kkolar's Activity

Always committed to designing instruments with the player in mind, the Ibanez AEG200 represents a continuation of the popular AEG series. With a reduced-depth body, this slimmer acoustic-electric is light and easy to play. The AEG200 features a solid Sitka spruce top with okoume back and sides — a tonewood pairing that delivers a full, rounded tone that is steeped in a rich low end and a crisp high end. A nyatoh neck with ovangkol fingerboard offers stellar playability and response, and an Ibanez T-Bar II undersaddle and AEQ-TTS preamp kick out beautifully articulate amplified tone. The AEG200 also features a smooth, deep cutaway that gives you access to those higher notes up the neck.

Part of the MINI pedal family, the Made in Japan TRMINI Tremolo features a three-knob configuration; Wave, Speed, and Depth. It also features a Level trim pot which enables boosting the overall affected sound. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural tremolo tones. The TRMINI is a classic, warm, and full-sounding tremolo pedal that’s also economical on pedalboard space!

Part of the MINI pedal family, the Flanger MINI is modeled after a vintage flanger sound and delivers pro-quality tones in a convenient, compact box. Made in Japan, the FLMINI features a three-knob controls layout consisting of Depth, Regen, and Speed. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural-sounding tones and affords players a classic, warm, and full-sounding flanger that won't take up excess space on your pedalboard!

Imagine the Reverend Warhawk, but sleeker and more vibrant. Thinner wings and more mass at the center ridge means tones are fuller. Add the Double Agent pickups, and you can explore all kinds of new auditory realms. The HA5 bridge humbucker and 9A5 neck P90 unite to give you warm, open, and clear tones with extra drive and punch. The Warhawk DAW includes the Wilkinson WVS50 IIK for aggressive whammy exercises. This guitar is meant for some serious playing.

Meet the Contender: Reverend Guitars’ flat-top, single-cut set neck guitar. Classically retro, but the offset body and six-in-line headstock give the guitar a modern feel. A strategic chamber under the pickguard increases resonance and reduces weight. The Contender RB includes Reverend’s all-new Retroblast pickups. The mini-humbuckers have percussive, yet smooth tone backed with plenty of energy for classic power chord crunch or Rockabilly blues rhythms. Add a Bigsby B50, and this guitar effortlessly combines vintage with cutting-edge -- a hallmark of Reverend’s original designs.

The Roundhouse wallops! The new Roundhouse is the classic single cutaway reimagined for today’s player. This carved top set neck – a first for Reverend Guitars -- has a massive tone but is lightweight and balanced. Every Roundhouse features Reverend’s HA5 humbuckers, flame maple top, a TOM stop-tail bridge, pau ferro fretboards, and no pickguards. Perfect for all your rock-and-roll dreams!

The Amp 100 is the new high power addition to The Amp model line that set the standard for pedalboard sized tube/Class D hybrid guitar amps in 2018. Maximum wattage has been increased to 100w and an integrated FET boost circuit and dual control reverb has been added. A black finish with Walnut end panels and silver knobs completes the new look.

In the Amp 100, an internal FET boost starts at unity gain and can work as an ‘always on’ EQ sweetener, subtly boosting midrange frequencies, or as a powerful drive pushing the 12AX7 tube into full saturation. The boost sits between the triodes of the preamp tube. Placing the boost internally preserves interaction between the instrument input and the first tube stage, and also increases headroom so that The Amp 100 can still work well with external drive and boost pedals.

The Amp 100 has a dual control reverb system, adding a control for decay time as well as reverb blend. The decay control ranges from a short room like reverb sound to a full tank spring splash with classic drip.

The Amp 100 shares all of the great features of The Amp : a studio quality line output with cabinet simulation, pedal level output, headphone output and universal power.

The Godin Metropolis line of acoustic guitars is synonymous with high standards of quality and design. Meeting those same criteria, at a price point that is highly competitive, is the Metropolis Classic QIT. The Classic dreadnought body shape will make you feel right at home with its Solid Mahogany Back & Sides and Solid Spruce Top, all producing a tone that is equally warm as it is loud. Other quality build and design components include the distinctive Metropolis pickguard, mahogany neck with Richlite fretboard, ebony bridge, custom Metropolis inlay at the 12th fret, and Custom Godin Electronics. The Metropolis Classic QIT is an absolute acoustic benchmark at a value that will have you strumming for joy!

AMT Electronics engineers present a new device in the AMT Bricks series – the AMT PANGAEA VIRGIN CAB VC16. It is an IR cabinet simulator for individual practice, Live gigs, and recording. The device has a universal interface of the AMT Bricks series of the devices, which lets you combine the devices of this series in the easily controllable complex. The input attenuator lets you use the device not only with line-level signals but with power amps output signals. The device main outputs can be used either in balanced or unbalanced modes. Needless to say, the electric guitar tone is defined by many components, such as a guitar itself, an amp, a cabinet with speakers and a mic. The new AMT Electronics PANGAEA VIRGIN CAB VC16 can emulate the sound of any miked guitar cab, whose Impulse Responses (IRs) are free or commercially available on the Internet and can be easily loaded to the Pangaea via USB.

The precedent for hollowbody aesthetic and tone, the X-175 Manhattan Special looks as good as it sounds. With its gracefully sculpted and richly resonant hollowbody, arched spruce top, and rock-solid three-piece neck it exemplifies the quality building of the Guild Manhattan models of the 1950’s and ‘60s. The secret to this model’s iconic tone lies in the authentic DeArmond Dynasonic neck and bridge pickups, providing crystal clears highs and a full, round low-end - the makings of the iconic tones of rockabilly and blues from the 1950’s on forward. Complimenting the tonal pallet of the Dynasonic pickups, the X-175 Manhattan Special features a Guild Vibrato Tailpiece for expressive playing. Other premium features include fully bound body, neck, F-holes, and headstock, mother-of-pearl block fretboard inlays, and a hard shell case. Available in a special addition satin Malibu Blue finish.

Back in the good ol’ days, it was a popular practice to send a bass guitar signal to a bass amp and a guitar amp at the same time – known as Bi-Amping. This allows the player to keep their low end deep, clean and defined whilst amplifying the mids and top end separately, adding distortion or crisp highs with total control. This type of setup can produce some enormous tones but typically requires a huge and complicated rig, only possible if you’re Rock ‘n’ Roll royalty. But, if you have to get all this together by yourself? Forget it! Forget amp-in-a-box pedals, the Bass Butler is a whole van-load of gear in a box! Splitting your signal at the input, the Bass Butler features two completely separate, parallel, analogue signal chains, just like a real bi-amp rig. The difference is there’s not an amp in sight.

Get ready for bone-crunching bass power in a tiny package. From Orange Amplification comes the Little Bass Thing, a fearless, featherweight bass amp head designed for modern bassists. Legions of bass players at Sweetwater rely on their trusty Orange Terror head, gig after gig. The Little Bass Thing is a modified version of this wildly popular amp with a solid-state front end. Designed for maximum tone with minimum fuss, the Little Bass Thing’s solid-state preamp features compression and simple but flexible 3-band EQ feeding Orange’s fearsome 500-watt Class D output section, all in a diminutive chassis that weighs all of 6.5 pounds.

The VOX Cambridge50 is a modern modeling guitar amplifier powered by Nutube and Celestion for powerful and responsive tones. The VOX Cambridge50 is an ambitious product that opens new possibilities in a modeling guitar amp. It features Nutube, for real tube distortion and response, and an open-backed cabinet equipped with a 12-inch Celestion speaker for the classic VOX tone. Its simple design allows you to easily dial in settings on the face of the amp, or save your favorite settings as presets. With 11 types of amp models, 8 built-in effects, and a built-in tuner, this amp is perfect for many applications and any style of music.

Nobody does Reverse Delay like this! Invented by ­Danelectro® in 1999, this pedal has achieved cult status. Originals cost a small fortune. Why? Because of its warm violin-like, organ-like tone. It literally flips the phrase you just played and plays it ­backwards. There’s nothing like it! Party like it’s 1999. Because it is!

Look closely at the boards of top L.A. and Nashville players and you will see the 1990’s Ibanez® ­Mostortion™ again and again. Danelectro® brings back this awesome pedal, nailing the original tone and grit, but also adding 2 tasty ­clipping ­options. Better than ever!

With the Communication Breakdown you just won the fuzz lottery. Adding not one, but two amazing fuzz pedals to your collection, all in one compact box of gainy goodness. Fuzz A is born out of the fire and flames of the rare Tone Bender MK1.5, but brings it into the modern era by using hotter silicon transistors than the original. This results in a wide range of extremely powerful yet refined fuzz tones.

Fuzz B, on the other hand, takes a page (see what we did there) from the book of the classic Tonebender MKII, and preserves everything good and great about that snarling, saturated and compressed box of fuzzy wonder. But as an extra bonus, we added our JFET pre-amp to the equation in order to breathe more stability and tonal clarity into this legendary circuit.

But the really cool part is of course that you can use the two channels either individually or together, seeing you jump from a hairy rhythm tone to a soaring lead in seconds, or lets you sculpt unique dirt tone never heard before.

Each channel sports the same super intuitive controls, so you won’t be left dazed and confused exploring its vast fuzzy playground. Besides the ubiquitous Fuzz and Volume controls, each side has a Bias knob, whichlets you vary the voltage sent to the circuits. Clock-wise will give you beefy and bold dirt tones, whereas counter-clockwise sees it unleash a more lean, choppy and gated fuzz tone.

On top of that you can further sculpt the overall tone of each side viathe simple three-way Color toggles, for everything from bright and biting full-range tones to smooth and dark, while the Input toggles let you adjust the input attenuation of the pedal, making sure that it plays well withany wahyou want to putin front of it.

So whether you’re a classic fuzz connoisseur looking to nail history defining dirt tones or simply searching for a versatile fuzz pedal to jump-start your creativity, then the Communication Breakdown is sure to deliver.

Our journey to push the boundaries of what a drive pedal can be has come to its next stop. This is Subspace: the analogue versatility of Odyssey by Peter Hamstead, optimised for low frequencies. With its re-voiced circuit, enhanced with the addition of a parallel dry control, Subspace allows you to craft your perfect drive sound without losing any character or low frequencies from your original signal. You’ll be taken on a journey from clean boost with tone shaping, to warm vintage valve style overdrive, through to defined distortion and all the way to glitchy oversaturated fuzz.

From one of the oldest instrument manufacturers around, the Harmony Juno solidbody electric guitar delivers evocative tone, masterfully crafted lines, and big value all around. The Juno’s single-cutaway body style is unique yet classic, and the Juno stands out from the pack with a dynamic pair of custom gold-foil P-90 pickups with rich, evocative tonality. A hand-filling "C" neck profile with just-right 25" scale and a glassy, 12"-radius ebony fretboard set a fantastic platform for a variety of playing styles. The vintage vibe is complete with a classic nitrocellulose lacquer finish, and Harmony’s iconic Custom Cupcake knob controls a lone master volume pot. And for gigging around town, the Harmony Juno includes an ultra-padded MONO Vertigo soft case with hands-free backpack straps.

The Supro Clermont guitar is a retro-future fantasy instrument designed in conjunction with Nashville-based guitarist Ford Thurston. The concept for this guitar originated with the idea of taking a traditional Supro double-cut body shape, and proportionally increasing the body dimensions to match Ted McCarty’s groundbreaking semi-hollow 335 design.

The Clermont maple body features a single, stylized “f-hole” on the upper bout and flat-top body with 3-ply binding. A three-piece bound maple neck with 24.75” scale, 12” radius and smooth satin finish is topped off with National-style “bowtie” inlays; and an elegant black “stinger” is featured on the back of an enlarged headstock with 3-per-side Kluson-style tuners. The Clermont is also equipped with a genuine Bigsby B7 vibrato system and roller bridge. The custom electronics package found on the Clermont features a calibrated pair of mini-humbucker-sized Gold Foil pickups for a crystal-clear, wide-range, single-coil sound. A 3-way toggle switch is joined by individual volume controls for each pickup and a master tone control, all topped with Hofner-style creme/gold “teacup” knobs. The Clermont features a “50’s wiring” scheme that preserves top-end sparkle when rolling the pickup volumes down, greatly enhancing the range of usable sounds in comparison to typical production guitars. The Clermont’s elegant lines, thoughtful hardware appointments and custom electronics come together to create a world-class, semi-hollow guitar that can handle a wide variety of musical situations from indie rock to surf instrumentals, western swing and everything in-between. While clearly possessing a unique set of tonal and visual aesthetics, the Clermont’s stylish body contours enable the instrument to fit perfectly into a 335-style hardshell case.

The Supro Conquistador guitar is a future-retro fantasy instrument designed in conjunction with Nashville-based guitarist, Ford Thurston. The concept for this guitar originated with the idea of taking a traditional Supro, double-cut body shape and proportionally increasing the body dimensions to match Ted McCarty’s ground-breaking, semi-hollow 335 design. The Conquistador’s mahogany body features a single, stylized “f-hole” on the upper bout and a gentle bevel along the outer edge for player comfort. A 3-piece bound mahogany neck with 24.75” scale, 12” radius and smooth satin finish is topped off with an elegant, black “stinger” on the back of an enlarged headstock with 3-per-side Kluson style tuners. The Conquistador is also equipped with a genuine Bigsby B7 vibrato system and nylon saddle bridge.

The custom electronics package found on the Conquistador combines a mini-humbucker sized, Gold foil pickup in the neck for woody single coil tones with an Alnico 3 PAF style humbucker for vintage clarity, sparkle and bite in the bridge position. A 3-way blade switch is joined by individual volume controls for each pickup and a master tone control topped with Hofner-style creme and gold “teacup” knobs. The Conquistador features a “50’s wiring” scheme that preserves top-end sparkle when rolling the pickup volumes down, greatly enhancing the range of usable sounds over typical production guitars.

The HeadRush Expression Pedal is the perfect expression pedal to use with any Headrush unit. The first thing all users will notice and appreciate is that the Expression Pedal is built like a tank! This is clearly a unit that is fully up to the rigors and challenges of life on the road. The built-in toe switch enables users to quickly and easily access two virtual expression FX blocks, plus you can customize the tension of the pedal with the included hex key.

Vox, the home of legendary guitar tone for over 60 years, proudly announces the ideal headphones for every guitarist – the VH-Q1. You can now have the one set of headphones that provides the highest quality noise cancelling, a powerful set of controls, unique musical features to enhance your practice all while delivering unparalleled sound quality.

The VOX VH-Q1 uses a very new kind of Bluetooth headphone technology, developed to deliver unsurpassed high definition sound for your music. Combining state-of-the-art Active Noise Cancelling, incoming sound attenuation and an array of smart features, the VH-Q1 headphones provide a flexible, controllable, powerful and great-sounding experience. Whether you’re practicing, listening to your favorite music or chatting with family and friends on your Bluetooth connected smart device, the VH-Q1 is the only set of headphones guitarists and bassists will ever need.

The Reverend Mike Watt Signature Wattplower Mark 2 -- all the fat tone and punch of the original with a new pickup configuration! The neck is made of Korina, 3 pieces laminated for strength - and the fingerboard wood is pau ferro. Get brighter and deeper tonal options, taking this bass to the next level of versatility.

A big, booming tone that can cut-through other instruments is what many guitarist are seeking, that included Michael Sweet. Best known as the guitar player in Stryper, Michael needed an acoustic that would work when playing live, recording or writing. The Michael Sweet J40SCE signature Washburn guitar features a jumbo body shape and extra depth, which is loud and clear, with well pronounced bass tone that most acoustics lack. This performance-first foundation has been enhanced visually with a solid bearclaw spruce top, highly figured quilted maple back & sides along with an ornate combination of inlays, rosette, and body binding. If you need to get a little louder it also has integrated Barcus Berry electronics. Plugged in or unplugged this acoustic is ready to roll.

Loop, slow down, play, pause, and rewind videos - all with your foot. Learning is all about repetition, and Vidami’s built-in functionality makes that fast and easy.

he G20 is the high-gain follow up to the world’s first Two notes Torpedo-Embedded amplifier. This all-tube head has an optional reactive load for organic feel & tone when playing without a cab & hosts virtual cabinets onboard for direct recording, silent playing, & live performance without a microphone. With D20 we set out to build an amp that not only has this new modern featureset but sounds incredible on its own as a standalone clean/crunch platform amplifier. Now the G20 brings you all of that functionality & tone + amazing fire-breathing gain built right in.

With its modern looks and comfortable neck profile, the Yamaha NTX5 acoustic-electric nylon-string guitar enables electric guitarists and steel-string players to easily explore the warm sounds of nylon-string guitar. And while at home in any setting, the NTX5 guitar’s strap buttons and unparalleled Atmosfeel pickup system make it especially appealing to performing guitarists.