Hozier

This preamp served as vocal microphone preamp for "Take Me To Church", according to Sound on Sound interview with Rob Kirwan.

Used on vocals for "Take Me to Church", as stated by mix engineer Rob Kirwan in this March 2015 Sound on Sound interview.

“I recorded Andrew’s vocals with him in the room, right behind me, so there were no natural acoustics on them. I already spoke about my CMV563/M7 vocal chain. I also always had a Sennheiser M441 on him as a sort of safeguard, and I combined these two while mixing. My mic pre on the 441 was the 1071, and I also had the Vac Rac EQ on his vocals, and the LA2A. So the vocal chain was as warm as it could be. The mic he used in his attic is a Neumann U87. The problem with 87s and 414s for me is that they are so accurate that everything sounds pretty sterile on them, hence my preference for using Gefells and other unusual microphones with lots of character. But it worked on his vocals because his performance was so good.”

Used on guitar for the Take Me to Church EP, as stated by mix engineer Rob Kirwan in this March 2015 Sound on Sound interview (who refers to it as "a 'lunchbox' Neve 1073 copy"). It can be seen in this photo of Kirwan's production setup and is listed on Kirwan's official list of studio equipment.

“Guitars I generally record using an SM57 and a Sontronics Delta. The former will go through a ‘lunchbox’ Neve 1073 copy, and the latter through an API 3124+. I’ll compress that with the ADL 100 and an LA2A. The Delta is a ribbon mic, and I use it a lot. I like Sontronics’ ribbon microphones. They give you that ribbon sound, but the problem with a lot of traditional ribbon mics is that the gain is so low that you end up bringing up a lot of noise to get them to speak. I don’t think it is worth it, whereas the Sontronics microphones require phantom power to start off with, which is pretty wild, and they are loud. They really complement the 57. The Delta mic gives the guitar lovely warmth and big bottom end, and the 57 picks up the edgy stuff in the middle. I use those two microphones on pretty much every guitar amplifier that I record."

Used on guitar for the Take Me to Church EP, as stated by mix engineer Rob Kirwan in this March 2015 Sound on Sound interview.

“Guitars I generally record using an SM57 and a Sontronics Delta. The former will go through a ‘lunchbox’ Neve 1073 copy, and the latter through an API 3124+. I’ll compress that with the ADL 100 and an LA2A. The Delta is a ribbon mic, and I use it a lot. I like Sontronics’ ribbon microphones. They give you that ribbon sound, but the problem with a lot of traditional ribbon mics is that the gain is so low that you end up bringing up a lot of noise to get them to speak. I don’t think it is worth it, whereas the Sontronics microphones require phantom power to start off with, which is pretty wild, and they are loud. They really complement the 57. The Delta mic gives the guitar lovely warmth and big bottom end, and the 57 picks up the edgy stuff in the middle. I use those two microphones on pretty much every guitar amplifier that I record."