Kim Wilde

KIM WILDE

Fostex 250 4-track cassette Yamaha DX7 SCI Drum Traks

"The DX7 is very adaptable and doesn't sound too synthy, so it's a good basis to use. It's the main instrument I use — I've got an old guitar which I can't play but it can be an interesting accompaniment.

"My Fostex is adequate for things I want to do as demos, because I've also got my own recording studio, so I can enhance what I do later. I think the limitations of a 4-track are very constructive because they make you get to the essential ideas in a song.

"I use a Drum Traks for a drum machine — I wasn't keen on the original bass drum in that so I had it replaced with a Linn chip. It's heavier and thicker now, but still not stunning. I suppose I'm spoilt because I'm used to being in a studio where a bass drum sounds like a bass drum.

"The Fostex is dead easy — I had to overcome the technological barrier that most people have, but as soon as I got over that it was straightforward. I tend to put down a lot of vocals, and bouncing those together is easier than bouncing instruments together — the balance of instruments is easier to mess up, I find.

"Writing's quite a new thing for me, so the demos are for my own reference, to help me in the studio. And the machines will throw ideas at you — it's up to you whether you grab them or not.

"I wish they'd use ordinary terms more in the manuals for all this equipment. I find that I learn more from the machines by trial and error than I do from the instructions. It's not that they're beyond comprehension, they could just put things in a far more basic structure."

KIM WILDE

Fostex 250 4-track cassette Yamaha DX7 SCI Drum Traks

"The DX7 is very adaptable and doesn't sound too synthy, so it's a good basis to use. It's the main instrument I use — I've got an old guitar which I can't play but it can be an interesting accompaniment.

"My Fostex is adequate for things I want to do as demos, because I've also got my own recording studio, so I can enhance what I do later. I think the limitations of a 4-track are very constructive because they make you get to the essential ideas in a song.

"I use a Drum Traks for a drum machine — I wasn't keen on the original bass drum in that so I had it replaced with a Linn chip. It's heavier and thicker now, but still not stunning. I suppose I'm spoilt because I'm used to being in a studio where a bass drum sounds like a bass drum.

"The Fostex is dead easy — I had to overcome the technological barrier that most people have, but as soon as I got over that it was straightforward. I tend to put down a lot of vocals, and bouncing those together is easier than bouncing instruments together — the balance of instruments is easier to mess up, I find.

"Writing's quite a new thing for me, so the demos are for my own reference, to help me in the studio. And the machines will throw ideas at you — it's up to you whether you grab them or not.

"I wish they'd use ordinary terms more in the manuals for all this equipment. I find that I learn more from the machines by trial and error than I do from the instructions. It's not that they're beyond comprehension, they could just put things in a far more basic structure."

KIM WILDE

Fostex 250 4-track cassette Yamaha DX7 SCI Drum Traks

"The DX7 is very adaptable and doesn't sound too synthy, so it's a good basis to use. It's the main instrument I use — I've got an old guitar which I can't play but it can be an interesting accompaniment.

"My Fostex is adequate for things I want to do as demos, because I've also got my own recording studio, so I can enhance what I do later. I think the limitations of a 4-track are very constructive because they make you get to the essential ideas in a song.

"I use a Drum Traks for a drum machine — I wasn't keen on the original bass drum in that so I had it replaced with a Linn chip. It's heavier and thicker now, but still not stunning. I suppose I'm spoilt because I'm used to being in a studio where a bass drum sounds like a bass drum.

"The Fostex is dead easy — I had to overcome the technological barrier that most people have, but as soon as I got over that it was straightforward. I tend to put down a lot of vocals, and bouncing those together is easier than bouncing instruments together — the balance of instruments is easier to mess up, I find.

"Writing's quite a new thing for me, so the demos are for my own reference, to help me in the studio. And the machines will throw ideas at you — it's up to you whether you grab them or not.

"I wish they'd use ordinary terms more in the manuals for all this equipment. I find that I learn more from the machines by trial and error than I do from the instructions. It's not that they're beyond comprehension, they could just put things in a far more basic structure."

Kim Wilde has been using the Austrian Audio OD505 WL1 microphone head since 2024, as seen in her performance of "Kids In America" at BBC Music's Radio 2 in the Park 2024.