John Abercrombie's Gear

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On three tunes, “Clint,” “Hippityville,” and “Killing Time,” he utilizes Roland’s GR-700 synth module and Ibanez’ IMG2010 controller, creating vivid, high-tech sonic landscapes, while with “Alice in Wonderland” and “Still,” he acknowledges tradition by featuring conventional electric and acoustic instruments.

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"At home and on record, I use an old Polytone Mini-Brute and a Roland JC-77. Live, I usually request a Roland and a Mesa/Boogie." (Originally published July 2007)

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"I use a Boss SE-50 for delay, reverb, and chorus, and I split the signal into two amps…" (Originally published July 2007)

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John Abercrombie speaks about this gear in the article.

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"…a key to my sound is a Boss GE-7 Graphic EQ that I use as a pre-amp. I set the volume on my amps low, and the volume on the EQ high, so I still get a lot of level out of the amps, but with less noise…" (Originally published July 2007)

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For Ray’s session, I brought my old Polytone and split it with a Roland JC-77. I also use a JC-120 sometimes as well. Those are my two amps of choice when I record. In the past I’ve had different setups, but this is the rig I’ve been using for a long time.

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When I play with a group, I always go stereo, but in a duo or at home I just use a Roland Cube 60. I also have a Walter Woods power amp, which is really nice. When I want to go stereo at home, I use the Walter Woods with an Electro-Voice speaker cabinet and my Cube 60. I also have a T.C. Electronic chorus.

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Sometimes I take my Ovation Legend acoustic, and if I don't use it on the gig, at least I can use it to practice in the hotel room. Then there's my rack, which holds a Rane six channel mixer, a Lexicon PCM-60 reverb, and a little Ibanez delay. So for someone who's supposed to be a jazz player, I'm traveling around with quite a bit of stuff.

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This article mentions and shows this Sadowsky guitar.

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From Abercrombie: "I've been using this distortion pedal for the last few years that's made in California by a company called Fulltone. They make a pedal called the Full-Drive, which is basically an overdrive pedal that's got a couple of stages of distortion you can use. I find it's one of the more natural-sounding ones; I just like the sound."

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From Abercrombie: "I try to get the same kind of amps. I usually go for these Roland JC-120s, mostly because I've gotten used to them so I know what they do. They basically have volume, bass, treble, middle, and that's it. It's very easy; I don't have to think about them or need a diagram to figure out how to program them. It's a basic guitar amp.

I also like a MESA/Boogie amp called the Mark III. Again, it's a very simple, straightforward amp. I play in stereo, so I usually like to use one of each kind if I can, because I find that using different amps sometimes creates this interesting sound, and I prefer that to using two amps at the same time that are the same. If one is different, you really get a sense that you're playing in stereo. You can really feel it more."

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From Abercrombie Guitar Player 1986 interview: "However, his most recent album, Current Events, disproves that perception once and for all. Joining forces with two of the most solid musicians in modern jazz - drummer Peter Erskin (Formerly with Weather Report and Steps Ahead) and bassist Marc Johnson (formerly with pianist Bill Evans) - he has forged a new sound that brings together strong composition, a high level of group cohesiveness, and adventurous improvisation. On three tunes, “Clint,” “Hippityville,” and “Killing Time,” he utilizes Roland’s GR-700 synth module and Ibanez’ IMG2010 controller, creating vivid, high-tech sonic landscapes, while with “Alice in Wonderland” and “Still,” he acknowledges tradition by featuring conventional electric and acoustic instruments."

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John Abercrombie is associated with the McCurdy The Albion semi-hollowbody electric guitar, as detailed on the McCurdy Guitars website.

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John Abercrombie is noted for using the JAM Pedals Tube Dreamer 72 Vintage Overdrive, as confirmed by JAM Pedals on their website.

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In this article the artist mentions this guitar.

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John Abercrombie is seen playing his Vox Virage II SC 2009 - Red in a Reverb ad.

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John Abercrombie used a VOX Virage II Butterfly SC Ash Blonde, as evidenced by a Reverb ad showing the prototype VOX Virage II Butterfly SC Sunburst, which also appears at an auction on Bonham Skinner Inc. Auction: Musical Instruments - 3490T Location: Marlborough Date / Time: November 09, 2020 12:00PM

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Discography

Album Credits

  • Solar

    Solar

    John Scofield & John Abercrombie · 2007

    Producer

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