Chris Sheldon

In the YouTube video titled "Foo Fighters - The Colour and the Shape: Inside The Mix with Chris Sheldon | Produce Like A Pro," at 13:39, audio engineer Chris Sheldon mentions using Avid Pro Tools for tracking the songs on the album The Colour and the Shape by the Foo Fighters.

In the video titled "Foo Fighters - The Colour and the Shape: Inside The Mix with Chris Sheldon" by Produce Like A Pro, Chris Sheldon, a renowned audio engineer, is seen discussing the Urei 565 "Little Dipper" Filter Set at 17:47. He confirms that this frequency filter was utilized during the recording of the Foo Fighters' album The Colour and the Shape.

In the video titled "Foo Fighters - The Colour and the Shape: Inside The Mix with Chris Sheldon | Produce Like A Pro," Chris Sheldon, an audio engineer, mentions at 23:10 the use of the Lexicon 480L Digital Reverb and Effects processor on the snare drum while recording tracks for the Foo Fighters' album "The Colour and the Shape."

In the video "Foo Fighters - The Colour and the Shape: Inside The Mix with Chris Sheldon" by Produce Like A Pro, Chris Sheldon confirms at 27:49 that he used KRK 6000 passive studio monitors while recording tracks for the Foo Fighters' album "The Colour and the Shape."

In the video titled "Foo Fighters - The Colour and the Shape: Inside The Mix with Chris Sheldon | Produce Like A Pro," at the timestamp 28:01, audio engineer Chris Sheldon mentions using Yamaha NS10 studio monitors during the mixing of the album "The Colour and the Shape" by Foo Fighters.

In the video titled "Foo Fighters - The Colour and the Shape: Inside The Mix with Chris Sheldon" by Produce Like A Pro, Chris Sheldon, an audio engineer, mentions using a Massenburg stereo EQ within the SSL mixing console desk at 32:54 while discussing the mixing process for the Foo Fighters' album "The Colour and the Shape."