Glass Animals
Glass Animals' Amplifiers
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“I’ll record all those synthesizers and re-amp them to give them another bit of texture and forwardness that they don’t necessarily have if you record straight in,” Bayley says. “I tend to go through a Roland JC-120 amp, but if it’s a low synth I’ll go through an Ampeg B-52, and if it’s a simple mono synth line I’ll get it through whatever guitar amp I have lying around.
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“I’ll record all those synthesizers and re-amp them to give them another bit of texture and forwardness that they don’t necessarily have if you record straight in,” Bayley says. “I tend to go through a Roland JC-120 amp, but if it’s a low synth I’ll go through an Ampeg B-52, and if it’s a simple mono synth line I’ll get it through whatever guitar amp I have lying around.
There is no existing amplifier called Ampeg B-52, so I am going to assume the article writer made a spelling mistake, and meant the Ampeg B5R which is an amplifier for Bass synths and guitars. Which would make sense since he says he would only use low synths for it.
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