What details can you share about Mdou’s amp setup?

“[Mixing engineer] Seth Manchester and I reamped Mdou’s guitar through a Soldano SLO-100 and a Traynor 4x12 cab. This amp is made for Mdou. Since Mdou doesn’t play with a lot of dynamics and it’s pretty much just hard fingerpicking on the bridge pickup, there tends to be a lot of bright sizzly highs and not enough clarity. The SLO just scoops all the unwanted high frequencies out. For mics, we used a Neumann U 77 and Coles 4038, like, 3ft to 5ft away going into API preamps.

“After reamping, I throw a Space Echo [RE-]201 on the left and right sides for a bigger sound. There were no Roland JC-120s on this record – however, on some songs like Oh France, I used a Roland Chorus Echo [RE-]501 for that chorus sound.

“The chorus on the 501 is a bit different than the JC-120 – it’s more similar to the Roland battery-powered Cube chorus, which is widely used throughout all of West Africa and one of Mdou’s favourite amps.”

Find it on:

Coles Electroacoustics 4038

Ribbon Microphones

Used for the guitar amps on Funeral for Justice as stated by producer Mikey Coltun in this May 28, 2024 Guitar World interview.

What details can you share about Mdou’s amp setup?

“[Mixing engineer] Seth Manchester and I reamped Mdou’s guitar through a Soldano SLO-100 and a Traynor 4x12 cab. This amp is made for Mdou. Since Mdou doesn’t play with a lot of dynamics and it’s pretty much just hard fingerpicking on the bridge pickup, there tends to be a lot of bright sizzly highs and not enough clarity. The SLO just scoops all the unwanted high frequencies out. For mics, we used a Neumann U 77 and Coles 4038, like, 3ft to 5ft away going into API preamps.

“After reamping, I throw a Space Echo [RE-]201 on the left and right sides for a bigger sound. There were no Roland JC-120s on this record – however, on some songs like Oh France, I used a Roland Chorus Echo [RE-]501 for that chorus sound.

“The chorus on the 501 is a bit different than the JC-120 – it’s more similar to the Roland battery-powered Cube chorus, which is widely used throughout all of West Africa and one of Mdou’s favourite amps.”

Find it on:

Neumann U77

Condenser Microphones

Used for the guitar amps on Funeral for Justice as stated by producer Mikey Coltun in this May 28, 2024 Guitar World interview.

What details can you share about Mdou’s amp setup?

“[Mixing engineer] Seth Manchester and I reamped Mdou’s guitar through a Soldano SLO-100 and a Traynor 4x12 cab. This amp is made for Mdou. Since Mdou doesn’t play with a lot of dynamics and it’s pretty much just hard fingerpicking on the bridge pickup, there tends to be a lot of bright sizzly highs and not enough clarity. The SLO just scoops all the unwanted high frequencies out. For mics, we used a Neumann U 77 and Coles 4038, like, 3ft to 5ft away going into API preamps.

“After reamping, I throw a Space Echo [RE-]201 on the left and right sides for a bigger sound. There were no Roland JC-120s on this record – however, on some songs like Oh France, I used a Roland Chorus Echo [RE-]501 for that chorus sound.

“The chorus on the 501 is a bit different than the JC-120 – it’s more similar to the Roland battery-powered Cube chorus, which is widely used throughout all of West Africa and one of Mdou’s favourite amps.”

Find it on:

This is a community-built gear list for Mdou Moctar.

Find relevant music gear like Microphones, Guitars, Amplifiers, Effects Pedals, and other instruments and add it to Mdou Moctar.
The best places to look for gear usage are typically on the artist's social media, YouTube, live performance images, and interviews.
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Discography