Jonathan Nuñez's Effects Pedals
That goes into my first delay, a Catalinbread Echorec, which is nice for dreamy and misty swelling delays. It has a nice chorus-y glaze, followed by the Earthquaker Avalanche Run, and these days I tend to keep both on…
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I like the tightness and compression of an EL34 power stage. It was our Tetra-Fet Drive and Dual Range Boost doing a lot of the work, which helped bring the fullness and fidelity that’s synonymous with our sound. We’re after these real deep and rich hi-fi kinda tones.
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In the Reverb Soundcheck video featuring Torche, Jonathan Nuñez is shown using the MXR M-108 Ten Band Graphic Equalizer Pedal.
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Right now my pedalboard feels so glued together sonically! The order has changed a bit but most of it is the same - there’s an EarthQuaker Arpanoid which is an octave arpeggiator, though I don’t actually use the arpeggiator side.
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It has this warmer, less synthy sound than a Whammy, which is why I got it. I get more weight beneath my strings, it feels more full than just a tiny bit of delay would. Then I have the mini MXR Phase 95...
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That goes into my first delay, a Catalinbread Echorec, which is nice for dreamy and misty swelling delays. It has a nice chorus-y glaze, followed by the Earthquaker Avalanche Run, and these days I tend to keep both on…
Find it on:
I like the tightness and compression of an EL34 power stage. It was our Tetra-Fet Drive and Dual Range Boost doing a lot of the work, which helped bring the fullness and fidelity that’s synonymous with our sound. We’re after these real deep and rich hi-fi kinda tones.
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In the Reverb Soundcheck video featuring Torche, Jonathan Nuñez is shown using the Boss RV-3 Digital Reverb/Delay pedal.
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In a Reverb Soundcheck video featuring Torche, Jonathan Nuñez is seen using the Aguilar Octamizer bass effects pedal.
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In a Reverb Soundcheck video with Torche, Jonathan Nuñez is shown using the Aguilar Agro Bass Overdrive pedal.
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In the Reverb Soundcheck video featuring Torche, Jonathan Nuñez is shown using the Aguilar Tone Hammer Preamp/Direct Box.
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Then there’s a DigiTech Hardwire DL-8 to create loops. And to avoid sounding too clean or contemporary, as I tend to prefer sounding a bit trashier and straight-in, I stick an additional overdrive, the Tetra-Fet, at the end of the chain…
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This is a community-built gear list for Jonathan Nuñez.
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Album Credits
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Madball · 2014
Recording Engineer
