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2-channel, 45-watt Guitar Amp Tube Head with 3-way Gain Switch, Independent Boosts, Pre and Post Effects Loops, and Reverb

BOSS Katana amps have received accolades from guitarists everywhere for their fantastic sound and feel, onboard effects, and great value. Now, the Katana-Mini makes serious Katana tone accessible in a small, go-anywhere amp that runs on batteries. Offering sound quality that far exceeds other amps in its class, this miniature powerhouse features an authentic multi-stage analog gain circuit for big, expressive sound, plus a traditional analog EQ and an onboard tape-style delay. Ultra-compact and travel-ready, the Katana-Mini delivers inspiring Katana tone anywhere you want to play.

Slider Controlled Expression Pedal

Parallel effect blender, ABY in both directions and a nine-volt outlet in one

This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky™ in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you’ve never heard anything quite like it.

The first Automatone.

What happens when you combine the DNA of Benson Amps’ Chimera in a box Preamp with a little fuzz, some of Condor’s resonant parametric mids, and full blown preset control from your friends at Chase Bliss Audio? The Preamp MKII. Built in collaboration with Chris Benson from Benson Amps, and known around here as the first Automatone.

This baby has variable diode clipping control (transistor only, silicon, and asymmetrical germanium), fuzz you can swap from open to gated, three mids resonance settings with variable routing you can place before or after the preamp, and three banks of ten presets each that give you thirty presets to set at your leisure.

But what’s an Automatone, you ask? It’s a pedal built with motorized faders that adjust automatically – and a little magically – as you cycle through presets. Check out the video below to learn more and see it in action.

The Rock Your Repaired Amp Klone is an exact, part for part, meticulously crafted replica of the infamous "transparent" overdrive pedal. It is painstakingly crafted using the absolute best components with a deep devotion to perfection. This recreation of the through-hole constructed overdrive pedal, now out of production, is known for its big, 3D, open sound that cuts right through the mix.

Reverb Effects Pedal with Depth, Dwell, and Attack Controls

Polyphonic Pitch-shifting Modulator Pedal with Secondary, Pitch, Primary, Magic, Tone, and Tracking Controls, and Flexi Switch

The Elements is a dual-channel overdrive/distortion with a wide gain range and a full 3 band equalizer. To increase its versatility, we’ve added toggle switch options for clipping modes, bass cut frequencies, and midrange frequencies. Whether you’re looking for high gain metal distortion or a clean equalizer, The Elements can fulfill a role on any pedalboard. Like all Dr. Scientist pedals, the Elements can be used with guitar, bass, synths, and many other instruments.

The Frazz Dazzler is a dual-channel, aggressive fuzz with a wide gain range and a full 3-band equalizer. The Frazz uses a unique circuit topology for extremely high gain even on the low gain channel. The high gain channel offers over-the-top saturation with a built-in noise gate. Both channels make use of a variable regulator for a powerful voltage starve system resulting in a range of sounds from lower headroom/more clipping to glitchy, sub-octave tones. Like all Dr. Scientist pedals, the Frazz Dazzler can be used with guitar, bass, synths, and many other instruments.

The M-Audio Fast Track C400 USB audio interface represents a complete redesign of M-Audio's family of Fast Track interfaces. From the built-in reverb and delay for inspiring headphone mixes to the newly designed monitoring signal path, the 4-in/6-out Fast Track C400 has been built from the ground up for simple, yet sophisticated performance. And combined with the included Pro Tools SE DAW software, you'll discover powerful recording potential in the M-Audio Fast Track C400.

The Fuzzrocious Cat Tail Distortion is a very high gain distortion and overdrive pedal based around the circuity of the legendary ProCo Rat pedal keeping both guitarists and bassists' tones in mind. Additional features and modifications such as a switchable diode for clipping options, there is also a resistor mod to allow for further fine tune control of the clipping of both lows and highs.

**Note: **This pedal is formerly known as the Rat Tail, it is in fact the same circuit with a different name.

If you ever needed a smooth and liquid fuzz-distortion made for soloing then this pedal is for you. Combining JFET and MOSFET gain stages we covered a huge gain range with the right amount of sagging compression to give sustain and feedback for days without ever losing note definition. From a low gain edgy overdrive up to a thick and soaring fuzz distortion with fat mids and creamy highs. Flip the gain switch for a little extra gain and high-mid presence and listen to the almost endless harmonics bloom.

Mid 60’s Valco-style dirty garage tremolo.

The Catalinbread Valcoder was designed to recreate the tube tremolo as well as the amplifier breakup of the vintage '60s Valco amplifiers. The Valcoder features an all discrete analog LFO circuit inspired by 60’s Valco tube tremolo. With the depth and rate knobs set lower, the result is a smooth, bubbling modulation that is especially seductive when playing complex chords in the neck position. Crank the DEPTH and RATE knobs for haunting pulses to hard rhythmic chop that adds tension and attitude particularly to distorted passages.

The Valcoder has a dynamic and responsive audio path (JFET based) that adds a bit of vintage tube amp style grit and slight compression to your sound. Increasing the INPUT knob pushes the front side of the circuit harder adding grit and a bit of compression. You can set the OUTPUT knob to adjust for unity or boosted signal.

The Valcoder can also function as a great edge-of-breakup booster. With the DEPTH knob all the way down, and the INPUT & OUTPUT knobs turned all the way up, you will get a warm, gritty 10dB boost. This can be used as an always-on element to fill out your sound or can be used when you need it to help leads punch through the mix.

The Valcoder can be run from 9 -18 volts. 9 volts will allow for more compression and grit with a softer pick attack. 18 volts will increase the output level and will be slightly cleaner and less compressed with a more immediate pick attack. The tremolo effect will be stronger and choppier at 18 volts.

Separate input and output controls allow you to get anything from a clean tremolo sound all the way up to a gritty tube like breakup driving the tremolo circuit.

Mid 60’s Valco-style dirty garage tremolo.

The Catalinbread Valcoder was designed to recreate the tube tremolo as well as the amplifier breakup of the vintage '60s Valco amplifiers. The Valcoder features an all discrete analog LFO circuit inspired by 60’s Valco tube tremolo. With the depth and rate knobs set lower, the result is a smooth, bubbling modulation that is especially seductive when playing complex chords in the neck position. Crank the DEPTH and RATE knobs for haunting pulses to hard rhythmic chop that adds tension and attitude particularly to distorted passages.

The Valcoder has a dynamic and responsive audio path (JFET based) that adds a bit of vintage tube amp style grit and slight compression to your sound. Increasing the INPUT knob pushes the front side of the circuit harder adding grit and a bit of compression. You can set the OUTPUT knob to adjust for unity or boosted signal.

The Valcoder can also function as a great edge-of-breakup booster. With the DEPTH knob all the way down, and the INPUT & OUTPUT knobs turned all the way up, you will get a warm, gritty 10dB boost. This can be used as an always-on element to fill out your sound or can be used when you need it to help leads punch through the mix.

The Valcoder can be run from 9 -18 volts. 9 volts will allow for more compression and grit with a softer pick attack. 18 volts will increase the output level and will be slightly cleaner and less compressed with a more immediate pick attack. The tremolo effect will be stronger and choppier at 18 volts.

Separate input and output controls allow you to get anything from a clean tremolo sound all the way up to a gritty tube like breakup driving the tremolo circuit.

Digital Chorus Pedal with Rate, Depth, Blend, and Tone Controls, and True Bypass Switching

Fender has released this Made in Japan Traditional '60s Jazzmaster to celebrate the 60th anniversary of the Jazzmaster. Previously available only in Japan, this Traditional 60's Jazzmaster has the characteristic looks and sound of the original, along with authentic features including vintage looking parts, floating tremolo system and 7.25” radius fretboard.

This Made in Japan Traditional '60s Jazzmaster starts with an Alder body in a Blue Flower finish that channels the power and allure of the '60s. The U shaped Maple neck offers a unique playing feel due to its standard scale length, while the Lead and Rhythm tone circuits with individual tone controls and '60s style single-coil Jazzmaster pickups offer a highly dynamic, articulate sound.

Solidbody Electric Guitar, Limited Edition, with Alder Body, Maple Neck, Rosewood Fretboard, 2 Single-coil Pickups, and Tremolo

Fender has released this Made in Japan Traditional '60s Jazzmaster to celebrate the 60th anniversary of the Jazzmaster. Previously available only in Japan, this Traditional 60's Jazzmaster has the characteristic looks and sound of the original, along with authentic features including vintage looking parts, floating tremolo system and 7.25” radius fretboard.

This Made in Japan Traditional '60s Jazzmaster starts with an Alder body in a Blue Flower finish that channels the power and allure of the '60s. The U shaped Maple neck offers a unique playing feel due to its standard scale length, while the Lead and Rhythm tone circuits with individual tone controls and '60s style single-coil Jazzmaster pickups offer a highly dynamic, articulate sound.

The Keeley Fuzz Bender is a 5 knob – 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones. With the all new Bias Control, you control the attack and decay of your notes. Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control. The Fuzz Bender’s five knobs confirm size matters when creating a new and epic world of fuzz.

Tuner Pedal with Compact Size, 3 Display Modes, Stabilizers, and True Bypass