Matt Hyde

According to Maxon's website, Hyde uses the Maxon PT-999 phase tone pedal.

According to Maxon's website, Hyde uses the Maxon DS830 Distortion Master pedal.

According to Maxon's website, Hyde uses the Maxon OD820 Overdrive Pro pedal.

According to Maxon's website, Hyde uses the Maxon SD-9 Sonic Distortion pedal.

For miking duties, whether on bass or guitar amps, Hyde used a Beyer M160 or a Shure SM 57…

For miking duties, whether on bass or guitar amps, Hyde used a Beyer M160 or a Shure SM 57, or a 57 with a Sennheiser MD 421…

"We make sure to listen in different places in the room and then place the mics based on that. For room mics I used RCA 44- BX ribbon mics about six to eight feet out and to the left and right, they happened to sound great. The RCA ribbon mics mostly picked up snare and kick. So I moved them more to the middle and they became these center mono ribbon mics. Deeper out in the room, we used a pair of Coles facing down at the floor, low to the floor; I don’t want to pick up a lot of cymbals. That’s one way to get smooth room sound without a lot of cymbals. Then we added some condenser mics: Neumann U47s and U67s, far out in the room…"

“Another trick mic I use a lot is a Shure 520DX Green Bullet Harmonica mic right behind the drummer’s head”

Hyde taped together Shure SM57 and KM84 mics for the top snare head

Three mics picked up the bass drum: a Sennhesier 602 in the kick, Neumann U47 FET on the outside, Yamaha NS10 subwoofer for low frequencies.

Chino vocal’s chain was a dual affair: the Bock Audio 251 into a Martech MSS-10 preamp into a DBX 160, sans EQ

Chino vocal’s chain was a dual affair: the Bock Audio 251 into a Martech MSS-10 preamp into a DBX 160, sans EQ

In addition to Paramount’s SSL consoles, Hyde brought in Neve preamps of every description, including a Neve sidecar with 1065s, 1055s, 1073s, and 1081s