doubled.

A toggle switch lets you choose how the delays interact: either parallel for wide, rhythmic interplay, or cascading for evolving, almost reverb-like ambience where one delay feeds into the other, spiralling into lush soundscapes.

But it doesn’t stop there – an expression out gives you hands-on control of the Time parameter for one delay line, letting you warp and bend in real time. Then there's the Force Pad – a momentary gateway to controlled chaos. Press it to push one side into unpredictable, modulated madness while the other stays steady, giving you a mix of order and disorder at the tap of a finger (or toe).

From subtle slapback and wobbly chorus textures to deep ambient drones and glitchy trails, Mirror Mirror offers beautiful unpredictability – but always in a way that’s playable, inspiring, and totally usable… unless you don’t want it to be.

On the Website of Emmergy FX can be heard Demos too.

The Mirror Mirror by Emmergy FX is a Delay into Delay Effects Pedal.

Meet Mirror Mirror – a deceptively simple yet mind-bending dual delay that splits your signal into two fully independent delay lines, each with its own controls for Time and Repeats, plus a shared Mix to balance everything just right. Think of it as a stripped-back sibling to the Later and Later – then doubled.

A toggle switch lets you choose how the delays interact: either parallel for wide, rhythmic interplay, or cascading for evolving, almost reverb-like ambience where one delay feeds into the other, spiralling into lush soundscapes.

But it doesn’t stop there – an expression out gives you hands-on control of the Time parameter for one delay line, letting you warp and bend in real time. Then there's the Force Pad – a momentary gateway to controlled chaos. Press it to push one side into unpredictable, modulated madness while the other stays steady, giving you a mix of order and disorder at the tap of a finger (or toe).

From subtle slapback and wobbly chorus textures to deep ambient drones and glitchy trails, Mirror Mirror offers beautiful unpredictability – but always in a way that’s playable, inspiring, and totally usable… unless you don’t want it to be.

The Seven STC-307 Telecaster with Single Coil Set-up.

Seven Brand

General Features:

• Model: STC-307

Pickup Output

• Neck - 5.4

• Bridge - 5.9

• Scale Length - 47.5

• Scale Radius - 12”

• Body Length - 40cm

• Total Length - 98.5

• Neck Shape - D

• Body Shape: Telecaster

• Body Wood: Solid Basswood

• Finish: Glossy

• Neck: Maple (varnish)

• Construction: Bolt-On Neck

• Fingerboard: Maple (varnish)

• Markings: Dots

• Truss Rod: Yes. Bilateral

• Nut (Capo Fret): 42mm

• Number of Frets: 22

• Medium Jumbo Fret

• Strings: .09 / .042

• Number of Strings: 6

• Bridge Pickup: Passive Single Coil / Ceramic

• Neck Pickup: Passive Single Coil / Ceramic

• Bridge: Fixed 6 saddles

• Jack: P10

• Tuners: Shielded

• Use/Hand: Right-handed

• Controls: Volume Potentiometer (1), Tone Potentiometer (2) and 3-Position Selector Switch

• Weight 3.300 kg

Comes with a Custom Luxury Bag

The FAW-805 Acoustic Guitar by Martinez

Specifications:

Top Deck: Spruce

Number of Frets: 22

Manufacturer: Martinez Guitars

Strings: Steel-String

Guitar type: Acoustic Guitar with a Cutaway, Mini Jumbo

Color: Cherry Sunburst

Number of Strings: 6

Material: Mahogany

The LF-4110 Dreadnought Accoustic Guitar by Colombo.

Specs:

Manufacturer: COLOMBO

Colors: Sunburst , Black , Natural

Guitar type: Dreadnought

Top material: Spruce (laminate)

Body material: Basswood

Neck material: Nato

Fingerboard material: Rosewood

Scale length: 645 mm

Electronics: Without Pick-Ups

The Mother MkIII is an 50w, 100w or 200w Tube Amp by Science Amplification and comes in 2 Versions: A no-frills high-headroom single channel version and a dual channel version with additional Gain and master Loudness controls for it's 2nd, wide range higher gain channel.

The Mother is still equally accommodating for bass or guitar.

The Single Channel version features only Channel A from the dual channel model, great for a pedal platform.

This single channel version goes from clean to vintage crunch with plenty of headroom for even the most towering fuzz and distortion pedals.

The tone is clear, but never fizzy.​

The Dual Channel version adds a second wide range channel that takes the tonality of Channel A, and keeps on going into higher levels of saturation, from edge-of-break-up, to crunch to crushing gain with dynamics intact. ​ ​In addition to the Mother's wide spectrum of gain, its EQ is equally wide ranging.

The flexible EQ section begins with the unique 4-position rotary Depth knob, which sets the overall bass extension, low-mid voice, and low-end breakup characteristics in the front end of the amplifier. ​ From there, the interactive 3-band (Bass, Middle, Treble) EQ sculpts your tone.

The bass shapes the lows voicing set with the Depth, and the unique mid control goes from completely scooped to vocal midrange.

The Treble controls the overall high-end, and for further control of the amplifier's upper-harmonic content, the Absence shapes the the tone from present and searing to dark and fogged-out.

And finally, the front panel's Loudness control(s) transparently varies the overall volume of the amp down to bedroom levels without sucking your tone.

The Mother MkIII is available in 50W, 100W, or 200W, and can be fitted with the optional ultra-transparent series Ghost effects loop. ​

More details in the Manual for the Dual Channel Amp.

Available in single and dual channel versions

4-position rotary Depth control to tailor front end low and low-mid response

High headroom to gritty Channel A

Wide-range B Channel from edge-of-breakup to punchy high gain

Bass, Middle, Treble EQ

Harmonic-shaping Absence control

Master Loudness control (x2 on dual channel version)

Two switchable 4, 8, or 16 Ohms outputs

Available in 50W or 100W with your choice of 6L6 or EL34 output tubes, or 200W powered by 4 x KT88 output tubes

3 x 12AX7 preamp tubes and 1 x 12AT7 driver tube

Rugged, high-reliability, and serviceable, low-noise construction

All-tube signal path

Optional series buffered effects loop

User-adjustable bias control and test points on chassis for easy biasing and tube swaps

Included 1-Button Footswitch with LED (dual channel version)

Custom void-free Baltic birch cabinet

12ga custom laser-machined aluminum chassis

Black powder coated aluminum control panels

Dimensions: 24” W x 10.875” D x 11” H (11.625 including rubber feet)

Weight - 50W: 40 lbs, 100W: 45 lbs, 200W 60 lbs

Handbuilt in the USA

The Mother MkIII is an 50w, 100w or 200w Tube Amp by Science Amplification hand-build in the USA.

.....and comes in 2 Versions: A no-frills high-headroom single channel version and a dual channel version with additional Gain and master Loudness controls for it's 2nd, wide range higher gain channel.

The Mother is still equally accommodating for bass or guitar.

The Single Channel version features only Channel A from the dual channel model, great for a pedal platform.

This single channel version goes from clean to vintage crunch with plenty of headroom for even the most towering fuzz and distortion pedals.

The tone is clear, but never fizzy.​

The Dual Channel version adds a second wide range channel that takes the tonality of Channel A, and keeps on going into higher levels of saturation, from edge-of-break-up, to crunch to crushing gain with dynamics intact. ​ ​In addition to the Mother's wide spectrum of gain, its EQ is equally wide ranging.

The flexible EQ section begins with the unique 4-position rotary Depth knob, which sets the overall bass extension, low-mid voice, and low-end breakup characteristics in the front end of the amplifier. ​ From there, the interactive 3-band (Bass, Middle, Treble) EQ sculpts your tone.

The bass shapes the lows voicing set with the Depth, and the unique mid control goes from completely scooped to vocal midrange.

The Treble controls the overall high-end, and for further control of the amplifier's upper-harmonic content, the Absence shapes the the tone from present and searing to dark and fogged-out.

And finally, the front panel's Loudness control(s) transparently varies the overall volume of the amp down to bedroom levels without sucking your tone.

The Mother MkIII is available in 50W, 100W, or 200W, and can be fitted with the optional ultra-transparent series Ghost effects loop. ​

More details in the Manual for the Dual Channel Amp.

Available in single and dual channel versions

4-position rotary Depth control to tailor front end low and low-mid response

High headroom to gritty Channel A

Wide-range B Channel from edge-of-breakup to punchy high gain

Bass, Middle, Treble EQ

Harmonic-shaping Absence control

Master Loudness control (x2 on dual channel version)

Two switchable 4, 8, or 16 Ohms outputs

Available in 50W or 100W with your choice of 6L6 or EL34 output tubes, or 200W powered by 4 x KT88 output tubes

3 x 12AX7 preamp tubes and 1 x 12AT7 driver tube

Rugged, high-reliability, and serviceable, low-noise construction

All-tube signal path

Optional series buffered effects loop

User-adjustable bias control and test points on chassis for easy biasing and tube swaps

Included 1-Button Footswitch with LED (dual channel version)

Custom void-free Baltic birch cabinet

12ga custom laser-machined aluminum chassis

Black powder coated aluminum control panels

Dimensions: 24” W x 10.875” D x 11” H (11.625 including rubber feet)

Weight - 50W: 40 lbs, 100W: 45 lbs, 200W 60 lbs

Handbuilt in the USA

The Mother MkIII is an 50w, 100w or 200w Tube Amp by Science Amplification and comes in 2 Versions: A no-frills high-headroom single channel version and a dual channel version with additional Gain and master Loudness controls for it's 2nd, wide range higher gain channel.

The Mother is still equally accommodating for bass or guitar.

The Single Channel version features only Channel A from the dual channel model, great for a pedal platform.

This single channel version goes from clean to vintage crunch with plenty of headroom for even the most towering fuzz and distortion pedals.

The tone is clear, but never fizzy.​

The Dual Channel version adds a second wide range channel that takes the tonality of Channel A, and keeps on going into higher levels of saturation, from edge-of-break-up, to crunch to crushing gain with dynamics intact. ​ ​In addition to the Mother's wide spectrum of gain, its EQ is equally wide ranging.

The flexible EQ section begins with the unique 4-position rotary Depth knob, which sets the overall bass extension, low-mid voice, and low-end breakup characteristics in the front end of the amplifier. ​ From there, the interactive 3-band (Bass, Middle, Treble) EQ sculpts your tone.

The bass shapes the lows voicing set with the Depth, and the unique mid control goes from completely scooped to vocal midrange.

The Treble controls the overall high-end, and for further control of the amplifier's upper-harmonic content, the Absence shapes the the tone from present and searing to dark and fogged-out.

And finally, the front panel's Loudness control(s) transparently varies the overall volume of the amp down to bedroom levels without sucking your tone.

The Mother MkIII is available in 50W, 100W, or 200W, and can be fitted with the optional ultra-transparent series Ghost effects loop. ​

More details in the Manual for the Dual Channel Amp.

Available in single and dual channel versions

4-position rotary Depth control to tailor front end low and low-mid response

High headroom to gritty Channel A

Wide-range B Channel from edge-of-breakup to punchy high gain

Bass, Middle, Treble EQ

Harmonic-shaping Absence control

Master Loudness control (x2 on dual channel version)

Two switchable 4, 8, or 16 Ohms outputs

Available in 50W or 100W with your choice of 6L6 or EL34 output tubes, or 200W powered by 4 x KT88 output tubes

3 x 12AX7 preamp tubes and 1 x 12AT7 driver tube

Rugged, high-reliability, and serviceable, low-noise construction

All-tube signal path

Optional series buffered effects loop

User-adjustable bias control and test points on chassis for easy biasing and tube swaps

Included 1-Button Footswitch with LED (dual channel version)

Custom void-free Baltic birch cabinet

12ga custom laser-machined aluminum chassis

Black powder coated aluminum control panels

Dimensions: 24” W x 10.875” D x 11” H (11.625 including rubber feet)

Weight - 50W: 40 lbs, 100W: 45 lbs, 200W 60 lbs

Handbuilt in the USA

The LSE-450 Artist Series is a Les Paul build in 1995-2001 by Samick.

Body:

Laminate body construction with arched top (Jan-Sept 1995)

Solid Alder body with arched top (October 1995-1996)

Solid Nato body with arched top (1997-2001)

Maple veneer (Sunburst finishes)

Nato veneer (WR)

Belly carve

Neck:

Bolt-on Nato neck w/ scarf joint

Rosewood fretboard with dot inlays

Deluxe headstock

Silk-screened Artist logo

14o headstock pitch

22 frets

24.75" scale

Binding:

Single-ply body (front), neck and headstock

Electronics:

99 LSE 2

1999 Wine Red

Two humbuckers

3-way switch

2 Vol, 2 Tone

Hardware:

Chrome hardware

16:1 ratio lubricated, die-cast tuning machines

Headstock-matching truss rod cover

LSE-450 CHB-0

Cherry Sunburst

Gold Reflector knobs

Tune-O-Matic bridge and stopbar tailpiece

Finishes:

Black (B)

Wine Red (WR)

Cherry Sunburst (CS)

Golden Sunburst (GS)

Honey Sunburst (HB or HS)

The LSE-450 Artist Series is a Les Paul build in 1995-2001 made in Korea by Samick .

Body:

Laminate body construction with arched top (Jan-Sept 1995)

Solid Alder body with arched top (October 1995-1996)

Solid Nato body with arched top (1997-2001)

Maple veneer (Sunburst finishes)

Nato veneer (WR)

Belly carve

Neck:

Bolt-on Nato neck w/ scarf joint

Rosewood fretboard with dot inlays

Deluxe headstock

Silk-screened Artist logo

14o headstock pitch

22 frets

24.75" scale

Binding:

Single-ply body (front), neck and headstock

Electronics:

99 LSE 2

1999 Wine Red

Two humbuckers

3-way switch

2 Vol, 2 Tone

Hardware:

Chrome hardware

16:1 ratio lubricated, die-cast tuning machines

Headstock-matching truss rod cover

LSE-450 CHB-0

Cherry Sunburst

Gold Reflector knobs

Tune-O-Matic bridge and stopbar tailpiece

Finishes:

Black (B)

Wine Red (WR)

Cherry Sunburst (CS)

Golden Sunburst (GS)

Honey Sunburst (HB or HS)

The LSE-450 Artist Series is a Les Paul build in 1995-2001 by Samick.

Body:

Laminate body construction with arched top (Jan-Sept 1995)

Solid Alder body with arched top (October 1995-1996)

Solid Nato body with arched top (1997-2001)

Maple veneer (Sunburst finishes)

Nato veneer (WR)

Belly carve

Neck:

Bolt-on Nato neck w/ scarf joint

Rosewood fretboard with dot inlays

Deluxe headstock

Silk-screened Artist logo

14o headstock pitch

22 frets

24.75" scale

Binding:

Single-ply body (front), neck and headstock

Electronics:

99 LSE 2

1999 Wine Red

Two humbuckers

3-way switch

2 Vol, 2 Tone

Hardware:

Chrome hardware

16:1 ratio lubricated, die-cast tuning machines

Headstock-matching truss rod cover

LSE-450 CHB-0

Cherry Sunburst

Gold Reflector knobs

Tune-O-Matic bridge and stopbar tailpiece

Finishes:

Black (B)

Wine Red (WR)

Cherry Sunburst (CS)

Golden Sunburst (GS)

Honey Sunburst (HB or HS)