Nick Littlemore

Nick explains a lot of his gear in this interview. Referencing the SP-1200:

"For me personally it’s the [E-mu] SP-1200, which I’ve had for a long time. For generating something quickly, that would be my go to."

Nick talks about a lot of his gear and production in this interview. In reference to the CS-80:

"The [Yamaha] CS-80 is definitely one of the main things. I got it in New York a while ago now and these are behemoths, they weigh about 220 pounds so it doesn’t get moved around much."

Nick explains a lot of his gear in this interview.

"I’ve got a setup of these monosynths, they’re called Kawai 100Fs."

I use Ableton for ideas, but because I’ve been using Pro Tools… actually, only about a year longer than Albeton. I was an early adopter of Ableton and used to play live a lot just straight out of Ableton. So I do love both of those systems but I find Pro Tools.

I use Ableton for ideas, but because I’ve been using Pro Tools… actually, only about a year longer than Albeton. I was an early adopter of Ableton and used to play live a lot just straight out of Ableton. So I do love both of those systems but I find Pro Tools… just for the hours and hours of editing and tracking and something like the CS-80, it’s always a little out of tune. So the way we get around that is we, because it’s mono for the most part, we do like 12 to 24 layers of a single part and you get an nice overall, chorus-y, warm, fuzzy kind of sound that’s never quite on the note, but it’s enough.