Ben Frost

In this photo from his Sydney Opera House performance with Tim Hecker, Frost can be seen using a nanoKONTROL. Photos can be found here: https://musicfeeds.com.au/gig/ben-frost-tim-hecker-sydney-opera-house-110115/?slideshow=1874#/slide/2

Two PC12s can be seen above the two MX12s in this photo.

You can see two DI boxes in front of the table where Ben is running his signal direct into the house.

In an Instagram post, Ben Frost shares his excitement for Hecker's 'Love Streams,' featuring the Neve 8301 The Kelso as part of his studio setup.

Shape the summed image using a combination of an SPL transient designer and the Apple audio units graphic eq- the one that you get with garageband -Render out a mixed recording of the whole piece through a Manley pultec and then delete all the original material from existence

In this photo of Frost's live set-up you can just about see an Ultralite MK3 under the tin of cassettes, to the left of the 4-track. It is recognisable by its green LCD screen and single front panel input.

In an Instagram post by naomijadeannu, Ben Frost is seen using the Faderfox MX12, positioned to the right of the OP-1.

Frost can be seen using a 636 in this Instagram video. The fact that he's tagged Soundgas suggests that he's using the Soundgas remake of the 636, not the original Grampian.

Ben Frost is seen using the Tascam 414 Portastudio MKII in a photo shared by yarenerenbudak on Instagram, tagged with #BenFrost and #sonar2019.

A Nagra IV-S can be seen in this video of Frost recording.

Can be seen using one here. Picture from his Discogs profile.

In this comment from his Reddit AMA, Frost mentions he used an EF-X2 in his score for season 3 of the Netflix series 'Dark'.

Frost can be seen using a Venice 160 in this photo from his performance of Widening Gyre.

In this photo from Frost's Instagram stories, a Ultralite MK5 can be seen as part of his live rig. It is recognisable by the MOTU logo on top of the unit and the black and white display.