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With the ADDAC102 FM Radio you’ll be able to tune-in FM radio. Besides the ability of station broadcasts as sound generators for your synthesis, you can also have a lot of fun with the fact that its a great noise generator. Static picks up all kinds of great electromagnetic interference!

It provides controls like tune, volume and seek (all of them controllable through CV input) and there’s two outputs for stereo sound.

This is Version 2 of this module, Updated in order to be skiff friendly!

Specifications

Width: 8hp

Depth: 60 mm

Power: 100 mA 12V, 100 mA -12V, 0 mA 5V

The VCF3 Voice Tail combines full-featured voltage controlled filters, voltage controlled amplifiers, mode switching and flexible jack routing, in a module that alternates between a concerted sub-system, and then, a collection of discrete audio modifiers.

Filters: three 4-pole (-24db/oct), low-pass filters, transistor ladder filter topology.

voltage controlled resonance with full frequency range, sustained oscillation.

filters route in parallel or are individually accessible,

each filter has switched alternate freq response mode.

voltage controlled level composites into the global mix fed the final vca stage or, diverts for discrete application from the fout jack.

The Model 53 Voicetail by Subconscious Communications is a VCA Filter Mixer , Triple VCF

The Model 53 combines full-featured Voltage Controlled Filters, Voltage Amplifiers, Mode Switching and flexible Jack Routing, in a module that alternates between a concerted sub-system, and then, a collection of discrete audio modifiers. filters

three 4-pole (-24db/oct), low-pass filters, transistor ladder filter topology. voltage controlled resonance with full frequency range, sustained oscillation. filters route in parallel or are individually accessible, each filter has switched alternate freq response mode. voltage controlled level composites into the global mix fed the final vca stage or, diverts for discrete application from the fout jack. mix vcas

three (3), filter dedicated, voltage-controlled amplifiers, vca's, with exponential control characteristic, set its filter output audio level. final vca

linear control response voltage controlled amplifier, filter mix 'normals' to final vca input. the final vca can be used independent of the filter mix with input into aux input. switching

filter switched to an alternate output response type. filter's one and three have high-pass alternatives, filter two has a band-pass alternative. filter two can be alternatively coupled to the input of filter three, series connecting these filter channels for maximum roll-off or idiosyncratic filter responses. three 'enable/disable' switches routes channel 1 frequency / resonance / level control voltage to those of filters 2 and 3. jack routing

audio input to filter 1 'normals' to the input of filter two and three unless these filters have an alternate signal plugged at input. when filters two and three are coupled, filter two 'normals' to filter one input audio (filter 3 has filter 2 output audio), control inputs to filter one 'normals' across filters two and three if their audio and control inputs are unplugged. as previously noted, switches disconnect this control routing. plugging to a filters fout jack diverts that filter from the final vca mix into independent use. if all three filters are used independently, there is no mix. final vca input originates at the aux input jack. the mix of non-diverted filters can be independently used by plugging to the mix jack. this removes the filter mix from the final vca input. the aux input still inputs to the final vca. panel control operation

panel control potentiometers are 10v (+/-5vdc) control adjustments. this allows "truncation" of an envelopes release or treating uncompensating diode based envelope generators. the manual knob setting is a voltage adding or subtracting with plugged voltage controls, allow slope truncation or base elevation, transposing across 10 octaves. operational detail

module width: 21hp power requirement: 90ma frequency range: less than 2hz to 16khz filter frequency control: (+/-)5v ac/dc audio input level: (+/-)5vac typical prior overdrive soft waveform distortion up to +/-8.5vac resonance control: input 0 to 5v for typical operation; (+/-)10v (ac/dc) tolerant. level control input: 0 to 5v for typical operation; (+/-)10v (ac/dc) tolerant. vca control input: 0 to 5v for typical operation; (+/-)10v (ac/dc) tolerant.

why transistor ladder filters? much has been written about the filter topology invented and first realized by dr. robert moog. this literature divides between analysis for the technological ingenuity of the design and speculation as to what makes them so well received and appreciated. subconscious communication's implementation exploits a filter that alternates between a subtle, often natural sounding timbral formant, to razor edge incising cacophony. the provisioning of three filters allows inter-patch signals to 'fan-in' to a complex patch as a mix, or independent aural events.

what are these alternate response types? commonly multi-stage filters allow audio at different points of the circuit to be added/subtracted or otherwise treated to provide alternative transfer functions. the implementation of high-pass and band-pass filtering typically employed with transistor ladder filters are notorious for their asymmetrical and shallow slopes when compared to the consistent -24db low-pass response. it is precisely the deviation from more strict implementation that make these modes characteristically useful. the high-pass is really more of a variable 'bass-cut' while the introduction of resonance reduces the effectiveness of the bass-cut while allowing the resonant peak to dominate the audio. some implantations choose to disabled resonance in this mode. the subconscious communications implementation includes resonance as the per filter vca's provide flexibility for exploiting this mode, allowing multiple filters to provide multi-frequency formant effects or to allow the resonance to exist as a companion to input audio.

coupling filter's 2 and 3 allows a variety of responses from simple steepening of alternate response type slopes to variable window band-pass filtering.

The VCF3 Voice Tail combines full-featured voltage controlled filters, voltage controlled amplifiers, mode switching and flexible jack routing, in a module that alternates between a concerted sub-system, and then, a collection of discrete audio modifiers.

Filters: three 4-pole (-24db/oct), low-pass filters, transistor ladder filter topology.

voltage controlled resonance with full frequency range, sustained oscillation.

filters route in parallel or are individually accessible,

each filter has switched alternate freq response mode.

voltage controlled level composites into the global mix fed the final vca stage or, diverts for discrete application from the fout jack.

MODEL 52 ~ VAMPIRE Sonically Dense, Complex Oscillator The Subconscious Communications Model 52 Vampire combines two independent, wide range, triangle core oscillators with manual and voltage controlled waveform modulation mixing and, routing. In-Panel "normalled" signal routing implements a base configuration for a tandem LFO/VCO complex oscillator. Patching is extensive enough to exploit either oscillator independently. Quick Summary:  Two Voltage Controlled Oscillators, with one naturally tuning an octave below its companion oscillator with Sync input and 5 output waveforms including Clock.  Main VCO provides Six output waveforms including PWM, Lin/Exp modulation and Sync inputs.  Voltage Controlled "Morph" cross-fader between Main VCO PWM and any other Main VCO waveform,  Voltage Controlled scan for selection of Main VCO waveform cross-fading with PWM,  Amplitude Modulation of External Audio or VCO Sin2 signals at the LFO frequency rate. Two AM window waveforms; a)VOSIM-like Ramp; b) Grain-like Triangle. The features described above are variously available across some or all of four output channels

The MODEL 52 VAMPIRE by Subconscious Communications

Is a Sonically Dense, Complex Oscillator

The Subconscious Communications Model 52 Vampire combines two independent, wide range, triangle core oscillators with manual and voltage controlled waveform modulation mixing and, routing.

In-Panel "normalled" signal routing implements a base configuration for a tandem LFO/VCO complex oscillator. Patching is extensive enough to exploit either oscillator independently.

Quick Summary:

Two Voltage Controlled Oscillators, with one naturally tuning an octave below its companion oscillator with Sync input and 5 output waveforms including Clock.

Main VCO provides Six output waveforms including PWM, Lin/Exp modulation and Sync inputs.

Voltage Controlled "Morph" cross-fader between Main VCO PWM and any other Main VCO waveform,

Voltage Controlled scan for selection of Main VCO waveform cross-fading with PWM,

Amplitude Modulation of External Audio or VCO Sin2 signals at the LFO frequency rate.

Two AM window waveforms; a)VOSIM-like Ramp; b) Grain-like Triangle.

The features described above are variously available across some or all of four output channels

MODEL 52 ~ VAMPIRE Sonically Dense, Complex Oscillator The Subconscious Communications Model 52 Vampire combines two independent, wide range, triangle core oscillators with manual and voltage controlled waveform modulation mixing and, routing. In-Panel "normalled" signal routing implements a base configuration for a tandem LFO/VCO complex oscillator. Patching is extensive enough to exploit either oscillator independently. Quick Summary:  Two Voltage Controlled Oscillators, with one naturally tuning an octave below its companion oscillator with Sync input and 5 output waveforms including Clock.  Main VCO provides Six output waveforms including PWM, Lin/Exp modulation and Sync inputs.  Voltage Controlled "Morph" cross-fader between Main VCO PWM and any other Main VCO waveform,  Voltage Controlled scan for selection of Main VCO waveform cross-fading with PWM,  Amplitude Modulation of External Audio or VCO Sin2 signals at the LFO frequency rate. Two AM window waveforms; a)VOSIM-like Ramp; b) Grain-like Triangle. The features described above are variously available across some or all of four output channels

The DaCapo75 is a light weight, powerful all-in-one acoustic combo amplifier

that represents your sound where ever you are on stage, at home or when recording.

Specs: Power: 75W nominal, 60W continuous, 180W instantaneous Dynamic range: 92dB(A) Driver : 8” double cone Sensitivity : 93.1 dB SPL at 1m for 1W Enclosure with bassreflex 2 channels with jack and XLR input, 3-band EQ and dedicated DI 2 line outputs: preamp level and -10dBV Minijack stereo auxiliary input External Send/Return effect loop 6 digital effects presets (2 reverbs, 2 delays, reverb+delay, chorus) One delay effect controlled by footswitch Color : black Weight : 7.5kg Dimension : 325 (l) x 245 (w) x 265 (h) mm. Carrying bag included Footswitch not included

Dolby On Just tap record to .... and Hear the details

Lose the background noise with Dolby’s original contribution to music: noise reduction. No more electrical hum, amp buzz, or fan noise. Add shape and depth

Hear every instrument with Dolby On’s proprietary, dynamic EQ which automatically adapts to your music, and stereo widening which expands your sound beyond mono.

Stand out on music platforms like Facebook, Soundcloud, and Instagram with compression and pro-limiting that optimizes your volume. Make it your own

Colour your sound, or go deeper with bass, treble, boost, and track trim controls with our custom-designed Styles — like photo filters for audio. Recording tips

Find out how to get the most out of Dolby On. Check out our tips for how to record, edit, and livestream your performances, rehearsals, song ideas, and more from your mobile device.

This Made in Japan Fender Jaguar bass is a fantastic player and has the looks to match. The three tone sunburst finish is a real classic. Year – 2012 Colour – Three Tone Sunburst Body Finish – Gloss Body Wood – Alder Neck Finish – Gloss Neck Wood – Maple Fretboard – Rosewood Frets – 20 Scale Length – 34″ Weight – 9lbs/4.1kgs Electronics – Active Pickups – Fender J

The JT-300 is their take on the classic and timeless T style guitar with two single coil pickups.

The guitar boasts features never, ever seen in a guitar at the price, such as a bone nut, roasted Canadian maple neck with a smooth satin finish, a 9.5" radius rosewood fingerboard, and high quality chrome plated hardware.

Also, they absolutely nail the vintage colours and vibe of the 1950s and 1960s. This particular guitar is in an eye catching Shell Pink!

The tone and playability is outstanding and a perfect guitar for beginners, as well as intermediate or professional players seeking a new sound.

Body Material ‎Basswood Fretboard Material ‎Rosewood Guitar Pickup Configuration ‎S-S String Material ‎Nickel Top Material ‎Basswood Neck Material Type ‎Maple Number of Strings ‎6 Guitar Bridge System ‎Fixed

A Special Custom Accustic Electric Guitar from Maton build for Daniel Johns from Silverchair from the 90ties based on the EM525 Model.

Product Specifications of EM525C (98)

Model Code: EM525C (98) Model for Daniel Johns : Gold Sparkel Paint Model Name: 525 Series Category: Acoustic/Electric Body Shape: Thinline / Cutaway Body Top: Flat top Body Type: Hollowbody Soundboard Wood: A Solid Sitka Spruce Back Wood: Queensland Walnut Sides Wood: Queensland Walnut Neck Wood: Queensland Maple Fingerboard: Rosewood Inlays: Dot Inlays Bridge: Rosewood Headstock: Standard Machine Heads: Chrome Deluxe Rosette: Mozaic Outer Banding: Ivory Inner Banding: Black/White Pickup: AP5 Year Of Manufacture: 1998 Year Intro: 1988 Year Of Discontinuation: Current

The Phantom Limb Delay and Looper by Discomfort Designs

Discomfort Designs' Phantom Limb is a compact pedal that seamlessly blends delay and looping into an unpredictable playground of sound. At its heart lies a nine-looper system with random playback triggers, controlled by a single Chance knob that adjusts the probability of each loop firing. The Length knob further shapes your loops, determining their duration and adding layers of dynamic possibilities.

To tame this delightful chaos that undoubtedly ensues, the loop buffer can be locked, replaying fragments of the last few moments. In this mode, the Length and Chance knobs allow you to scan and manipulate the buffer in real time, reshaping and evolving your sound on the fly. Once your loops are sculpted, they flow into the delay side of the pedal, offering three distinct modes: clean, drifting modulation, and pitch-shifted delay. Weird, wonderful, and undeniably inspiring, the Phantom Limb is the perfect tool for adventurous musicians ready to embrace the unexpected. Phantom Limb Delay and Looper Features

Unique delay looper effect Built-in band, low, and high pass filters Looper side constructed with 9 loopers Length knob adjusts loop size Delay side offers standard Time and Regen controls Three delay modes: Clean, Drifting Modulation, and Pitch Shifted Independent footswitches for Delay and Loop

The Peavey Pro Fex II Guitar Preamp & Midi Pedal System

This Peavey Pro Fex II MIDI rack mount pre-amp effects processor. Great guitar preamp system with the preamp providing phantom power to the foot controller pedal. Only 1 power supply is needed to power both units. Lots of FX are possible, Distortion, compressor, Delay, chorus, reverb, etc. It has a brand new 3.6v memory battery installed on 2-5-16.

Included: 1- Peavey Pro Fex II Guitar Preamp (with new 3.6v memory battery)

1 - Peavey Pro Fex II Midi Controller Pedal

1 - 12' 8 Pin Midi Controller Cable

1 - 16VAC Power Adapter

The Gripen by Kauer Custom Guitars Gripen. Swedish for awesome. (ok, not really)

Brand new, the first truly new Kauer in nearly 8 years. A joint design between Doug and Max Kauer, the Gripen is angular, cubist and modern, yet somehow still immediately identifiable as a Kauer at its core. When we started designing Gripen, we centered quickly around our neck-thru experience as a way to get away with the aggressive nature of Gripen.

Click here for how to order. Remember, when custom ordering, use coupon code " DEPOSIT " at checkout. Standard Specs

Spanish Mahogany Neck-thru and wings

24.75" scale Wenge fretboard with Gripen specific Crown inlays

Pickup options include Wolfetone, Lollar and TV Jones

Hipshot locking tuners

TuneOmatic / Tailpiece

Plek’d in house!

Kauer Gripen Artists:

Tom Dumont (No Doubt)

Scott Holiday (Rival Sons)

Graham Whitford (Tyler Bryant)

Joe Hottinger (Hailstorm)

The Gripen by Kauer Custom Guitars Gripen. Swedish for awesome. (ok, not really) You can Choose Color , Pick-Ups and Hardware on the Gripen

Brand new, the first truly new Kauer in nearly 8 years. A joint design between Doug and Max Kauer, the Gripen is angular, cubist and modern, yet somehow still immediately identifiable as a Kauer at its core. When we started designing Gripen, we centered quickly around our neck-thru experience as a way to get away with the aggressive nature of Gripen.

Click here for how to order. Remember, when custom ordering, use coupon code " DEPOSIT " at checkout. Standard Specs

Spanish Mahogany Neck-thru and wings

24.75" scale Wenge fretboard with Gripen specific Crown inlays

Pickup options include Wolfetone, Lollar and TV Jones

Hipshot locking tuners

TuneOmatic / Tailpiece

Plek’d in house!

Kauer Gripen Artists:

Tom Dumont (No Doubt)

Scott Holiday (Rival Sons)

Graham Whitford (Tyler Bryant)

Joe Hottinger (Hailstorm)

The Gripen by Kauer Custom Guitars Gripen. Swedish for awesome. (ok, not really)

Brand new, the first truly new Kauer in nearly 8 years. A joint design between Doug and Max Kauer, the Gripen is angular, cubist and modern, yet somehow still immediately identifiable as a Kauer at its core. When we started designing Gripen, we centered quickly around our neck-thru experience as a way to get away with the aggressive nature of Gripen.

Click here for how to order. Remember, when custom ordering, use coupon code " DEPOSIT " at checkout. Standard Specs

Spanish Mahogany Neck-thru and wings

24.75" scale Wenge fretboard with Gripen specific Crown inlays

Pickup options include Wolfetone, Lollar and TV Jones

Hipshot locking tuners

TuneOmatic / Tailpiece

Plek’d in house!

Kauer Gripen Artists:

Tom Dumont (No Doubt)

Scott Holiday (Rival Sons)

Graham Whitford (Tyler Bryant)

Joe Hottinger (Hailstorm)