Céline Dion

At 1:25 During a tracking session for her duet with Ne-Yo, Céline Dion is filmed tracking with a Telefunken Ela M 251 Large Diaphragm Tube Microphone.

The SKM 5200 or 5200-II is the standard radio microphone used by Céline Dion, often coupled with a Neumann KK104/105 or D:Facto II capsule (or rarely even with a standard Sennheiser 5000 series condenser). She started using the 5200 version of the microphone during her "A new day..." vegas show and she still use it in many concerts in its mark II revision.

The SKM 5200 is also mentioned in this April 1, 2009 Mix Online article about Dion's 2009 tour.

Celine [sic] Dion sings through a Sennheiser SKM 5200 with a Sennheiser ME 5005e.

The DPA D:Facto II is often used by Céline Dion from 2015 coupled with a Sennheiser SKM5200-II Transmitter

This is the standard capsule often used by Céline Dion coupled with a Sennheiser SKM5000/5200/5200-II transmitter. We Can see it in many official and unofficial concert recordings of her or in TV.

Used on the Francophone Tour, as mentioned in this September 13, 2016 article from the Meyer Sound website.

Denis Savage mixes the shows behind an SSL L500 digital mixing console, and Dion’s vocal microphone choice is her trusted and familiar hard-wired Shure SM-58.

Mentioned by sound system engineer Francois "Frankie" Desjardins in this May 28, 2018 Live Design article.

As the relationship continued to build, so did the show's use of DPA microphones. "In 2013, DPA introduced us to the d:facto FA4018V Vocal Microphone and we were intrigued," adds Desjardins. "Celine is always keen to try new technologies so we were able to get her to try the d:facto vocal mic and she liked it. We were very happy with the natural sound in the room and the new mic gave us a better definition in the low/mid, and a sweeter sound in the high/mid. It was a really good match for Celine, so we added the d:facto to our rotation of vocal microphones for each show."

In total, Desjardins and Savage use more than 40 DPA microphones for each performance including Dion's three d:facto FA4018V Vocal Microphones (which include main wireless, spare wireless and wired), four d:facto FA4018V Vocal Microphones for the backup singers and guests, two d:dicate 2011A Twin Diaphragm Cardioid Microphones on the snare drums, 19 d:vote 4099 mics for the strings and brass sections, eight d:screet 4091 Omnidirectional Microphones for the sound system analyser, two d:dicate 4007 Omnidirectional Microphones for sound system tuning and six d:screet 4061 Miniature Omnidirectional Microphones for the crowd under the balcony.

Mentioned in this April 1, 2009 Mix Online article about Dion's 2009 tour.

Celine [sic] Dion sings through a Sennheiser SKM 5200 with a Sennheiser ME 5005e.

Mentioned in this April 1, 2009 Mix Online article about Dion's 2009 tour.

Monitor engineer Jean Charles Ethier (left) is also manning a Studer Vista 5 (24 stereo mixes, 16 FX auxes), using such features as snapshots and the Contributes function to access the mix directly. His rack gear comprises SSL X Logic Series, four TC Electronic 6000s, Millennia preamps and a host of analog gear — no plug-ins to be found. Ethier has 16 reverb channels coming out of the 6000s, using them for the band effects, “as we are using in-ears,” he says, “one on the drum, one on percussions, two for guitar, two for keyboard, one on violin, one on acoustic guitar, one on piano, four for vocal, two guests and one for Celine [sic].”