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S7G Strictly 7 Guitars , Hand Built Electric Guitars & Basses USA Made Factory Built Electric Guitars JAPAN Made.

S7G Strictly 7 Guitars , Hand Built Electric Guitars & Basses USA Made Factory Built Electric Guitars JAPAN Made. Strictry 7 Guitars Solar 8 Custom is a 8 String Guitar made by Strictly 7 Guitars, Birds Eye Flame Maple Fingerboard, 24 Frets, 28 and 6 25 Scale Lenght 2 black hex Aftermath Humbucker Pickups , Single Volume.

S7G Strictly 7 Guitars , Hand Built Electric Guitars & Basses USA Made Factory Built Electric Guitars JAPAN Made.

Classic looks with spot-on tone! A guitar is about so much more than the wood, the finish, and the parts - at least a good guitar is. A good guitar is about how it makes you feel as well as how it makes you sound. The Raptor guitars have an old soul; inspired by vintage instruments from the golden age of guitar building, these harken back to a simpler time. Each Raptor is crafted to inspire you, to deliver tone and sustain that will bring out your creativity and transport you to another time and place. Go ahead - strap one on, grab your favorite pick, and play for a while. The Peavey Raptor Plus models set an unprecedented standard in quality and innovation, with technological features never before available on a guitar in this price range! Solid body construction with new styling for better ergonomics and balance. Specs: Colour: Sunburst , Body Material: Basswood , Neck Material: Maple , Neck Profile: Slim , Fingerboard: Rosewood, 12" Radius , Scale Length: 25.5" Pickups: Three Single Coils , Bridge Type: Vintage Style Trem , Tuners: Die Cast , Finish Type: Gloss Polyurethane

Electric guitar string set from Harley Bento , nickel-plated steel wire with a hexagonal core made of American steel , individually colored ball ends for easy assembly , string gauges: .009, .011, .016, .026w, .036w, .046w

Electric guitar string set from Harley Benton , nickel-plated steel wire with a hexagonal core made of American steel , individually colored ball ends for easy assembly , string gauges: .009, .011, .016, .024w, .032w, .042w

Say aloha to Kyser® Quick-Change® Ukulele capos, the fastest way to change keys––and colors. With fashionable, floral-inspired finishes and a one-handed trigger design that’s as easy as a day at the beach, Quick-Change® Ukulele capos handle the hard part so you can take it easy.

sobbat DRIVE Breaker DB-2 Like the DB-1, this model has plenty of sustain. This model has a slightly lower distortion level and a slightly rougher sound. It produces a crisp, crisp sound known as the "SRV" sound. It's perfect for guitarists who value "nuance" over number of notes. **If you're looking for a single unit for rhythm guitar or riffs/solos with low/high emphasis, we recommend the original DB-2 model. **If you're looking for a lightly distorted rhythm guitar or a boost for solo work, we recommend the new DB-2S model. SPECIFICATIONS , Type: Overdrive , Size: 95.5mm (W) x 124.5mm (D) x 55mm (H) , Power supply: AC adaptor 9 Volts DC center negative or 6F22/6LR61/006P 9V (battery) , Current consumption: 13mA (when using alkaline batteries) , Impedance In/Out: In 1MΩ/Out 470Ω

LVX is what we’ve been dreaming of for many years. It is a Modular Delay System which breaks the paradigm of pre-set delay types in favor of freedom and flexibility. The architecture of LVX allows ultimate creative freedom to design a custom delay, exactly as you’ve dreamed of. We designed a completely new UI and experience from the ground up, to make a complex system immediately intuitive to navigate. LVX is built of discrete processing elements and control signal generators that we call Modifiers. They can be connected as desired for nearly infinite flexibility in crafting custom sounds. Experiencing the built in factory presets will demonstrate a variety of examples of the power within LVX. The true creative potential of LVX will be revealed as you discover all of the new ways to unveil your own vision. Modular Delay System architecture 2540mS of Highly Configurable Dual Delay Advanced ARM Processor Configurable Delay Structures, Types, and Processing Elements for the ultimate customization in delay processing Intuitive Color Screen based User Interface Always Available True Stereo 60 Second Looper 99 Preset Locations in 33 Banks Favorite Preset Bank for instant access to your 3 favorite presets Instant Access Tuner with configurable Reference and Output mode Deep Modifier Section lets you Route Control Signals to Processing Parameters True Stereo Processing Elements (Poly Pitch Shifter operates in mono) All New Processing Elements including Preamps, Granulize, Cassette, Poly Pitch, and more Includes Processing Elements from the Meris family: Polymoon, Hedra, Enzo, and Ottobit Jr. Selectable Note Divisions for each side of the stereo Dual Delay Digitally controlled Analog mix bus Stereo input and output with separate jacks for each Switchable input/output headroom level for Instrument or Synthesizer / Line levels MIDI In and Out over standard MIDI Din Jacks Assignable Expression Pedal control for multiple parameters simultaneously Dedicated Expression Pedal Jack MIDI implementation for Continuous Control Parameters MIDI Preset Send and Receive MIDI beat clock synchronization Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP Premium Analog Devices JFET input section Dimmable screen and logo light Color – white powder coat with fine iridescent flake Designed and built in California, U.S.A.

EF-X3 Tolex Enclosure Chorus Echo with BBD Analog Chorus & Spring Reverb The EF-X3 With Tolex Enclosure Chorus Echo is the latest offering in Echo Fix’s line of tape delays. Built in Australia, to the highest quality, the EF-X3 includes many of our most requested features and builds on the momentum and trust gained after 3 years of making the EF-X2. 100% Analog Now with an Analog BBD Chorus & Analog Spring Reverb, the EF-X3 boasts a 100% analog signal path. Individual Playback Head Outputs for stereo effect from mono source Individual outputs for each playback head offer flexibility never seen before in a tape echo, with the ability to achieve a classic Stereo Ping-Pong delay effect from a mono source by panning each playback head externally via a mixer or DAW. Unmatched Reliability On top of this, we’ve implemented a new auto tape stop circuit to extend tape life. Same Team, Same Peace of Mind For nearly 15 years, we’ve been keeping tape echos alive. Now that we make our own, our standards are higher than ever. Rest assured that your machine will be the most capable, reliable tape echo on the market, supported by a team with some of the best customer service in the industry. It’s Alive If you’ve been in a room with one of our units, you’ll know what we mean by this. Used as an effect, they simply make everything sound better. But turn up the echo volume, dial in some feedback and watch as our unit self-oscillates into life and becomes an instrument more than an effect. The EF-X3 will change the way you make music. Key Features , Direct playback head outputs allowing for external panning for stereo ping pong delays from a mono source , Analog BBD Chorus with rate and depth controls , Analog Spring Reverb , Independent SOS switching for longer delay time (1.2 seconds) , Direct WET output at rear for Reverb/Chorus, Balanced Input and Output at rear , Auto tape stop when no audio signal present to extend tape and motor life (There is a switch at the rear to disable this feature). , CV Control for Motor Speed and Feedback level (0-5v) via compatible Expression Pedals , Bass and Treble Controls (Echo Signal) , Vintage Guitar/Line FET Preamp (Front Panel) , High/Low Output level switch (Front Panel Output) , Four echo playback heads (including SOS head) , Motor ON/OFF Switch for tape slow down effect , Mute the reverb, echo and chorus signal via remote foot switches , Comes with a worldwide-compatible, 100 - 240v power supply (no step-down or other transformers required) , 2 Years Warranty for all pre-sale purchases with peace of mind that this is made by a company that has been operating for nearly 15 years specialising in tape echo repair and spare parts , Removable Tinted Acrylic Lid , High quality scratch resistant front panel , 2 Tape loops supplied with each unit , Two front Panel colour options - Silver or Black , Wood Sides , Head Mode Settings: Mode 1 - Head 1 , Mode 2 - Head 2 , Mode 3 - Head 3 , Mode 4 - Head 1 + 2 , Mode 5 - Head 2 + 3 , Mode 6 - Head 1 + 3 , Mode 7 - Head 1 + 2 + 3 , Sound On Sound is another head that can be switched on over the top of all the head mode settings or you can use the SOS head independently. , Tape Speed - 4 IPS to 15 IPS , Weight: 12Kgs

EF-X3R Chorus Echo with BBD Analog Chorus & Spring Reverb The EF-X3R is the latest offering in Echo Fix’s line of tape delays. Built in Australia, to the highest quality, the EF-X3R includes many of our most requested features and builds on the momentum and trust gained after 3 years of making the EF-X2. 100% Analog Now with an Analog BBD Chorus & Analog Spring Reverb, the EF-X3R boasts a 100% analog signal path. Individual Playback Head Outputs for stereo effect from mono source. Individual outputs for each playback head offer flexibility never-before-seen in a tape echo, with the ability to achieve a classic Stereo Ping-Pong delay effect from a mono source by panning each playback head externally via a mixer or DAW. Unmatched Reliability On top of this, we’ve implemented a new auto tape stop circuit to extend tape life. Same Team, Same Peace of Mind For nearly 15 years, we’ve been keeping tape echos alive. Now that we make our own, our standards are higher than ever. Rest assured that your machine will be the most capable, reliable tape echo on the market, supported by a team with some of the best customer service in the industry. It’s Alive If you’ve been in a room with one of our units, you’ll know what we mean by this. Used as an effect, they simply make everything sound better. But turn up the echo volume, dial in some feedback and watch as our unit self-oscillates into life and becomes an instrument more than an effect. The EF-X3R will change the way you make music. 3RU 19" Rack Mountable with sliding drawer system for easy tape replacement , Direct playback head outputs allowing for external panning for stereo ping pong delays from a mono source , Analog BBD Chorus with rate and depth controls , , Analog Spring Reverb , Independent SOS switching for longer , Delay time (1.2 seconds) , Direct WET output at rear for Reverb/Chorus , Balanced Input and Output at rear , Auto tape stop when no audio signal present to extend tape and motor life (There is a switch at the rear to disable this feature). , CV Control for Motor Speed and Feedback level (0-5v) via compatible Expression Pedals , Bass and Treble Controls (Echo Signal) , Vintage Guitar/Line FET Preamp (Front Panel) , High/Low Output level switch (Front Panel Output) , Four echo playback heads (including SOS head) , Motor ON/OFF Switch for tape slow down effect , Mute the reverb, echo and chorus signal via remote foot switches , Comes with a worldwide-compatible, 100 - 240v power supply (no step-down or other transformers required) , 2 Years Warranty for all pre-sale purchases with peace of mind that this is made by a company that has been operating for nearly 15 years specialising in tape echo repair and spare parts , High quality scratch resistant front panel , 2 Tape loops supplied with each unit , Two front Panel colour options - Silver or Black Head Mode Settings: Mode 1 - Head 1 , Mode 2 - Head 2 , Mode 3 - Head 3 , Mode 4 - Head 1 + 2 , Mode 5 - Head 2 + 3 , Mode 6 - Head 1 + 3 , Mode 7 - Head 1 + 2 + 3 , Sound On Sound is another head that can be switched on over the top of all the head mode settings or you can use the SOS head independently. Tape Speed - 4 IPS to 15 IPS , Weight: 12Kgs

Awkward Breed - Fuzz An organism grown from rough, compressed friction fuzz. The Awkward Breed's grainy nature develops with your input. High output pick-ups will give you a thick long sustain, whereas a lower pick-up output offers a shorter staccato style fuzz, reminiscent of a dying battery. It's also capable of synth like textures when used with a bass guitar. The Awkward Breed is an articulate fuzz that has a variable sustain based on the input volume. Higher output pickups and harder picking will result in a thicker longer sustain where as reducing the input volume by having lower output pickups or rolling your guitars volume knob back a little will cause the Awkward Breed to produce a fuzz tone with a shorter decay and even spluttery dying battery sounds. Hand soldered and screen printed. Powered by standard 9VDC negative centre adaptors (not included), no batteries (less landfill). 3mA current draw. If you have any problems with a Life is Unfair pedal, send us an email and we'll fix it for free. This doesn't include cosmetic damage.

"The Dream Left Behind" - Fuzz Based on discoveries made when studying an almighty fuzz monolith: "The Dream Left Behind" sheds new light on a classic sound with an updated, well balanced tone; allowing your guitar to soar through the mix and not become a lost relic. "The Dream Left Behind" is a muff based fuzz circuit that has no tone stack and a fixed gain. The gain stages are set up so that the volume pot of your guitar can be rolled back to clean up the sound to get a more crunchy sound than your standard muff style fuzz. Hand soldered and screen printed. Powered by standard 9VDC negative centre adaptors (not included), no batteries (less landfill). 3mA current draw. If you have any problems with a Life is Unfair pedal, send us an email and we'll fix it for free. This doesn't include cosmetic damage.

BAD MACHINE is a multi-function boost, overdrive and fuzz unit designed in collaboration between LIFE IS UNFAIR Audio Devices & Mike Cunniff of the band BOSTON MANOR. Featuring independently switchable boost and fuzz circuits. Bypass switching is latching by default but either channel can be set to momentary operation via internal dip switches. Controls: BOOST - Output level of the boost circuit. REVERSE - Swaps the order of the boost and fuzz circuits. LEVEL - Output level of the fuzz circuit. BASS - Active peaking filter with 20dB of boost or cut available. TREBLE - Active EQ with 20dB of boost or cut available. GAIN - Input level of the fuzz circuit. 105Hz/86Hz - Centre frequency for bass EQ. SHELF/PEAK - Alters the response of the treble EQ from a shelf filter with a cutoff of 3.2KHz to twin peak filters of 960Hz and 1280Hz FUZZ MODE - Routes the signal path of the fuzz circuit through different filter networks. A brief description of which is found below: I - Signal is routed through the input gain stage & EQ, bypassing the clipping & filter sections to operate as a boost/overdrive. II - Thick mid frequency fuzz with subtle upper octave. III- Mid scooped fuzz with more prominent octave artefacts. IV - Combination of modes II & III. V - Additional 5dB boost at 105Hz & 10dB at 4.9kHz for a metallic edge. Powered by standard 9VDC negative centre adaptors (not included), no batteries (less landfill). 10mA current draw. If you have any problems with a LIFE IS UNFAIR pedal, send us an email and we'll fix it for free. This doesn't include cosmetic damage. Hand assembled and screen printed in Cardiff, Wales. Printing by HOLY ISLAND AUDIO , © 2024 Life is Unfair

Astronomy Domine is a foray into distant spaces, both strange and wonderful. Pedal to mimic and extend spring reverberation units timbre, transferring it to zone of unceasing massive sound waves. With multiple colour shaping controls, wide gain range with remarkable distortion capacity and reverb wavefolding circuit it may create classic and pleasing ambient tones, but rather be found on way to noise, shoegaze, psychedelic, drone and all sorts of experimental paths of music peregrinations. CONTROLS: Full manual at bottom of the page. VOLUME - overall volume of the pedal REVERB - volume of reverb channel DRY - volume of dry channel FEED/FOLD knob - amount of reverb feedback, or wavefolder gain (depending on the switch setting) SPACE knob - length and 'size' of reverb COLOUR knob - overall tone control of the pedal FEED/FOLD switch - left setting sends reverb signal back to it's input (feedback); right setting routes reverb signal to a wavefolder circuit; center setting selects both of these SPACE switch - sets overall preamp gain, headroom and clipping behaviour (reverb goes into dirt stage) - left setting is high headroom boost; center setting is overdrive; right setting is distortion COLOUR switch - left setting is flat on both channels; center setting brightens reverb channel; right setting keeps center setting plus additional treble boost on both channels (input stage) CRASH momentary footswitch - engages self-oscillation Internal CRASH trimpot - sets how quick CRASH footswitch reaches max feedback Internal DIP switch - sets hard clipping type of SPACE switch right position: ON is LED clipping (classic distortion sound - factory setting), OFF is diodes disconnected Specifications: True bypass latching switch , Input impedance: 1MΩ , Output impedance: max 3kΩ , Power: 9-12V DC negative center, current draw 115mA, up to 290mA at startup , Hammond 1590BBS box (124mm x 94mm x 58mm including hardware)

The RE-1s Delux is any custom version of the standard RE-1s. Remember when guitar companies were inventive and creative with designs and materials? Or when they made their own parts or used the best components to make their guitars an unique, creative and affordable tool for musicians? It’s been a while.. I tried my best to channel Nat Daniel, the genius behind the original Danelectro Guitars and Amps and was very creative with using unique materials to keep costs of materials and labor down.
The RE-1s was designed to simplify the manufacturing without losing the most critical parts of a guitar, playability and tone. Almost every single RE-1s part is made here in the shop from repurposed materials.
I’ve even designed and hand wind a “goldfoil” style pickup that can be moved around (even while playing!) to achieve a wide variety of sounds not normally available with a single pickup guitar. My mantra for this build: Recycle components , Repurpose materials , Refine design , Reimagine function , Refind inspiration , Reignite passion , Reduce labor, cost, weight and price Includes: Baranik handwound Gold Foil sliding pickup , Iluminated control pod (plugged in) , Wood intonated saddle , Glow in the dark fretmarkers , Captured Corian nut , Hipshot locking tuners , Simple sunburst thin satin finish , Entry level Retro gig bag , Weight approx. 5lbs 6oz , Made in California USA Specs: Lower bout 12.25” , Fretboard Radius 14” , Scale length 24.75 , Nut width 1.6875” , String spacing 1.950”

The Yamaha NS-BP150 is a Compact bookshelf perfect for smaller setups. The NS-BP150 uses Yamaha’s VCCS (Vibration Control Cabinet Structure) to aid in the preventions of unwanted cabinet vibration for more accurate and natural sound. In addition, three legs provide additional shock absorption, considerably enhancing sound quality. The speaker terminals are high-grade, gold-plated screw type. The end result is a clear and highly musical sound performance. Specs: 11cm Woofer , 2.5cm Dome Tweeter , VCCS (Vibration Control Cabinet Structure) , 30W Nominal Input Power