Ed Stasium's Gear

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Mention in this article "I love Trident as I used to work at Le Studio Morin-Heights where they had the first of the original thirteen A-Range consoles in North America. I have a set of four Trident Fleximix modules that I purchased from eBay and am told that they came out of Queen’s first touring desk. I’ve had these modules for fifteen years now and they sound fantastic. They have a unique clarity that sees them used on hi-hat, tom toms, ride cymbal and acoustic guitar. In fact, they are permanently routed from those drum mics. They’re crystal clear, and have 3-band EQ with a parametric mid-range, and they’re nicely made so they don’t break down."

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talked about in this article "I have done the majority of recordings at home where I don’t have access to a large format desk, so the Manley gear serves me very well here. The Force is a four channel tube preamp and I use it all the time. I love it on drum overheads, and on electric and acoustic guitars. "

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mentioned in article "I mix everything in the box with Pro Tools these days, but when I first adopted the format I was bouncing directly to disc. During a conversation with my mastering engineer pal Greg Calbi, he suggested that I try a process of using the analogue outputs of Pro Tools. Greg then put me in touch with Dangerous Music founder Chris Muth who set me up with one of his 2-Bus LT summing mixers. Running analogue from Pro Tools into the 2-Bus, and then recording back into Pro Tools through inputs 1 and 2 has made such a big difference, and is how I do all my mixing now."

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