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Average Price: $765
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$100
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Description
Step into a world of pristine audio fidelity with the Dangerous Music 2-BUS LT, a streamlined powerhouse designed for both budding and seasoned studio engineers. This elegant 1U summing box, a sibling to the acclaimed 2-Bus, offers a seamless blend of high-quality audio summing and user-friendly operation, making it an essential tool for achieving that polished, professional mix.
The 2-BUS LT simplifies connectivity with its DB25 connectors, ensuring a robust and efficient setup without the clutter. Gone is the need for a cumbersome custom power supply; instead, it utilizes a convenient "line lump" supply, making it ideal for both studio and mobile recording environments. The continuously variable master level control provides precise volume adjustments, allowing you to fine-tune your mixes with accuracy.
Whether you're aiming to add depth and dimension to your tracks or simply seeking a reliable summing solution, the Dangerous Music 2-BUS LT delivers exceptional clarity and warmth. Its intuitive design and uncompromising sound quality make it a favorite among professionals and hobbyists alike.
Key Features:
- 1U rackmount design for compact studio integration
- DB25 connectors for efficient and space-saving connectivity
- Convenient "line lump" power supply
- Continuously variable master level control for precise adjustments
- High-quality audio summing for a professional mix experience
Product specs
| Brand | Dangerous Music |
| Model | 2-Bus LT |
| Finish | Purple |
| Year | 2010s |
| Made In | United States |
| Categories | Summing |
FAQs
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What is the primary function of the Dangerous Music 2-Bus LT?
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The Dangerous Music 2-Bus LT is an analog summing mixer designed to combine multiple audio tracks into a stereo mix, enhancing depth, clarity, and separation in your final audio output.
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How many channels does the Dangerous Music 2-Bus LT support?
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The Dangerous Music 2-Bus LT supports 16 channels, allowing you to sum multiple audio tracks into a stereo mix with enhanced analog warmth.
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Is the Dangerous Music 2-Bus LT suitable for a home studio setup?
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Yes, the Dangerous Music 2-Bus LT is compact and integrates well into home studios, offering professional-grade analog summing to improve mix quality.
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What connectivity options are available on the Dangerous Music 2-Bus LT?
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The Dangerous Music 2-Bus LT features D-sub connectors for easy integration with your existing audio interface or DAW setup, providing seamless connectivity.
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Does the Dangerous Music 2-Bus LT improve audio quality compared to digital summing?
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Yes, the Dangerous Music 2-Bus LT enhances audio quality by providing analog summing, which can result in a more natural and spacious sound compared to digital summing alone.
Videos
Dangerous Music
2-Bus LT and Source Setup - Dangerous Music
Reviews
PROS
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Great for final mix down with subtle coloring
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Suitable for beginners in analog summing
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Offers 16 channels with expansion capability
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Provides extra sum out gain for depth and clarity
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Transparent sound quality enhances final mixes
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Streamlines workflow for users
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Essential for achieving a wider, bigger sound
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Excellent integration with outboard gear
CONS
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2-Bus+ model has more intuitive features, making this model less advanced by comparison
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about DANGEROUS MUSIC 2-BUS LT.
User experience
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Owners note that the Dangerous 2-Bus LT provides a perceived wider stereo field and clearer mid and side definition despite debates on its actual impact.
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Transparency of the Dangerous summing mixers is appreciated for allowing clearer mixing processes, especially when paired with high-quality A/D conversion.
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One user found that while the Dangerous 2-Bus LT improved depth and clarity, the inconvenience of losing session recall and offline bouncing outweighed its benefits.
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Comparisons
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Some users compare the Dangerous 2-Bus LT to the Thermionic Purple Bustard, noting the latter's tubes offer more noticeable coloring features.
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The Dangerous 2-Bus LT is seen as very transparent; some prefer passive summing boxes paired with colorful preamps for makeup gain.
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Dangerous Music products are noted for transparency, while Phoenix Audio's Nicerizer adds coloration, though specific comparisons between models like the D-box were not detailed.
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Use cases and applications
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It's been highlighted that mixing through a summing box like the Dangerous 2-Bus LT can be part of an overall workflow preference rather than a necessity for all users.
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The Dangerous 2-Bus LT is often used by those who prefer mixing analog due to its tactile workflow and perceived analog warmth, despite similar results achievable with plugins.
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Owners mention significant improvements in fidelity and stereo image when mixing a project while listening through the Dangerous 2-Bus LT throughout the process.
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The Dangerous 2-Bus LT is particularly favored for large band sessions, where its transparency benefits become more apparent compared to simpler setups like hip hop vocal recordings over stereo beats.
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Users appreciate using the Dangerous 2-Bus LT for achieving more depth, clarity, and cohesion compared to mixing solely on a laptop, particularly in professional studio environments.
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Features and functionality
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Some users appreciate the Dangerous 2-Bus LT for its compression and saturation capabilities, which are considered more impactful than the summing itself.
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Users note that summing networks can add a small amount of noise or high-frequency roll-off, but the impact is minimal compared to the amplification stage.
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It's noted that a single stereo output lacks the power to drive amplifiers effectively; using multiple stereo busses allows for better control over drive characteristics.
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Some users noted the Dangerous 2-Bus LT excels at emphasizing high-end elements like hats and shakers, making them pop out more prominently in the mix.
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5.0 out of 5
Based on 3 Reviews and 7 Ratings
Artist usage
Add artist
mentioned in article "I mix everything in the box with Pro Tools these days, but when I first adopted the format I was bouncing directly to disc. During a conversation with my mastering engineer pal Greg Calbi, he suggested that I try a process of using the analogue outputs of Pro Tools. Greg then put me in touch with Dangerous Music founder Chris Muth who set me up with one of his 2-Bus LT summing mixers. Running analogue from Pro Tools into the 2-Bus, and then recording back into Pro Tools through inputs 1 and 2 has made such a big difference, and is how I do all my mixing now."
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use DANGEROUS MUSIC 2-BUS LT, it is most commonly used with the following gear.
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