Hania Rani

The MPD32 controller is on top of her upright piano, but isn't shown very clearly. You can make it out at 13:25.

You can see a close up of the Prophet at 6:41 in her 'Live From Studio S2' live performance.

You can clearly see the FP-7 at 9:35 in her 'Live From Studio S2' live performance.

And what about the software that you use for production?

Simply Ableton Live. During recording sessions in the studio, we obviously use ProTools, but Live was the first one that I got into, and I simply stayed. Now, I think there is something eclectic about the fact that I am using it for my work, which I so much rooted in acoustic music, but I find it interesting – in a sense, the software is teaching me how to treat these sounds in a different manner.

“The Elektron Machinedrum SPS-1UW was also used in a lot of the recordings. It’s vintage but fully digital and very eclectic and contemporary sounding. I’ve started touring with it, but the plan is to also start using it as a trigger to compose new music, like I did with the Prophet.”

In an interview with Headphone Commute, Hania Rani mentions her studio setup includes two acoustic Hoffmann pianos, specifically the line T for Upright and P for Grand.