Chris Chaney

"My current touring rig is two DB 751’s and two DB 810’s. I use a slew of Aguilar gear in various situations and I’ve never had anyone ask, “Hey, do you have a different amp”! (Laughs) It just knocks it out the park every time! You know, I started endorsing Aguilar before you guys made cabinets! Once Dave (Boonshoft) told me they were making cabinets, I said “goodbye” to what I had been using!"

How about for studio sessions?

"Usually if I’m not using a big setup like an 810, which I rarely do in the studio, I just use the GS 112! And actually, dare I say, the head that I really love is the DB 359! It’s an older head but they are awesome! I also use the Tone Hammer 500 and the AG 500. For a lot of the sessions I do – like film dates – I just bring the AG 500! I did that movie Identity Theft, and I used the distortion channel on the AG 500 anytime they needed that sound and it was great, I didn’t have to add any pedals to my signal chain! I just dialed that tone in and it sounded amazing. I blended that with the clean DI signal and that was it!"

How about for studio sessions?

"Usually if I’m not using a big setup like an 810, which I rarely do in the studio, I just use the GS 112! And actually, dare I say, the head that I really love is the DB 359! It’s an older head but they are awesome! I also use the Tone Hammer 500 and the AG 500. For a lot of the sessions I do – like film dates – I just bring the AG 500! I did that movie Identity Theft, and I used the distortion channel on the AG 500 anytime they needed that sound and it was great, I didn’t have to add any pedals to my signal chain! I just dialed that tone in and it sounded amazing. I blended that with the clean DI signal and that was it!"

"My current touring rig is two DB 751’s and two DB 810’s. I use a slew of Aguilar gear in various situations and I’ve never had anyone ask, “Hey, do you have a different amp”! (Laughs) It just knocks it out the park every time! You know, I started endorsing Aguilar before you guys made cabinets! Once Dave (Boonshoft) told me they were making cabinets, I said “goodbye” to what I had been using!"

https://c2.staticflickr.com/4/3769/8756117915_9b48e7c0d0_b.jpg

"I also use the Tone Hammer 500 and the AG 500. For a lot of the sessions I do – like film dates – I just bring the AG 500! I did that movie Identity Theft, and I used the distortion channel on the AG 500 anytime they needed that sound and it was great, I didn’t have to add any pedals to my signal chain! I just dialed that tone in and it sounded amazing. I blended that with the clean DI signal and that was it!"

"I also use the Tone Hammer 500 and the AG 500. For a lot of the sessions I do – like film dates – I just bring the AG 500! I did that movie Identity Theft, and I used the distortion channel on the AG 500 anytime they needed that sound and it was great, I didn’t have to add any pedals to my signal chain! I just dialed that tone in and it sounded amazing. I blended that with the clean DI signal and that was it!"

Listed on Chris' official Aguilar page.

Chris uses two of these cabs, according to his official Aguilar page.

Chris Chaney uses the Ampeg SVT-CL Classic amplifier during the Powerup Tour of AC/DC. This can be seen in several photos on Instagram.

Chris Chaney uses the Ampeg SVT-810E 8x10 Bass Cabinet during the Powerup Tour of AC/DC, as evidenced by a photo on Instagram. The image can be viewed here.

In the video titled "Chris Chaney and the 5088: Home Studio Tour," at the 4:58 mark, Chris Chaney discusses his bass rig, confirming the use of a pair of Ampeg B-15N Large Tube Bass Amplifiers from 1966. This is documented by the video's author, Rupert Neve, on YouTube.

In the video titled "Chris Chaney and the 5088: Home Studio Tour," at 5:28, a Fender '65 Deluxe Reverb Reissue amplifier is visible beside the rack, confirming its use by Chris Chaney. The video is provided by Rupert Neve on YouTube.