Mentioned in this November 12, 2014 article from the official DPA website.

"We use DPA's d:facto™ Vocal Microphone on vocals and d:vote™ 4099 Instrument Microphones on snare bottoms and toms," says Front of House engineer Phil Jones from Output Audio.

According to the DPA website, Sting is an endorsing artist and has been using their d:facto microphone both onstage and in the studio.

"Necesitábamos un gran micrófono en vivo que pudiera transmitir claramente el sonido de James sin demasiado ambiente indeseado, especialmente porque hace muchas bucles vocales sobre la marcha", dice Harley. "The d: facto ™ es sólido como una roca con un patrón polar ajustado para las voces en el escenario, lo que permite que nuestro ingeniero de monitores logre un sonido vocal fantástico y limpio para James y un excelente sonido en todas partes. Es el micrófono perfecto para este tipo de música, que tiene mucho espacio alrededor para que las voces se sienten. También es muy sólido y realmente se nota la diferencia entre d: facto ™ y algunos de los viejos fieles que solía usar ".

in this video you can see Stevie Wonder using the d:facto for vocals and harmonica.

In this video Clairo uses the DPA d:facto as her vocal microphone.

This microphone is used on Tool live shows, as you see on the image, DPA can be readed on the microphone, close to the XLR output.

"FKA twig's switch to DPA's d:facto™ Vocal Microphone was inspired by her Front of House engineer Andy Carrington. He recommended a wireless version, in conjunction with a Sennheiser 5000 wireless system, to give her maximum flexibility on stage."

Good to see at 58:43

George Ezra can be seen using a DPA d:facto microphone in this photo.

"Award-winning singer songwriter and multi-instrumentalist Ellie Goulding has switched to a DPA d:facto™ Vocal Microphone after trying it for the first time at the Chime for Change concert, which took place in London in June. Currently touring in the USA to promote her second album, Halcyon, Goulding is now using the a wireless version of the d:facto Vocal Microphone for all of her concerts. "

in this image from Chvrches playing at the TRNSMT festival in Glasgow, you can see Lauren using a DPA d:facto head on a wireless base. The DPA logo is clearly visible in the photo linked.

https://www.mixonline.com/live-sound/vance-joy-breaks-out “The concept of the band is that every single part of the music should be played live by a band member, night in and out, and by doing so, every performance becomes unique,” Vertanessian explains. “I apply the same concept to my FOH mixing, and I do not use snapshots or any major automation. Although I have a number of cues per song, I do them manually every night, with the help of a few specific macros which I may or may not use depending on that night’s performance. We have a fair amount of acoustic guitars, ukeleles and guiteleles, whose sound can change drastically under different weather conditions. “The Avid S6L has a fantastic sound by itself. I only use a handful of really good plugins and let the desk do the rest. However, for reverbs I rely heavily on hardware units—Bricasti M7, Lexicon PCM 92, TC 3000 and TC 4000,” he continues. “In terms of microphones, we have DPA d:facto on the main vocal, DPA 2011s on snare drum, DPA 4099s on toms and horns, and a combination of Shure, Sennheiser, Audio-Technica, and Audix for the rest of the inputs. All our DIs are Radial.”