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Compact Chromatic Tuner Pedal with Full-color Display, True Bypass, and 32-bit Processing - Aluminum

The D’Addario Chromatic Pedal Tuner is the perfect combination of innovation, simplicity and style. Housed in a rugged aluminum enclosure, the tuner features fast note detection, superb accuracy, wide calibration range and true-bypass wiring with an easily accessible foot switch. The tuner’s full-color vertical display allows for quick intuitive tuning at home, in the studio or on stage.

The XVP-20 Expression and Volume Pedal from Korg is an updated and compacted take on the XVP-10, a similar pedal available since 1994. In addition to providing volume control over signals and expression manipulation over a given parameter, this revised model includes many new features, such as rubberized feet to facilitate better floor grip, smoother internal gears, and a black anodized finish.

Dual rotor simulation with dual speed settings and all-analog circuitry.

Pigtronix Rototron is an all-analog rotary speaker effect that combines frequency modulation, phase shifting, tremolo, bucket brigade-based chorusing and a three-way crossover all meticulously voiced to achieve unsurpassed, three-dimensional rotary realism in a compact, easy to use pedal.

Designed by Howard Davis and David Koltai, the Pigtronix Rototron accurately recreates the complex acoustic phenomenon of the legendary dual rotor 122 and 147 cabinets as used by Peter Frampton, Danny Gatton, the Beatles and many more. The analog design approach used within the Rototron sounds warmer, fatter and feels far more realistic than the digital rotary effects currently available from other companies. Line-level headroom and full stereo input and output options make the Rototron ideally suited to keyboardists as well as guitarists who use a stereo setup live or in studio.

Independent Slow and Fast speed controls with adjustable ramp time allows musicians to achieve the mesmerizing sound of speeding up and slowing down an actual rotary cabinet. A remotely switchable Brake option completes the authentic experience to provide rotary bliss on stage without the back breaking hassle. Separate expression pedal jacks for the low and high rotors enable some entirely new variations on the classic rotary sound. Internally switchable input summing and mid-range panning options round out this incredibly flexible, easy to use and hypnotic sounding analog rotary simulator from Pigtronix.

Dual rotor simulation with dual speed settings and all-analog circuitry.

Pigtronix Rototron is an all-analog rotary speaker effect that combines frequency modulation, phase shifting, tremolo, bucket brigade-based chorusing and a three-way crossover all meticulously voiced to achieve unsurpassed, three-dimensional rotary realism in a compact, easy to use pedal.

Designed by Howard Davis and David Koltai, the Pigtronix Rototron accurately recreates the complex acoustic phenomenon of the legendary dual rotor 122 and 147 cabinets as used by Peter Frampton, Danny Gatton, the Beatles and many more. The analog design approach used within the Rototron sounds warmer, fatter and feels far more realistic than the digital rotary effects currently available from other companies. Line-level headroom and full stereo input and output options make the Rototron ideally suited to keyboardists as well as guitarists who use a stereo setup live or in studio.

Independent Slow and Fast speed controls with adjustable ramp time allows musicians to achieve the mesmerizing sound of speeding up and slowing down an actual rotary cabinet. A remotely switchable Brake option completes the authentic experience to provide rotary bliss on stage without the back breaking hassle. Separate expression pedal jacks for the low and high rotors enable some entirely new variations on the classic rotary sound. Internally switchable input summing and mid-range panning options round out this incredibly flexible, easy to use and hypnotic sounding analog rotary simulator from Pigtronix.

The BOSS FV-30H is a compact volume foot pedal designed with your pedalboard in mind. Specially designed as a space-saver, you get more room for more effects pedals without compromising the expressive performance you get with a BOSS volume pedal. The musicians here at Sweetwater have long-depended on the rugged durability and great sound that BOSS effects pedals have added to their playing experience. The FV-30H's all-aluminum die-cast chassis provides the durability, and smooth responsive action gives you the sonic performance BOSS is famous for.

The FV-30H and FV-30L are compact foot volume pedals with kickin’ new designs. They’ve been specially created for saving space on your pedalboard while maintaining the trusted BOSS standard for sound quality, reliability, and durability. These pedals are 100-percent professional grade, aluminum die-cast units, and feature smooth pivot action that supports subtle changes in volume control. Thanks to their small size, the FV-30H and FV-30L offer a huge advantage for traveling musicians and gigging players who need to maximize pedalboard space.

As with the other models in the FV series, two different pedal versions allow you to choose the best type for your specific application:

FV-30H—A high-impedance pedal (with dedicated tuner output) that’s best for connecting directly to an electric guitar or bass.

FV-30L—A low-impedance pedal equipped with stereo input/output for stompboxes, keyboards, and other digital instruments.

The Disaster Area DMC.micro is an ultra-compact MIDI Controller for your pedalboard.

The DMC.micro uses our advanced Gen3 technology in a tiny package – just 3.6″ x 1.5″ x 1.6″ (93 x 38 x 42mm.)

The DMC.micro user interface is incredibly simple – tap the left or right buttons to perform an action, hold the left button to perform a third “alternate” action, or hold the right button to advance to the next “page.”

The DMC.micro can access up to five pages, whose functions may include:

Device Control: Program select and bypass for up to three devices. Looper Control: Controls the looper on the Strymon Timeline, Eventide H9 / Timefactor, or Line 6 M9/M13. Utility: User-set actions on left / right / alt buttons. Preset: Stores programs from Device Control pages and allows the user to change multiple devices at once.

The DMC.micro also features our astounding MultiJack connector, which can perform several different functions to simplify your setup!

Connect one or two 1/4″ MIDI devices from companies such as Alexander Pedals, Chase Bliss Audio, Empress, and Meris Connect an expression pedal to send MIDI messages to one or more of your devices. Connect an external footswitch for tap tempo control. Send tap tempo to an external device such as a DD-7, Panther Cub, Flint, and more. Need more control? Use the USB port to interface with your computer or tablet device and turn the DMC.micro into a USB MIDI controller. Maybe you have a Zoom MultiStomp (MS-50G / MS-60B / MS-70CDR?) or a newer Red Panda pedal? Connect it to the USB port using our gHOST Adaptor to control it with MIDI!

High-impedance Volume/Expression Pedal for Guitar or Other High-Impedance Instruments

The pedal-sized Strymon Iridium gives you the tube staging, tone stack, and touch response of three iconic amplifiers, each with three corresponding cabinet choices, all in a line-level stereo output which you can send straight to FOH. No amp required. Iridium’s Class A JFET preamp handles your guitar and stomps just like a true tube amp. Its analog front end feeds a powerful 2-stage DSP processor which carefully approximates the tube bais, harmonic breakup, cone compression, and EQ interaction of some of your favorite front ends. Whether you’re playing the blues through chunky American 1×12 or raising the roof through a dimed British high-watt, the Strymon feels and handles much like your favorite stacks and combos.

The Walrus Audio Deep Six is a four-knob true bypass compressor pedal that uses the Universal Audio 1176 as its studio performance benchmark. It has been produced with a fish image on the casing in several different colors.

The HERCULES TravLite Electric Guitar/Bass Stand GS302B is solid, sturdy and compact.

One-button momentary switch, used with OX & OX9

Designed for the Eventide Factor Series

A compact and straightforward delay pedal with our classic tape-like sound, perfect for ambient, sound landscapes, slapback and playing on the edge of a feedback explosion.

The KAM6 combines a FET saturation stage with a LED clipping stage to give you the most organic and powerful distortion. Besides, thanks to its 20dB of clean boost you can switch between leads and rhythm with just the click of a button. Play with fire!

Riverside is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. Our goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. We didn't want to build just another distortion or overdrive. We knew we must examine what has been done, and bring a new approach to the world of drive sounds.

Overdrive Pedal with Controls for Bass, Middle, Treble, Drive, Level, Push, Gain, and Presence

Fully programmable MIDI controller that controls any pedal or device regardless of brand or model

Get your effects organized.

British Orange small aluminum pedal board with Gator carry bag and bottom mounting power supply bracket. Power supply not included.

Get your effects organized.

Ultra-low noise discrete Mic Preamps. Phantom Power. 2 Stereo input Channels

Overdrive/Distortion Pedal, with 12 Drive Modes, Expression Pedal/Footswitch Input, and MIDI I/O

The ZOIA is basically a modular synthesizer in pedal form. Instead of being a delay effect or tremolo, the ZOIA provides the modules necessary to build a delay or tremolo from the ground up. But since you're the one building it, you can make it do whatever you want. With the ZOIA you can build your own custom effects, synthesizers, midi controllers, and virtual pedal boards. And to make life a little easier, we've created modules for all your standard guitar effects. So for instance, if you want a phaser, you can just plop down a phaser. You don't have to break out the textbooks to learn that they're built out of all-pass filters. (Of course, if you're a nerd like us, you can use the ZOIA to build them out of all-pass filters).

Dark World™ is the first fully digital offering from Chase Bliss Audio; a unique dual channel reverb that we made with a little help from our friends. Cooper FX is responsible for the “Dark” channel; a collaborative effort influenced partly by their Generation Loss and Outward designs. Keeley Electronics crafted the “World” channel, which houses three absolutely gorgeous Hall, Plate, and Spring algorithms. Put together, the channels can be routed in 33 distinct ways, creating a stunning palette of reverb ranging from subtle, tasteful, and lush all the way to broken video cassette, glitch shimmer, and infinite freeze. Add all this to the dense digital control and full MIDI, dip-switch, and preset implementation Chase Bliss is known for, and you have yourself a very fun, powerful, and player-friendly reverb pedal in a small package.

Pedalboard Tuner for Guitar and Bass, with LED Display, and Input, Output, and 9V Power Connections