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Dolby A-362

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Page last updated Aug 10, 2025

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Step into the world of refined audio processing with the Dolby A-362, a versatile effects processor designed for studio recording enthusiasts. Known for its advanced noise reduction technology, this unit enhances your recordings with unparalleled clarity and precision. The Dolby A-362 is a staple in professional recording settings, delivering a cleaner, more polished sound by minimizing unwanted noise. Its intuitive interface ensures that both seasoned professionals and budding audio engineers can easily navigate its features.

Perfect for enhancing vocal recordings, instrumentals, or even full mixes, the Dolby A-362 adapts seamlessly to various studio setups. It integrates effortlessly with existing equipment, providing a reliable and consistent performance every time. Whether you're working on a delicate acoustic track or a dynamic electronic piece, this processor is designed to elevate your audio to new heights.

Key Features:

Advanced noise reduction technology for clearer sound
Intuitive interface for ease of use
Compatible with a wide range of studio setups
Ideal for vocal, instrumental, and full mix applications
Professional-grade processing for enhanced audio quality

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Caleb Followill

Guitarist

Kings of Leon

Verified via Soundonsound

Used for the vocals on "Sex on Fire", as stated by Only by the Night producer Jacquire King in this December 2008 Sound on Sound interview. An image of the item can be found here.

Vocals: Sound Toys Echoboy, Audio Ease Altiverb, Massenburg DesignWorks EQ, Neve 1099, Urei 1176, Dbx 902, Dolby A encoder, Teletronix LA3A

"I had a Sound Toys Echoboy delay and an Altiverb reverb, set to the EMT 140 plate, on the vocals. In fact, there are two or three delays and two or three reverbs in total, different amounts in different sections of the song. I had a Massenburg plug–in EQ on the vocal bus, and underneath it you can see my insert signal chain: Neve 1099 EQ/Urei Blue Stripe 1176/Dbx 902 de–esser. I pre-mix in my computer and things are coming out in stems, and going out into the desk and the Folcrom mixer for mixdown to stereo. The 1099/1176/902 were inserted in the analogue realm and daisy-chained. There's also a distant lead double in the chorus. I call that a performed effect. Instead of using a delay and modulation to get something in the background, you record a second performance in a different space and with a different microphone. You get something more deliberate and unique that way. Finally, once it came to summing, I also added some Dolby A to the vocals, which gives an excited high-frequency sound that I sent through an LA3A and blended back in."