The BOSS TU-2 Chromatic Tuner incorporates BOSS' world renowned TU-Series tuner technology into an ultra-convenient stompbox design. For the first time ever, guitarists and bassists can now tune their instruments with unrivaled accuracy and an unm...
"He runs two pedalboards, one for acoustic and one for electric. The acoustic board consists of an Ernie Ball volume pedal, Boss FRV-1 reverb, TU-2 tuner and a Radial Tonebone PZ-Pre acoustic preamp. Electric-wise, there’s a Menatone King of the Britains, Electro-Harmonix HOG, Digitech Jamman, Electro-Harmonix Deluxe Memory Man and MXR 10-Band Graphic EQ, all powered by a Dunlop DC Brick. It’s an impressive selection and one that ensures Cornell’s acoustic shows are so much more than just, well, acoustic."more
At exactly 0:33 you can see clearly the Boss Chromatic Tuner as his first pedal, right before the T-Rex Luxury Drive booster, and then the signal goes to the pedalboard, apparently to Overdrives/distortions: Tube Screamer TS808, Digitech Bad Monkey Tube Overdrive, T-Rex Møller, Chorus/Phasers/Flangers; T-Rex - Twister Chorus & Flange above it, Reverbs/Delays: the Boss - FRV-1 '63 Fender Reverb by his side, the Boss Digital Reverb RV-5 below, Electro Harmonix - Holy Grail reverb by his side, Line6 - DL-4 Delay Modeler delay outside the pedalboard, Amp switcher: Tonebone Radial JX-2 Switchbone AB amp switcher + booster As he seems to select which amp he goes to (there's the both option too; maybe he just uses it as a final boost for both amps), I imagine he doesn't use the effects loop of the amps, or maybe the reverb/delays part goes through the effects loop of only one of the amps? After going crazy I found this great work by a japanese that saved me from searching the Holy Grail (don't think I'd had identified it) and the Delay: http://garymoore.blog.fc2.com/blog-category-25.htmlmore
“Jeff Tweedy’s acoustic pedal board just consists of an [Electro Harmonix Holy Grail Reverb](https://equipboard.com/items/electro-harmonix-holy-grail-reverb-guitar-effects-pedal), a [volume pedal](https://equipboard.com/items/ernie-ball-volume-pedal), and the ubiquitous Boss TU-2 tuner.” - [*Austin City Limits*](http://acltv.com/tag/gear/).more
Boss BCB-6 Pedal Effects In Case (Est. $3,000 - $5,000). Six Boss pedals including: chromatic tuner TU-2 white, super chorus ch-1 blue, digital delay DD3 silver, digital reverb/delay RV3 grey. The case also contains tools including a pair of Les Paul’s sunglasses and has all of his settings recorded on masking tape. This is the gigging case used by Les Paul during his weekly shows at both Fat Tuesdays and the Iridium Jazz Club for decades. 3 ½ by 25 by 11 inchesmore
[This photo-article from MusicRadar/*Guitarist* magazine](http://www.musicradar.com/guitarist/manic-street-preachers-james-dean-bradfields-gear-280353) details all of the gear Bradfield used during the making of the Manic Street Preacher's 2010 album *Postcards From a Young Man.* The TU-2 is depicted in James' pedal collection.more
Published on 19 Jul 2016 In this episode of Song Stories, Scottish songwriter and guitarist KT Tunstall walks us through her songs “Black Horse and the Cherry Tree” and “Evil Eye,” discusses the importance of rhythmic playing in her performing, what makes looping interesting (and not so interesting), and performs the hit off of her most recent EP, Golden State.more
pedalboard As you can see (above), Reb's pedalboard is constantly evolving as he adds and discards effects - it ain't the neatest thing you've ever seen! We asked Reb to describe his signal path: "My signal goes into very expensive Shure wireless units, which are the closest thing to being on a cable I have found. From there it goes into a Bradshaw router that helps with guitar changes. Then it goes to the pedalboard and out to the amps." "The pedalboard signal goes to a Cry Baby wah, a Boss Metal Zone distortion, a Danelectro echo for long delays when making weird noises, a Boss tuner and a Digitech Whammy pedal, which is in a loop because it messes with my signal in line. The whammy pedal is great with the long delay for weird noises. Then to a A/B box, which chooses between clean or dirty amps." "The clean line goes from the A/B box into a Guild Hartke bass head with a TC electronics multi effects unit for wetness. The bass head gives a very loud full clean sound. The other signal from the A/B box goes to the Marshall dirty heads." Reb has recently replaced the Boss Overdrive pedal seen on his Homegrown DVD with the Boss Metal Zone, as he felt that the overdrive pedal (used for solo boost) was taking away too much low end. Anyone who has heard Reb's live sound on the 2004 Whitesnake tour will agree he made the right choice!more
Fresh off the release of their new album, Leveler, Pennsylvania's August Burns Red are currently on tour as part of the Vans Warped Tour. Even in the midst of a busy tour, August Burns Red lead guitarist JB Brubaker found the time to send us some pictures of his gear and tell us about the philosophy behind his setup. From JB: "I’ve been playing Ibanez guitars for years now and I prefer the prestige series necks because of how skinny and fast they are. Great for shredding. The Peavy 6505+ and 6505 amps have been a staple to the August Burns Red sound since our first full length. We’ve always played these amps live and have used them to record all our albums. The Ibanez TS-9 and EMG pick ups are also instrumental in getting 'my tone.' We’ve been using Mesa Boogie cabs since 2007 and have used them to record guitar on all our albums." "I recently switched to Midi controlling for all of my effects pedals. I found that with our new material I had to do too much 'tap dancing' on my pedal board to get the sounds I wanted and I needed something to that allowed me to change channels on my amp and lots of pedals at once." "Enter the RG-16. This midi interface has made my life a lot easier. Now if I want to go from, say, my lead channel with my NS-2 and TS-9 to my clean channel with my compressor, DD7, RV5, on and my NS-2 and TS-9 off, I just have to hit one button on my Mastermind Midi Controller. It makes my life a LOT easier and makes tone changes a breeze. The setup was pretty complex and required the building of a ton of custom cables. The cable making was easy though, thanks to the custom cable making kits that Planet Waves makes. " My rig has come a long way over the last few years. For a long time I used only an overdrive pedal, noise gate, and tuner. It’s funny how the longer I’ve played the more obsessed with gear and effects I’ve become."more
"The effects in Morton's chain include a Boss NS-2 Noise Suppressor, MXR Carbon Copy Delay, MXR EVH Phase 90, MXR GT-OD, a rackmount Cry Baby Custom Shop wah unit, a rackmount dbx 266XL Compressor/Gate, and a Boss TU-2 Tuner, states [this](http://www.premierguitar.com/articles/Rig_Rundown_Lamb_of_God) rig rundown, by Premier Guitar.more
Taken from [this post](https://www.musicradar.com/news/rig-tour-behemoth) which also discusses the live pedalboard used by Nergal: > In between the songs there’s hardly any time for improvisation because everything is prearranged and pre-planned for the click and if the click goes we must be ready to go. So I’ll have to very quickly tune when I can.more
According to [this](http://www.premierguitar.com/articles/21355-rig-rundown-helmets-page-hamilton) rig rundown, "Hamilton runs all of his pedals in front of the amp and controls the rig with a Custom Audio Electronics RS-5 MIDI Foot Controller designed by Bob Bradshaw. The signal starts with a Hello Kitty-modified Fryette Valvulator before going into an MXR Custom Audio Electronics Boost/Overdrive. From there the signal hits a Real McCoy Custom wah, Eventide TimeFactor, MXR Bass Octave, Boss PS-5 Super Shifter, Boss NS-2 Noise Gate, and finally a Boss TU-2 Chromatic Tuner."more
"Briggs took a more svelte approach for his pedalboard on the Coma Ecliptic tour. His stomp station includes a Boss TU-2 tuner, a Wamper Faux Tape Echo (used for a constant warbling tone), an Electro-Harmonix Bass Micro Synth (ideal for “Tom Sawyer”-ish bass-synth washiness), a Boss DD-3 Digital Delay, Boss TR-2 Tremolo, Boss PS-3 Digital Pitch Shifter/Delay (Briggs’ favorite pedal, which he currently uses as a chorus), and a Darkglass Electronics Duality Fuzz (which replaced a Keeley-modded Ibanez Tube Screamer because the Duality has a mix knob that allows Briggs to keep a more natural tone of low-end fury)"more
Sorry it’s a tad blurry! The new pedals are the 3 at the bottom right. The Louder, Scream, and Scruzz are the “always on” versions of the More Louder, Screamer, and Screamer Fuzz. At the bottom is the Pedal Board Tamer which adds true bypass and noiseless switching. The big white pedal is the old Route 66 in the metal chassis. Sounds better than the newer Visual Sound stuff, IMO. And the big black thing is a Line 6 M9. I use it for most mod and delay effects, with the Tap a Whirl and DD5 filling in the gaps. Lastly, this is the first time in 11 years I’ve done a show without a Fulldrive 2 overdrive. That’s how highly I think of the new Cusack distortions!more
> In between the songs there’s hardly any time for improvisation because everything is prearranged and pre-planned for the click and if the click goes we must be ready to go. So I’ll have to very quickly tune when I can. Excerpted from [this post](https://www.musicradar.com/news/rig-tour-behemoth) which also discusses the live pedalboard used by Nergal.more
"Gillard plays his ‘76 Les Paul Custom through his Mesa/ Boogie Dual Rectifier half-stack, and uses a pedal-board loaded with a Boss TtJ-2 tuner, a Boss BD2 Blues Driver overdrive, a Boss TR-2 tremolo, and an Ibanez CF-7 chorus/flanger." - 2001 Guitar World Interview, interview was found on the official Guided by Voices website.more
The "Equipment" section of this article sourced by the World Heritage Encyclopedia™ states that "Simpson's pedal-board consists of a Boss DD7, a Morley Bad Horsie Wah, a Dunlop Dime Signature Wah, an Ibanez TS9, an MXR Noise Gate, a Boss TU2, as well as a Boss BF3 and a Boss DD-6 delay pedal."more
http://www.premierguitar.com/ext/resources/images/content/2015_09/Rig-Rundowns/Social-Distortion/Jonny-FX-WEB.jpg Hands-down the pedal freak of the band, Wickersham travels heavy with three stompboxes—a Boss TU-2 Tuner, an MXR Micro Amp that he utilizes as a clean boost to push the amp a bit more while still retaining the guitar’s natural tonal characteristics, and a J. Rockett Audio Designs Archer that he uses as a fairly-transparent dirt box that fills his tone out and adds harmonic richness.more
Bass : First Act Limited Edition Delgada; GHS Bass Boomers (.050-.115), Dunlop Tortex Picks (1.14mm) Rig : 80s Ampeg SVT VL head and 8x10 cab; 70s Laney Klipp head and Marshall 4x12 cab Effects : MXR M80 Bass DI, Fulltone Bass-Drive MOSFET, Electro-Harmonix Metal Muff, Whirlwind A/B Box, Boss TU-2 Chromatic Tuner "I run the DI, with distortion as my primary tone, into the SVT. I've also been using Matt's Metal Muff to get a crazy, overdriven sound. We like the heaviness of tuning down two steps to CFBbEb." http://www.bassplayer.com/article/high-fires-jeff/may-08/35685more
"New set up! Boss TU-2 > Digitech Whammy > Zinky True Grit > Visual Sound Jekyll & Hyde > Electro-Harmonix Nano Muff Overdrive > Line 6 FM4 >Boss DD3 > Boss TR2 > Ernie Ball VP JR > Electro-Harmonix Holy Grail Plus > Akai Headrush > Boss RC-20" Taken from Joseph Andreoli's Facebook.more
"Do you use BOSS’s famous TU-2 tuner pedal too? I do. My dad initially bought me a regular [handheld] tuner, and then upgraded me to the white BOSS pedal. As soon as I got the pedal, I thought it was so cool, and it was easier for me to use onstage. It’s reliable and it doesn’t lie to you. I love it."more
Its main purpose in the chain is to split the signal letting the bypass go into more effects and than into the guitar amps and the effect output signal to hit the Boss OC-3 and let the lower octave go into the ampeg bass amp. That gives him the ability to turn off the lower octave upon engaging the TU. For the song "Billion Year Contract" he also switches out the cables between the wet and dry signals going out of this effect so he can only play the lower octave only.more
Artist said: " astroflexagram @astroflexagram #pedalboardfreak #shoegaze #guitarporn #spaceecho #electroharmonix #deluxememoryman #bigmuff #mxr #phase90 #dittolooper #bossps3 #smallstone #ravishsitar #twintube #tech21 #sansamp #pulsar #greenmachine #aramateffects #bossdd5 #bosstu #guitareffects #guitarfx #seymourduncan #1spot #geartalk #pedalboard #alienspacebuttons #drugs #toys Foto: @renconde"more
Seen on Dallas' larger pedalboard. "Dallas’ brings two boards on the road as he’s live-testing a fly board for festival gigs and European tours. The main stomp station holds a Soldano Supercharger G.T.O., Boss DD-6 Digital Delay, EarthQuaker Devices Dispatch Master, Homebrew Electronics Paul Gilbert Detox EQ, Bogner La Grange, and a Boss TU-2 Chromatic Tuner. Everything is controlled by a Carl Martin Octa-Switch MK3." Source: https://www.premierguitar.com/articles/27745-rig-rundown-pelicanmore
At 2:50 of this video clip provided by Gear Gods and from their "RIGGED" series, Buz McGrath, lead guitarist of Unearth runs down the pedals he uses, which he has sitting on top of his cabinet. He shows his Boss TU-2 Tuner. His tuner has a piece of green tape over it which displays his tuning. (Drop B) B - F# - B - E - A - G# - F#more
For guitarist, Nershi mainly uses a Collings I-35, a Santa Cruz D-Nershi Signature Model, a ’70s Martin D-28 ("FrankenMartin"), a 1955 Martin D-18, and a Ton Nershi T-Style Guitar. When it comes to amps, Nershi goes with his tried-and-true Fender formula involves a Blues Deluxe and a Blues DeVille. The handful of stomps that he relies on includes: Fulltone OCD, Fulltone Fat-Boost, Ernie Ball Volume Pedal, Boss TU-2 Chromatic Tuner, Fulltone Full-Drive 2, Pro Co RAT, Maxon Rotary Phaser, Dunlop Crybaby Wah, Line 6 Echo Park, TC Electronic G-Force. And for strings, picks, and accessories, he currently jams D'Addario EX115 (.010-.049), Rocktron MIDI Mate, Whirlwind Selector A/B, Sunrise acoustic pickup, K&K Pure Classic acoustic pickup, and Avalon U5.more
"I'm working on a system with one control / crocodile tail loop oc10. I recommend it because it is easy to operate intuitively. By the way, the purple pedal under the right is a handmade booster borrowed to takamatsu-kun. Setting distortion around the channel of leh + Chorus. DISTORTION ? The order of the space system is treated as a theory, but there is a SPACE ? Distortion, or a nuances that can't be sent. It's remarkable when you use your arm or do a choker. It was a reference to the setting of Sonic Youth Thurston • Moore. By the way, line6's dl4 uses the sampler function mainly. Time-to-time sampling phrases in real time." / Kobayashimore
The handful of stomps that he relies on includes: Fulltone OCD, Fulltone Fat-Boost, Ernie Ball Volume Pedal, Boss TU-2 Chromatic Tuner, Fulltone Full-Drive 2, Pro Co RAT, Maxon Rotary Phaser, Dunlop Crybaby Wah, Line 6 Echo Park, TC Electronic G-Force. And for strings, picks, and accessories, he currently jams D'Addario EX115 (.010-.049), Rocktron MIDI Mate, Whirlwind Selector A/B, Sunrise acoustic pickup, K&K Pure Classic acoustic pickup, and Avalon U5.more
"His pedals out front onstage include a Boss RT-20 Rotary Ensemble, a Boss CH-1 Super Chorus, TC Electronic Flashback Delay, Electro-Harmonix Micro POG, Pedalworx Doobie Double Drive. Simmons has one tuner for electric and another for acoustic: a Boss TU-2 Chromatic Tuner and a Peterson StroboFlip. Everything is powered by a single Voodoo Lab Pedal Power 2 Plus."more
The BOSS TU-2 Chromatic Tuner incorporates BOSS' world renowned TU-Series tuner technology into an ultra-convenient stompbox design. For the first time ever, guitarists and bassists can now tune their instruments with unrivaled accuracy and an unmatched tuning range--with just a single stomp.
Here's a somewhat long review. Fact is, It's a very accurate tuner housed in metal armour. The output acts like a killswitch, and the bypass makes it a regular tuner with no killings. You can do a few other settings, but I just use the chromatic tuner. Solid piece, and definitely worth your money, especially for newer guitarists. The clip-on's and box tuners are nice, but this one does it's job perfectly.
The standard, need I say more? :p
In recent times, I have found the routing on the pedal very useful for creating effects loops. Search for me 'Adam Flanagan' on youtube to see what fun you can emulating bands such as Royal Blood with a TU2, LS2, Pogs and a whole lot of overdrives!
This is one of those pedals that kind of magically makes its way into your shopping cart and says, "Look, everyone else uses me, I'm relatively inexpensive, why would you buy any other tuner?" ... and it's kind of right. My buying decision was pretty much based on how popular the TU-2 is.
You get the Boss build quality and reliability, no issue there. Virtually indestructible. Nice display, easy to read in the dark. Another thing that's cool about it is if you have other Boss pedals, you can use this one to chain them all together and power them all. Oh and it tunes well, too :)
If I needed a new tuner today, maybe I'd get the TU-3 just because it's newer.
This pedal paid for itself in just 1 gig. When you step on the pedal to turn it on it serves to must have functions. 1: obviously its a great tuner. 2: it mutes your signal so nobody has to hear you tune. When you tune when everyone can hear you, it's really unprofessional. Also, the muting is a must have for anyone switching instruments. Nobody wants to here that loud buzz when plugging and unplugging, plus it's not good for your amp. Must have pedal.
I've had my TU-2 for about 12 years now and its still working perfectly. Its probably the most popular tuner pedal ever because its accurate, tough and very user friendly. A reputation its successor, the TU-3, will have a hard time trying to top.
It doesn't have true bypass, fancy led lights or screen or poly-tuning, but it's so damn accurate, reliable and durable that I will never get rid of it. Boss TU-2 is a life-time tuner.
Tunes my guitars. Duh. Nice bypass. Sometimes it glitches out in the middle of a show and I can't tune. Not cool. But, mostly, I dig it.
This is just honestly the most reliable tuner pedal I've used in my life. Cheap, durable, and reliable, I would recommend this to anybody, from people who gig out, to people who just jam in their rooms.
The tuner usually works alright. Occasionally, I'll notice some error and will have to come back to retune strings in the same session. Though a football is very convenient being at your feet, there's something left to be desired if a simple iPhone app could outperform the pedal.
This is my go to pedal. I have had it for years. I used to use a Korg DT-1 Pro. The only con for this is playing day festivals. The LED isn't bright enough to be visible during the day.
A staple for any board. Works great, easy to see in any lighting situation. At some point I might switch over to a rack unit to free up more space on my board, but for now it does the trick.
It tunes bass, mandolin, acoustic, electric - friggin everything. It's incredibly accurate and bright as a lighthouse! Don't fart about with anything else - just get one of these and it has a simple on off unlike the new Tu-3