Gear
edited Sub Zero Rogue VI
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The SubZero Rogue VI produces a unique sound that cuts through the mix. Tuned an octave lower than a standard electric guitar the SubZero Rogue VI creates an unmistakeable low tone found in a range of music from aggresive rock and metal to mellow pop and indie. Comfortable with agile playing the body shape has been carefully developed for comfort. Whilst the neck though longer than an average eletric guitar retains a very playable 42mm nut width. The smooth thermally treated maple fretboard gives you accurate performance and control while the maple neck and classic bridge humbucker configuration delivers dynamic tonal possibilities. Find your own voice with the SubZero Rogue VI baritone guitar.
6 string guitar / bass VI hybrid, tuned an octave lower than a conventional electric guitar
30" scale length to maintain string tension at low tunings
Warm tone and attack, with two vintage PAF-style humbuckers
Bound fretboard with pearl block inlays, classic influence on a modern guitar
Specifications General Information Scale Length: 30" / 762mm Number Of Strings: 6 Dexterity: Right Handed Construction: Bolt On Body Series: SubZero Rogue Body Material: Alder Body Finish: Gloss Body Colour: Tobacco Sunburst Neck Neck Material: Maple Neck Shape: Modern C Neck Joint: Bolt-On with Ultra-Access Contour Neck Finish: Natural Matte Scale Length: 30" (762mm) Truss Rod: Double Action Fingerboard Radius: 13.7″ (350mm) Fingerboard Material: Thermally Treated Maple Number of Frets: 22 Fret Size: Extra Jumbo Nut Material: Graphite Nut Width: 42mm Hardware & Electronics Bridge Pickup: Vintage Style Humbucker 15.20K Neck Pickup: Vintage Style Humbucker 11.50K Controls: 1x Volume, 1x Tone Hardware: Chrome Finish Nickel Bridge: Tune-O-Matic w/ String Through Machine Heads: Die Cast Control Knobs: Dome Style String Gauge: 0.24 - 0.84
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The SubZero Rogue VI produces a unique sound that cuts through the mix. Tuned an octave lower than a standard electric guitar the SubZero Rogue VI creates an unmistakeable low tone found in a range of music from aggresive rock and metal to mellow pop and indie. Comfortable with agile playing the body shape has been carefully developed for comfort. Whilst the neck though longer than an average eletric guitar retains a very playable 42mm nut width. The smooth thermally treated maple fretboard gives you accurate performance and control while the maple neck and classic bridge humbucker configuration delivers dynamic tonal possibilities. Find your own voice with the SubZero Rogue VI baritone guitar.
6 string guitar / bass VI hybrid, tuned an octave lower than a conventional electric guitar
30" scale length to maintain string tension at low tunings
Warm tone and attack, with two vintage PAF-style humbuckers
Bound fretboard with pearl block inlays, classic influence on a modern guitar
Specifications
General Information
Scale Length: 30" / 762mm Number Of Strings: 6 Dexterity: Right Handed Construction: Bolt On
Body
Series: SubZero Rogue Body Material: Alder Body Finish: Gloss Body Colour: Tobacco Sunburst
Neck
Neck Material: Maple Neck Shape: Modern C Neck Joint: Bolt-On with Ultra-Access Contour Neck Finish: Natural Matte Scale Length: 30" (762mm) Truss Rod: Double Action Fingerboard Radius: 13.7″ (350mm) Fingerboard Material: Thermally Treated Maple Number of Frets: 22 Fret Size: Extra Jumbo Nut Material: Graphite Nut Width: 42mm
Hardware & Electronics
Bridge Pickup: Vintage Style Humbucker 15.20K Neck Pickup: Vintage Style Humbucker 11.50K Controls: 1x Volume, 1x Tone Hardware: Chrome Finish Nickel Bridge: Tune-O-Matic w/ String Through Machine Heads: Die Cast Control Knobs: Dome Style String Gauge: 0.24 - 0.84
edited Sub Zero Rogue VI
Improved item description.
Before:
The SubZero Rogue VI produces a unique sound that cuts through the mix. Tuned an octave lower than a standard electric guitar the SubZero Rogue VI creates an unmistakeable low tone found in a range of music from aggresive rock and metal to mellow pop and indie. Comfortable with agile playing the body shape has been carefully developed for comfort. Whilst the neck though longer than an average eletric guitar retains a very playable 42mm nut width. The smooth thermally treated maple fretboard gives you accurate performance and control while the maple neck and classic bridge humbucker configuration delivers dynamic tonal possibilities. Find your own voice with the SubZero Rogue VI baritone guitar.
6 string guitar / bass VI hybrid, tuned an octave lower than a conventional electric guitar
30" scale length to maintain string tension at low tunings
Warm tone and attack, with two vintage PAF-style humbuckers
Bound fretboard with pearl block inlays, classic influence on a modern guitar
After:
The SubZero Rogue VI produces a unique sound that cuts through the mix. Tuned an octave lower than a standard electric guitar the SubZero Rogue VI creates an unmistakeable low tone found in a range of music from aggresive rock and metal to mellow pop and indie. Comfortable with agile playing the body shape has been carefully developed for comfort. Whilst the neck though longer than an average eletric guitar retains a very playable 42mm nut width. The smooth thermally treated maple fretboard gives you accurate performance and control while the maple neck and classic bridge humbucker configuration delivers dynamic tonal possibilities. Find your own voice with the SubZero Rogue VI baritone guitar.
6 string guitar / bass VI hybrid, tuned an octave lower than a conventional electric guitar
30" scale length to maintain string tension at low tunings
Warm tone and attack, with two vintage PAF-style humbuckers
Bound fretboard with pearl block inlays, classic influence on a modern guitar
Specifications General Information Scale Length: 30" / 762mm Number Of Strings: 6 Dexterity: Right Handed Construction: Bolt On Body Series: SubZero Rogue Body Material: Alder Body Finish: Gloss Body Colour: Tobacco Sunburst Neck Neck Material: Maple Neck Shape: Modern C Neck Joint: Bolt-On with Ultra-Access Contour Neck Finish: Natural Matte Scale Length: 30" (762mm) Truss Rod: Double Action Fingerboard Radius: 13.7″ (350mm) Fingerboard Material: Thermally Treated Maple Number of Frets: 22 Fret Size: Extra Jumbo Nut Material: Graphite Nut Width: 42mm Hardware & Electronics Bridge Pickup: Vintage Style Humbucker 15.20K Neck Pickup: Vintage Style Humbucker 11.50K Controls: 1x Volume, 1x Tone Hardware: Chrome Finish Nickel Bridge: Tune-O-Matic w/ String Through Machine Heads: Die Cast Control Knobs: Dome Style String Gauge: 0.24 - 0.84
edited Sub Zero Generation Pro Fanned Fret 8-string
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With incredibly versatile humbuckers and its alder body, the Generation Pro Fanned Fret Electric Guitar will take your playing to the next level. The SubZero Generation has been designed to push your music to the limits, utilising a slimmer neck profile for fast riffing and groovy rhythm patterns.
The updated body shape along with 5-piece maple and walnut design has been carefully developed for ease of access to the upper frets and improved sustain, whilst helping you maintain a comfortable and well balanced playing position. The fanned fret, multi-scale fretboard offers a new level of playability - you'll feel comfort like never before when you're playing. It will also enhance your tone, adding tightness and definition to notes played on the lower strings.
Specifications
General Information Scale Length: 25.5-28” / 648-711mm Number Of Strings: 8 Dexterity: Right Handed Construction: Bolt On
Body Body Material: Alder Top: Poplar Eye Burl Binding: Black Colour: Grey Tide Fade Satin Top / Natural Satin Back and Sides Neck Neck Material: 5 Piece Maple and Walnut Fretboard: Thermally Treated Maple Laminate Neck Depth: 19mm at 1st Fret / 21mm at 12th Fret Binding: Black Radius: 14-20” Compound Radius Profile: C Frets: 24 Stainless Steel, Extra Jumbo Inlays: 2x White ABS Dot Fretboard 12th fret, Green Luminlay Side Dots Neck Finish: Natural Satin Nut: 54mm Nut Width - Graphite
Hardware & Electronics Bridge Pickup: Black Passive Humbucker, Ceramic Magnet, High Output Neck Pickup: Black Passive Humbucker, Ceramic Magnet, Medium/High Output Controls: 1 Volume Pot, 500k / 1 Tone Pot, 500k Switch: 3 Way toggle Switch, Black Plastic Input Jack: Regular Tuners: Black Locking Tuners Bridge: Single Saddle Bridge System Hardware Colour: Black
Other Information Accessories Included: Truss Rod and Bridge Saddle Allen Keys String Gauge: 10-74
edited Sub Zero Rogue VI
Added item description.
Before:
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The SubZero Rogue VI produces a unique sound that cuts through the mix. Tuned an octave lower than a standard electric guitar the SubZero Rogue VI creates an unmistakeable low tone found in a range of music from aggresive rock and metal to mellow pop and indie. Comfortable with agile playing the body shape has been carefully developed for comfort. Whilst the neck though longer than an average eletric guitar retains a very playable 42mm nut width. The smooth thermally treated maple fretboard gives you accurate performance and control while the maple neck and classic bridge humbucker configuration delivers dynamic tonal possibilities. Find your own voice with the SubZero Rogue VI baritone guitar.
6 string guitar / bass VI hybrid, tuned an octave lower than a conventional electric guitar
30" scale length to maintain string tension at low tunings
Warm tone and attack, with two vintage PAF-style humbuckers
Bound fretboard with pearl block inlays, classic influence on a modern guitar
edited SoulSonicFX Folk Driver
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An overdrive inspired by the sound of the BJFE Honey Bee. This isn't a copy or clone, it is a unique circuit designed to give similar tones to the Honey Bee. Consider this to be a light "jazz" overdrive. It adds body and bite to an otherwise clean tone, but can still get a bit crunchy if you push it. The "Timbre" control adjusts the amount of drive and the tone of the drive. At one extreme it is maximum drive with the lows cut, for a clear tone. At the other extreme it is max drive with lows retained for a fatter tone. With Timbre at 12 o'clock, the tone is neutral with minimum drive - this setting can be useful if you just want a boost.
edited Elephant Pedals Treble Boost
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Hand-wired point-to-point silicon treble boost pedal. This is wired point to point based on the Dallas Rangemaster with a BC108 transistor.
9v power supply required. Does not take 9v battery.
edited Jānis Miesnieks
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“Miesnieks” is true-bypass, analog, handmade distortion/overdrive pedal made by Jānis Altmanis (Jānis.lv) from Birzgale, Latvia. Originally designed for guitar but will work great with bass guitar and other signal source too.
“Miesnieks” in translation from latvian language means “Butcher”. Why? Because this effect sounds beefy and heavy but at the same time It is very smooth and you can get very nice tone from all strings.
Controls:
Skaļums – The pedals master volume
Tonis – Tone control with huge range of tonal choices
Jauda – The amount of drive
Switch – More gain or less
LED: Red
Power supply: 9V regular center negative power adapter (Boss type). Adapter not included. You cant put 9V battery in this pedal.
True-bypass
Components through-hole (no SMD)
Protection against polarity inversion
Jacks for input and output: 6.3mm
Each and every Jānis.lv pedal is soldered, wired, assembled and finished by hand in Birzgale, Latvia. Letters are punched in enclosure by steel letters in Latvian language.
edited 29 Pedals EUNA
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EUNA is the Elite UNity Amplifier from 29 Pedals.
An input driver that replaces a conventional buffer, EUNA is built to protect and condition your instrument's signal to prepare it for whatever you want to do with it. Console grade build, three great sounding filters, and an alt-path insert loop for your classic fuzz and wah circuits that don't want to be buffered. Also features the 29 Pedals WHATEVER power supply, which accepts 7.5 to 35 volts of AC or DC in either polarity with no change in tone. EUNA is made by 29 Pedals in California.
Even a few true-bypass pedals and 20' of cable can hang out your guitar's output and make it feel mushy and dark. Buffers can help, but they are often very simple circuits that create sonic issues of their own.
Meet EUNA!
EUNA is an Elite UNity Amplifier. It is designed to protect and condition your guitar’s signal. Use it in place of an input buffer. Plug directly in, first in the chain. You can safely remove all other buffers after it if you wish. We recommend an output driver at the end of your chain. You can use a conventional buffer, or try our output amplifier OAMP. Plug your guitar directly into EUNA with the shortest cable that is convenient.
EUNA features an effects loop that activates when EUNA is OFF. It was designed for use with vintage or vintage-style fuzz pedals. The interaction between your guitar and your fuzz is disturbed by any buffering, so EUNA’s effects loop allows you to switch between a buffered input and guitar-direct-to-fuzz. You can also use the loop to remove your tuner’s buffer from the signal chain. Let us know what other uses you find for the loop! If nothing is plugged in to the loop, the pedal is true-bypass when switched off.
EUNA features 29 Pedals’ WHATEVER power supply. The WHATEVER power supply accepts 7.5 to 35 volts of AC or DC (either polarity) with absolutely no change in tone. It’s true!!
EUNA has three sweetening circuits - Harmonics, Bright and Low. Low adds a little bit of low end. Not too much, just a little bit for some sweet oomf or to make up for low-end loss in your pedal chain. Bright adds some brightness, and Harmonics pushes the air band where guitar harmonics are. Harmonics adds sweet, tube-like chime to any rig.
EUNA preserves "touchyness" and "snap." There is also an increase in effective dynamic range of your signal, and in some cases coil noise is reduced! The custom-tailored load kicks the resonant peak of your pickups out typically about 5 or 10k compared to a load of a few true-bypass switches and reasonable cabling. The pickup’s top-end rolloff is smoother too. You'll feel more chime and less pinchy top-end.
EUNA will take over +18dB input with extremely low THD* - many other pedals fold about +10dB or less! The extra headroom on the front end means that EUNA will pass through your entire signal. That extra headroom means that fast transients won't ever run out of room - no relatively normal electric guitar could clip this, even for an instant. It's absolutely flat from 10Hz to 50kHz, but all the above features create a perceived tone "sweetness." EUNA can be modified to accept up to +22dB!
Connect power to the WHATEVER power input with a standard DC plug. You can use AC or DC, either polarity, 7.5 to 35 volts. EUNA consumes about 100 mA.
Use the footswitch to engage or disengage EUNA. The light is brighter when EUNA is ON. When EUNA is OFF the insert loop is ACTIVE. If nothing is plugged into the insert loop, EUNA will be in True Bypass mode when switched off. You can connect a pedal to the Send/Return jacks. Connect SEND to the INPUT of the pedal you want to connect. Connect RETURN to that pedal’s OUTPUT.
EUNA is very DIY friendly - the Opamp is socketed so you can very easily audition chips. Notes on the PCB will help experienced DIYers tailor EUNA completely to their rig. EUNA will drive down to 600 ohms perfectly flat, but there are a few places tweakers will delight in hacking. Remove only 4 screws and you can service/mod the entire audio path without disturbing the power supply side or removing the board from the chassis.
The construction is a single 4 layer PCB with 2oz copper throughout. Huge traces and fully plated holes, like high-end recording equipment and hifi gear. This method provides superior fidelity and transmission. No jumper wires, fewer soldered connections, shorter paths, more copper. The power supply side is completely isolated from the audio side with a layer of shielding and separate ground planes connected at a single point in a proper star-ground configuration. No electrolytics in the signal path, only for PSU filtering. 1% thin-film resistors, WIMA film caps and other audiophile-grade components complete the short signal path.
*THD better than 0.01% at +19dBu input & 10K Ohm load. THD better than 0.01% at +17dBu input & 600 Ohm load.
125mm x 92mm or 4.875" x 3.625"
edited Champion Leccy The Skitter
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The Skitter is both a reverb and a tremolo. With some fancy pants switching you can apply the tremolo in any combination to the dry and reverb signals, giving you incredibly flexible modulation options.
Controls:
Dry controls:
Love – direct signal volume.
Trem – this turns the tremolo function on/ off for the direct signal. Up is on, down is off.
Reverb controls:
Love – reverb volume
Trem – this turns the tremolo effect on/ off for your reverb signal. Up is on, down is off.
Light – this is a three way low pass filter switch for your reverb. It allows you to roll some of the treble off for darker reverb sounds.
The red knobs control the LFO:
Space – This knob controls the depth of the modulation.
Time – This knob adjusts the speed of the LFO which will make your modulations slow and elegantly undulating or frantic and trill-tastic!
The smaller red knob with the squiggly lines around it – This is the LFO waveform selector, and it’s the heart of the Skitter’s versatility. The lines may not quite match up exactly to the waveform symbols, but they’re in the right order and they shouldn’t be too far off. From left to right, the waveforms are ramp up, ramp down, square wave, triangle, sine, sweep, random (levels), random (slopes). You can see the wave form change as you turn the knob if you watch the red indicator LED. Please note that if you’ve selected one of the random waveforms, it’ll sound like the LFO isn’t taking the tap tempo/ time knob too seriously, that’s due to the random nature of the waveform.
Kilter – This switch lets you select whether the reverb tremolo is in sync with the dry tremolo or whether it mirrors it. The up position modulates both signals at the same time. Down is ‘off-kilter’. When the reverb is off-kilter, you get a swing from dry to reverb according to the selected LFO waveform. Basically the reverb gets loud when the dry signal gets quiet and vice versa.
There are two trim pots inside the Skitter. Please don’t mess with them.
edited Saturnworks Pedal Order Switcher
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Most players know that the order in which you arrange your pedals can be just as important as the pedals you choose, and placing the pedals in different orders can have dramatic effects on your tone. The pedal order switcher reverses the order of two effects loops. This allows you to experiment with the effect order order of your pedals, or change it quickly on the fly. The Saturnworks pedal order swapper gives you extra sounds using the same pedals you already use, expanding your sonic palate.
The order switcher pedal includes a bi-color LED to indicate which order your pedals are in. At 4.5″ x 2.5″ the pedal swapper is also very compact. The pedal order switcher is passive, meaning that the swapping function doesn’t require batteries. The power, standard center-negative 9V DC, is only to make the LED work.
edited Saturnworks Dual Buffer
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The Saturnworks dual buffer keeps your tone strong and clear. As your signal travels through yards of cables and pedals it tends to loose its high end and becomes dull. Buffers keep your tone sparkly by converting the guitar's normally weak (high impedance) guitar signals into stronger (low impedance guitar signals. The Saturnworks dual buffer doubles your buffering pleasure as it is literally two separate buffers in one with two discreet inputs and two outputs.
The Saturnworks dual buffer is hand crafted and bench tested in the USA with quality components including a solid cast-aluminum enclosure and heavy-duty Neutrik jacks. It is powered by a standard 2.1mm center-negative 'Boss' type adapter. A bright LED indicates that the buffers are powered and working. At 4.5" x 2.5" x 1" the Saturnworks buffered splitter pedal is also very compact.
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The Saturnworks dual buffer keeps your tone strong and clear. As your signal travels through yards of cables and pedals it tends to loose its high end and becomes dull. Buffers keep your tone sparkly by converting the guitar's normally weak (high impedance) guitar signals into stronger (low impedance guitar signals. The Saturnworks dual buffer doubles your buffering pleasure as it is literally two separate buffers in one with two discreet inputs and two outputs.
The Saturnworks dual buffer is hand crafted and bench tested in the USA with quality components including a solid cast-aluminum enclosure and heavy-duty Neutrik jacks. It is powered by a standard 2.1mm center-negative 'Boss' type adapter. A bright LED indicates that the buffers are powered and working. At 4.5" x 2.5" x 1" the Saturnworks buffered splitter pedal is also very compact.
edited Saturnworks Dual Buffer
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The Saturnworks dual buffer keeps your tone strong and clear. As your signal travels through yards of cables and pedals it tends to loose its high end and becomes dull. Buffers keep your tone sparkly by converting the guitar's normally weak (high impedance) guitar signals into stronger (low impedance guitar signals. The Saturnworks dual buffer doubles your buffering pleasure as it is literally two separate buffers in one with two discreet inputs and two outputs.
The Saturnworks dual buffer is hand crafted and bench tested in the USA with quality components including a solid cast-aluminum enclosure and heavy-duty Neutrik jacks. It is powered by a standard 2.1mm center-negative 'Boss' type adapter. A bright LED indicates that the buffers are powered and working. At 4.5" x 2.5" x 1" the Saturnworks buffered splitter pedal is also very compact.
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